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Journal articles on the topic 'Poetry Themes'

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Author: Grafiati

Published: 10 December 2022

Last updated: 29 January 2023

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1

Nafisi, Gholam Abas, Mohammad Ali Davood Abadi Farahani, and Ali Sar Yaghoubi. "Tajikistan Contemporary Poetry Themes." Journal of Language and Literature 19, no. 2 (October 2, 2019): 55. http://dx.doi.org/10.24071/joll.v19i2.2130.

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<p>Tajik poetry deviated from its mainstream with the victory of the communist revolution. The imposition of Russian language and the new communist literature made Tajik poetry to take influence from the works of Russian romantic poets and to have new themes. Meanwhile, it benefited from the ancient Persian poets and one can see the rhetorical figures such as metaphor, simile, conflict, pun, Īhām, proverb, husn-i ta'lil (good reason), imagery and paradox in the works of Tajik poets. Additionally, Bīdel's poem has also had a clear influence on the poetry of some contemporary poets. Tajik poetry is very close to the informal language of the people, and in these poems, we encounter words that are specific to the Tajik dialect. The first Persian she'r-e now (new poetry) in Central Asia was written by Sadriddin Ayni.</p><p>In Tajik poetry, we occasionally encounter with recurrences, the nostalgia of the missed glory, the oppression of the nation, and the unwanted fate of their ancestors. In these poems, the rely on emotion and content, and the epic and passionate tone prevail other poetic performances. The present study gives a general overview of the poetry of some Tajik poets.</p><p><em><strong>Keywords:</strong> Poetry, Tajikistan, Tajik, Persian language</em></p><p>_________________________________________</p><p>DOI > <a href="https://search.crossref.org/?q=10.24071%2Fjoll.2019.190206">https://doi.org/10.24071/joll.2019.190206</a></p><p><em><br /></em></p>

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Chouhan, Sandhya. "Various Themes in Sarojini Naidu’s Poetry." Journal of Advanced Research in English and Education 05, no. 02 (February 19, 2021): 13–14. http://dx.doi.org/10.24321/2456.4370.202008.

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Sarojini Naidu is the most lyrical of the Indian English poet. Because of the sweetness and musicality of hor verse, she was fondly called by Mahatma Gandhi “the nightingale of India.” In the early phase of her poetic corear, she was anamored by British romantic poets and imitated them in her poetry. But on the advice of Edmund Morris, she tried to reveal the heart of India romantically, lyrically and sensuously. Consequently, she published three volumes of the poem: “The Golden Threshold” [1905]. ‘The Bird of Time’ [1912] and ‘The Broken Wing’ [1917]. These volumes were highly praised by the western literary magzines like ‘The Time’, ‘The Glasgow Horald’, ‘The New York Times’.

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Nafisi, Gholam Abas, Mohammad Ali Davood Abadi Farahani, and Ali Sar Yaghoubi. "TAJIKISTAN CONTEMPORARY POETRY THEMES." Journal of Language and Literature 19, no. 02 (October 1, 2019): 55–65. http://dx.doi.org/10.24071/joll.2019.190206.

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Subanti, Gregorius. "The War, Postwar and Postmodern British Poets: Themes and Styles." Indonesian Journal of English Language Studies (IJELS) 4, no. 1 (October 29, 2018): 39–49. http://dx.doi.org/10.24071/ijels.v4i1.1633.

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British literature, especially poetry has experienced different phases and showed the unique faces from the early periods to what called modernity era. The multi-facetted poetry is inflected by the dynamic atmospheres faced by Britain as results of the responses of poetic artists to the ups and downs of British history, especially the industrial changes and the brutality of World War I and II. Poets responded the political, social and cultural waves with their own unique styles and moods. The traumatic Wars and their casualties were not the sole themes during the war or post war era poetry, some poets reacted the issues of their own ways. This paper will discuss the reaction of some British poets to the wars. The discussion sections will be parted into the general responses, and also the analysis of two post war poets namely Adrian Henry and James Berry to represent their era of 1960 and 1980. This study reveals some findings that the poets experienced WWI and WWII responded the wars in such dramatic and gloomy ways as they are closely affected by the effects of 1915-1945 wars. Adrian Henry lived in the era post-modern, 1960s, the effect should have recovered. His poetic style speaks itself. James Berry, a Black immigrant poet, voices his root, past experiences and hope for a new life. Despite the style and theme, they all flourish British poetry with their own uniqueness.Keywords: British poetry, postwar, postmodern, Adrian Henri, James Berry

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Goyal, Meghna. "Themes in Kamala Das Poetry." Motifs : An International Journal of English Studies 5, no. 2 (2019): 55. http://dx.doi.org/10.5958/2454-1753.2019.00007.2.

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6

Hook, Ernest B. "Hereditary Themes in Shakespeare's Poetry." Perspectives in Biology and Medicine 31, no. 3 (1988): 429–36. http://dx.doi.org/10.1353/pbm.1988.0032.

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Lindskog, Annika J. "“The Blood Jet Is Poetry”: Sylvia Plath’s Practical Poetics." Lund Journal of English Studies 2 (March 15, 2021): 1–20. http://dx.doi.org/10.48148/ljes.v2i.22786.

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This essay discusses the nature and function of poetry and poetic inspiration as central themes in the poetry of Sylvia Plath, an aspect of her poetry that has elicited surprisingly little critical attention over the years. Here, I trace the poetological strand in Plath’s poetry through four poems: the early ‘Black Rook in Rainy Weather’ (1956), ‘The Moon and the Yew Tree’ (1961), and, finally, ‘Ariel’ and ‘Lady Lazarus’ (both October, 1962). These poems all engage with and raise issues that relate to poetics in different ways. Read together, these four poems demonstrate the centrality of poetological themes in Plath’s poetry—how they in different ways represent and debate the genesis, nature, form, and function of poetry.

