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Dissertations / Theses on the topic 'Poetsch'

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Published: 10 December 2022
Last updated: 29 January 2023

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1

Poetsch, Mareike Susann [Verfasser]. "Regulation of cardiac protein quality control by deubiquitinating enzymes / Mareike Susann Poetsch." Gießen : Universitätsbibliothek, 2019. http://d-nb.info/119221496X/34.

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Kössendrup, Katharina [Verfasser], and Micaela [Akademischer Betreuer] Poetsch. "Molekulargenetische Veränderungen im WWOX-Gen bei Harnblasenkarzinomen / Katharina Kössendrup ; Betreuer: Micaela Poetsch." Duisburg, 2018. http://d-nb.info/115509722X/34.

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Tzimas, Iliana [Verfasser], and Micaela [Akademischer Betreuer] Poetsch. "Bedeutung von Mutationen im Gen KCNQ1 bei Todesfällen im Wasser / Iliana Tzimas ; Betreuer: Micaela Poetsch." Duisburg, 2018. http://d-nb.info/1159879060/34.

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Pfeifer, Manuel [Verfasser], and Micaela [Akademischer Betreuer] Poetsch. "Altersbestimmung anhand der DNAMethylierung mittels Real-Time PCR und Pyrosequenzierung / Manuel Pfeifer ; Betreuer: Micaela Poetsch." Duisburg, 2020. http://d-nb.info/1221061747/34.

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5

Wiesweg, Marcel [Verfasser], Michael [Akademischer Betreuer] Kirsch, M. [Akademischer Betreuer] Poetsch, and K. [Akademischer Betreuer] Becker. "Ein spezifisches Nachweisverfahren für S-Nitrosothiole / Marcel Wiesweg. Gutachter: M. Poetsch ; K. Becker. Betreuer: Michael Kirsch." Duisburg, 2014. http://d-nb.info/1053913605/34.

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6

El, Hajjami Mohamed [Verfasser], Ansgar [Gutachter] Poetsch, and Katrin [Gutachter] Marcus. "Proteomikanalyse der CO_2zu Lipid-Umwandlung in Nannochloropsis oceanica Imet1 / Mohamed El Hajjami ; Gutachter: Ansgar Poetsch, Katrin Marcus." Bochum : Ruhr-Universität Bochum, 2019. http://d-nb.info/1202608973/34.

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Lünenschloß, Andrea [Verfasser], Ansgar [Gutachter] Poetsch, and Franz [Gutachter] Narberhaus. "Funktionelle Rolle von Rhomboid-Proteasen in Prokaryoten / Andrea Lünenschloß ; Gutachter: Ansgar Poetsch, Franz Narberhaus ; Fakultät für Biologie und Biotechnologie." Bochum : Ruhr-Universität Bochum, 2013. http://d-nb.info/124133000X/34.

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Schäkermann, Michael [Verfasser], Franz [Akademischer Betreuer] Narberhaus, and Ansgar [Akademischer Betreuer] Poetsch. "Posttranslational regulation of LPS biosynthesis in Escherichia coli and other Gram-negative bacteria / Michael Schäkermann. Gutachter: Franz Narberhaus ; Ansgar Poetsch." Bochum : Ruhr-Universität Bochum, 2016. http://d-nb.info/1095884808/34.

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Ramallo, Guevara Carina [Verfasser], Ansgar [Gutachter] Poetsch, and Ralf [Gutachter] Erdmann. "Proteome studies for understanding of mitochondrial senescence / Carina Ramallo Guevara ; Gutachter: Ansgar Poetsch, Ralf Erdmann ; Fakultät für Biologie und Biotechnologie." Bochum : Ruhr-Universität Bochum, 2019. http://d-nb.info/1199614726/34.

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Schäfer, Eva Regine [Verfasser], Norbert A. [Akademischer Betreuer] Dencher, and Ansgar [Akademischer Betreuer] Poetsch. "Massenspektrometrische und gelelektrophoretische Analyse altersabhängiger Veränderungen des mitochondrialen Proteoms von Modellorganismen / Eva Regine Schäfer. Betreuer: Norbert A. Dencher ; Ansgar Poetsch." Darmstadt : Universitäts- und Landesbibliothek Darmstadt, 2012. http://d-nb.info/1106113896/34.

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Helmus, Janine [Verfasser], and Micaela [Akademischer Betreuer] Poetsch. "Wie ist die DNA an das Kleidungsstück gekommen? : Molekulargenetische Analysen zur Antragung und Übertragung von Epithelzellen / Janine Helmus ; Betreuer: Micaela Poetsch." Duisburg, 2018. http://d-nb.info/1162840285/34.

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12

Fröhlich, Yvonne [Verfasser], and Micaela [Akademischer Betreuer] Poetsch. "Entwicklung und Etablierung mehrerer Snapshot-Assays zur Bestimmung mitochondrialer Haplogruppen in unterschiedlichen europäischen und afrikanischen Populationen / Yvonne Fröhlich ; Betreuer: Micaela Poetsch." Duisburg, 2018. http://d-nb.info/1164376438/34.

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13

Fandel, Sabine Birgit [Verfasser], and Micaela [Akademischer Betreuer] Poetsch. "Molekulargenetische Untersuchung zu DNA-Transfer im trockenen und feuchten Milieu - Bedeutung für die moderne forensische Spurenanalytik / Sabine Birgit Fandel ; Betreuer: Micaela Poetsch." Duisburg, 2019. http://d-nb.info/1191692442/34.

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Witt, Lisa-Marie [Verfasser], and Micaela [Akademischer Betreuer] Poetsch. "Etablierung von SNaPshot-Assays zur Charakterisierung Y-chromosomaler Haplogruppen – ein Teilprojekt zur Bestimmung der Ursprungspopulation unbekannter Tatortspuren / Lisa-Marie Witt ; Betreuer: Micaela Poetsch." Duisburg, 2018. http://d-nb.info/1156533473/34.

