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1
Coffey, Simon, ed. The History of Grammar in Foreign Language Teaching. NL Amsterdam: Amsterdam University Press, 2020. http://dx.doi.org/10.5117/9789463724616.
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Taking a broadly chronological approach, this volume of original essays traces the origins of the concept of ‘grammar’. In doing so, it charts the social, moral and cultural factors that have shaped the development of grammar from Antiquity, via the Middle Ages, Renaissance and Modern Europe, to current education systems and language learning pedagogy. The chapters examine key turning points in the history of language teaching epistemology, focusing on grammar for language teaching across different European cultural contexts. Bringing together leading scholars of classical and modern languages education, The History of Grammar in Foreign Language Teaching offers the first single-source reference on the evolving concept of grammar across cultural and linguistic borders in Western language education. It therefore represents a valuable resource for teachers, teacher-educators and course designers, as well as students and scholars of historical linguistics, and of second and foreign language education.
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Chiekova, Dobrinka. Cultes et vie religieuse des cités grecques du Pont Gauche (VIIe- Ier siecles avant J.-C.). Bern: Lang, 2008.
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Cultes et vie religieuse des cités grecques du Pont Gauche (VIIe- Ier siecles avant J.-C.). Bern: Lang, 2008.
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Halbwachs, Maurice. Le point de vue du nombre: 1936. Précédé de l'avant-propos au tome VII de l'encyclopédie française de Lucien Febvre et suivi de trois articles de Maurice Halbwachs. Paris: Institut national d'études démographiques, 2005.
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5
Guigue, Bruno. Recherches sur Notre-Dame de Lyon, hôpital fondé au VIe siècle par le Roi Childebert et la Reine Ultrogothe : origine du pont de la Guillotière et du Grand-Hôtel-Dieu. Lyon: R. Georges, 1997.
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6
Kutcher, Norman. The Skein of Chinese Emotions History. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252038051.003.0004.
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This chapter draws out some common threads from the history of emotions in Chinese literature. The first of these threads is orthodoxy. Specific Chinese traditions—and here Confucianism is the case in point—dictated the rules of proper behavior: these rules were considered to regulate even the emotions. The second thread is context. Whether, or how, an emotion was expressed was a product of the venue (textual or otherwise) in which it was to be described or expressed. The third thread is the role of the formula (or, the formulaic) in emotion and its expression, or how we understand professions and descriptions of emotion that are expressed via stock phrases.
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Toste, Marco, ed. Questiones super I-VII libros Politicorum. Leuven University Press, 2022. http://dx.doi.org/10.11116/9789461664402.
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This volume is the first complete critical edition of Peter of Auvergne’s Questiones super I-VII libros Politicorum. The Questiones was produced at the Faculty of Arts of Paris sometime between late 1291 and 1296 and is the earliest surviving commentary in question form on Aristotle’s Politics. As the introduction explains, the Questiones was philosophically innovative and became the most influential question-commentary on the Politics in the Middle Ages. The volume also includes a critical edition of an earlier oral report (reportatio) of Peter’s teaching on Books I-II and part of III which became the basis for those sections of the Questiones. This volume is of interest to scholars of medieval philosophy and the history of political thought and is a reference point for future research on the medieval reception of Aristotle’s Politics and medieval Aristotelian practical philosophy more broadly.
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Breitbarth, Anne, and Agnes Jäger. History of negation in High and Low German. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198813545.003.0010.
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The expression of sentential negation follows Jespersen’s Cycle in the history of High and Low German, from a verbal clitic neg-particle (stage I) in the earliest stages of attestation via a bi-partite expression (stage II) to a free adverbial negator (stage III) in the present-day languages. Besides the expression of negation, also the interaction between sentential negation and indefinites in its scope changes, from the original verbal neg-particle co-occurring with n-free indefinites and the neg-particle co-occurring with neg-marked indefinites (Negative Concord) to neg-marked indefinites without a sentential negator, in the wake of the loss of the old neg-particle. Though these developments are largely similar, they happen at different speeds, and differ in points of detail.
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Saito, Hiro. The Legacy of the Tokyo Trial. University of Hawai'i Press, 2017. http://dx.doi.org/10.21313/hawaii/9780824856748.003.0006.
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Since relevant political actors used the Tokyo Trial as a reference point, a critical reassessment of the trial holds the key to resolving the history problem. First, elements of victor’s justice in the trial need to be critiqued in light of the world-historical context of imperialism and colonialism. This critique will decrease ambivalence that many Japanese citizens feel toward the trial and help them accept Japan’s war crimes decisively. Second, Japan’s victimhood vis-à-vis war crimes of the Allied Powers need to be recognized. Such recognition will allow Japanese citizens to draw on their own victimhood to fully empathize with South Korean and Chinese victims and, in turn, help South Korean and Chinese citizens better understand Japan’s war commemorations. Third, the trial’s government-centered view on Japan’s past aggression needs to be challenged to clarify each Japanese citizen’s share of war responsibility and allow cosmopolitan contrition to become truly nationwide.
