Relevant bibliographies by topics / Poets, american – 19th century

Academic literature on the topic 'Poets, american – 19th century'

Author: Grafiati
Published: 25 July 2024
Last updated: 31 July 2024

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Journal articles on the topic "Poets, american – 19th century"

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Murillo, Edwin. "Existencial Poetics in the 19th Century Latin America." Revista de Filología y Lingüística de la Universidad de Costa Rica 45, no. 1 (March 21, 2019): 115–32. http://dx.doi.org/10.15517/rfl.v45i1.36674.

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Typically, the origin story of Existentialism has depicted Latin America’s contributions as subsequent and tributary to its European counterpart. Nevertheless, a select few critics have approached this history in Hispanic America from a chronologically inclusive perspective, by calling attention to an Existential Poetics in modernismo. This article expands the borders of Existential Poetics to fashion a Latin American literary imaginary. Given the work already done on Rubén Darío and José Martí, both of whom have been studied independently, my analysis will be collective, favoring philopoetic works by Manuel Gutiérrez Nájera, Julián del Casal, José Asunción Silva, and João Cruz e Sousa. The purpose of examining Hispanic-American poets in conjunction with a Brazilian is to accentuate the Pan-American quality of this Existentialism avant la lettre. As I will discuss, all these poems deal with a crisis of irrelevance and overtly question being in the world, classic motifs of Existentialism. Together, these poems allow for the synchronized inclusion of Latin American voices to the universal history of Existentialism, an approached not explicitly carried out by most philosophical and literary historiographers.
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Satorno, Marla Do Vale. "Urban scenarios in Walt Whitman’s poetry." Babel: Revista Eletrônica de Línguas e Literaturas Estrangeiras 7, no. 1 (July 22, 2017): 28–35. http://dx.doi.org/10.69969/revistababel.v7i1.3626.

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One of the most striking features in 19th century poetry is the scenes of astonishing industrial progress, the development of the cities, the people who rush around, either working or just living their lives. Such urban scenarios are constant images in poems of this period. American poet Walt Whitman is also one of the poets who conveys urban movement through his poetry. With these characteristics as a starting point, the purpose of this article is to focus on the urban images in Whitman’s poetry, analyzing the poetry of the cities. Closely linked to Baudelaire’s flâneur, Whitman also observes city life from a contemplative point of view. In poems like City of Ships, I Hear America Singing, Crossing the Brooklyn Ferry, among others, Whitman sings of city life, its constant movement, its people and its landscapes. Focusing on the poet’s observation of urban life in the nineteenth century, this article also intends to make a link between the 19th Century idea of modernity and Whitman’s poems. A small selection of poems from Leaves of Grass which highlights these characteristics was chosen to be the focus of this analysis.
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Abushihab, Ibrahim. "A Stylistic Analysis of Arab-American Poetry: Mahjar (Place of Emigration) Poetry." Journal of Language Teaching and Research 11, no. 4 (July 1, 2020): 652. http://dx.doi.org/10.17507/jltr.1104.17.

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The present paper represents an attempt to focus upon analyzing and describing the major features of Arab American poetry written by prominent Arab poets who had arrived in America on behalf of millions of immigrants during the 19th century. Some of who wrote in English and Arabic like Ameen Rihani (1876-1940); Khalil Gibran (1883-1931) and Mikhail Naimy (1889-1988). Others wrote in Arabic like Elia Abumadi (1890-1957). Most of their poems in Mahjar (place of emigration) reveal nostalgia, their love to their countries and their ancestors and issues relating to Arab countries. The paper analyzes some of their poems based on linguistic, grammatical, lexical and rhetorical levels.
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Petrosyan, Gayane. "The Theme of Death and Eternity in Emily Dickenson’s Poetry." Armenian Folia Anglistika 4, no. 1-2 (5) (October 15, 2008): 112–19. http://dx.doi.org/10.46991/afa/2008.4.1-2.112.

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The poetry of the world-renowned poetess Emily Dickenson received general acclaim in the fifties of the previous century, 70 years after her death. This country-dwelling lady who had locked herself from the surrounding world, created one of the most precious examples of the 19th century American poetry and became one of the most celebrated poets of all time without leaving her own garden.Her soul was her universe and the mission of Dickenson’s sole was to open the universe to let the people see it. Interestingly, most of her poems lack a title, are short and symbolic. The poetess managed to disclose the dark side of the human brain which symbolizes death and eternity.
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Scheyer, Lauri, and Zanyar Kareem Abdul. "THE FUNCTION OF POETRY IN THE MODERN WORLD: A CASE STUDY OF WALT WHITMAN AND AUDRE LORDE’S POEMS." Language Literacy: Journal of Linguistics, Literature, and Language Teaching 6, no. 2 (December 27, 2022): 245–50. http://dx.doi.org/10.30743/ll.v6i2.5226.

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Lyric poetry has historically referred to a genre that we think of as brief, musical, and personal as well as subjective. This article addresses the role of lyric poetry in the modern world, and how critical analysis enables us to better appreciate the potential impact of poetry today. Specifically, we will offer brief contrastive assessments of two landmark exemplars of American poets, Walt Whitman and Audre Lorde. These two figures demonstrate some of the varied ways of the American poetry tradition. We compare Walt Whitman, a canonical white male poet from the 19th century, with an equally important 20th century African American woman poet, Audre Lorde. These American poets differ in historical periods, sex, race, and other factors, yet both uphold the conventional functions of lyric poetry and prove its continuing relevance to a global readership. The results show that as the reflection of human life, poetry could represent honesty, realism, democracy and even power.
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Korchagin, Kirill M. "Bureau “Transatlantic”: French and US Poets on Rendezvous." Literature of the Americas, no. 12 (2022): 261–73. http://dx.doi.org/10.22455/2541-7894-2022-12-261-273.