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15

Haußmann, Ute [Verfasser], Ansgar [Gutachter] Poetsch, and Franz [Gutachter] Narberhaus. "Physiological adaptation of the membrane proteome to aromatic compounds and steroids as alternative carbon sources in Corynebacterineae / Ute Haußmann ; Gutachter: Ansgar Poetsch, Franz Narberhaus ; Fakultät für Biologie und Biotechnologie." Bochum : Ruhr-Universität Bochum, 2012. http://d-nb.info/1216331049/34.

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16

Kramer, Christi. "Poetics of return : toward poetic imagination and peacebuilding." Thesis, University of British Columbia, 2014. http://hdl.handle.net/2429/46488.

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Toward a deeper understanding of poetic imagination, this poetic inquiry explores the creative process itself as a “wellspring that feeds the building of peace” (Lederach, 2005, p. 5). I position the study within the dialogic, as contemplative conversation, where utterance is a limitless continuum or whole (Bakhtin, 1986). I ask: Is it possible to write the world well? I listen to what poetry may say. I submit that “poetry witnesses us” (Milosz, 1983, p. 10) and that the gaze of poetry is courtesy (Lilburn, 1999). This study attends to poetic image as an essential attribute of the qualitative research methodology called poetic inquiry. Poetic image is whole (Al-Ghazali, 2010) and it is trace. It may be understood as a place or state: a space for radical meeting (Forché, 1993) of self and other; a multidimensional location (Zwicky, 2011) of potential and tension; a threshold, dihliz (Al-Ghazali in Moosa, 2005). Where poetic image is motion, it may be vertical and verb. Poetic image is not equal to metaphor (Bachelard, 1960). It exists in the sensory world, a doorway into our perception and memory, “enabling us to locate and embody the invisible and the unknown” (Kwasny, 2012, p. 2). It is generative, first of the creative imagination (Ibn Arabi in Corbin, 1998), and exists possibly prior to thought (Al-Ghazali, 2010; Bachelard, 1960). Poetic image may be known as direct ontology (Bachelard, 1960, p. xvi), a phenomenology of the soul (Bachelard, 1960, p. xx). Where both the poetic image and phenomenology require active participation and deny passivity or enslavement to object, in poetic image there may be liberation. Where “there is a sort of poverty of the spirit which stands in glaring contrast to our scientific and technological abundance” (King, 1964), might research performed in humility be an act of reconciliation? Or might poetry, “a source of innocence full of revolutionary forces” directed at a world “my conscience cannot accept” (Elytis, as cited in Ivask, 1981), be the “kind of knowing” Simon seeks, which could support the “reconstruction of social imagination in the service of human freedom?” (Simon, 1992, p. 4).
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Giordano, Matthew. "Dramatic poetics and American poetic culture, 1865-1904." Connect to this title online, 2004. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1092701770.

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Thesis (Ph. D.)--Ohio State University, 2004.
Document formatted into pages. Includes bibliographical references. Abstract available online via OhioLINK's ETD Center; full text release delayed at author's request until 2009 Aug. 18.
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Harst, Andreas [Verfasser], Ansgar [Gutachter] Poetsch, and Axel [Gutachter] Mosig. "Development of a method for characterization and proteomic analysis of population heterogeneity in Corynebacterium glutamicum and Nannochloropsis oceanica / Andreas Harst ; Gutachter: Ansgar Poetsch, Axel Mosig ; Fakultät für Biologie und Biotechnologie." Bochum : Ruhr-Universität Bochum, 2018. http://d-nb.info/1169397360/34.

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Campbell, Charles. "Poets and Poetics in Greek Literary Epigram." University of Cincinnati / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1384333736.

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20

Simonyan, Astghik. "Poetics of the same : a philosophical poetic recourse into sameness." Thesis, Queen Mary, University of London, 2010. http://qmro.qmul.ac.uk/xmlui/handle/123456789/1278.

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This study endeavours to investigate the philosophical and poetological dimensions, the philological origins, and significant philosophical-literary representations of the Same. It also assesses sameness as a philosophical and poetological modus operandi; that is to say, it analyzes the ways in which the Same operates in different types of discourses both as an object of investigation and as an agent of (poetic) thought. The concept of the Same or the operation of sameness as the philosophical question par excellence will be considered in the development of Continental philosophy and philosophical poetics from classical antiquity to Postmodernism, and its transposition into poetry. The elaboration of the issue of sameness encompasses any philosophical inquiry which seeks to establish the essence of Being and make it susceptible to a general, unifying principle: as a search for an underlying element; for a metaphysical unity or universal, preceding division or difference and amounting to the harmony in the Universe; or for a transcendental absolute totality. Postulations of the pure conceptual difference are likewise examined as part of the elaboration of sameness, and will be viewed as indispensable for revealing the genuine plenitude of sameness. Part One traces the inception of sameness as a concept of pure identity, amounting to the harmony of the Universe by virtue of the operations of belonging (Presocratics), participation (Plato), and emanation (Plotinus), anchored in the relationships between the One and the many, between the Whole and its parts, between the Original and the copy. Part Two inquires into the limits of postulating sameness in terms of pure identity and points to two possible solutions to this problem: a philosophical-aesthetic digression from sameness (Kant and related aesthetic theories of the seventeenth and eighteenth centuries) and the return to sameness as an absolute totality in Part Three (Schelling and Hegel). Part Four investigates the re-postulation of sameness as pure Difference (Nietzsche, Heidegger, Derrida), hence the entire re-organization of thought in terms of the other. Part Five analyzes the transposition of sameness from 3 philosophy into the poetic language of repetition, using Rilke’s Sonnets to Orpheus as its prime poetic example. It will be argued that the philosophical displacement of the Same from a concept of identity into that of difference does not amount to an abandonment of its plenitude, but rather points to the need for a precarious balance between sameness and difference, the simultaneous quest for unity and the absolute singularity of the other. This balance, it will be argued, must be sought for in every genuine creation.
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21

Koutrianou, Eleni. "The emergence and crystallization of the poetics of Odysseas Elytis." Thesis, University of Oxford, 1997. http://ora.ox.ac.uk/objects/uuid:67c25cfb-3860-497e-9402-46ebafdd753d.