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George, Edward V., James Hutton, and Rita Guerlac. "Themes of Peace in Renaissance Poetry." Classical World 80, no. 6 (1987): 460. http://dx.doi.org/10.2307/4350115.

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Steadman, John M., James Hutton, and Rita Guerlac. "Themes of Peace in Renaissance Poetry." Comparative Literature 38, no. 4 (1986): 382. http://dx.doi.org/10.2307/1770406.

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Hutton (book author), James, Rita Guerlac (book editor), and Roger Pooley (review author). "Themes of Peace in Renaissance Poetry." Renaissance and Reformation 23, no. 2 (March 6, 2009): 202–4. http://dx.doi.org/10.33137/rr.v23i2.11990.

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Singh, Shaleen Kumar, and Alka Sharma. "The Spirituala Poems of Mahanand Sharma." International Journal of English Literature and Social Sciences 7, no. 3 (2022): 062–66. http://dx.doi.org/10.22161/ijels.73.9.

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Indian English Poetry is rich in Indian themes and symbols. Although the poets have drawn poetic elements from the Indian soil, theme of spirituality is still left untouched by the IWE. Mahanand Sharma’s poetry is the poetry of spiritual taste. As a poet of Modern Indian English sensibility, he has captured the diverse themes of Indian spirituality and mythology. His collection titled A Rudraksha Rosary and Other Poems is an interesting story of Lord Shiva written in Miltonic blank verse. However, the poet has employed the eighteenth-century diction, he has remained novel in his tackling of themes and myths of Lord Shiva. In a comprehensive manner, he uncovers the valour and exploits of Lord Shiva and provides the spiritual light to the people groping in dark of materialism. This paper is a modest attempt to unravel the spiritual strains in the poetry of Mahanand Sharma.

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Balsevičiūtė-Šlekienė, Virginija. "Poetic Codes of the “Žemininkai” Group in Jonas Juškaitis’s Poetry." Colloquia 43 (December 20, 2019): 61–76. http://dx.doi.org/10.51554/col.2019.28639.

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The article analyzes the revival of the “Žemininkai” group tradition in Jonas Juškaitis’s poetry. A somewhat metaphorical concept of “codes” is understood as a set of dominant themes and poetic features which allows to identify the generation of the “Žemininkai” poets and specify its influence in Soviet poetry. The “Žemininkai” poets formed as a poetic generation in the pre-war and WWII years. It was during that time when their poetic “code,” which asserted the cult of the land, openness to Western European culture and stood out for its existentialist poetry had emerged.Juškaitis adopted from the “Žemininkai” the sense of adoration of the land and its abundance (which in a way resembles Bradūnas and Mačernis). The archaic nature of the worldview, the constant signs of sacredness in the landscape and the dimension of past times can be easily traced in his poetry. Of all the “Žemininkai’ poets, Mačernis (especially poetic cycle of “Visions”) is the closest to Juškaitis.The deeper analysis of the human existence links Juškaitis’s poetry with the “Žemininkai” poets even more. The intensity and distinctive expression of its most important themes, time and death, are similar to the poetry “Žemininkai.” Juškaitis differs from the “Žemininkai” group by focusing on ethical issues and the newly revealed relationship between the individual and the nation. His poetry is more sociable and reflective of everyday life.

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Kempton, Heather Mary. "Holy be the Lay: A Way to Mindfulness Through Christian Poetry." OBM Integrative and Complementary Medicine 7, no. 1 (November 23, 2021): 1. http://dx.doi.org/10.21926/obm.icm.2201011.

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Mindfulness practices have exploded in popularity in public awareness and in therapeutic applications. While mindfulness in a therapeutic context is presented as a secular practice, its primarily Buddhist heritage may make some Christian clients wary of engaging. Research indicates that both reflection (co-creation) on poetry and creation of poetry can be therapeutic, and that both Buddhist and secular/therapeutic mindfulness texts use poetry to convey meaning through key themes of nature, change/impermanence, stages of practice, and acceptance. Taken together poetry offers a pathway to mindfulness, which in this article is applied to the Christian client. Examples are given of: how mindfulness-based practices are in accordance with Christian teachings (e.g., grace theology), that poetic practices already exist in Christian traditions (e.g., Lectio Divina and the Prayer of the Heart), and themes previously identified in Buddhist and secular/therapeutic mindfulness related poetry, are also present in Christian poetry. It is argued that poetry can provide an appropriate and palatable vehicle for introducing Christian clients to mindfulness, which allows for the individual’s spirituality to be harnessed as a mediator of the benefits of mindfulness practice.

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Babnis, Tomasz. "Iranian Themes in the Poetry of Claudian." Živa Antika 71, no. 1-2 (2021): 109–24. http://dx.doi.org/10.47054/ziva21711-2109b.

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Dawson, Romy. "Rural and Pastoral Themes in Heaney’s Poetry." Studies: An Irish Quarterly Review 110, no. 440 (2021): 470–79. http://dx.doi.org/10.1353/stu.2021.0035.

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Babnis, Tomasz. "Iranian Themes in the Poetry of Statius." Classica Cracoviensia 21 (July 2, 2019): 5–30. http://dx.doi.org/10.12797/cc.21.2018.21.01.

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Publius Papinius Statius was one of the most important poets of the Flavian Age. His works (Thebais, Silvae and unfinished Achilleis) became the object of great interest of scholars. One of the issues of Statian poetry that was so far ignored by scholars was its image of the East and Easterners. Among them the Iranian world (first of all Parthian empire) is the one that deserves special interest because of the importance of relations between Rome and Parthia as well as the old literary tradition concerning Persia, Parthia etc. Although this matter is of marginal importance in Statius, there are a lot of references to Iranian themes in Thebais and Silvae. Some of them are connected with military and political relations with Rome (esp. the Armenian War in the times of Nero), while some refer to ethnographic tradition and traditional image of Achaemenid Persia. In these passages we can find great influence of Augustan poets, Horace in particular.