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Since the middle of the 19th century, American literature has been perceived by French poets as a kind of Other, at the same time alien and attractive, capable of teaching the experience of liberation, which the French poets themselves lack. Nevertheless, the situation is more familiar when other poets of the world are looking for inspiration in French poetry. French poetry for American modernists of the first quarter of the 20th century was synonymous with everything that expands the horizons of literature. At the same time, the reverse situation, when French poetry is saturated with outside influences, in particular, American ones, is studied much worse. Abigail Lang's book tries to fill this gap, considering the transformations that the new, “post-Surrealist” French poetry is experiencing under the impression of the new American poetry. The book is divided into three chapters: the first one deals with the reception of objectivism since the 1970s to the present, the second one deals with the problem of the “transatlantic” poetic community, which manifests itself in various forms and genres, and, finally, the third one tells about the “speech turn,” which, from the author's point of view, takes place in French poetry of recent decades.
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Sharma, Manisha. "COLOURIMAGERY IN THE HAIKU POEMS OF IMAGISTS POETS." International Journal of Research -GRANTHAALAYAH 2, no. 3SE (December 31, 2014): 1–4. http://dx.doi.org/10.29121/granthaalayah.v2.i3se.2014.3541.

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Imagism was a movement in early 20th century Anglo-American poetry that favoured precision of imagery and clear, sharp language. Imagists stressed on the direct treatment of the subject matter and strictly adhered to the rule that even a single word was not used unnecessarily. Imagists used the exact word instead of decorative words and rejected most 19th century poetry as cloudy verbosity. Imagist poets were influenced by Japanese Haiku, poems of 17 syllables which usually present only two juxtaposed images. Ezra Pound has made a conscious study of the Japanese Haiku. According to Pound, Japanese make a wonderful use of Haiku where they usually use a single image. A haiku is a haiku because all the images it conveys occur simultaneously in a person's present perceptions of the world. Ezra Pound is one the major exponents of imagist school who gave systematic theory of modernism. Ezra Pound's In a Station of the Metro is regarded as a fine specimen of Haiku. Pound recalls that once he stepped out of a "metro", train at La Concorde, and saw suddenly a beautiful face, and then another and another, and then a beautiful child's face, and then another beautiful woman. Throughout the day, Pound attempted to find words as worthy and as lovely as that sudden emotion. To his mind came an equation which was not in speech but in little sploches of colour. This feeling was the beginning of a language in colourfor Pound. Pound further elaborates that to express this kind of emotion he might find a new school of painting that would speak only by arrangements in colours. To substantiate his arguments, Pound expounds his view in Vorticism.
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de Sousa Santos, Maria Irene Ramalho. "American Exceptionalism and the Naturalization of “America”." Prospects 19 (October 1994): 1–24. http://dx.doi.org/10.1017/s0361233300005044.

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American exceptionalism, Joyce Appleby has recently reminded us, is “America's peculiar form of Eurocentrism.” Now that the multicultural history of the United States is finally being written, nothing would justify another look at American exceptionalism, except perhaps the need to examine the intellectual ways that have hidden American historical and social diversity for so long. In this essay I basically argue that a certain appropriation of the 18th-Century conception of nature as “what is” played a role also in the development of American exceptionalism. The naturalist rhetoric in American discourse in the 19th Century, I further argue, ran parallel to the most savage depredations of nature ever performed by humankind. I am particularly interested in foregrounding the discrepancy between the steady construction of that greatest of modern artifacts, the American nation, and its concomitant self-justification as a thing of nature. The other side of the commodification of America is its naturalization, an idea that I find is supported, whether critically or uncritically, by many American poets and artists. In recent times we have witnessed a number of ecological attempts at the social recovery of nature in the most advanced capitalist countries, including, of course, the United States. I am not concerned here with these developments, of which ecofeminism is arguably one of the most interesting ones.
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Li, Na. "A Stylistic Analysis into the Art of Deviation as Stylistic Features of Dickinson’s Poem “I Heard a Fly Buzz -When I Died”." Journal of Education and Educational Research 5, no. 1 (September 14, 2023): 28–32. http://dx.doi.org/10.54097/jeer.v5i1.11555.

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Emily Dickinson is one of the most outstanding and influential American poets of the 19th century. Her poem “I Heard a Fly Buzz -When I Died” is told from a perspective of narrator who is near her death. As a typical modernist poet, Dickinson’s poems have prominent modernist characteristics. Her poetry language deviates from the norm, not limited to the language norms, forming a unique foregrounding effect from different levels such as phonetic level (the repetition of diphthong, flow, nasal, and iambic tetrameter and iambic trimeter), graphological level (the frequent use of capital words and dashes), rhetorical level (enjambment, contrast, synesthesia, oxymoron), semantic level (lexical meaning transference) and grammatical level (juxtaposition and ellipsis). Exploring the stylistic characteristics of Dickinson’s poetry based on the theory of deviation from the functional stylistics is helpful to excavating the implicated theme meaning and unique aesthetic value of Dickinson’s poetry.
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Fernández, Rocío. "Bazaar, merchandise and decadence: Antonio José Ponte and Julián del Casal." Anclajes 25, no. 1 (January 1, 2021): 71–86. http://dx.doi.org/10.19137/anclajes-2021-2516.

