Relevant bibliographies by topics / Poetism

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Poetism'

Author: Grafiati
Published: 4 June 2021
Last updated: 25 April 2022

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Journal articles on the topic "Poetism"

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Forbes, Meghan. "Devětsil and Dada: A Poetics of Play in the Interwar Czech Avant-Garde." ARTMargins 9, no. 3 (October 2020): 7–28. http://dx.doi.org/10.1162/artm_a_00270.

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In 1920, the Czech avant-group Devětsil, led by Karel Teige, put forth a leftist program that embraced a multimedial and transnational approach to art and poetry. This vision was articulated through the group's homegrown -ism, “Poetism,” which incorporated principles of Constructivism and Dada. While Poetism's affinities with the former is well-documented, this article introduces more fully Devětsil's engagement with Dada, in print and through performance and dance. It also positions such manifestations not merely as a reflection of Dada tendencies occurring elsewhere, but also as a useful category for thinking in new ways about some of Devětsil's own artistic production and theoretical formulations as related to Poetism. Through a consideration of theoretical texts and artistic production, platformed in Czech avant-garde print, this article both adds to our understanding of the ways in which Poetism was conceived and enacted, and makes explicit Devětsil's intersections with a more global Dada construct.
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ZUSI, PETER A. "The Style of the Present: Karel Teige on Constructivism and Poetism." Representations 88, no. 1 (2004): 102–24. http://dx.doi.org/10.1525/rep.2004.88.1.102.

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ABSTRACT In this essay, the Czech avant-gardist Karel Teige's dual program of Constructivism/Poetism is interrogated in the context of his own claim that architectural historicism was degraded by the rupture into a duality of structure and ornament. This inability to escape the terms of his own critique is shown to be the result of Teige's articulation of avant-garde culture as the embodiment of the historical identity or style of the present.
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Kačerauskas, Tomas. "Origeno ir Platono poetiniai siekiai." Problemos 57 (September 29, 2014): 44–57. http://dx.doi.org/10.15388/problemos.2000.57.6820.

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Remiantis Platono ir Origeno tekstais straipsnyje nagrinėjamas poezijos ir filosofijos santykis. Pateikiami filosofinės poetikos, kaip interpretacinio dalyko, apmatai, aptariamas jos objektas, interpretavimo būdai, ji palyginama su estetikos teorija. Origeno poetikoje taikoma tiponimija, metonimija ir alegorezė. Poetinis Origeno metodas suponuoja tiesos sampratą, kuri yra nepasiekiama. Poetika – ne tik Origeno egzegezės metodas, bet ir jo kosmologijos prielaida: pasaulis kaip Raštas sudaro vieningą poetinę darną, kuri yra dieviška, nes jos dalis sieja dieviškasis Žodis. Platono poetika reiškiasi šėlu, kuris sutampa su įkvėpimu. Šėlas – beprotiškas ir įkvepiantis – poetikos, bet ne estetikos principas. Dialektika (samprotavimo būdas) Platonui yra sutelkimas ir suskirstymas. Dialogą sutelkia poetinė figūra – šėlas, o suskirstymas suponuoja pliuralistinį (poetinį) metodą. Filosofinė poetika apima mokslą, dialektiką ir poeziją. Filosofinė poetika yra poetiškas samprotavimas ir interpretacinė disciplina, kurios temos neapsiriboja poezija ar menu, todėl tai yra žaismo ir dialektikos dermės meistrystė.
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Levinger, Esther. "A Life in Nature: Karel Teige's Journey from Poetism to Surrealism." Zeitschrift für Kunstgeschichte 67, no. 3 (January 1, 2004): 401. http://dx.doi.org/10.2307/20474258.

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Čurda, Martin. "‘From the Monkey Mountains’: The Body, the Grotesque and Carnival in the Music of Pavel Haas." Journal of the Royal Musical Association 141, no. 1 (2016): 61–112. http://dx.doi.org/10.1080/02690403.2016.1151235.