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Sullivan, Anne McCrary. "Poetic Inquiry Coming of Age." Art/Research International: A Transdisciplinary Journal 7, no. 2 (December 4, 2022): 576–82. http://dx.doi.org/10.18432/ari29704.

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Laura Apol’s Poetry, Poetic Inquiry and Rwanda: Engaging with the Lives of Others (2021) traces the author’s long relationship with survivors of the 1994 Rwanda holocaust in which thousands of Tutsi were murdered by their neighbors, and examines the ways in which her personal uses of poetry for coping with painful subject matter became a longitudinal poetic inquiry. This review responds to themes of relational poetic inquiry and the development of poetic craft and suggests that the author’s development reflects the development of the field of poetic inquiry and marks a stage of accomplishment.

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Khalid Saifullah. "Discourse Analysis." Linguistics and Literature Review 2, no. 1 (March 31, 2016): 29–38. http://dx.doi.org/10.32350/llr.v2i1.245.

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The present study aims at analyzing the discourse of Sufi poetry, a prominent genre of Sufi Literature. Sufi poets have been publicizing Sufism and their philosophy through poetry. Text and language is central to Sufi literature therefore Sufi poets use poetic language to mesmerize the hearts of people. In this study thematic discourse analysis of Sufi poetry is conducted in qualitative research paradigm whereas Post-structuralism is used as theoretical framework epistemologically. Textual data in form of poetry verses is collected purposively from online resources. The study concludes that poetry of two Sufi poets, Bulleh Shah and Rumi holds common themes of universal love, purification of soul and humility.

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Supian, Supian, Ekaterina Prikhoda, Ruswan Dallyono, Ladinata Ladinata, Tri Yulianty Karyaningsih, and Miksalmina Miksalmina. "The Creative Legacy of the Great Russian Poet Boris Pasternak: Traditions and Innovation in His Poetic Works." Poetika 10, no. 2 (October 31, 2022): 142. http://dx.doi.org/10.22146/poetika.v10i2.67383.

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This study examines the poems of Boris Pasternak, the famed Russian literary figure. It analyzes and compares the poet's works with those of his contemporaries and predecessors’. Some motifs, themes, images, and characteristic features of the stylistics and tropics of poetic creativity in Pasternak's lyrics were revealed, which signify the influence of traditions and innovation. By employing several literary criticism methods, namely those of close reading, a structuralist analysis, and biographical criticism, this study found that there is a wealth of themes both old and new in Pasternak’s poetry. These themes were mostly derived from past authors, which confirm the findings of Baróthy (2015), Han (2015), and Polivanova & Polivanov (2018). These themes were then reconstructed in Pasternak’s works in a way that signify these works as a celebration of the old and the welcoming of the new in the Russian literary tradition. This study has cemented Boris Pasternak’s role as a hub linking the old and the new generations in Russian literature.

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Grahovac - Pražić, Vesna, and Slavica Vrsaljko. "Slika poezije u čitankama." Magistra Iadertina 14, no. 2 (November 16, 2020): 75–86. http://dx.doi.org/10.15291/magistra.3147.

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The paper discusses the representation of poetry in textbooks intended for primary education. Poetic education begins in the preschool period, and is continued systematically with the beginning of the first grade of primary school. The choice of poetic texts and the appropriate methodological tools are critical in pupils’ reception and communication of poetry. The analysis of textbooks is based on the selection principles in the choice of texts, namely national, aesthetic, pedagogical and receptive. The examination of one textbook set, extending from the first to the fourth grade of primary education, focuses on the representation of poetry in textbooks in relation to other literary genres, the relationship between classical and contemporary poetry, as well as the thematic diversity of poetry. The analysis showed a considerable representation of poetic texts. There is an inconsistency in the representation between the national and international canons. As expected, thematic diversity is present but with a special positioning of childhood and other child-related themes.

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Петров, Алексей Андреевич. "THE SPECIFICITY OF OLGA KAMENSKI’S LYRIC POETRY THEMES." Вестник Тверского государственного университета. Серия: Филология, no. 1(68) (April 9, 2021): 243–48. http://dx.doi.org/10.26456/vtfilol/2021.1.243.

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В статье представлен анализ поэтического наследия Ольга Каменской, которая активно публиковалась в «Псковских епархиальных ведомостях» в конце XIX - начале ХХ вв. Своеобразие лирики О. Каменской заключается не только в обращении к религиозным темам и мотивам, но и в рефлексии на события истории России рубежа столетий. The article represents the analyses of Olga Kamenski’s lyrical poetry heritage. Olga Kamenski’s verses were published in Pskov Eparchial Gazette in the end of the 19th and the beginning of the 20th century. The specificity of Olga Kamenski’s lyrical poetry includes not only the appeal to the religious themes and motifs, but also the reflection on the Russian history at the turn of the century.

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Samchuk, T. "THE LITERARY INTERESTS OF ST. VLADIMIR UNIVERSITY STUDENTS: POETRY (1834-1863)." Bulletin of Taras Shevchenko National University of Kyiv. History, no. 141 (2019): 38–45. http://dx.doi.org/10.17721/1728-2640.2019.141.8.

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The article depicts the poetry interests of in the life of St.Vladimir University students in the years 1834-1863. The main task of publication was to show the significance and role of poetry in the students’ life. It was defined which poetry was popular among students. The main peculiarities of student’s poetry creativity were highlighted in the article. The author points out that the students' interest in the poetry of this period was formed under the influence of the romanticism ideas and the specifics of the literary and artistic life of the region. The author admits that the most popular among students were Polish, Russian and Ukrainian romantic poets. Ukrainian folklore had a significant influence on the poetry of students. In general, student poetry was diverse in terms of genres and subjects. The main themes of students lyrics were love, philosophical reflections, patriotism (especially among polish students), etc. Quite often, students used historical themes in their poems. The so-called “bursch poetry”, in which humorous student adventures were described, was a unique genre of students poems. In poetry were reflected values, outlook, and political views of students. Sometimes students’ poems were converted into songs and become very popular among them. Usually, they sang these songs on common gatherings that help to unite some groups of students and create a feeling of corpocracy. The students had no unity about poetic preferences. The preferences of poles students were distinguished among others. They prefer to read Polish authors and most of them wrote poems in Polish. It should be noted, the period which we chose is one of the most active in students’ poetic creativity. During the next period of life of students of St. Vladimir we couldn’t find so high level of literary creativity.