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The fascination of Latin American modernism for 19th century French fashion merchandise has been widely addressed in literary theory. Texts filled with diverse cultural materials, textures and objects configured a poetics of the bazaar that became part of a series of strategies through which Latin American literature defined and linked itself to hegemonic aesthetics of the 19th century. The poems and chronicles of Cuban writer Julián del Casal (1863-1893) are no exception; this proliferation of merchandise reveals how the gaze and the images become configured as empty fictions, filled by a cosmopolitan desire. This feature, tied to the function and configuration of images in Cuban modernism, makes possible an anachronical reading of the presence of State merchandise at the other end of the century: Antonio José Ponte’s decadent reality in post-Soviet Cuba.
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Dissertations / Theses on the topic "Poets, american – 19th century"

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Riley, Peter. "Moonlighting in Manhattan : American poets at work 1855-1930." Thesis, University of Cambridge, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.610494.

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Laffey, Seth Edward. "The Letters of Edwin Arlington Robinson: A Digital Edition (1889-1895)." Kent State University / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=kent1499369594701871.

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Ziegler, Christopher Taylor. "Jeffersonianism and 19th century American maritime defense policy." [Johnson City, Tenn. : East Tennessee State University], 2003. http://etd-submit.etsu.edu/etd/theses/available/etd-1110103-111416/unrestricted/ZieglerC120103a.pdf.

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Thesis (M.A.)--East Tennessee State University, 2003.
Title from electronic submission form. ETSU ETD database URN: etd-1110103-111416. Includes bibliographical references. Also available via Internet at the UMI web site.
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Martin, Michael Sean. "Imaginative Thanatopsis: Death and the 19th-Century American Subject." Diss., Temple University Libraries, 2009. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/41295.

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English
Ph.D.
In my dissertation, I intend to focus on the way that supernaturalism was produced and disseminated as a cultural category in 19th-century American fiction and non-fiction. In particular, my argument will be that 19th-century authors incorporated supernaturalism in their work to a large degree because of changing death practices at the time, ranging from the use of embalming to shifts in accepted mourning rituals to the ability to record the voices of the dead, and that these supernatural narratives are coded ways for these authors to rethink and grapple with the complexities of these shifting practices. Using Poe's "A Tale of Ragged Mountains" (1844) and Narrative of Arthur Gordon Pym (1838), Alcott's Little Women (1868), Hawthorne's House of the Seven Gables (1851), Melville's Moby-Dick (1851), Brockden Brown's Weiland (1798), Phelps' short fiction, Shaker religious writings, and other texts, I will argue that 19th-century narration, instead of being merely aligned with an emerging public sphere and the development of oratory, relied heavily on thanatoptic or deceased narrators, the successive movement of the 18th-century British graveyard poets. For writers who focused on mesmerism and mesmerized subjects, the supernatural became a vehicle for creating a type of "negative freedom," or coded, limitless space from which writers such as Margaret Fuller and Harriet Martineau could imagine their own death and do so without being scandalous. The 19th-century Shaker "visitations," whereby spirits of the dead were purported to speak through certain Shaker religionists, present a unique supernatural phenomenon, since this discrete culture also engaged with coded ways for rethinking death practices and rituals through their supernatural narratives. Meanwhile, such shifting cultural practices associated with death and its rituals also lead, I will argue, to the development of a new literary trope: the disembodied child narrator, as used first in Brockden Brown's novel and then in Melville's fiction, for example. Finally, I will finish my dissertation with a chapter that, while also considering how thanatoptic narrative is used in literary supernaturalism, will focus more on spaces, mazes, and, to use Benjamin's term in The Arcades Project (tran. 1999), arcades that marked 19th-century culture and architecture and how this change in space - and subsequent thanatoptic geography in 19th-century fiction - was at least partially correlated to shifting death practices. I see this project as contributing to 19th-century American scholarship on death practices and literature, including those by Ann Douglas, Karen Sanchez-Eppler and Russ Castronovo, but doing so by arguing that the literary mechanism of supernaturalism and the gothic acted as categories or vehicles for rethinking and reconsidering actual death practices, funeral rituals, and related haunted technology (recordings, daguerreotypes) at the time.
Temple University--Theses
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Bean, Heidi R. "Poetry 'n acts: the cultural politics of twentieth-century American poets' theater." Diss., University of Iowa, 2010. https://ir.uiowa.edu/etd/638.