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ABSTRACTIt has been claimed that Pavel Haas's string quartet ‘From the Monkey Mountains’ (1925) demonstrates the composer's alignment with the ‘Western’ musical avant-garde of the 1920s. However, Haas's avant-garde affiliations remain largely unexplained, as does the influence of Leoš Janáček, with whom Haas studied. Combining the methods of music analysis, semiotics and discourse analysis, I explain how Haas reconciled Janáčekian compositional technique with the ideas underpinning the contemporary Czechoslovak avant-garde movement known as Poetism. Focusing particularly on notions of the body, the grotesque and carnival, I propose an interpretative framework for and a reading of Haas's quartet ‘From the Monkey Mountains’. In doing so, I also illuminate the aesthetic and cultural context of Haas's music from the 1920s, which has received little attention in previous scholarship.
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Białoskórska, Mirosława. "MORZE W MARZENIACH SENNYCH BOHATERA LIRYCZNEGO W WIERSZU LEOPOLDA STAFFA "WYSPA" - ROZWAŻANIA JEZYKOZNAWCY." Slavia Occidentalis, no. 75/1 (December 15, 2019): 7–20. http://dx.doi.org/10.14746/so.2018.75.1.

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The article presents linguistic phenomena from the initial stage of the poet’s work when the modernist writing model prevailed. Leopold Staff wrote a reflexive and descriptive triptych in which, by resorting to a juxtaposition to the Young Poland movement poetry, he created paradise landscapes of a deserted island surrounded by sea water, drowned in light and colour. In order to recreate the protagonist’s dreams he resorted to poetic imagery at various levels of text organization. The linguistic phenomena in the realm of syntactic forms refer to the functions of exclamations, hypotaxis and parataxis, the role of arrangements of conjugation rows, the rhythm of verses combined in a hendecasyllable with ABBA rhymes. The following figures of speech were used: antithesis, rhetoric questions, inversions, apostrophes etc. As for semantic transformations, an important role was played by sensual and mental metaphors, semantic poetism, personification and comparisons. The lexical phenomena were related to applying the style-related function of vocabulary that is chronologically diverse (artistic neologisms, neo-semantisms, old-fashioned words); geographically diverse (dialects) and word-formation diverse (derivatives of adpositional phrases in order to condense the text to hendecasyllable verses).
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Franić Tomić, Viktoria. ""Banket u Blitvi" Miroslava Krleže ili fauna U flori." Croatica et Slavica Iadertina, no. 4 (January 18, 2017): 437. http://dx.doi.org/10.15291/csi.619.

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U svojoj raspravi autorica rasvjetljava složenu strukturu političkoga romana Banket u Blitvi Miroslava Krleže s posebnim osvrtom na piščevu poetiku. U analizi autorica polazi od dnevničkih zapisa ratnih i poratnih godina Davni dani u kojima je prema njoj na najtočniji način zacrtana Krležina poetika, te iskazani njegovi temeljni odnosi prema filozofiji,povijestii politici.Autoricadajei zasebnuanalizumarionetskoga teatra koji autor unosi u svoj roman, zatim Krležina intertekstualnog odnosa prema tradiciji, te portretira njegove likove, pri čemu dokazuje da su piščeve psihološke karakterizacije zadržale i u toj fazi ekspresionistički potencijal iz njegova prvog stvaralačkog razdoblja. Osobito je u radu akcentiran Krležin odnos prema karnevalizaciji, prema konceptu theatrum mundi što sve u radu uspostavlja novi pristup prema Krležinoj poetici i posebno njegovu odnosu prema hrvatskoj i europskoj renesansnoj tradiciji.
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FLORES, Conceição. "“NETA(S) DE D. DINIS”: FIAMA HASSE PAIS BRANDÃO, MARIA TERESA HORTA, MYRIAM COELI E NATÁLIA CORREIA." Revista Graphos 19, no. 3 (December 28, 2017): 185. http://dx.doi.org/10.22478/ufpb.1516-1536.2017v19n3.37754.

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Natália Correia (1923-1993) afirma que a sua linhagem poética se vincula a D. Dinis, rei trovador, e que as cantigas de amigo são a sagrada matriz do seu lirismo. Partindo, pois, dessas afirmações da poetisa açoriana e vinculando a essa genealogia as poetisas portuguesas Fiama Hasse Pais Brandão, Maria Teresa Horta e a norte-rio-grandense Myriam Coeli, este trabalho analisa releituras das cantigas trovadorescas feitas por essas quatro poetisas. Seguem-se as lições de Ria Lemaire (1990) e da poetisa Myriam Coeli (1982) sobre a questão da apropriação da voz feminina nas cantigas de amigo.
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Thorsen, Bengerd Juul. "Baumgarten’s Meditationes as a Commentary on Horace’s Ars Poetica." Philosophica: International Journal for the History of Philosophy 22, no. 44 (2014): 9–25. http://dx.doi.org/10.5840/philosophica2014224415.