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Anders, Jaroslaw. "Poetics of Loss and Dislocation." Polish Review 67, no. 1 (April 1, 2022): 9–26. http://dx.doi.org/10.5406/23300841.67.1.02.

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Abstract This essay examines several recurring themes, references, and poetic tropes in Anna Frajlich's poetry, to establish how her personal experience of exile and dislocation shapes and enriches her poetic universe. It focuses on the poet's treatment of space, time, memory, human relations, and the nagging sense of incompleteness often expressed by her lyrical personae. The essay combines historical and structural analysis of the main features of Frajlich's poetry, paying special attention to the prosodic organization of her verse, types of poetic diction, the intermittent use of traditional and innovative poetic forms to show that the poet's work, though highly diverse in form and content, inclines toward the “classical” model of expression characterized by a sense of poise, emotional restraint, and search for order, while at the same time avoiding intellectual and moral aloofness, didacticism, abstractness usually associated with “classicist” literary style. Frajlich's poetry acknowledges life's confusion without yielding to it, resists chaos without denying its presence in our lives. Her personal experience presents itself primarily as a heightened sensitivity to all forms of discord and discontinuity in the lives of people, communities, and nations. Born of a “wound,” it surmounts a personal tale of anguish and alienation, and forges it into a universal tale of the modern human condition. An escape, an exile from home, a painful dislocation, self-doubt, and uncertainty, is transformed into what the poet calls a “perfect journey” of self-affirmation, self-renewal, and intellectual as well as emotional discovery.

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Brzykcy, Jolanta. "Поэтический комплекс моря в поэзии Галины Кузнецовой." Acta Polono-Ruthenica 1, no. XXIV (March 31, 2019): 19–37. http://dx.doi.org/10.31648/apr.4394.

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The subject of analysis in this article is the poetic complex of the sea in the poetry of Galina Kuznetsova, a poet representing the “first wave” of Russian emigration. In the Olive Orchard (Олив-ковый сад, 1937), the only poetry book she published, the sea appears as a source of aesthetic sen-sations, but above all it is an impulse for existential reflections of the narrative subject, a projection of his mental states and an explanation of her artistic worldview.In the analysis of maritime themes in Kuznetsova’s poetry, Vladimir Toporov’s research was used. according to which the poetic complex of the sea is determined by the psychophysiological structure of the author of the text and is a carrier of non-poetic realities.

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Marklew, Naomi. "Remembering and Dismembering: Ciaran Carson's Elegies for Belfast." Irish University Review 45, no. 2 (November 2015): 352–68. http://dx.doi.org/10.3366/iur.2015.0181.

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This essay considers poems from two of Ciaran Carson's recent volumes of poetry, Breaking News and Until Before After, both in terms of their poetic form and their relationship to the traditional genre of elegy. The themes of memory and memorialisation are explored within poems that are often formally fragmentary and can seem to be dismembering rather than remembering the city of Belfast. The essay suggests that Carson's poetic techniques, particularly in his repeated use of the trope of cartography or mapping, might reflect psychological theories of ‘cognitive mapping’ as a method of memorialising Belfast. Following Edna Longley's suggestion that Carson writes as a ‘post-traditional’ poet, it explores his unique contribution to the development of the contemporary elegy, by tracing the lines of inheritance and subversion from the traditions of the genre. Furthermore, by focusing on work from the mature stage of the poet's career, it also considers how Carson's poetic identity is linked to the city, and how the formal development of his poetry takes place alongside an increased awareness of the poet's need for memorialisation in the face of the dismembering threat of death.

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Sawicki, Bernard Łukasz, and Chiara Tacchinardi. "Taming Eschatology: The Case of Silja Walter OSB." Polonia Sacra 26, no. 1 (June 22, 2022): 7–36. http://dx.doi.org/10.15633/ps.26101.

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This paper examines the eschatological themes in the series of poems, The Dance of Obedience or the Straw Carpet, written by the Benedictine nun Silja Walter (1919–2011) — Sr. Hedwig OSB from the Swiss monastery of Fahr. This series of poems is particu- larly representative for the poet’s work as it combines her monastic experience with her personal poetic reading of the Bible in the spirit of lectio divina. These two sourc- es give the analyzed poetry a particular theological quality, originally combining spiritual and dogmatic elements. Having presented the biographical and monastic context of the set in question, the authors show the form, connections and dynamism of the eschatological themes present in the discussed poetry. In conclusion, referring generally to the entirety of Walter’s work, they show the anthropological value of her approach to eschatology, which, in accordance with the title of the article, can be defined as bringing eschatological themes closer to everyday existential experience. This effect is possible thanks to the original use of poetic language.

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Bhattacharje, Dr Sharmila. "Contemporary and Universal:A Case Study of Themes in Coleridge’s Masterpiece- The Rime of the Ancient Mariner." Psychology and Education Journal 58, no. 2 (February 10, 2021): 5499–504. http://dx.doi.org/10.17762/pae.v58i2.2966.