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"Poetry 'n Acts: The Cultural Politics of Twentieth-Century American Poets' Theater," focuses on the disciplinary blind spot that obscures the productive overlap between poetry and dramatic theater and prevents us from seeing the cultural work that this combination can perform. Why did 2100 people turn out in 1968 to see a play in which most of the characters speak only in such apparently nonsensical phrases as "Red hus the beat trim doing going" and "Achtung swachtung"? And why would an Obie award-winning playwright move to New Jersey to write such a play in the first place? What led to the founding in 1978 of the San Francisco Poets Theatre by L=A=N=G=U=A=G=E writers, and why have those plays and performers been virtually ignored by critics despite the admitted centrality of performance to L=A=N=G=U=A=G=E writing's textual politics? Why would the renowned Yale Repertory Theatre produce in the 1990s the poetic, plotless plays of a theater newcomer twice in as many years--even when audiences walked out? What vision for the future of theater could possibly involve episodic drama with footnotes? In each example, part of the story is missing. This dissertation begins to fill in that gap. Attending to often overlooked aspects of theater language, this dissertation examines theatrical performances that use poetic devices to intervene in narratives of cultural oppression, often by questioning the very suitability of narrative as a primary means of social exchange. While Gertrude Stein must be seen as a forerunner to contemporary poets' theater, chapter one argues that the Living Theatre's late 1950s and early 1960s anti-authoritarian theater demonstrates key alliances between poetry and theater at mid-century. The remaining chapters closely examine particular instances of poets' theater by Amiri Baraka (known equally as poet and playwright), Carla Harryman (associated with West Coast poetry), and Suzan-Lori Parks (a critically acclaimed playwright). These productions put poetic theater on the backs of tractors in Harlem streets, in open gallery spaces, and in more conventional black box and proscenium architectures, and each case develops the importance of performance contexts and production histories in determining plays' cultural effects.
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Davis, Michael A. "Jacksonian Volcano: Anti-Secretism and Secretism in 19th Century American Culture." University of Cincinnati / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1378109351.

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Vara-Dannen, Theresa C. "Benevolence and bitterness : the African-American experience in 19th century Connecticut." Thesis, Swansea University, 2012. https://cronfa.swan.ac.uk/Record/cronfa43161.

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This study examines the African-American experience in 19th century Connecticut through the writing of its eminent resident authors, ordinary people, and journalists. In every racial incident that occurred during this period, white citizens were torn between profoundly emotional racist ideologies and a more humanitarian, Christian benevolence rooted in Connecticut's Congregational history. Even allies of the African-American cause, such as Harriet Beecher Stowe and Mark Twain, set clear limits on their support, perhaps to maximize the appeal of their work to the broadest readership. Newspaper editors, too, seemed to ensure that views within their newspapers expressed community standards. As a consequence, even the most forward-looking papers tended to preserve the balance of white power by perpetrating images of African-Americans as a servile and subservient caste; condoning and advancing colonization efforts; and portraying white people as the victims of 'levelling principles'. State legislation regarding voting rights, property ownership and interracial marriage was more generous than that of most Northern states, and allowed some African-Americans to succeed. Yet they were working against a tremendous weight of white bigotry that was so entrenched in custom and habit that no 'black' laws were deemed necessary, and black civil rights were advocated because they could not possibly affect white social associations. Furthermore, mainstream Connecticut newspapers were unique in that they saw fit to publish only what reinforced the state's most optimistic self-image as a civilized, tolerant and Christian community. This required a seemingly universal journalistic amnesia about white violence against African-Americans and their allies, along with the projection of southern guilt in cases of blatant discrimination in the state, and the thorough condemnation of 'extremists' like John Brown. The daily bigotry suffered by African-Americans, along with the hope of better economic prospects, led many to flee Connecticut's rural areas and group together for mutual help, support and comfort, in major cities. Consequentially, even today, the state is deeply residentially and economically segregated, resulting in physical, economic, social and psychological costs to all Americans.
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Zheng, Juan. "African American Cultural Products and Social Uplift, the End of the 19th Century - the Early of the 20th Century." W&M ScholarWorks, 2004. https://scholarworks.wm.edu/etd/1539626432.

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Dowd, Ann Karen. "Elizabeth Bishop: her Nova Scotian origins and the portable culture of home." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1999. http://hub.hku.hk/bib/B31238427.

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Schrag, Mitzi. "Rei(g)ning mediums : spiritualism and social controls in 19th-century American literature /." Thesis, Connect to this title online; UW restricted, 2006. http://hdl.handle.net/1773/9321.

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Books on the topic "Poets, american – 19th century"

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1819-1891, Melville Herman, Tuckerman Frederick Goddard 1821-1873, Robinson Edwin Arlington 1869-1935, and Bean Jonathan, eds. Three American poets: Melville, Tuckerman and Robinson. London: Penguin, 2003.

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Lukes, Bonnie L. Henry Wadsworth Longfellow: America's beloved poet. 2nd ed. Greensboro, N.C: Morgan Reynolds Pub., 2003.

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Lukes, Bonnie L. Henry Wadsworth Longfellow: America's beloved poet. Greensboro, N.C: Morgan Raynolds, 1998.

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1947-, Walker Cheryl, ed. American women poets of the nineteenth century: An anthology. New Brunswick, N.J: Rutgers University Press, 1992.

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1954-, Wolosky Shira, ed. Major voices: 19th century American women's poetry : selected poems. New Milford, CT: Toby Press, 2003.

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Janet, Gray, ed. She wields a pen: American women poets of the nineteenth century. Iowa City: University of Iowa Press, 1997.

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Josephine, Hart, ed. Catching life by the throat: Poems from eight great poets. New York: W.W. Norton, 2008.

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Oliphant, Dave. Generations of Texas poets. San Antonio, Texas: Wings Press, 2015.

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Swett, Steven C. Josiah's journey: Chapters on the life of the Rev. Josiah Swett, DD, teacher, preacher, poet in 19th century Vermont. Hanover, N.H: Bragg Hill Press, 2010.

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Whitman, Walt. The correspondence. Iowa City: University of Iowa Press, 2004.