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This thesis examines the poetics of Odysseas Elytis, which, it is argued, emerged from his intense theoretical work on poetry in the period between 1944 and 1960, and was crystallized in the poems he published from 1960 to 1995. Elytis' poetics is examined in this thesis through the exploration of his ideas on the status and function of poetry, on the role of the poet, and on poetic writing; it is also examined through the exploration of the poetry in which these ideas are put into practice. It is argued in this thesis that Elytis' poetics emerged from his effort to provide his poetry with a concrete theoretical basis, an endeavour he deliberately undertook in the 1940s and 1950s; the evolution of his thought coincided chronologically with the period broadly between 1944 and 1960, that is, the period during which he wrote poems but did not proceed to publish any book of poetry. Elytis' thought reached a point of external stabilization before 1960, since in the poetry he published that year his ideas are systematically put into practice. With the publication of these poems, his poetics entered the dynamic phase of crystallization, which prevails throughout his poetic writing from 1960 to 1995, and constitutes a process during the course of which he explored the internal perspectives opened up by the theoretical frame he set for himself in the years 1944-1960. This thesis explores Elytis' theoretical endeavour and his poetic practice, and examines both the emergence of his ideas in the period between 1944 and 1960 and the crystallization of these ideas in the poetry he published from 1960 to 1995.
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Martin, Seth M. "The Poetics of Return| Five Contemporary Irish Poets and America." Thesis, The University of North Carolina at Chapel Hill, 2013. http://pqdtopen.proquest.com/#viewpdf?dispub=3562770.

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A thematic study grounded in transnational and transatlantic studies of modern and postmodern literatures, this dissertation examines five contemporary Irish poets—John Montague, Padraic Fiacc, James Liddy, Seamus Heaney, and Eavan Boland—whose separation from Ireland in the United States has produced a distinct body of work that I call, "the poetics of return." As the biological heirs of the Civil War generation and the intellectual heirs of the Irish high modernists, these poets are some of the leading lights of the renaissance in Irish literary arts after midcentury.

This dissertation argues that an important aspect of this era has been its reevaluation of narratives of political and artistic exile; those created by nationalists and republicans, on the one hand, and modernists such as James Joyce and Samuel Beckett, on the other. Drawing on the criticism of Patrick Ward and Seamus Deane, I argue that the atomization of the critical vocabulary of exile has enabled modern poets greater means to consider the cultural anxieties surrounding their separation from Ireland. Accordingly they have become less interested in the meaning of leaving Ireland and more interested in the meaning of return. This project engages a range of scholarly literature devoted to the Irish poets and poetry of the last half century and reevaluates a number of standard readings and assumptions.

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23

Seibel, George L. IV. "Being a Poet." Miami University / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=miami1346412172.

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Bugan, Carmen. "Poetics of exile : East European poetry in translation and Seamus Heaney's Ars Poetica." Thesis, University of Oxford, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.408092.

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Nykyforuk, T. M. "Poetics of poetry works by Sydir Vorobkevych (meta-language, poetic syntax, versification)." Thesis, БДМУ, 2020. http://dspace.bsmu.edu.ua:8080/xmlui/handle/123456789/18274.

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26

Hurley, Claire. "The poetics of site : reading the spaces of experimental US women poets." Thesis, University of Kent, 2017. https://kar.kent.ac.uk/67055/.

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My PhD research centres on three innovative 20th Century American women poets: Lorine Niedecker, Barbara Guest and Susan Howe. Taking inspiration from Virginia Woolf's A Room of One's Own, my research examines how these poets inhabited specific compositional sites. My thesis draws on extensive archival research to reconstruct a picture of the woman poet at work, arguing that for the female experimental poet in the 20th century, the compositional site - namely the workroom that the poet occupied - functions as a critical foundation for the evolution of her poetics. By attending to the particulars of Niedecker's cabin, Guest's studio and Howe's archive, my work considers the intersections between lived, imagined, and textual spaces. In so doing, it asks the following questions: what does it mean for a poet to occupy a certain kind of space? How can the literary work be read as generative or representative of such a site? What does the rendering of such spaces reveal about the topology of the female American avant-garde? The physical writing site is both highly specific to each poet and reveals broader collective investments in inhabiting gendered space. My site-based research responds to the lacunae of the women's literary tradition by rematerializing the quotidian space of female poetic experience. In mapping these sites, I formulate new versions of what Julia Kristeva calls 'l'écriture féminine'; the poetics of site works to articulate the singularities of individual authors whilst simultaneously formulating a new community of female poets. I argue that to challenge the hegemony of male-dominated poetic research cultures, we must find new ways to read women against the American grain. The Poetics of Site offers up one such feminist methodology, building a refuge for exploring the experimental female poet on her own terms.
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Warner, Ahren. "Contradictions in coherence : three poets and the poetics of the commodity as fetish." Thesis, Queen Mary, University of London, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.612567.

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Bertram, Vicki. "Muscling in : a study of contemporary women poets and English poetic tradition." Thesis, University of York, 1992. http://etheses.whiterose.ac.uk/2490/.