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In his first work, the poetics Meditationes philosophicae de nonnullis ad poema pertinentibus. Baumgarten frequently cites Horace’s Ars Poetica. Horace was highly esteemed by Baumgarten and his contemporaries, especially in the fields of poetics and art theory. Baumgarten uses Ars Poetica throughout Meditationes. but it is especially in the paragraphs introducing some of the key concepts of his philosophy that there is a significant amount of excerpts from Horace’s poetics. In this article, I examine if and how contemporary scholarly interpretations may have influenced these uses of Horace’s text and maybe even Baumgarten’s theory. Following a brief account of relevant commentaries as well as Horace’s position in contemporary art theory, I explore the implied interpretations of Ars Poetica in Baumgarten’s excerpts, focusing on his three key terms, phantasia. heterocosmica and methodum lucidam. Compared to the conception of Horace as expressed in the commentaries, this study suggests a complex interaction between those and Baumgarten’s art theory.
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Ljungcrantz, Desirée. "En skev figuration." lambda nordica 26, no. 4-1 (March 1, 2022): 99–124. http://dx.doi.org/10.34041/ln.v26.765.

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Artikeln utforskar och beskriver poetiskt akademisk skrivande. Utforskandet sker med hjälp av feministiska figurationer – särskilt den av skrubbsåret kopplat till hiv – som flätar samman empiri, teorier, normkritiska analyser och levda erfarenheter. Trots att det finns överlappningar mellan det poetiska akademiska skrivandet och akademiskt kreativt skrivande innebär det poetiska akademiska skrivandet att ta kreativiteten ett ytterligare steg. Poetiskt akademiskt skrivande bygger på rytm, associationer och metaforer som möjliggör flödesskrivande och skapar ett extra lager i den akademiska texten – både för skribenten och läsaren. Poetiskt akademiskt skrivande kan öppna ett utrymme för läsarens affekter, känslor och kroppsliga förnimmelser i relation till texten. Poetiskt akademiska texter kan också möjliggöra ett möte mellan texten och läsarens situerade kunskap, erfarenheter, kropp och känslor. Artikeln utforskar även skev som begrepp och möjligheten att göra de feministiska figurationerna skeva för att på så vis inkludera erfarenheter, händelser och fenomen som ännu inte är kända för akademiska feminister.
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Dissertations / Theses on the topic "Poetism"

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Keat, Jane. "Projections in black and white : cinematic construction; construction of a cinematic in Czech poetist prose of the 1920s." Thesis, University of Oxford, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.365482.

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Kramer, Christi. "Poetics of return : toward poetic imagination and peacebuilding." Thesis, University of British Columbia, 2014. http://hdl.handle.net/2429/46488.

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Toward a deeper understanding of poetic imagination, this poetic inquiry explores the creative process itself as a “wellspring that feeds the building of peace” (Lederach, 2005, p. 5). I position the study within the dialogic, as contemplative conversation, where utterance is a limitless continuum or whole (Bakhtin, 1986). I ask: Is it possible to write the world well? I listen to what poetry may say. I submit that “poetry witnesses us” (Milosz, 1983, p. 10) and that the gaze of poetry is courtesy (Lilburn, 1999). This study attends to poetic image as an essential attribute of the qualitative research methodology called poetic inquiry. Poetic image is whole (Al-Ghazali, 2010) and it is trace. It may be understood as a place or state: a space for radical meeting (Forché, 1993) of self and other; a multidimensional location (Zwicky, 2011) of potential and tension; a threshold, dihliz (Al-Ghazali in Moosa, 2005). Where poetic image is motion, it may be vertical and verb. Poetic image is not equal to metaphor (Bachelard, 1960). It exists in the sensory world, a doorway into our perception and memory, “enabling us to locate and embody the invisible and the unknown” (Kwasny, 2012, p. 2). It is generative, first of the creative imagination (Ibn Arabi in Corbin, 1998), and exists possibly prior to thought (Al-Ghazali, 2010; Bachelard, 1960). Poetic image may be known as direct ontology (Bachelard, 1960, p. xvi), a phenomenology of the soul (Bachelard, 1960, p. xx). Where both the poetic image and phenomenology require active participation and deny passivity or enslavement to object, in poetic image there may be liberation. Where “there is a sort of poverty of the spirit which stands in glaring contrast to our scientific and technological abundance” (King, 1964), might research performed in humility be an act of reconciliation? Or might poetry, “a source of innocence full of revolutionary forces” directed at a world “my conscience cannot accept” (Elytis, as cited in Ivask, 1981), be the “kind of knowing” Simon seeks, which could support the “reconstruction of social imagination in the service of human freedom?” (Simon, 1992, p. 4).
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Giordano, Matthew. "Dramatic poetics and American poetic culture, 1865-1904." Connect to this title online, 2004. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1092701770.