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Kumar, Akshaya. Provincializing Bollywood. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780190130183.001.0001.
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This book situates Bhojpuri cinema within the long history of vernacular media production, which was kick-started by audio cassettes and spurred on further with VCDs and DVDs. The emergence of multiplex-malls and the evacuation of single-screen theatres all over north India, at a time of massive real estate development, particularly in peninsular Indian cities, which required working class migrants’ ‘manual labour’ also prepared the ground for new linguistic consolidations and cultural forms. Investigating the historical, theoretical and empirical bases of Bhojpuri media production, the book tries to make sense of cinema within the ‘comparative media crucible’, in which film history sits alongside floods, droughts, musical traditions, gendered segregation, real estate boom, libidinal youth cultures, urban resettlements and highway modernities. The book grapples with Bhojpuri media from within Hindi film history, from the vantage point of provincial north India, in the light of the socio-technical upheavals of the last three decades. Foregrounding the libidinal energies, language politics and curatorial informalities, the book argues that Bhojpuri cinema could be conceptualized via the logic of overflow. Animated by libidinal affordances which have breached all formal embankments, it thrives on a curious blend of scandalizing and moralizing overtones.
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A Life of Thomas Becket in Verse: La Vie de saint Thomas Becket by Guernes de Pont-Sainte-Maxence. PIMS, 2013.
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12
Oldfield, Paul. The Sources. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198717737.003.0002.
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This chapter provides a brief overview of the main sources used in the study. The purpose is twofold. First, to provide the key information germane to each source so that the reader is aware of these when encountering them later in the study. Second, in providing such an overview, the chapter aims to demonstrate the diversity and heterogeneity of the sources within which urban panegyric is found. Praise of the city was disseminated via hagiographies, poems, chronicles, epistles, charters, encyclopaedia, and works of compilation, texts focused directly on one city and its history, vernacular texts, and sermons. It will highlight those formats of praise which were particularly innovative post-1100 (especially sermons, vernacular works, and compilation texts). The survey will commence also with a short discussion on pre-1100 material to remind the reader at this point that the later works did not exist in a historical vacuum.
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M’Closkey, Kathy. Unraveling the Narratives of Nostalgia. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252037153.003.0008.
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For decades, researchers have investigated the impact of market economies on indigenous peoples' lifeways and natural resources. This chapter reveals how incorporation of Navajo pastoralists into the American wool and livestock markets via the trading-post system initiated a turning point in Diné history. The passage of the Dawes Act in 1887, triggered the loss of over 80 million acres of tribal lands and ultimately impoverished thousands of Native Americans. That same year, revisions proposed to the wool tariff initiated a change in federal policy that ultimately held profound consequences for Navajo woolgrowers and weavers. Although their reservation was periodically enlarged to accommodate the need for increased grazing lands, Navajos' livelihood was significantly compromised. As livestock owners and weavers, Navajo women were doubly disadvantaged by changes in the domestic wool tariff coupled with patriarchal assumptions that obliterated their contributions to subsidizing the reservation economy from 1880 to World War II.
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Bross, Kristina. “Of the New-World a new discoverie”. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190665135.003.0003.
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Chapter 2 analyzes Thomas Gage’s The English-American (1648), which urges Oliver Cromwell to invade New Spain (the “Western Design”). Gage, an English Catholic, lived in New Spain for twelve years, apostasized and returned to England as a Protestant minister, and published accounts of his travels. Gage’s works imagine an alternative history in which England, not Spain, backed Columbus’s explorations and prognosticates a worldwide English empire. He presents himself as a latter-day Columbus, offering the discovery of America to Cromwell in the role of King Henry VII. The coda takes a 1628 document preserved in the British National Archives as a starting point to consider how the Victorian Calendar of State Papers and especially one of its editors (and author of the children’s gift-book Hearts of Oak), W. Noel Sainsbury, made meaning of such materials, establishing “what the past will have meant” in the late nineteenth century and beyond.
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Dickinson, Colby. Theodor W. Adorno. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474423632.003.0024.