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Strems-Tregear, Ineta. "The construction of poetic identity in three women poets: Pozzi, Mistral, and Akhmatova." Thesis, Wichita State University, 2012. http://hdl.handle.net/10057/5375.

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This paper explores the construction of poetic identity in three women-poets: Catherine Pozzi, Gabriela Mistral, and Anna Akhmatova by studying relationships between the poets’ life and their poetry. It is focused on tragic or controversial situations in these poets’ lives and the reflections of these situations in images of love and suffering in their poems. My intention is to show that biographical approach retains its value in literary criticism under condition that its limitations are acknowledged. The dark, intertexual, and mysterious images of love and suffering in Pozzi’s poems reflects her poetic identity, which was formed as “sum-total” (Leslie Fiedler) of her knowledge of literature, philosophy, religion, and science; her cultural and intellectual environment; her sophisticated personality together with her sensitivity and long physical struggle with incurable illness. I can only speculate on Mistral’s possible lesbian identity by analyzing her poetry because poetic identity and biographical facts are not the same. Some expression of suffering of her poems certainly relates to the image of “other” woman that Mistral wanted to kill. Akhmatova’s famous cycle Requiem is autobiographical, but it would be a mistake to reduce the poem to the tragic story of her life. Requiem includes many poetic identities: poetic “I”, but also “we” who can be Russian women, those who suffered with Akhmatova, or those who mourned their dead in other historical times, or unnamed peasant woman who was crying on the river Don, or even Virgin Mary when she was staying in silence next to her dying son. We conclude in thesis that there is no direct connection between the poets’ life and their poetic identities; this connection is always mediated. But learning about poets’ live experiences adds more to the meaning and understanding of their poetry.
Thesis (M.A.)--Wichita State University, College of Liberal Arts and Sciences, Dept. of Modern and Classical Languages and Literature
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Woods, Timothy Stephen. "Poetics and politics in the writings of Louis Zukofsky, Charles Olson, and the #Language' poets." Thesis, University of Southampton, 1992. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.316467.

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Barry, K. M. "Language, music and the sign : A study in aesthetics, poetics, and poetic practice form Collins to Coleridge." Thesis, University of Cambridge, 1985. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.377253.

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Williams, Todd Owen. "Poetic Renewal and Reparation in the Classroom: Poetry Therapy, Psychoanalysis, and Pedagogy with Three Victorian Poets." [Kent, Ohio] : Kent State University, 2007. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=kent1194103428.

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Thesis (Ph.D.)--Kent State University, 2007.
Title from author submission page (viewed Sept. 14, 2009 ) Advisor: Mark Bracher. Keywords: poetry therapy, psychoanalysis, Victorian poetry, pre-Raphaelite. Includes bibliographical references (p. )
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Ma, Xuecong. "The Crescent Moon School : the poets, poetry, and poetics of a modern conservative intellectual group in Republican China." Thesis, University of Edinburgh, 2017. http://hdl.handle.net/1842/25761.

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The Crescent Moon School (新月派Xinyue pai) is a Chinese intellectual group that was active from 1923 to 1934. Its members include Xu Zhimo 徐志摩(1897-1931), Hu Shi 胡适 (1891-1962), Liang Shiqiu 梁实秋(1903-1987), Wen Yiduo 闻一多(1899-1946), Luo Longji 罗隆基(1896-1965), and many other Anglo-American educated scholars in the Republican era. Although the group was engaged in various activities, poetry was their primary concern and their most notable practice. This thesis intends to solve two problems: 1) what common values or core spirit guided the various cultural practices of the group? 2) what are the poetic features and underlying poetics of the group as a whole? To answer the two questions, this thesis firstly examines the core spirit of the group by reviewing their activities and historical development. It argues that underlying the various activities and facts, there was a core spirit shared by the group. This core spirit, which I refer to as the “modern conservative spirit”, reflected a unique understanding of modernity that was different from that of the May Fourth discourse. They understood modernity not as a negation of tradition, but as a critical synthesis and mutual conformity between the old and the new, the local and the global. I show how the Crescent Moon intellectuals acquired this core spirit, and how it was displayed in their various activities. Secondly, this thesis provides detailed textual analysis of several Crescent Moon poems and reconstructs their poetics. It argues that their poetics demonstrated three faces, i.e. a romantic temperament, a classic ideal, and a modern consciousness. The three faces coexisted throughout the poetic practice of the group, although a certain face might have dominated in a certain period. I demonstrate how the three faces were unified under the guidance of the modern conservative spirit, and I argue that the simultaneousness of the three faces embodied the modern conservative intellectuals’ pursuit of literary modernity. By discussing the core spirit and poetics of the Crescent Moon School, this thesis concludes that the group was a missing link in Republican modern conservative trend, linking the late 1910s and early 1920s neotraditionalist thinkers with the mid-1930s Beijing School writers. The modern conservative intellectuals represented a dissenting voice in the Republican era, but they were also committed pursuers of modernity and cosmopolitanism.
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Mackay, John. "Towards a poetics of overtakelessness : the work of contemporary elegy in the writing of five North American poets." Thesis, Birkbeck (University of London), 2015. http://bbktheses.da.ulcc.ac.uk/111/.