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Poetry has been defined as ‘spontaneous overflow’ of emotions by the great Romantic poet William Wordsworth. By this very definition emotions, which are integral parts of human beings,make poetry universally relevant. And yet its universality and relevance are often questioned in contemporary times by many, especially in the context of poetry of the past. Moreover, in the teaching and learning context, poetry is often considered to be rather impractical and unable to impart skills which are really needed on the ground. Students often deem poetry as a luxury or just an extra. So has poetry lost its relevance? Poetry not only is a treasure trove of emotions and literary expressions, it deals with multiple themes which are relevant, contemporary and universal. This paper aims to examine the relevance of poetry in the context of contemporary times and pedagogythrough the study of some of the universal and contemporary themes taking S. T. Coleridge’s masterpiece The Rime of the Ancient Mariner as a case study.

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Czyżak, Agnieszk. "Rezydencja poezji. O liryce Marty Podgórnik." Poznańskie Studia Polonistyczne. Seria Literacka, no. 33 (October 26, 2018): 41–54. http://dx.doi.org/10.14746/pspsl.2018.33.3.

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The article contains interpretations of verses written by Marta Podgórnik during last twenty years (1996-2016). This analysis of Silesian writer’s poetry lead to recognitions of aspects, themes, images, particularites it includes. Podgórnik creates pictures of unsubmissive and indyvidualistic women, which must exist out of main discourses: patriarchal and feministic. But the most important in this poetry is language used for poetic but subversive descriptions of painful experiences, also by using intertextual references.

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Watsky, Paul. "Ecocidal Themes in English Language and Japanese Poetry." Jung Journal 11, no. 2 (April 3, 2017): 51–65. http://dx.doi.org/10.1080/19342039.2017.1297105.

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Aburqayeq, Ghassan. "Nature as a Motif in Arabic Andalusian Poetry and English Romanticism." Journal of Critical Studies in Language and Literature 1, no. 2 (July 1, 2020): 52–61. http://dx.doi.org/10.46809/jcsll.v1i2.12.

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This paper examines some tenets in the Andalusian and Romantic poetry and shows how poets such as Ibrahim Ibn Khafāja (1058-1138) and William Wordsworth (1770 –1850) used nature as a motif in their poetry. Relying on a historical approach, this paper links smaller features such as themes and literary devices in the Andalusian and Romantic poetry with larger features, including genre, traditions, and cultural system. I argue that the emphasis on both the larger and smaller features of poetry creates what Franco Moretti calls “distant reading.” Comparing and contrasting Ibn Khafāja’s “the Mountain” and Wordsworth’s “the Daffodils,” for instance, introduces nature as a recurrent theme in both Andalusian and Romantic literary traditions, reinforcing Johann Wolfgang Goethe’s description of poetry as a common possession of humanity” (Goethe 229). In addition to that, comparing the images and themes in both the Andalusian and Romantic poetry not only shows internally linked meanings, but it creates what Cesar Domínguez, et al, call “a space for polyglottism, multidisciplinarity, scholarly collaboration” (75). Reading these works and movements closely and distantly serves as a cross-cultural dialogue between the Arabic and English poetic conventions. While Ibn Khafāja and Wordsworth lived in different places and times, wrote in different languages, and did not have the same socio-political circumstances, their poems show the richness and multiplicity of the historical experience of world literature.

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Svyatoslavsky, Alexey V. "Nature Images in Russian Odic Poetry of the 18th – Early 19th Centuries: Functional Role and Influence on the Further Literary Process." Two centuries of the Russian classics 3, no. 2 (2021): 40–61. http://dx.doi.org/10.22455/2686-7494-2021-3-2-40-61.

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The article is devoted to the functional role of nature images in the formation of the imaginary structure of Russian odic poetry of the 18th – early 19th centuries. Examples are taken from the odic poetry of Mikhail Lomonosov, Vasily Trediakovsky, Alexander Sumarokov, Mikhail Kheraskov, Gavrila Derzhavin, Dmitry Khvostov. An attempt was undertaken to answer two questions: the place nature images occupied in odic poetry in the era of its pride and, secondly, the possibility to find in the poetry of classicism, despite the condescending attitude towards it that developed later in the history of Russian literature, something that constituted an organic part of the Russian classics of the 19th and 20th centuries. The functional role of nature images in the odic genre is shown, which, as it seemed, by definition is alien to natural themes, being organically connected with the pathos of civic consciousness and the appeal to the themes of heroism, great personalities, and historical events. However, as it turns out in a number of cases, the very objects of nature evoke the poet's admiration as an impressive work of the Creator, in others, nature is a background that in a certain way enhances the impression of the very historical events that constitute the subject of odic poetry. The conclusion is made about a certain continuity in the depiction of nature – from odic poetry to Russian lyric poetry and prose of the 19th and 20th centuries.

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Krotova, D. V. "V. SHALAMOV AND M. TSVETAEVA: RELATIONSHIP AND POLARITY OF POETIC WORLDS." Bulletin of Udmurt University. Series History and Philology 31, no. 3 (July 19, 2021): 578–88. http://dx.doi.org/10.35634/2412-9534-2021-31-3-578-588.

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The article is devoted to a comparative analysis of the figurative world and principles of poetic thinking of V. Shalamov and M. Tsvetaeva. The conclusions formulated contribute to the deepening of literary ideas about the genealogy of Shalamov as a poet, about his multi-level relationship with the heritage of the Silver Age. The article shows the features of kinship in the artistic consciousness of Shalamov and Tsvetaeva, as well as fundamental divergences. The comparative analysis touched such criteria as the perception of the phenomenon of poetry and the poet's personality, the understanding of the relationship between the poet and the world, the comprehension of the creative process, as well as the treatment of certain themes that are most significant in the lyrics of the named authors. It is proved that Shalamov and Tsvetaeva had a characteristic understanding of poetry as a kind of universal law of existence, the ontological basis of all things, which entailed certain traits of kinship in the vision of the personality of the creator, the interpretation of certain themes, in the peculiarities of poetic technique. Along with commonality, the fundamental differences of the analyzed artistic systems were also revealed, relating mainly to the problem of the relationship between the poet and the world, the poet and time, as well as a number of thematic aspects.