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Thesis (Ph. D.)--Ohio State University, 2004.
Document formatted into pages. Includes bibliographical references. Abstract available online via OhioLINK's ETD Center; full text release delayed at author's request until 2009 Aug. 18.
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Campbell, Charles. "Poets and Poetics in Greek Literary Epigram." University of Cincinnati / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1384333736.

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Koutrianou, Eleni. "The emergence and crystallization of the poetics of Odysseas Elytis." Thesis, University of Oxford, 1997. http://ora.ox.ac.uk/objects/uuid:67c25cfb-3860-497e-9402-46ebafdd753d.

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This thesis examines the poetics of Odysseas Elytis, which, it is argued, emerged from his intense theoretical work on poetry in the period between 1944 and 1960, and was crystallized in the poems he published from 1960 to 1995. Elytis' poetics is examined in this thesis through the exploration of his ideas on the status and function of poetry, on the role of the poet, and on poetic writing; it is also examined through the exploration of the poetry in which these ideas are put into practice. It is argued in this thesis that Elytis' poetics emerged from his effort to provide his poetry with a concrete theoretical basis, an endeavour he deliberately undertook in the 1940s and 1950s; the evolution of his thought coincided chronologically with the period broadly between 1944 and 1960, that is, the period during which he wrote poems but did not proceed to publish any book of poetry. Elytis' thought reached a point of external stabilization before 1960, since in the poetry he published that year his ideas are systematically put into practice. With the publication of these poems, his poetics entered the dynamic phase of crystallization, which prevails throughout his poetic writing from 1960 to 1995, and constitutes a process during the course of which he explored the internal perspectives opened up by the theoretical frame he set for himself in the years 1944-1960. This thesis explores Elytis' theoretical endeavour and his poetic practice, and examines both the emergence of his ideas in the period between 1944 and 1960 and the crystallization of these ideas in the poetry he published from 1960 to 1995.
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Simonyan, Astghik. "Poetics of the same : a philosophical poetic recourse into sameness." Thesis, Queen Mary, University of London, 2010. http://qmro.qmul.ac.uk/xmlui/handle/123456789/1278.

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This study endeavours to investigate the philosophical and poetological dimensions, the philological origins, and significant philosophical-literary representations of the Same. It also assesses sameness as a philosophical and poetological modus operandi; that is to say, it analyzes the ways in which the Same operates in different types of discourses both as an object of investigation and as an agent of (poetic) thought. The concept of the Same or the operation of sameness as the philosophical question par excellence will be considered in the development of Continental philosophy and philosophical poetics from classical antiquity to Postmodernism, and its transposition into poetry. The elaboration of the issue of sameness encompasses any philosophical inquiry which seeks to establish the essence of Being and make it susceptible to a general, unifying principle: as a search for an underlying element; for a metaphysical unity or universal, preceding division or difference and amounting to the harmony in the Universe; or for a transcendental absolute totality. Postulations of the pure conceptual difference are likewise examined as part of the elaboration of sameness, and will be viewed as indispensable for revealing the genuine plenitude of sameness. Part One traces the inception of sameness as a concept of pure identity, amounting to the harmony of the Universe by virtue of the operations of belonging (Presocratics), participation (Plato), and emanation (Plotinus), anchored in the relationships between the One and the many, between the Whole and its parts, between the Original and the copy. Part Two inquires into the limits of postulating sameness in terms of pure identity and points to two possible solutions to this problem: a philosophical-aesthetic digression from sameness (Kant and related aesthetic theories of the seventeenth and eighteenth centuries) and the return to sameness as an absolute totality in Part Three (Schelling and Hegel). Part Four investigates the re-postulation of sameness as pure Difference (Nietzsche, Heidegger, Derrida), hence the entire re-organization of thought in terms of the other. Part Five analyzes the transposition of sameness from 3 philosophy into the poetic language of repetition, using Rilke’s Sonnets to Orpheus as its prime poetic example. It will be argued that the philosophical displacement of the Same from a concept of identity into that of difference does not amount to an abandonment of its plenitude, but rather points to the need for a precarious balance between sameness and difference, the simultaneous quest for unity and the absolute singularity of the other. This balance, it will be argued, must be sought for in every genuine creation.
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Seibel, George L. IV. "Being a Poet." Miami University / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=miami1346412172.