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This thesis addresses a condition of ‘overtakelessness’ – a word used by Emily Dickinson to refer to the irretrievability of the dead – developing it as a conceptual framework to explore contemporary elegy in the work of five North American poets: Susan Howe, Mary Jo Bang, Anne Carson, Dean Young, and Mark Doty. Overtakelessness, a term to describe that which is unavoidable but cannot be encompassed, serves to illuminate the divide between desire and fulfilment in poetic encounters with loss. In Chapter 1, I argue that Susan Howe’s ethical configuration of lost others as retrieved textual traces from the archive represents her attempt to establish a visual and material conception of overtakelessness, and places under scrutiny the role of language in the scene of elegy. I show in Chapter 2 that Mary Jo Bang’s failure to reach her son can be attributed to the fact that language, like the sought other, has an unfathomable surplus that cannot be encompassed, and that the printed word is unequal to the task of articulating grief. In Chapter 3, Anne Carson’s interaction with personal relics represents an exploration of what constitutes her brother’s absence, and an implicit recognition that material objects – and the overtakelessness that they carry into her work – have supplanted his presence. Chapter 4 demonstrates that an engagement with overtakelessness is problematised further by the poet’s preoccupation with an unassimilable self as Dean Young’s alter ego undergoes an imagined disintegration. Finally, in Chapter 5 I propose that for Mark Doty overtakelessness has personal, social and political dimensions as he responds to an actual catastrophe, the AIDS epidemic, and explores the tension between private and public loss. I show in this thesis that overtakelessness emerges in the poetic space, suggesting that the elegy’s encounter with the dead might equally be described as a negotiation with overtakelessness itself.
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Wooding, Jonathan. "Natural strange beatitudes : Geoffrey Hill's The Orchards of Syon, poetic oxymoron and post-secular poetics, and, An Atheist's Prayer-Book." Thesis, University of Plymouth, 2015. http://hdl.handle.net/10026.1/3223.

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Geoffrey Hill’s The Orchards of Syon (2002) occupies a contradictory position in twenty-first century poetry in being a major religious work in a post-religious age. Contemporary secular and atheistic insistence on the fundamentally crafted and flawed nature of religious faith has led Hill not to the abandoning of religious vision, but to a theologically disciplined approach to syntax, grammar and etymology. This dissertation examines Hill’s claim to a poetics of agnostic faith that mediate his alienation from a cynical and debased Anglophone contemporaneity. The oxymoronic nature of a faith co-existent with existential loss is the primary focus. The semantic distinction between paradox and poetic oxymoron is examined, and the agonistic and aporetic dimensions of the oxymoron are considered as affording theological significance. Poetic oxymoron as site of both foolish babbling and Pentecostal exuberance is made explicit, as is Hill’s relation to the oxymoronic nature of beatitudinous expression and the Kenotic Hymn. Hill’s reading of and relation to other theologically engaged poets is outlined. Thomas Hardy’s tragic-comic vision, Gerard Manley Hopkins’ restrained rapture in ‘The Windhover’, and T. S. Eliot’s expression of kenotic dissolution in ‘Marina’ are read as precursors to Hill’s revisionary God-language. William Empson’s significant difficulties with aspects of Hopkins’ and Eliot’s poetics is appraised as evidence of an oxymoronic and theological dimension within poetic ambiguity. Hill’s imperative to embody and enact theological vision and responsibility is tested in a reading of The Orchards of Syon. Paul Ricoeur’s perception of the religious significance of atheism is provocation for my own creative practice, as is the performative theology implicit in both Graham Shaw’s hermeneutic approach, and Hill’s visionary philology. Creative process draws on Simone Weil’s notion of decreation, the kenotic paradigm as exemplified in the life and writings of Dietrich Bonhoeffer, and the continuing secular vitality of the apostrophic lyric mode.
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Francis, Emma Jane. "Poetic licence : British women's poetry and the sexual division of poetics and culture - 1824-1889, Letitia Landon, Amy Levy, Emily Bronte." Thesis, University of Liverpool, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.309912.

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CABRAL, SIMONE GARRIDO ESTEVES. "MATCHES POETICS: CULTURAL LIFE AND POETIC CREATION IN THE LETTERS OF MARIO DE ANDRADE, MANUEL BANDEIRA AND CARLOS DRUMMOND DE ANDRADE." PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2010. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=16294@1.

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COORDENAÇÃO DE APERFEIÇOAMENTO DO PESSOAL DE ENSINO SUPERIOR
Esta pesquisa tem como objetivo abordar questões relativas à construção poética, à função da poesia, ao papel do poeta e à vida cultural expressas nas correspondências pessoais de autores cujas obras e vida refletem uma busca estética e são representativas do modernismo brasileiro. Pretende-se, portanto, abordar questionamentos do próprio poeta em relação à criação literária, ao seu projeto poético e de seu interlocutor, por meio das correspondências. Os atores principais dessa pesquisa são os poetas Mário de Andrade, Manuel Bandeira, Carlos Drummond de Andrade que, em suas correspondências e em suas obras, demonstraram perseguir um projeto estético e estarem dispostos a discutir suas trajetórias poéticas e culturais, impondo às correspondências, por muitas vezes, uma dimensão crítica e auto-reflexiva, mas, também, revelando fatos da vida cultural brasileira e seus personagens. Ou seja, propomos olhar um conjunto epistolar como possível revelador de acontecimentos, experiências históricas e, com certeza, individuais, entendendo que as cartas deixam, ainda, entrever sentimentos, reações e complexidades do ser que, somados às obras literárias, deverão permitir contrapontos, interações, permanências e ratificações da própria obra artística.
This research aims to address issues of poetic construction, the function of poetry, the role of poet and cultural life expressed in the personal letters of writers which work and life reflect na aesthetic search. They represent the Brazilian modernism and discussions that interfere and cause collisions in this cultural and aesthetic time. This dissertation addresses questions of some poets by themselves in relation to their creative writing through their personal letters. The main actors of this research are the poets Mário de Andrade, Manuel Bandeira, Carlos Drummond de Andrade who in their letters and works demonstrated pursue an aesthetic design and are willing to discuss their careers and cultural poetics by requiring matches for many times, a critical and self-reflexive view, but also revealing facts of Brazilian cultural life and its characters. The present research examines the whole letter-writing as possible telling events, historical and individual experiences, understanding that letters make, and perceive feelings, reactions and complexities of being that, together with literary works, should make counterpoints, interactions, continuity and ratifications of their artistic work.
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38

Greer, Janice. "Sir Walter Ralegh's verse conversations." Thesis, Virginia Tech, 1996. http://hdl.handle.net/10919/42592.