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In his somewhat controversial book Remnants of Auschwitz, Agamben makes brief reference to Theodor Adorno’s apparently contradictory remarks on perceptions of death post-Auschwitz, positions that Adorno had taken concerning Nazi genocidal actions that had seemed also to reflect something horribly errant in the history of thought itself. There was within such murderous acts, he had claimed, a particular degradation of death itself, a perpetration of our humanity bound in some way to affect our perception of reason itself. The contradictions regarding Auschwitz that Agamben senses to be latent within Adorno’s remarks involve the intuition ‘on the one hand, of having realized the unconditional triumph of death against life; on the other, of having degraded and debased death. Neither of these charges – perhaps like every charge, which is always a genuinely legal gesture – succeed in exhausting Auschwitz’s offense, in defining its case in point’ (RA 81). And this is the stance that Agamben wishes to hammer home quite emphatically vis-à-vis Adorno’s limitations, ones that, I would only add, seem to linger within Agamben’s own formulations in ways that he has still not come to reckon with entirely: ‘This oscillation’, he affirms, ‘betrays reason’s incapacity to identify the specific crime of Auschwitz with certainty’ (RA 81).
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Questier, Michael. Catholics and Treason. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780192847027.001.0001.
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This volume takes the narratives generated by the contemporary law of treason as it applied to Roman Catholics, during and after the Reformation of the Church in the sixteenth century, and uses them to explore the Catholic community’s writing of its own history. Prosecutions of Catholics under the existing law and via new legislation produced a great deal of documentation which tells us much about contemporary politics that we could not garner from any other source. The intention here is to locate the narratives of persecution inside the context of the ‘mainstream’ history of the period from which, for the most part, they have been routinely excluded but out of which they partly came. In that respect, this is the history of the post-Reformation Church and State with the politics (of violence) put back. This volume takes as its starting point the magnum opus of Bishop Richard Challoner, his Memoirs of Missionary Priests, and it works backwards from that book into the period that Challoner describes. It reassembles as far as possible the historical jigsaw puzzle on which Challoner laboured but which he could not complete. Catholics and Treason also considers the implications, for our view of the post-Reformation, of the way in which Challoner and others described the Catholic experience of in/tolerance.
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Lu-Adler, Huaping. Kant and the Science of Logic. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190907136.001.0001.
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This book is both a history of philosophy of logic told from the Kantian viewpoint and a reconstruction of Kant’s theory of logic from a historical perspective. Kant’s theory represents a turning point in a history of philosophical debates over the following questions: (1) Is logic a science, instrument, standard of assessment, or mixture of these? (2) If logic is a science, what is the subject matter that differentiates it from other sciences, particularly metaphysics? (3) If logic is a necessary instrument to all philosophical inquiries, how is it so entitled? (4) If logic is both a science and an instrument, how are these two roles related? Kant’s answer to these questions centers on three distinctions: general versus particular logic, pure versus applied logic, pure general logic versus transcendental logic. The true meaning and significance of each distinction becomes clear, this book argues, only if we consider two factors. First, Kant was mindful of various historical views on how logic relates to other branches of philosophy (viz. metaphysics and physics) and to the workings of common human understanding. Second, he first coined “transcendental logic” while struggling to secure metaphysics as a proper “science,” and this conceptual innovation would in turn have profound implications for his mature theory of logic. Against this backdrop, the book reassesses the place of Kant’s theory in the history of philosophy of logic and highlights certain issues that are still debated today, such as normativity of logic and the challenges posed by logical pluralism.
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Searcy, Anne. Ballet in the Cold War. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190945107.001.0001.
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During the Cold War, the governments of the United States and the Soviet Union developed cultural exchange programs, in which they sent performing artists abroad in order to generate goodwill for their countries. Ballet companies were frequently called on to serve in these programs, particularly in the direct Soviet-American exchange. This book analyzes four of the early ballet exchange tours, demonstrating how this series of encounters changed both geopolitical relations and the history of dance. The ballet tours were enormously popular. Performances functioned as an important symbolic meeting point for Soviet and American officials, creating goodwill and normalizing relations between the two countries in an era when nuclear conflict was a real threat. At the same time, Soviet and American audiences did not understand ballet in the same way. As American companies toured in the Soviet Union and vice versa, audiences saw the performances through the lens of their own local aesthetics. Ballet in the Cold War introduces the concept of transliteration to understand this process, showing how much power viewers wielded in the exchange and explaining how the dynamics of the Cold War continue to shape ballet today.
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Ziogas, Ioannis. Law and Love in Ovid. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780198845140.001.0001.