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Book chapters on the topic "Poets, american – 19th century"

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Green, Michael D., and Theda Perdue. "Native-American History." In A Companion to 19th-Century America, 209–22. Malden, Massachusetts, USA: Blackwell Publishers Inc., 2007. http://dx.doi.org/10.1002/9780470998472.ch16.

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Brekus, Catherine A. "Interpreting American Religion." In A Companion to 19th-Century America, 317–33. Malden, Massachusetts, USA: Blackwell Publishers Inc., 2007. http://dx.doi.org/10.1002/9780470998472.ch23.

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Shott, Brian. "The 19th Century Irish American Press." In Social Justice, Activism and Diversity in U.S. Media History, 165–73. New York: Routledge, 2023. http://dx.doi.org/10.4324/9781003299738-23.

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Belohlavek, John M. "American Expansion, 1800-1867." In A Companion to 19th-Century America, 89–103. Malden, Massachusetts, USA: Blackwell Publishers Inc., 2007. http://dx.doi.org/10.1002/9780470998472.ch8.

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Middleton, Peter. "Poets and Scientists." In A Concise Companion to Twentieth-Century American Poetry, 212–28. Oxford, UK: Blackwell Publishing Ltd, 2008. http://dx.doi.org/10.1002/9780470757680.ch11.

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Semonche, John E. "American Law in the Nineteenth Century." In A Companion to 19th-Century America, 73–85. Malden, Massachusetts, USA: Blackwell Publishers Inc., 2007. http://dx.doi.org/10.1002/9780470998472.ch7.

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Hollander, Elizabeth. "The Model in 19th-Century Anglo-American Literature." In Dictionary of Artists' Models, 5–9. New York: Routledge, 2013. http://dx.doi.org/10.4324/9781315063119-2.

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Sobe, Noah W. "Attention and Boredom in the 19th-Century American School:." In Aufmerksamkeit, 55–70. Wiesbaden: Springer Fachmedien Wiesbaden, 2015. http://dx.doi.org/10.1007/978-3-531-19381-6_4.

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Montgomery, Michael, and Janet M. Fuller. "What was verbal —sin 19th-century African American English?" In Varieties of English Around the World, 211. Amsterdam: John Benjamins Publishing Company, 1996. http://dx.doi.org/10.1075/veaw.g16.12mon.

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Perkins, Adam J., and Steven J. Dick. "The British and American Nautical Almanacs in the 19th Century." In Historical & Cultural Astronomy, 157–97. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-43631-5_5.

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Conference papers on the topic "Poets, american – 19th century"

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Mitkina, Evgenia. "THE FIRST TRANSLATIONS OF EDGAR ALLAN POE’S DETECTIVE PROSE IN CHINA IN THE BEGINNING OF THE 20TH CENTURY." In 10th International Conference "Issues of Far Eastern Literatures (IFEL 2022)". St. Petersburg State University, 2023. http://dx.doi.org/10.21638/11701/9785288063770.22.

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The work of the American writer of the first half of the 19th century, Edgar Allan Poe (1809–1849), has been studied and studied for about two hundred years, it was so deep, in many ways innovative. It is he who is considered the ancestor of the detective genre. However, in China, the first detective work translated into Chinese was not the works of Edgar Allan Poe, but of a later writer — Arthur Conan Doyle (1859–1930). The first translation of the story by E. A. Poe was made in 1905 by the writer and translator Zhou Zuoren. A surge of interest in the work of Edgar Allan Poe occurred in the 20–30s of the 20th century, both individual stories and entire collections of his works are published one after another. In the 40s, the interest of readers and publishers in the works of E. A. Poe gradually decreases. One of the most popular stories were The Tell-Tale Heart, which was published in different translations, and The Gold Bug.
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Anisimov, Andrei. "GOTHIC FICTION TRADITIONS IN THE 19TH CENTURY AMERICAN LITERATURE." In 4th SGEM International Multidisciplinary Scientific Conferences on SOCIAL SCIENCES and ARTS Proceedings. STEF92 Technology, 2017. http://dx.doi.org/10.5593/sgemsocial2017/62/s27.060.

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Wei, Pang. "American Landscape Art Trend in the Early 19th Century." In 2021 International Conference on Education, Language and Art (ICELA 2021). Paris, France: Atlantis Press, 2022. http://dx.doi.org/10.2991/assehr.k.220131.127.

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Ward Randolph, Adah. "A Struggle: African American Educational Strivings in 19th-Century Columbus, Ohio." In 2024 AERA Annual Meeting. Washington DC: AERA, 2024. http://dx.doi.org/10.3102/2113506.

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Polonskaya, Olesya, Tatiana Kushnareva, and Valeriya Pribytkova. "Peculiarities Of Interethnic Conflicts Mainstreaming In American Literature Of The 19th Century." In International Conference on Language and Technology in the Interdisciplinary Paradigm. European Publisher, 2021. http://dx.doi.org/10.15405/epsbs.2021.12.94.

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Galily, Daniel. "The theory of nineteenth-century American pragmatism." In 9th International e-Conference on Studies in Humanities and Social Sciences. Center for Open Access in Science, Belgrade - Serbia, 2023. http://dx.doi.org/10.32591/coas.e-conf.09.11105g.