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Sir Walter Raleigh's poems, as tghey circulated in manuscripts, are influenced by Raleigh's position at court, his social situation, the patronage system, and the political scene. Even though many scholars believe that often verses were copied groups according to theme, careful consideration shows that verses that have been tradionally seen as related by theme have a stronger connection. The context of the peom can reveal a great deal about the intention of the author and the situation about which the author wrote.
Master of Arts
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39

Terne, Clara. "Space + Poetics." Thesis, Konstfack, Grafisk Design & Illustration, 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:konstfack:diva-123.

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I often ponder over the physical limitations of everyday life. The sense of my body being trapped in the here and now, in being able to imagine so much and experience so little in comparison, and the downhearted disappointment of it all. In my Master project Space + Poetics at Konstfack (2010) I have confronted these issues. I have tried to find ways to bridge the gap between the physical place and the mental space. I strive to create escapes from our rigid surroundings – to create little holes in the everyday where the void creates content.
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40

Young, Gwynith. "Poets, belief and calamitous times /." Connect to thesis, 2006. http://eprints.unimelb.edu.au/archive/00002513.

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41

Thornbury, Emily Victoria. "Anglo-Saxon poetics." Thesis, University of Cambridge, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.615780.

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42

Cui, Wendong, and 崔文东. "Politics vs. poetics." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2011. http://hub.hku.hk/bib/B47752981.

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 Up to now, in the field of translation studies, late Qing translated fictions have still been termed by many scholars as “liberal translation” or “domesticating practice” lacking literary values, or generalized by some others as “rewriting” or “manipulation” completely distorting the originals, which has led to an undervaluation of those works. In the field of historical studies, although researchers have attached much importance to late Qing translations like Yan Fu’s renditions of social and political theories which had profound impact on Chinese intellectual history, translated fictions are still beyond their sight. Based on my critique of previous studies, this research attempts to study five late Qing Chinese translations of Robinson Crusoe from the perspective of intellectual history to explore the historical significance of those works. As one of the most frequently translated fictions at that time, Robinson Crusoe drew the attention of many Chinese intellectuals because of its ideological significance rather than literary values. On the one hand, aiming at publicizing new ideas to readers under influence of Chinese tradition, late Qing translators tried to deal with the contradictions between new ideas and traditional ideas, thus showing their cultural stance. On the other hand, influenced by the elites’ proposal of enlightening common people with fictions, translators endeavored to bridge the gap between elite discourse and popular culture, thus reflecting the extent of the reception of elites’ ideas. Based on textual and contextual comparisons, it is easy to see that the translators all looked to the novel, Robinson Crusoe, for national salvation, believing that their renditions would be able to arouse adventurous spirit among Chinese people, and tried to reshape the relation between citizen, nation, family and the self in their renditions. First, they either made Crusoe a patriot or linked the adventure with national salvation although in the original, Crusoe’s adventure has no relation with nationalism. Second, the translators all advocated a new ethical idea by, on the one hand, defending Crusoe’s disobedience to his father and, on the other hand, changing his lack of filial affection. Third, as the economic and puritan individualism Crusoe embodied in the original conflicted with Chinese ethics, all translators transformed the individualist into either Confucian or altruist. Thus the translators’ changes, additions, deletions and explanations in and out of the renditions fully showed the trend of thought in late Qing from the perspective of intellectual history. Obviously, different late Qing translators of Robinson Crusoe tackled the same cultural conflicts in similar ways, which offers us an opportunity to study late Qing translated fictions systematically. In so doing, the new mode of study enhances our understanding of the general trend of thought in late Qing and the historical significance of late Qing translated fictions.
published_or_final_version
Chinese
Master
Master of Philosophy
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Leadbetter, Gregory Marcus. "Coleridge's transnatural poetics." Thesis, Oxford Brookes University, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.520917.

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Coleridge's Transnatural Poetics examines the simultaneous experience of exaltation and transgression as a formative principle in Coleridge's poetry and the fabric of his philosophy. Drawing upon a little-known but extremely rich notebook entry of 1812, the thesis constructs its critical vocabulary through the 'transnatural' and the 'daemonic', as Coleridge uses the terms to define each other and the peculiar qualities of his mind: an imagination fascinated by the transnatural, which in consequence, conceives of itself as daemonic. The thesis proceeds to demonstrate the significance of the principle this represents, as the basis for a new reading of his work. This study focuses primarily on the 1790s, as the period in which Coleridge's spiritual and poetic concerns took shape, but incorporates material from across his notebooks, letters and other prose, in order to demonstrate the continuity as well as the modulation of Coleridge's work. In critical method, the thesis seeks to integrate an informed awareness of social and historical contingencies with a sensitivity to the capacity of language itself to constitute experience. By showing how the 'transnatural' and the 'daemonic' combine to illustrate both the abiding tensions and restless productivity of Coleridge's writing, the thesis throws new light on his relationship with Christianity and Unitarianism; his mythological syncretism; the 'one life' and his organic metaphors of becoming; his psychology of the will and theories of the imagination; his ideas on the Fall and the Prometheus myth; his responses to Shakespeare, Milton and Locke; his crucial relations with Wordsworth, and the vexed concept of 'nature'; his ideas on the poetics of language; his relationship to the literature of the supernatural; and the creative principle of 'poetic faith'. Developing its theme through Coleridge's poetry, including lesser-known works such as 'Melancholy', 'Lewti' and 'The Wanderings of Cain', the exposition builds from 'The Eolian Harp' to 'The FosterMother's Tale', Osorio, 'Frost at Midnight', 'The Nightingale', and a new interpretation of the poems in which Coleridge produced his most compelling myths: 'The Rime of the Ancient Mariner', 'Kubla Khan' and 'Christabe1'.
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Davies, James. "stack : minimalist poetics." Thesis, University of Roehampton, 2018. https://pure.roehampton.ac.uk/portal/en/studentthesis/stack(aebfad17-9098-4c69-831d-3af98f9d48e4).html.