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Martin, Seth M. "The Poetics of Return| Five Contemporary Irish Poets and America." Thesis, The University of North Carolina at Chapel Hill, 2013. http://pqdtopen.proquest.com/#viewpdf?dispub=3562770.

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A thematic study grounded in transnational and transatlantic studies of modern and postmodern literatures, this dissertation examines five contemporary Irish poets—John Montague, Padraic Fiacc, James Liddy, Seamus Heaney, and Eavan Boland—whose separation from Ireland in the United States has produced a distinct body of work that I call, "the poetics of return." As the biological heirs of the Civil War generation and the intellectual heirs of the Irish high modernists, these poets are some of the leading lights of the renaissance in Irish literary arts after midcentury.

This dissertation argues that an important aspect of this era has been its reevaluation of narratives of political and artistic exile; those created by nationalists and republicans, on the one hand, and modernists such as James Joyce and Samuel Beckett, on the other. Drawing on the criticism of Patrick Ward and Seamus Deane, I argue that the atomization of the critical vocabulary of exile has enabled modern poets greater means to consider the cultural anxieties surrounding their separation from Ireland. Accordingly they have become less interested in the meaning of leaving Ireland and more interested in the meaning of return. This project engages a range of scholarly literature devoted to the Irish poets and poetry of the last half century and reevaluates a number of standard readings and assumptions.

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Bugan, Carmen. "Poetics of exile : East European poetry in translation and Seamus Heaney's Ars Poetica." Thesis, University of Oxford, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.408092.

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Janulevičius, Marius. "Absurdo poetika Juozo Erlicko "Prisimynimuose"." Master's thesis, Lithuanian Academic Libraries Network (LABT), 2006. http://vddb.library.lt/obj/LT-eLABa-0001:E.02~2006~D_20060623_123217-11681.

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Absurd literature originated and was developed in the middle of the 20 th century in the West. The brightest representatives of this type of literature are Albert Camus, Eugene Ionesco, Samuel Becket and others. In their works they raised the problem of meaninglessness of human existence, loneliness of an individual and man’s inability to communicate with other people. Are these absurd literature ideas topical issues in contemporary Lithuanian literature? The poetics of Absurd literature in Lithuanian literature practically has not been researched. One reason might have been that there has not been pure Lithuanian literature of the Absurd, except for perhaps Kostas Ostrauskas’s plays. The other reason is probably the fact that the manifestation of absurd literature is often accepted as an ironic, humorous and not very serious text component. This paper deals with a collection of poems and fiction called „Prisimynimai“ by Juozas Erlickas, National Prize Laureate. The main intention of the paper is to prove that an absurd attitude of mind is not alien to Lithuanian literature. The main characters of J. Erlickas’s works feel inactive, pessimistic, they do not see meaning in life, try to avoid contact with the surrounding world. This makes them very similar to the classical absurd literature characters, who are also constantly troubled by boredom and a sense of aimlessness. One of the main themes in Erlickas’s works is a theme of human alienation, which is expanded by the writer... [to full text]
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Books on the topic "Poetism"

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The will to chance: Necessity and arbitrariness in the Czech avant-garde from poetism to surrealism. Bloomington, Ind: Slavica Publishers, 2006.

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Gjoka, Behar. Poetika e Budit: Studim për veprën poetike. Tiranë: Albas, 2002.