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In classical scholarship, the presence of legal language in love poetry is commonly interpreted as absurd and incongruous. Ovid’s legalisms have been described as frivolous, humorous, and ornamental. This book challenges this widespread, but ill-informed view. Legal discourse in Latin love poetry is not incidental, but fundamental. Inspired by recent work in the interdisciplinary field of law and literature, the book argues that the Roman elegiac poets point to love as the site of law’s emergence. The Latin elegiac poets may say ‘make love, not law’, but in order to make love, they have to make law. Drawing on Agamben, Foucault, and Butler, the book explores the juridico-discursive nature of Ovid’s love poetry, constructions of sovereignty, imperialism, authority, biopolitics, and the ways in which poetic diction has the force of law. The book is methodologically ambitious, combining legal theory with historically informed closed readings of numerous primary sources. It aims to restore Ovid to his rightful position in the history of legal humanism. The Roman poet draws on a long tradition that goes back to Hesiod and Solon, in which poetic justice is pitted against corrupt rulers. Ovid’s amatory jurisprudence is examined vis-à-vis Paul’s letter to the Romans. The juridical nature of Ovid’s poetry lies at the heart of his reception in the Middle Ages, from Boccaccio’s Decameron to Forcadel’s Cupido iurisperitus. The current trend to simultaneously study and marginalize legal discourse in Ovid is a modern construction that this book aims to demolish.
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Goehr, Lydia. Red Sea-Red Square-Red Thread. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780197572443.001.0001.
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Red Sea—Red Square—Red Thread is a work of passages. It offers a genealogy of liberty through a micrology of wit. It follows a long history of a very short anecdote: commissioned to depict the biblical passage through the Red Sea, a painter covered a surface with red paint, explaining that the Israelites had already crossed over and that the Egyptians were drowned. Who was the painter and who the first teller of the tale? Designed as a philosophical detective story, the book follows the extraordinarily many thinkers and artists who have used the Red Sea anecdote to make much more than a merely anecdotal point, foremost the philosophers Arthur Danto and Søren Kierkegaard, the writer Henri Murger, the opera composer Giacomo Puccini, and the painter William Hogarth. Strange companions perhaps, until their shared use of the anecdote proves its extraordinary passage through so many cosmopolitan cities. What brings Danto’s philosophy of art into conversation with Kierkegaard’s stages on life’s way, with Murger and Puccini’s la vie de bohème, and with Hogarth’s modern moral pictures? The book explores narratives of emancipation in philosophy, theology, politics, and the arts. What has the passage of the Israelites to do with the Egyptians who came to be branded as bohemians when arriving in France from the German lands of Bohemia? What have Moses and monotheism to do with the history of monism and the monochrome? And what sort of thread connects a sea to a square when each so purposefully is named red?
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Pooler, Mhairi. Writing Life: Early Twentieth-Century Autobiographies of the Artist-Hero. Liverpool University Press, 2015. http://dx.doi.org/10.3828/liverpool/9781781381977.001.0001.
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Writing Life offers a revisionary exploration of the relationship between an author’s life and art. By examining the self-representation of authors across the schism between Victorianism and Modernism via the First World War, this study offers a new way of evaluating biographical context and experience in the individual creative process at a critical point in world and literary history. Writing Life is also the story of four literarily and personally interconnected writers – Edmund Gosse, Henry James, Siegfried Sassoon and Dorothy Richardson – and how and why they variously adapted the model of the German Romantic Künstlerroman, or artist narrative, for their autobiographical writing, reimagining themselves as artist-heroes. By appropriating key features of the genre to underpin their autobiographical narratives, Writing Life examines how these writers achieve a form of life-writing that is equally a life story, artist’s manifesto, aesthetic treatise and modern autobiographical Künstlerroman. Pooler argues that by casting their autobiographical selves in this role, Gosse, James, Sassoon and Richardson shift the focus of their life-stories towards art and its production and interpretation, each one conducting a Romantic-style conversation about literature through literature as a means of reconfirming the role of the artist in the face of shifting values and the cataclysm of the Great War.
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Champion, Jared N., and Peter C. Kunze, eds. Taking a Stand. University Press of Mississippi, 2021. http://dx.doi.org/10.14325/mississippi/9781496835482.001.0001.
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Stand-up comedians have a long history of walking a careful line between serious and playful engagement with social issues: Lenny Bruce questioned the symbolic valence of racial slurs, Dick Gregory took time away from the stage to speak alongside Martin Luther King Jr. , and—more recently—Tig Notaro challenged popular notions of damaged or abject bodies. Stand-up comedians deploy humor to open up difficult topics for broader examination, which only underscores the social and cultural importance of their work. Taking a Stand: Contemporary US Stand-Up Comedians as Public Intellectuals draws together essays that contribute to the analysis of the stand-up comedian as public intellectual since the 1980s. The chapters explore stand-up comedians as contributors to and shapers of public discourse via their live performances, podcasts, social media presence, and political activism. Each chapter highlights a stand-up comedian and their ongoing discussion of a cultural issue or expression of a political ideology/standpoint: Lisa Lampanelli’s use of problematic postracial humor, Aziz Ansari’s merging of sociology and technology, or Maria Bamford’s emphasis on mental health, to name just a few. Taking a Stand offers a starting point for understanding the work stand-up comedians do as well as its reach beyond the stage. Comedians influence discourse, perspectives, even public policy on myriad issues, and this book sets out to take those jokes seriously.