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stack: Minimalist Poetics consists of a portfolio of practice-led research — a volume-length minimalist poem entitled stack — and a critical essay. The poem applies and adapts several minimalist writing strategies, which are evaluated in the critical essay to create a text that is rich in imagery yet indeterminate in meaning. In addition, stack is innovative in its structural approach — through original use of enjambment, footnoting and repetition, lines may be treated as discrete entities and, also, as combinations. A key research question that the practice-led component and the critical essay interrogate is the applicability and development of the poetics of the “New Sentence”, and other formally innovative approaches in the field of minimalist writing. The first part of the critical essay contextualises the creative portfolio in relation to the field of minimalist poetics as a whole. It sets out how stack belongs to a strand of minimalist poetry that evolved out of imagism and objectivism, and whose key practitioners include Robert Grenier, Robert Lax and Aram Saroyan. Subsequently, the thesis outlines the methods that were used to generate the creative portfolio. Effectively these latter sections present a manual for making minimalist poetry. Aside from exploring the written elements of stack, the thesis also examines my practice of conducting what I refer to as ‘minimalist interventions’ (embodied, micro-actions). These interventions, which have taken place in a range of environments, generally function as stimuli for the written aspects of the poem.
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Manalo, Paolo Marko. "Part 1, The balance of where we are : a theory of poetic composition in relation to cognitive poetics ; Part 2, The secret uncles : poems." Thesis, University of St Andrews, 2011. http://hdl.handle.net/10023/2121.

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Part 1 of the thesis, ‘The Balance of Where We Are: A Theory of Composition in Relation to Cognitive Poetics’, considers a compositional theory of poetry, with particular attention to the creative process, the poetic line, and trope. Drawing on from the disciplines of creative writing and cognitive poetics, this thesis asserts basic and important considerations for writing poetry. Chapter One seeks a model for the creative process that will aid in sustaining poetic composition but without dictating a specific method of writing. In presenting several theories of creativity it discusses ways of understanding these mental processes in preparation for the actual poem. It suggests an approach to poetry that will keep the writer focussed and aware of his or her limitations. Chapter Two establishes what it means to be writing poetry in an ‘age of cognitive science’ where some literary scholars have made a ‘cognitive turn’, by explaining the field of cognitive poetics. It considers specifically the cognitive poetics of Reuven Tsur as an important theory to enhance poetic composition. It connects some of Tsur’s discussions on poetic elements to enhance the craft-oriented approach to poetry. Chapter Three examines the poetic line as the basic unit of a poem which any compositional theory must consider. It reiterates the neural theory of the line as a ‘carrier wave’ of conceptual information that is both pleasing to the ear and the mind. It then re- evaluates specific poetic experiments concerning the line, and suggests a method of scanning to help the contemporary reader’s awareness of poetic rhythms. Chapter Four examines trope, specifically poetic metaphor in relation to the assumption of conceptual metaphor theory that poetic metaphors are extensions of everyday metaphors. It welcomes an alternative cognitive-literary explanation by re-iterating metaphor theories from Reuven Tsur and Don Paterson. Finally, it argues that the practitioner is always writing the variation of the ‘one’ poem that he or she has discovered. Part 2 of the thesis, ‘The Secret Uncles: Poems’, consists of my own poems.
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Wijland, Roel, and n/a. "Poetic brandscapes." University of Otago. Department of Marketing, 2008. http://adt.otago.ac.nz./public/adt-NZDU20080716.144516.

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�Every poet who takes language seriously is working against a culture of clear marketable meanings and commodified production� states New Zealand novelist, essayist and poet Gregory O�Brien. This statement is the motivation for research that is explored in a collaborative ethnographic study of brand culture perceptions in New Zealand. It takes its inspiration from The Poetics of Space (Bachelard, 1978) and provides intimate lyrical insights into the experience of brands and brandscapes. Gregory O�Brien describes the artists that inspire him as: �Those who resolutely stand on their own creative terms, working towards their own objectives, as oblivious as they can be to any market forces.� O�Brien�s observations are relevant to the research project in two essential ways: first to cast light on a shared cultural commodity construct such as a brand from its proposed opposite cultural site of individual imagination and secondly, to accept the poetic in the form of the undiluted voice of vocational poets as valuable media in their own right to achieve insightful interpretations. Critical marketing projects have the duty to generate an alternative �marketing gaze� sufficient to the task of �revelation� (Brownile & Hewer, 2007). With regards to individual artists and poets specifically, critical marketing concepts implicitly pose the main research question as to the scenarios that are conceivably available to consumers: how does �working against marketable meanings� imaginatively work? The project proposes the new construct of co-imagination as the co-active mental and spiritual engagement of consumers with the cultural artefacts of brandscapes that invite individual meaning making. It substantiates this individuality in a poetic evocation of brandscapes by thirteen artists. It analyses the holistic imaginative process on the basis of mental models, strategic scenarios and evocative aesthetics, in order to assess how talented consumers work against marketable meaning. It subsequently offers the relationship of co-imagination with existing co-optive concepts in marketing, literature and consumer behaviour, such as co-creation (Prahalad & Ramaswamy, 2004), co-performance (Deighton, 1992) and co-duction (Booth, 1988). It results in a collaborative artistic inquiry that assembles individual evocations of enchantment and disenchantment with the beauty and ugliness of brandscapes, through newly created poetry. The research introduces the new concepts of aesthetic scarcity and aesthetic community and in its collaborative method of inquiry offers an alternative to a poetic tradition in consumer behaviour of the poet / researcher conflation (Sherry & Schouten, 2002). As a result, the project complements the understanding of the individual meaning-making process in brand culture and is relevant to both practitioners and researchers in consumer behaviour and brand strategy. The design of the project included a four month research journey that covered the North and the South Island of New Zealand with the objective of meeting a variety of poets in their local inspirational environments and brandscapes and catalyse an unusual creative cooperation of highly individual radical artists. In the thick description and analyses of the extensive field research, the project implicitly adds to existing work on brand culture (Schroeder, Salzer Morling, & Askegaard, 2006), brand aesthetics (Saizer-Mörling & Strannegård, 2004) and the relationship between artists and brands (Schroeder, 2005). The research includes design elements based on romantic pragmatism (Rorty, 2007a) and cognitive aesthetics (R. H. Brown, 1977), both post-romantic concepts that explore aesthetic perception as perspectival knowledge and aesthetic distance as a means to transcend the dichotomy of objectivity and subjectivity.
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Servis, Alison. "Poetic Justice." Research Showcase @ CMU, 2013. http://repository.cmu.edu/theses/42.