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Haramija, Dragica. Poetika slikanice: The poetics of picture books. Murska Sobota: Franc-Franc, 2013.

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La poetisa. Sevilla: Algaida, 2006.

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Poetisk territorium. Oslo: Andresen & Butenschøn A/S, 2010.

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Vidić, Petar Perica. Fra Petar Perica Vidić: Svjetlosna poetika pastela = light poetics of the pastela. Zagreb: Ministarstvo financija porezna uprava, 2009.

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Pimonov, Vladimir. Poetika teatral'nosti v tvortjestve Sjekspira (The Poetics of Theatricality in Shakespearean Art). Moscow, Russia: Moscow: Flinta, 2020.

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Poetica: Etudes de poetiques sanskrite et francaise = studies in Sanskrit and French poetics. Varanasi: Gavaksha Prakashan, 2012.

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Stanonik, Marija. Duhovna poetika (Karla) Vladimirja Truhlarja (1912-1977): Spiritual poetics of Karl Vladimir Truhlar. Dravlje: Župnijski zavod, 2014.

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Passannanti, Erminia, ed. Realtà e Paradosso della Traduzione Poetica: Lezioni sulla Traduzione dei Testi Poetici - Napoli, 1989. Canada: Lulu per Istituto Studi Filosofici di Napoli, 2004.

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Book chapters on the topic "Poetism"

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Hart, Jonathan. "Poetics and Poetic Worlds." In Literature, Theory, History, 99–123. New York: Palgrave Macmillan US, 2011. http://dx.doi.org/10.1057/9780230339583_7.

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Nagy, Gregory. "Foreword." In Heroic Poets, Poetic Heroes, xi—xii. Ithaca, NY: Cornell University Press, 2018. http://dx.doi.org/10.7591/9781501723223-002.

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Rinehart, Robert E. "Sensible poets and the poetic sensibility." In Poetry, Method and Education Research, 61–82. Abingdon, Oxon ; New York, NY : Routledge, 2020.: Routledge, 2020. http://dx.doi.org/10.4324/9780429202117-6.

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"Poetism: A Marriage of Opposites." In Constructivism in Central Europe, 226–86. BRILL, 2022. http://dx.doi.org/10.1163/9789004506374_006.

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"Photopoetry: Czech Poetism and the Photographic Image." In Beyond Given Knowledge, 94–114. De Gruyter, 2017. http://dx.doi.org/10.1515/9783110569230-008.

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Ehnes, Caley. "The Poetics of Popular Poetry in the Argosy." In Victorian Poetry and the Poetics of the Literary Periodical, 154–90. Edinburgh University Press, 2019. http://dx.doi.org/10.3366/edinburgh/9781474418348.003.0005.

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This chapter focuses on the poetics of popular poetry in the Argosy under the editorship of Isa Craig. It argues that a careful reading of the periodical’s sentimental poetry challenges the critical dismissal of such light, entertaining verse as simplistic, marginal, and trite. In particular, it considers how the periodical poems of Christina Rossetti, Isa Craig, Jean Ingelow and Sarah Williams test as well as champion the conventions of the sentimental lyric form to produce a new poetics, one defined both through and against conventional representations of the Victorian poetess and her gushing, heart-inspired poetry. Ultimately, this chapter suggests that evaluating the poems of the Argosy on their own merits as poetic forms produced as part of the era’s complex, interconnected literary culture provides a way to discuss sentimental poetry and female poets without falling back on the defensive and sometimes dismissive language found in much of the critical work published on women’s popular poetry.
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Milnor, Kristina. "Poetic Politics, Political Poetics." In Graffiti and the Literary Landscape in Roman Pompeii, 97–135. Oxford University Press, 2014. http://dx.doi.org/10.1093/acprof:oso/9780199684618.003.0003.

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Blasing, Molly Thomasy. "Introduction." In Snapshots of the Soul, 1–22. Cornell University Press, 2021. http://dx.doi.org/10.7591/cornell/9781501753695.003.0001.