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Daniel, Abiodun Oluwafemi. "Portrayal of Social Vices in Obasa’s Poetry." Yoruba Studies Review 5, no. 1 (December 21, 2021): 1–13. http://dx.doi.org/10.32473/ysr.v5i1.130062.

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Tis essay examines sub-themes of social vices like wickedness, disobedience, stubbornness, jealousy, deception, greed, laziness, corruption, treachery, foolishness and ignorance, extremism etc. in Obasa’s poetry. ́ The study shows that Obasa ̩ was a renowned and seasoned poet who used poetic language as a ́ tool to convey Yoruba perspectives and philosophy to his readers. The study further shows that Obasa’s poetry series are ever relevant as they address current issues on human relations, socio-cultural, and socio-economic situations of the present-day Nigeria. Tis work concludes that Obasa ̩ ́ was a teacher of morals and ethics who used poetry as a medium of waging war against societal ills.

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Davis, Camea. "Writing the Self: Slam Poetry, Youth Identity, and Critical Poetic Inquiry." Art/Research International: A Transdisciplinary Journal 3, no. 1 (March 1, 2018): 90–113. http://dx.doi.org/10.18432/ari29251.

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The purpose of this study was to describe the slam poetry classroom space and its meaningfulness as a tool for the construction of the perceived and embodied identities of urban American middle school students. The aim of this article is to explain how critical poetic inquiry can participate in the activist tradition of amplifying the voices of the oppressed when exploring the slam poetry classroom space and co-creating its meaning with student-participants. This research questioned: How does the slam poetry space enable middle school students to break through social barriers? How does the slam poetry space engage middle school students in the process of identity construction? Themes that emerged from this study include that slam poetry class provided a place to negotiate prescribed identities and the slam poetry class was a location for youth to create ideal self-narratives. This research contributes a pedagogy that empowers teachers and students to engage in collaborative agency and change-making through dialogue via slam poetry and critical poetic inquiry. The organizing structure of this article uses poems authored by the researcher and subtitles to introduce each section.

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Liu, Qin Lin. "Semantic and stylistic analysis of the works of young poets of the Psychological and Pedagogical University." Язык и текст 6, no. 3 (2019): 76–80. http://dx.doi.org/10.17759/langt.2019060309.

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The article discusses the features of the poetic vision of the world by students of the Moscow State University of Psychology and Education. Keywords: Poetry young, semantic-stylistic features, the main themes and images, the basic motives of creativity of young poets.

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Mosena, Roberto. "“L’antica gioia per la vita”. Stile, motivi e varianti nelle Poesie di Giulio Di Fonzo." Forum Italicum: A Journal of Italian Studies 54, no. 3 (August 16, 2020): 806–23. http://dx.doi.org/10.1177/0014585820948457.

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This essay examines the poetry of contemporary author Giulio Di Fonzo in depth for the first time, analysing the central and recurrent themes of his poetic work, material symbols such as water, light, and air, and highlighting the style and variants of Poesie.

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Kamarova, N. S. "THE IMAGE OF THE MOTHERLAND IN THE POETRY OF FARIZA ONGARSYNOVA." PEOPLE: International Journal of Social Sciences 8, no. 1 (March 15, 2022): 36–46. http://dx.doi.org/10.20319/pijss.2022.81.3646.

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The article examines the image of the Motherland in the poetry of the Kazakh famous poetess Fariza Ongarsynova. Here is revealed the connection of poetess’s poems with folklore works. It is argued that Mangystau, the poetess’s small homeland, is the source of her poetic inspiration. The idea is substantiated that the image of a small homeland occupies a special place in the work of the Kazakh poetess. It is also noted that the lyrical hero of the poetess's works feels like a part of his native land, its nature and destiny. Thanks to the study of the characteristic poetic feature of Fariza Ongarsynova, it is possible to recognize her poetic skill. Artistic individuality, ideological and thematic themes of poetry, contribution to the national artistic tradition, the corresponding place and figurative character occupied in modern Kazakh poetry will be studied.

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Bernacki, Marek. "“Real life is elsewhere, but we are here”." Świat i Słowo 37, no. 2 (October 4, 2021): 349–58. http://dx.doi.org/10.5604/01.3001.0015.6076.

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The text discusses the last volume of Adam Zagajewski's poetry, entitled “Real Life” (Krakow 2019). The author of the review presents in detail three main themes present in this book: nostalgic farewells, records of the inevitable end (existence coming to death) and poetic epiphanies (rare moments of happiness). An important context of the analyzes presented in the text is an intertextual dimension of Adam Zagajewski's poetry, the dialogue dealing with his great predecessors: Czesław Miłosz, Paul Celan, Tomasz Mann and T.S. Eliot.

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Ahmad, Nadeem, Ikram Badshah, and Abdul Qayum Khan. "PASHTO POETRY AND MILITANCY IN KHYBER PAKHTUNKHWA AFTER 9/11: THEMATIC ANALYSIS OF PASHTO POETRY IN RESISTING MILITANCY." Pakistan Journal of Social Research 03, no. 02 (June 30, 2021): 55–65. http://dx.doi.org/10.52567/pjsr.v3i02.203.