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The purpose of this overview is to give a short introduction to the ideas and activities of nineteenth-century American pragmatism theory for a philosophy conference at the BEN Science Institute in Bulgaria. Pragmatism is a philosophical theory that sees thought as a tool and device for predicting, solving problems and planning action. The philosophy of pragmatism addresses the practical consequences of ideas by examining them in the light of human experience, so that the truth of a claim is determined by practical results and the utility it serves. Pragmatism began in the United States around 1870 by Charles S. Pierce. In addition to Peirce, philosophers such as William James and John Dewey who were members of the “Metaphysical Club” held at Cambridge University in the late 19th century (where the theory was formulated) helped to develop its principles. By reviewing the theory of pragmatism, we must concentrate on the Pragmatic Maxim, the rule for clarifying ideas, which for both Peirce and James, was the core of pragmatism. Another important idea in the theory is Skepticism and fallibilism. This idea claims, according to Pierce, that we should try to doubt propositions and keep them only if they are with absolutely certainty and there is no way to doubt them. The test of certainty, as Peirce points out, lies in the individual mind: trial by doubt is something each must do for himself, and the examination of our beliefs is guided by reflection on hypothetical possibilities: we cannot trust our perceptual beliefs. For example, because we cannot rule out the possibility that they were created by a dream or by evil scientists manipulating our minds. The more we try to avoid errors, the more likely we are to miss truths; And the more effort we put into searching for truths, the more likely we are to introduce errors. The doubt method may make sense in the special case where enormous weight is given to avoiding mistakes, even if it means losing truth. Once we recognize that we are making a practical decision about the relative importance of two good options, the Cartesian strategy no longer seems the only rational one. Inquiry, as already suggested, is pragmatic accounts of the normative standards to which we must act in arriving at beliefs about the world cast in terms of how we can conduct inquiries in a disciplined, self-controlled manner. That is, our ability to think about external things and constantly improve our understanding of them is based on our experience. It would be wrong to conclude that pragmatism is limited to the United States or that the only important pragmatist thinkers were Peirce, James, and Dewey. Richard Rorty has described his philosophy as “pragmatist” on several occasions - what pragmatists teach us about truth, he tells us, is that there is nothing very systematic or constructive to say about truth at all.
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Themelis, Nickolas J. "Changes in Public Perception of Role of Waste-to-Energy for Sustainable Waste Management of MSW." In 19th Annual North American Waste-to-Energy Conference. ASMEDC, 2011. http://dx.doi.org/10.1115/nawtec19-5439.

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In the last ten years, public and government perceptions of waste-to-energy have changed considerably. Most people who bothered to visit waste management facilities recognize that landfilling can only be replaced by a combination of recycling and thermal treatment with energy recovery. During the same period, the Earth Engineering Center (EEC) of Columbia University research and public information programs have concentrated on advancing all means of sustainable waste management in the U.S. and abroad. The results of EEC research are exemplified in the graphs of the Hierarchy of Waste Management and the Ladder of Sustainable Waste Management of nations; in this paper, the latter has also been used to compare the waste management status of the fifty states of the Union. This paper also describes how the European Union has directed that thermally efficient treatment of MSW is equivalent to recycling. The rapid growth of WTE in this century is exemplified by the hundreds of new WTE plants that have been built or are under construction, most with, government assistance as in the case of other essential infrastucture. The need for concerted action by concerned scientists and engineers around the world has led to the formation of the Global WTERT Council. By now there are sister organizations of EEC and WTERT in Brazil, Canada, China, France, Germany, Greece (SYNERGIA) and Japan. Others are being formed in other countries.
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Cogut, Sergiu. "An Exponential Work of Literary Modernism Reaching its Centenary." In Conferinta stiintifica nationala "Lecturi în memoriam acad. Silviu Berejan", Ediția 6. “Bogdan Petriceicu-Hasdeu” Institute of Romanian Philology, Republic of Moldova, 2023. http://dx.doi.org/10.52505/lecturi.2023.06.17.

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2022 was marked by the 100th anniversary of the publication of two literary creations that over time were appreciated as emblematic works of modernism. They are James Joyce’s famous novel Ulysses and Thomas Stearns Eliot’s poem The Waste Land. The latter had an overwhelming impact on subsequent poetry, propelling the author to the top of the hierarchy of poets of the 20th century, although in that era it was perceived as an obscure poetic creation, thus contradicting the literary criticism of the time. In the process of elaboration of his innovative work in both message and form, T. S. Eliot was deeply influenced by the suggestions of his friend, the great American poet Ezra Pound who had the role of mentor for the English author also born in the United States, as he was actively involved in the drafting of the outstanding poem The Waste Land. Through this creation of his, T. S. Eliot asserted himself as a voice of special resonance that highlighted the disintegration, being thus considered an apostle of postmodernism. It is welcome to mention that for an adequate interpretation of this far-reaching work of the last century, it is necessary to clarify and apply the concept of „objective correlative” which was theorized by the same T. S. Eliot in his essay concerning Hamlet.
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Gillmer, Thomas. "1800 AD High Speed Marine Vehicles - 1800 AD." In SNAME 22nd American Towing Tank Conference. SNAME, 1989. http://dx.doi.org/10.5957/attc-1989-013.

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The political situation in the U.S. in these first years of the 19th century was, on a smaller scale, much like subsequent situations, even today. The administration of Thomas Jefferson had trouble with Mediterranean mid-East terrorists working out of Libyia, pirating and taking American hostages. A naval squadron was sent to stabilize the matter. Otherwise, there was much pressure to cut down the defense budget and decommission all but ten active warships… which was done.
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Plekh, O. A. "“Dear sir Mikhailo Matveyevich ...”: letters to the director-general of the Russian-American company M. M. Buldakov in the first quarter of the 19th century." In Current Challenges of Historical Studies: Young Scholars' Perspective. Novosibirsk State University, 2020. http://dx.doi.org/10.25205/978-5-4437-1110-2-89-98.