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Abstract. Poetry – the word itself can incite frustration, joy, nostalgia, derision, and most often, shrugs. For something that can cause such varied and strong emotions, poetry gets little notice from a vast majority of people. A huge cause of low readership is the general lack of exposure to poetry had by all but the most heavily engaged readers and poets themselves. The amount and quality of exposure readers have to poetry greatly impacts the perception they have of it, as well as their willingness to further engage with it in the future, especially considering the abundance of other entertainment options readily available. In order to combat these issues, I’ve honed in on several common attitudes towards poetry and examined how different vehicles and modes for poetry might positively confront preconceptions of what poetry is, as well as the ways in which readers are meant to interact with it. To create a sustainable level of engagement, I’ve designed a system that pairs the immediacy and interest of the physical environment with the convenience and power of the web to re-present poetry to potential young adult readers, while maintaining
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Brydewall, Sandquist Klara. "POETIC JUSTICE." Thesis, Konstfack, Ädellab, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:konstfack:diva-7248.

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At best anger is problematic for most of us and especially an issue for women (and other discriminated groups). True a collaborative craft project focusing on silver objects, I investigate female anger and how it is perceived. Also, how the prevention of acting it out silences our need for change. I use the aesthetics of magic to reference the judging of women acting outside of set rules, and also as a tactic of female liberation.
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Thorstensson, Katarina. "Poetic Stairs." Thesis, Malmö högskola, Fakulteten för kultur och samhälle (KS), 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-23356.

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50

Lopes, André da Costa [UNESP]. "Da agudeza às metáforas: romances de Antônio da Fonseca Soares." Universidade Estadual Paulista (UNESP), 2012. http://hdl.handle.net/11449/94031.

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Made available in DSpace on 2014-06-11T19:26:51Z (GMT). No. of bitstreams: 0 Previous issue date: 2012-03-09Bitstream added on 2014-06-13T19:26:59Z : No. of bitstreams: 1 lopes_ac_me_assis_parcial.pdf: 63069 bytes, checksum: 1fc50d74046ca3e9b613490ec24ee26c (MD5) Bitstreams deleted on 2015-03-16T11:30:16Z: lopes_ac_me_assis_parcial.pdf,Bitstream added on 2015-03-16T11:31:01Z : No. of bitstreams: 1 000685805.pdf: 570994 bytes, checksum: dce177483fa6ed4f578120ac3d18bd64 (MD5)
Esta dissertação é fruto de uma pesquisa que tem como proposta principal o estudo da metáfora seiscentista em cento e quatro romances atribuídos ao poeta português Antônio da Fonseca Soares. Por se tratar de fonte manuscrita, em primeiro lugar fizemos um trabalho de Crítica Textual, por meio do qual efetuamos a transcrição e a atualização linguística dos poemas analisados de acordo com os critérios de uma edição modernizada. Em seguida, nosso foco centrou-se nos usos, escolhas e construção da metáfora seiscentista no gênero poemático em questão. Para tal, consideramos os manuais de retórica e poética da Antiguidade, especialmente os escritos de Aristóteles e Horácio; a preceptiva poética seiscentista debatida por Emanuele Tesauro e Baltazar Gracián, e os estudos contemporâneos no campo da historiografia literária que versam sobre retórica, as letras do século XVII, e assuntos a ela relacionados. Os resultados da pesquisa demonstram o papel expressivo da mais louvada figura dentre os usos da expressão arguta na retórica seiscentista, aplicada a uma das formas poemáticas mais cultuadas por poetas que praticavam a poesia vulgar desse período
This dissertation results from a master's degree research that has as the main proposal the study of the metaphor of seventeenth century in the one hundred and four romances attributed to the Portuguese poet Antônio da Fonseca Soares. To deal with a manuscript source, we started with a work of Textual Criticism, with which we made the transcription and the ortographic updating of the analyzed poems in agreement with a modernized edition. After that, the focus was centered in the uses, choices and construction of the metaphor of the 17th century in the poems. To analyze the romances, we considered the rhetoric manuals and poetics of Antiquity, especially Aristotle and Horace‟s writings; the poetic rules of seventeenth century debated by Emanuele Tesauro and Baltazar Gracián, and the contemporary studies in the field of the literary historiography about rhetoric, the seventeenth century literature and subjects related. The results of the research demonstrate the expressive function of the most praised rhetoric figure of the seventeenth century in one of the most important poematic form to the vulgar poetry of that period
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