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Filppula, Markku, Juhani Klemola, and Devyani Sharma, eds. The Oxford Handbook of World Englishes. Oxford University Press, 2013. http://dx.doi.org/10.1093/oxfordhb/9780199777716.001.0001.
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As the most documented language in human history, English holds a unique key to unlocking some of the mysteries of that uniquely human endowment: language. Yet the field of World Englishes has remained somewhat marginal in linguistic theory and vice versa. This collection calls for more direct and mutually constructive engagement with current linguistic theories, questions, and methodologies. It aims to achieve this through a design that combines areal overviews, theoretical chapters, and case studies. The thirty-six chapters are divided into four thematic parts: Foundations, World Englishes and Linguistic Theory, Areal Profiles, and Case Studies. Part I sets out the complex history of the global spread of English, which has given rise to the extraordinary regional variation we see today. This is followed, in Part II, by chapters addressing the mutual relevance and importance of World Englishes and numerous theoretical subfields of Linguistics, ranging from phonology and syntax to sociolinguistics and language contact. Part III offers detailed accounts of the structure and social histories of specific varieties of English spoken across the globe, highlighting points of theoretical interest. The collection closes with a set of case studies that exemplify the type of analysis encouraged by the volume. As attention is focused on innovative work at the interface of dialect description and theoretical explanation, the book is more succinct in its treatment of applied themes, which are given complementary coverage in other works.
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Chen, Zhuangying, and Achim Aurnhammer, eds. Deutsch-chinesische Helden und Anti-Helden. Ergon Verlag, 2020. http://dx.doi.org/10.5771/9783956506093.
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This volume elucidates the changing relationship between heroization and othering in a German-Chinese cultural comparison. Intercultural case studies illustrate which representatives of German culture and history were subjected to a process of heroization or were disparaged as negative anti-heroes in Chinese culture. Vice versa, Chinese figures who adopted a corresponding heroic or antiheroic function within the German-speaking world are also examined. This German-Chinese dialogue, in which cultural scientists from Germany and China participate, is guided by the assumption that processes of heroization and de-heroization represent paradigmatic focal points in the economics of intercultural transfer. The relationship between individual and collective heroism and the meaning of alienness - be it of Chinese or German characteristics - when importing heroes offer new perspectives insofar as these importations prove to be complex and inconsistent. With contributions by Achim Aurnhammer, Chen Zhuangying, Cong Tingting, Fan Jieping, Olmo Gölz, Joachim Grage, He Zhiyuan, Huang Liaoyu, Hu Chunchun, Hu Kai, Sara Kathrin Landa, Stefanie Lethbridge, Lin Chunjie, Dieter Martin, Isabell Oberle, Dominik Pietzcker, Nicola Spakowski, Jennifer Stapornwongkul, Wang Zhiqiang, Wei Yuquing, Xie Juan, Zhang Fan, Zhu Jianhua, Ulrike Zimmermann.
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Walsh, P. G. Augustine: De Civitate Dei The City of God Books XI and XII. Liverpool University Press, 2015. http://dx.doi.org/10.3828/liverpool/9780856688720.001.0001.
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In books I–V of De Civitate Dei, St. Augustine rejects the claim that worship of the pagan gods had brought success in this life, and in books VI–X, the prospect of a happy afterlife. In books XI–XII, Augustine turns from attack to defence, for at this point he initiates his apology for the Christian faith. Books XI and XII document the initial phase of the rise of the two cities, the city of God and the city of this world, beginning with the Creation of the world and the human race. In Book XI, Augustine rejects the theories of Aristotle, Plato and the Epicureans on the creation of the universe and addresses the creation of angels, Satan, the role of the holy Trinity and the importance of numerology in the Genesis account. In Book XII, Augustine is chiefly concerned with refuting standard objections to the Christian tradition, returning to discussion of the Creation, including his calculation, based on the scriptures, that the world was created less than 6,000 years ago. This book is the only edition in English to provide not only a text but also a detailed commentary on one of the most influential documents in the history of western Christianity. It presents Latin text, with facing-page English translation, introduction, notes and commentary.