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The present study sheds light on Pashto or Pakhto Poetry and Militancy in Khyber Pakhtunkhwa after 9/11. The fieldwork for this study was conducted in the Peshawar district of Khyber Pakhtunkhwa, Pakistan, from December 2020 to April 2021. Findings of this research are based on data collected in district Peshawar of Khyber Pakhtunkhwa. Data for this paper was collected through participant observations, in-depth interviews, Focused Group Discussions (FGDs), and informal discussions with poets, literary people, audience of poetry gatherings, and academicians. Furthermore, the collected data is analyzed through thematic analysis. The works on ‘culture alternatives’ of social movements of Guha and Laclau and ‘weapons of the weak’ by Scott have been consulted for the theoretical framework of the current research. Data collected from various sources reveals that Pashto poetry is influenced by different factors. These includes cross boarder interaction and interaction with neighboring languages, invasions by outsiders, resistances of Pakhtun/Pashtuns to invaders and socio-religious movements where different themes and genres were introduced to Pashto poetry. After 9/11, Pashto poetry played pivotal role in countering militancy, terrorism and so called ‘war on terrorism.’ Pashto poetry internalized themes of Peace, Condemnation of War, Nationalism, and Resilience along with others –in which few were borrowed from the 20th century– into the social fabric of the Pakhtun society. These themes in Pashto poetry entail potentials to counter violence in Khyber-Pakhtunkhwa caused by militancy, terrorism and ‘war on terrorism’. Keywords: Pakhtuns, Pashto Poetry, Themes, Resistance, Militancy, Khyber Pakhtunkhwa

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Gammakueva, Aysha Saidovna. "THE LAK LOVE “SHAMMARDU”: THEMES AND ARTISTIC FEATURES." Herald of the G. Tsadasa Institute of Language, Literature and Art, no. 21 (March 16, 2020): 68–74. http://dx.doi.org/10.31029/vestiyali21/12.

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The article deals with Lak love “shammardu” (songs-quatrains), which are one of the genre varieties of Lak lyrical non-ritual poetry. Their subject matter and visual and expressive means are characterized.

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Jocson, Korina. "Poetry in a New Race Era." Daedalus 140, no. 1 (January 2011): 154–62. http://dx.doi.org/10.1162/daed_a_00067.

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A growing literary arts movement is shaping discourses about youth and youth culture. With the historic election of President Obama serving as a departure point, this essay calls attention to poetry and the new race era to offer insights into the power of writing. For many youth who write in their own contexts or compete in the Brave New Voices Poetry Slam Festival, for example, such themes as voice, identity, citizenship, and leadership in the twenty-first century reveal how language is used to expose social realities often steeped in the margins. What do these themes suggest about the possibilities of poetry in a new race era? Indeed, what do they convey about inhabiting a new race era? Examples that tackle these themes are included in the essay.

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Romanov, D. A. ""Without bargaining with your conscience": observations about the linguopoetics of N. A. Nekrasov’s lyrical poetry (to the 200th anniversary of the birth)." Russian language at school 82, no. 6 (November 20, 2021): 55–65. http://dx.doi.org/10.30515/0131-6141-2021-82-6-55-65.

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The article aims to reveal N. A. Nekrasov’s linguopoetic innovations which underpinned the evolution of the subsequent Russian poetry. Various lexical layers of Nekrasov’s lyrical poetry and their formation against a background of the literary Russian language dynamics in the 1850–70s are analysed. The research outlines the major poetic themes of Nekrasov’s poetry, its linguistic content, and compositional development. The paper also devotes attention to the poet’s metrics and versification (in accordance with M. L. Gasparov’s theory concerning the relationship between metre and meaning). Additionally, specific syntactic features of Nekrasov’s poems, their emotional content, and pathos are revealed. N. A. Nekrasov’s thematic, linguistic, and compositional discoveries are compared with various poetic movements in the Russian poetry at the end of the XIXth and in XXth centuries. Besides the observation of the text, lexical semantic and stylistic analysis, the research also exploits the statistical and linguochronological potential of the Russian National Corpus.

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Acim, Rachid. "THE UNTRANSLATABILITY OF SHAKESPEARE’S POETRY ON LOVE." Vertimo studijos 10, no. 10 (January 18, 2018): 45. http://dx.doi.org/10.15388/vertstud.2017.10.11276.

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Translating Shakespeare’s poetry has been one of the most arduous questions that has pained many translators, researchers and academics worldwide. As this poetry involves many rhetorical devices, alternating between the use of keen imagery and intertextuality, it not only lends itself to ambiguity but also to untranslatability; moreover, the use of figures of speech such as similes, synecdoche and metaphors accord this poetry a discursive power that does not recede despite the evolution of the English language and the death of the poet many centuries ago. And while this poetry addresses a whole galaxy of themes, it projects Shakespeare himself as a cosmopolitan figure not limited to time or even space. The present study seeks to assess and evaluate the translation solutions given as concerns Shakespeare’s poetry on the theme of “love”. To achieve this aim, I suggest employing a contrastive analysis between the English and Arabic poetic text, with a view to exploring whether or not the core of this poetry has been preserved. My assumption is that the stylistic aspects and aesthetic properties of the original poetic text are lost due to the intentional or unintentional intervention of the translator.

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Mahfoodh, Hajar. "The Poetry of Darwish in the 1960s: Homeland and Exile." Arab World English Journal For Translation and Literary Studies 5, no. 3 (August 15, 2021): 70–81. http://dx.doi.org/10.24093/awejtls/vol5no3.6.

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The early poetry of Mahmoud Darwish (1941-2008) is characterised by its overt resistance and confrontational tone against the Israeli forces. This research paper explores the themes of homeland and exile in Darwish’s poetry during the 1960s, tracing how the 1967 defeat has changed his poetic tone from the highly confrontational to the articulate conversational. It, therefore, contributes to the fields of literary criticism and Arab literary studies focusing on modern poetry of resistance. Although Darwish was still living on Palestinian lands during this period, he never felt at home, expressing his feelings of strangeness and suffering in a usurped land by force. The theoretical framework of Edward Said (1935-2003) is employed in this paper to question whether the themes of exile and homeland shape and reshape the Darwish’s understanding of resistance. Based on the analyses of this paper, Darwish’s poetry of resistance has dramatically changed due to his severe disappointment by the 1967 defeat, marking the collapse of Arab nationalism and its propaganda of the Arab homeland. Still, this shift does not affect Darwish’s rejection of the Israeli existence in Palestine. Instead, his poetry by the end of this decade still questions the violent and aggressive nature of the Israeli soldier despite Darwish’s intimate and human conversational style of his poems, thereby adding to the controversial analyses of Darwish’s poetics.