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This chapter focuses on the “poetics of photography” or “photo-poetics,” that is, those elements of photographic processes and modes of photographic representation that give rise to new forms of lyric expression. It argues that the discussion of photography's poetics engages those aspects of photography that can become the essential creative material of poetry. This includes, for example, the ways that photographic motifs, photochemical metaphors, and the lexicon of photography are written into poetic texts that are not necessarily inspired by actual photographs or are not necessarily printed on the page alongside an accompanying photograph. The chapter then looks at how the poets featured in the book transform and create something new from their encounters with the camera age. Moved by their interactions and encounters with photography, the chapter reveals how they are challenged to expand the possibilities of poetic expression in new directions. These authors use poetic writing to deepen, enrich, and expand what photographic representation makes possible.
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Nasser, Tahia Abdel. "Palestine Song: Mahmoud Darwish and Mourid Barghouti." In Literary Autobiography and Arab National Struggles. Edinburgh University Press, 2017. http://dx.doi.org/10.3366/edinburgh/9781474420228.003.0004.

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This chapter explores a new form of poetic autobiography by Palestinian poets Mahmoud Darwish and Mourid Barghouti. The chapter explores the relationship of the poets to Palestine and its effects on autobiographical form in Darwish’s Memory for Forgetfulness, his 1986 memoir of the Israeli siege of Beirut, and Mural, his 1999 autobiographical epic focusing on mortality and Palestine. Barghouti’s memoirs I Saw Ramallah and I Was Born There, I Was Born Here explore the poet’s return to Palestine. Darwish and Barghouti rework the genre to explore the life of the poet in relation to Palestine and the tension between the poet’s solitude and his public role.
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"Introduction: Slaves, Spheres, Poetess Poetics." In The Political Poetess, 1–26. Princeton University Press, 2017. http://dx.doi.org/10.1515/9781400883721-001.

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Conference papers on the topic "Poetism"

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ALIEVA, Dildora. "PHILOSOPHICAL LYRICS AND REFLECTIONS OF THE LYRICAL HERO CHO JI HUN." In UZBEKISTAN-KOREA: CURRENT STATE AND PROSPECTS OF COOPERATION. OrientalConferences LTD, 2021. http://dx.doi.org/10.37547/ocl-01-29.

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This article discussed the emergence and further development of the poetic group “Blue Deer”. The creativity of poets in this group received development of tradition in Korean landscape lyrics and its poetics. An apple to the origins and motives of classical poetry became evidence of their reverent attitude to historical and cultural, including the literal memory of the Korean people. Cho Ji Hong is an outstanding representative of this poetic group. Cho Ji Hoon's work bears the stamp of traditions, national customs, traditions, legends
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Wen, Wenhua. "1949-1979: Jiuye Poets’ Survival in the Cracks and the Poetic Art Development." In Proceedings of the 4th International Conference on Contemporary Education, Social Sciences and Humanities (ICCESSH 2019). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/iccessh-19.2019.290.

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Буров, Александр Архипович, Галина Петровна Бурова, and Янина Александровна Фрикке. "«VEGETABLE» IMAGE OF B.L. PASTERNAK: REAL AND HIDDEN MEANINGS." In Сборник избранных статей по материалам научных конференций ГНИИ "Нацразвитие" (Санкт-Петербург, Май 2021). Crossref, 2021. http://dx.doi.org/10.37539/may191.2021.42.53.041.

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В статье анализируются особенности употребления флоронимов в стихах Б.Л. Пастернака. Функции цветообозначений осмысляются в контексте философии поэта, рассматривавшего природу, историю и судьбу отдельной личности как звенья единой циклической динамики мироздания. Обращается внимание на потенциал лексикографического комментария поэтической картины мира автора. The article analyzes the features of the use of floronims in the poems of B.L. Pasternak. The functions of color designations are interpreted in the context of the poet's philosophy, who considered the nature, history and fate of an individ0ual as links in a single cyclical dynamics of the universe. Attention is drawn to the potential of the lexicographic commentary of the author's poetic picture of the world.
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Frances Dias, Sarah, and Maria João Durão. "Architecture and Art: La Ronchamp’s symbiosis as a ‘total work of art’." In LC2015 - Le Corbusier, 50 years later. Valencia: Universitat Politècnica València, 2015. http://dx.doi.org/10.4995/lc2015.2015.612.