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Reports on the topic "Poets, american – 19th century"

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Acemoglu, Daron, Jacob Moscona, and James Robinson. State Capacity and American Technology: Evidence from the 19th Century. Cambridge, MA: National Bureau of Economic Research, January 2016. http://dx.doi.org/10.3386/w21932.

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Karimi, Linda. Implications of American missionary presence in 19th and 20th century Iran. Portland State University Library, January 2000. http://dx.doi.org/10.15760/etd.1826.

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Hockensmith, Charles D. American millstones similar to the French burr: 19th century attempts to find substitutes. Universitat de Lleida. Departament d'Història. Secció d'Arqueologia, Prehistòria i Història Antiga, 2019. http://dx.doi.org/10.21001/rap.2019.extra-4.18.

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Stevens, Madison, Elizabeth Lunstrum, Jamie Faselt, Brent L. Brock, Kyran E. Kunkel, Jake Rayapati, Chamois Andersen, et al. Buffalo Reading List. Boise State University, Albertsons Library, September 2023. http://dx.doi.org/10.18122/environ.9.boisestate.

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Welcome to this reading list on buffalo, also known as bison. The list gathers together literature focused on buffalo to support ongoing efforts to restore this iconic species to its keystone cultural and ecological role. Once the thundering heartbeat of Turtle Island or the North American continent, buffalo were nearly exterminated by the end of the 19th century in the course of westward colonial expansion and settlement. Today, across the continent, Indigenous Nations are at the forefront of initiatives to bring buffalo back to their homelands. Conservation practitioners, researchers, parks and government officials, and bison ranchers join Tribal communities to play key roles in advancing a place for buffalo.
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Gutiérrez Rodríguez, Encarnación. Entangled Migrations The Coloniality of Migration and Creolizing Conviviality. Maria Sibylla Merian International Centre for Advanced Studies in the Humanities and Social Sciences Conviviality-Inequality in Latin America, 2021. http://dx.doi.org/10.46877/rodriguez.2021.35.

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This Working Paper discusses entangled migrations as territorially and temporally entangled onto-epistemological phenomena. As a theoretical-analytical framework, it addresses the material, epistemological and ethical premises of spatial-temporal entanglements and relationality in the understanding of migration as a modern colonial phenomenon. Entangled migrations acknowledges that local migratory movements mirror global migrations in complex ways, engaging with the analysis of historical connections, territorial entrenchments, cultural confluences, and overlapping antagonistic relations across nations and continents. Drawing on European immigration to the American continent and specifically to Brazil in the 19th century, this argument is tentatively developed by discussing two opposite moments of entangled migrations, the coloniality of migration and creolizing conviviality. To do this, the paper engages first with the theoretical framework of spatial-temporal entanglements. Second, it approaches the coloniality of migration. Finally, it briefly discusses creolizing conviviality.
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Tweet, Justin S., Vincent L. Santucci, Kenneth Convery, Jonathan Hoffman, and Laura Kirn. Channel Islands National Park: Paleontological resource inventory (public version). National Park Service, September 2020. http://dx.doi.org/10.36967/nrr-2278664.

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Channel Island National Park (CHIS), incorporating five islands off the coast of southern California (Anacapa Island, San Miguel Island, Santa Barbara Island, Santa Cruz Island, and Santa Rosa Island), has an outstanding paleontological record. The park has significant fossils dating from the Late Cretaceous to the Holocene, representing organisms of the sea, the land, and the air. Highlights include: the famous pygmy mammoths that inhabited the conjoined northern islands during the late Pleistocene; the best fossil avifauna of any National Park Service (NPS) unit; intertwined paleontological and cultural records extending into the latest Pleistocene, including Arlington Man, the oldest well-dated human known from North America; calichified “fossil forests”; records of Miocene desmostylians and sirenians, unusual sea mammals; abundant Pleistocene mollusks illustrating changes in sea level and ocean temperature; one of the most thoroughly studied records of microfossils in the NPS; and type specimens for 23 fossil taxa. Paleontological research on the islands of CHIS began in the second half of the 19th century. The first discovery of a mammoth specimen was reported in 1873. Research can be divided into four periods: 1) the few early reports from the 19th century; 2) a sustained burst of activity in the 1920s and 1930s; 3) a second burst from the 1950s into the 1970s; and 4) the modern period of activity, symbolically opened with the 1994 discovery of a nearly complete pygmy mammoth skeleton on Santa Rosa Island. The work associated with this paleontological resource inventory may be considered the beginning of a fifth period. Fossils were specifically mentioned in the 1938 proclamation establishing what was then Channel Islands National Monument, making CHIS one of 18 NPS areas for which paleontological resources are referenced in the enabling legislation. Each of the five islands of CHIS has distinct paleontological and geological records, each has some kind of fossil resources, and almost all of the sedimentary formations on the islands are fossiliferous within CHIS. Anacapa Island and Santa Barbara Island, the two smallest islands, are primarily composed of Miocene volcanic rocks interfingered with small quantities of sedimentary rock and covered with a veneer of Quaternary sediments. Santa Barbara stands apart from Anacapa because it was never part of Santarosae, the landmass that existed at times in the Pleistocene when sea level was low enough that the four northern islands were connected. San Miguel Island, Santa Cruz Island, and Santa Rosa Island have more complex geologic histories. Of these three islands, San Miguel Island has relatively simple geologic structure and few formations. Santa Cruz Island has the most varied geology of the islands, as well as the longest rock record exposed at the surface, beginning with Jurassic metamorphic and intrusive igneous rocks. The Channel Islands have been uplifted and faulted in a complex 20-million-year-long geologic episode tied to the collision of the North American and Pacific Places, the initiation of the San Andreas fault system, and the 90° clockwise rotation of the Transverse Ranges, of which the northern Channel Islands are the westernmost part. Widespread volcanic activity from about 19 to 14 million years ago is evidenced by the igneous rocks found on each island.
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Struthers, Kim. Natural resource conditions at Fort Pulaski National Monument: Findings and management considerations for selected resources. National Park Service, December 2023. http://dx.doi.org/10.36967/2300064.