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Spasic, Milivoje. "Mavro Vetranovic and Petrarchism." Prilozi za knjizevnost, jezik, istoriju i folklor, no. 80 (2014): 25–36. http://dx.doi.org/10.2298/pkjif1480025s.

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Mavro Vetranovic ?s relationship to Petrarchism could be described only as a partial emulation of the themes, motifs, poetic images and language from Petrarch?s book of poems Il Canzoniere. Ragusan poet didn?t remain at the level of imitation or stereotypes. Petrarchan characteristics of his poetry cannot be linked only to the patterns of love poetry of the time, but became a sort of spreading of Petrarch?s language and motifs that face secular love and religious moral values which Christian Renaissance tended to preserve.

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Moiseeva, Anna V. "Prophet Sulaymān in Classical Persian Poetry: Semantics and Structure of the Image." Vestnik of Saint Petersburg University. Asian and African Studies 12, no. 3 (2020): 398–414. http://dx.doi.org/10.21638/spbu13.2020.306.

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The article discusses structure, semantic content, and functioning of the image of the Qur’anic prophet Sulaymān (Biblical Solomon) in Persian medieval poetry. Analysis of the poetic material leads to a conclusion about the main spheres of application of this image and its semantic connotations both in eulogistic and religious-mystical poetry. The article defines the main motifs of the Qur’anic story of this prophet that became a part of Persian poetic tradition and how they relate to the various themes that poets touch upon. For instance, motives of Sulaymān’s power over winds and demons, as well as images of his throne and the ring that gave him that power, were used primarily in eulogies when poets compared their patrons to the legendary king. A special place in Sufi poetry is occupied by the image of the hoopoe and the motif of the bird’s language that reveal topics of a disciple-mentor relationship and leadership in the path of mystical knowledge. As a global characteristic of Sulaymān’s image, we can outline its ambivalence which has its roots in the biblical narrative, where along with wisdom one can find mention of Solomon’s arrogance. Further exegetical tradition speaks of dethronement of Sulaymān by a demon as a punishment for arrogance. Later on, these themes can be found in Persian literature in the form of motifs of humility and frailty of the earthly life, which gained special meaning in the context of didactic and mystical poetry.

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Park, Myoung Hui. "The Life of Nampo Geum Man-Young, A Literary Person of Honam In The 17th Century and Development of Yeomrakpung Poetry." Korean Language and Literature 121 (July 30, 2022): 53–80. http://dx.doi.org/10.21793/koreall.2022.121.53.

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This study aimed to examine the development aspect of Yeomrakpung poetry by Nampo Kim Man-Young, a literary person of Honam in the 17th century and the meaning and perspective of the poetry. Yeomrakpung is related to the poetical style of Confucian scholars in Song Dynasty. Kim Man-Young’s poetry was connected to Yeomrakpung because it was mentioned in the preface and epilogue of his collection of literary works and his records. Kim Man-Young is a local Confucian scholar who was born in Naju, Jeonnam in the 17th century and finished his life there. At that time, he was recommended for an official post by many people due to his learning and virtue, and good behaviors, but he was a local scholar from noble family who stayed out of the government service. He was also much respected by many local people as he lived a life as a Confucian scholar. Meanwhile, he was naturally engaged in writing poems while living a common life and approximately 530 poems with 460 themes were handed down. Of all the poems handed down, 85 poems with 73 themes were classified into Yeomrakpung poetry. It was suggested that the main themes of Yeomrakpung poetry by Kim Man-Young were moral mind, government property, nature and reading. Specifically, he expressed the will of moral mind training, acquired the exquisite principles through government property, admired nature, declared he would obey to nature, dealt with pleasure of reading and criticized Scriptures. Therefore, this study recognized that they were main themes of Yeomrakpung poetry and specifically examined the development aspect. In Chinese poetry history in Korea, Yeomrakpung poetry continued since Confucianism of Song Dynasty had been introduced. It is meaningful that Kim Man-Young’s Yeomrakpung poetry naturally reflected his academic world through poetry and revealed his peculiar characteristics. Kim Man Young witnessed difficulties of local people while living in local areas and expressed what he saw in his poetry. This study suggested that future studies should pay attention to it.

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Aldalabeeh, Yousef A. N. "Ordinary Themes Presented with an Extra-ordinary Talent: An Overview of Emily Dickinson’s Notable Poems." International Journal of Applied Linguistics and English Literature 7, no. 3 (May 1, 2018): 60. http://dx.doi.org/10.7575/aiac.ijalel.v.7n.3p.60.

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As a poet with varied writing styles and extra-ordinary talent, Emily Dickinson occupied a very prestigious position in the field of American literature. Her poetry deals with a unique and large number of thematic expressions. This paper aims at introducing the unfolded, underlying and amazing thematic expressions of Emily Dickinson’s notable poetry. To unveil these themes of death, love, nature, immortality, pain and suffering from her widely recognized poetry, secondary source of data has been used. In this study, an effort also has been made to trace, examine, and explore the various themes with outstanding style of presentation of her poetry and their impact on readers and critics. Many researchers and critics have spent their great exertion to trace out these themes and they became successful in this regard. It is hoped that this study will also be a part in this line of contribution and serve the purpose for which it is designed.

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Scheindlin, Raymond P., and Arie Schippers. "Spanish Hebrew Poetry and the Arabic Literary Tradition: Arabic Themes in Hebrew Andalusian Poetry." Journal of the American Oriental Society 117, no. 1 (January 1997): 188. http://dx.doi.org/10.2307/605653.

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Brann, Ross, and Arie Schippers. "Spanish-Hebrew Poetry and the Arabic Literary Tradition: Arabic Themes in Hebrew Andalusian Poetry." Jewish Quarterly Review 87, no. 3/4 (January 1997): 369. http://dx.doi.org/10.2307/1455193.

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