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The National Park Service (NPS) Water Resources Division’s Natural Resource Condition Assessment (NRCA) Program initiated an NRCA project with Fort Pulaski National Monument (FOPU) in 2022. The purpose of an NRCA is to synthesize information related to the primary drivers and stressors affecting natural resource conditions at a park and to report conditions for natural resource topics selected by park managers. Resource conditions are evaluated as either a condition assessment or a gap analysis, depending on data availability. For FOPU’s NRCA, managers selected salt marsh, shorebirds, Eastern oyster (Crassostrea virginica), and butterflies as the focal resources. FOPU is comprised of two islands in coastal Georgia, McQueens and Cockspur, which are separated by the Savannah River near its confluence with the Atlantic Ocean. Cockspur Island contains the 19th century masonry fort, Fort Pulaski, and the monument’s visitor services and facilities and is primarily constructed with dredge material from the Savannah River. McQueens Island is almost entirely salt marsh habitat and most of its area is eligible federal wilderness, containing one of Georgia’s oyster recreational harvest areas (RHAs), Oyster Creek RHA. Both McQueens and Cockspur islands are designated as a National Oceanic and Atmospheric Administration Marine Protected Area (MPA), underscoring FOPU’s natural resource significance. Riverine, freshwater, and estuarine wetlands cover 83.81% of FOPU, with the latter accounting for almost 99% of all monument wetlands. Persistently emergent vegetation of smooth cordgrasses (Spartina spp.) and unconsolidated shore represent the dominant wetland types. McQueens Island estuarine wetlands were evaluated for 11 functions and were rated primarily as high functioning, except for the wetland north of Highway 80, where the causeway has altered its ability to function properly. The wetland west of the Highway 80 bend is composed of unconsolidated material so was rated as moderately functioning in carbon sequestration, retention of sediments, and shore stabilization. In contrast, the unconsolidated shore wetland in the Oyster Creek RHA, where the highest concentration of FOPU’s oysters occurs, were rated high for all expected wetland functions. In 2013, over 75% of the total oyster area from within four of Georgia’s RHAs was in the Oyster Creek RHA. A spectral analysis of oyster density in Oyster Creek RHA, comparing 2013 and 2018 images, reported an increase in the high-density class, a decrease in the moderate-low class, and an increase in the no oyster class, with the latter likely a function of how oyster areas were drawn between the images. A successful 2013 enhanced reef project in Oyster Creek RHA reported a pre-enhancement oyster area of 2.68 m2 (28.8 ft2) that increased to 894.2 m2 (0.22 ac) of oysters by 2018. FOPU’s extensive salt marsh habitat and beaches provide critical food sources and habitat for shorebirds in the Atlantic Flyway, especially during the pre-breeding season. The American Oystercatcher (Haematopus palliates), Whimbrel (Numenius phaeopus), and the federally threatened rufa subspecies of Red Knot (Calidris canutus rufa) are identified as high priority species in the flyway and have been observed on Cockspur Island during the Manomet International Shorebird Surveys (2019–2022) at FOPU. The USFWS (2023) is seeking additional critical habitat designation, which will include Cockspur Island, for the rufa subspecies of Red Knot, whose estimated population abundance trend is declining throughout its entire range. FOPU’s non-wetland, upland habitat is primarily located on Cockspur Island and supports vegetation that can serve as host, roost and/or nectar plants for pollinators, especially butterflies. Cedar–Live Oak–Cabbage Palmetto (Juniperus virginiana var. silicicola–Q. virginiana–Sabal palmetto) Marsh Hammock and Cabbage Palmetto Woodland contain the most diversity of beneficial butterfly plants. While a comprehensive butterfly inventory is needed, fall migration surveys have recorded three target species of the Butterflies of the Atlantic Flyway (BAFA): monarch (Danaus plexippus), gulf fritillary (Agraulis vanillae), and cloudless sulphur (Phoebis sennae). Collectively, FOPU’s natural resources are affected by the sea level, which has risen by 0.35 m (1.15 ft) from 1935 to 2022. Hardened shorelines, such as causeways or armored structures, are identified as the greatest threat to the salt marsh habitat’s ability to migrate upland with continued sea level rise. Erosion along Cockspur Island’s north shore is an ongoing issue and FOPU managers have been working with the U.S. Army Corps of Engineers to develop solutions to address the erosion, while also creating habitat for shorebirds. Several agencies routinely monitor for water and sediment pollution in and around FOPU, which, if managed collectively, can inform landscape-level management actions to address drivers that are influencing resource conditions at the ecosystem level.
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