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Abstract: Le Corbusier developed his own unique poetics of architecture, perceived and understood as an art. In La Ronchamp, due to his complete creative freedom, he found a space to express his most poetic and artistic views. The research paper thus analysis the Chapel as a case study, in order to clarify Corbusier’s artistic and architectural vision, ideals and driving principles: drawing firstly from the architectural characteristics that define the space, secondly defining an integrated set of principles that conceptualize the architecture as an art, and lastly, an analysis of the particularities that compose the chapel as a ‘total work of art’, analyzing the union of the arts, both in concept, form and meaning, and in the overall context of Corbusier’s unqiue theory. Thus, the research paper aims to understand and uncover how the poetics and emotional condition lives through Ronchamp: the meaning it encases, the artistic values is sustains and the timeless ways it recreates. The overall study has both practical and theoretical applications and implications for architects and artists with an interest in the integration of art and architecture, as well as the conceptual connections between the arts; a vital issue in the contemporary world for the definition of a more meaningful and sustainable environment. Keywords: Art, Architecture, Le Corbusier, Principles, Poetry, Emotion. DOI: http://dx.doi.org/10.4995/LC2015.2015.612
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Wilkens, Kjen. "Sensor poetics." In TEI'11: Fifth International Conference on Tangible, Embedded, and Embodied Interaction. New York, NY, USA: ACM, 2010. http://dx.doi.org/10.1145/1935701.1935806.

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Chonpairot, Jarernchai. "Pha Nya: A Folk Cultural Treasure." In GLOCAL Conference on Asian Linguistic Anthropology 2020. The GLOCAL Unit, SOAS University of London, 2020. http://dx.doi.org/10.47298/cala2020.9-1.

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Pha nya, a type of folk poetie, has played many important roles in Northeast Thailand and in Laos PDR throughout its history. The poetic was used as a medium by young boys and girls for courting, as as a set of proverbs to remind people to adhere to accepted codes of conduct. Many pha nya poems contain multiple entendres in the form of surface and deep meaning. This paper will investigate these meanings and the roles of pha nya in Northeast Thailand and Laos PDR societies. The data were obtained from written document and interviews. The results of the study indicate that the meaning of words in pha nya poems have presented themselves as ambiguous, depending on the intention of the speaker and the way the listener’s interpretation. Here, the spaker has significant agency in the symbolism of the poems.
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Nascimento, Suely. "Marlene's house." In LINK 2021. Tuwhera Open Access, 2021. http://dx.doi.org/10.24135/link2021.v2i1.106.

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As an artist-researcher, I have been developing the research “Marlene's house” in the Doctorate in Arts, Graduate Program in Arts, Institute of Art Sciences, Federal University of Pará, since 2018. An extension of the research I produced in the Master's Degree in Arts, at the same institution of higher education, from 2016 to 2018. It is a poetics built from family and affective memory, in which photography, video, sound, writing, smell, taste, touch and feeling merge. And it is part of research line 1, on poetics and acting processes, dedicated to research in the arts, with a focus on poetics, on modes of acting, on the construction and presentation of an artistic work, accompanied by a reflective text. Thus, the research is being built with a memorial that houses the reflective text and a work, consisting of an installation with photography-video-sound-writing, records of my mother's house. Along the way, I talk to researcher Priscila Arantes, from São Paulo, who writes: “expanded field photography incorporates [...] the idea of dialogue, contamination and intersections of the field of photography with other fields of language and know." I also talk to the American Rosalind Krauss, who studies three-dimensional work and its expanded field. As a personal methodology, I mentally create a garden mixed with my memories of the garden of the house where I lived, where I develop the installation and the memorial. A meditation in which there is the action of artistic making. And it is in this garden that I experiment, read, research, edit photography-video-sound-written, reflect on my life path and what touches me throughout it, and write the research texts. During classes, in practical-reflective studies, I have been building my poetics, experimenting with installations in the classroom. One of them related to the kitchen of the house where I lived. I tried, in two subjects, the coffee experience with classmates. A performance I talk to Renato Cohen about, when he says that this creative act touches the tenuous boundaries that separate life and art. Each layer of the installation is perceived in the creative process of the artwork. And, based on what I perceive in my poetics, I develop conversations with the history of art, and I have conceived texts, which I named the artist's writings. With the letters, words, sentences and reflections, I write down what I thought/think about geometry, dimensions, space, the room in the house and sharing around a dining table. The poetic layers built in the creative path are countless and, in the installation, I present traces that are in me, in the garden, in the bedroom, in the kitchen and in the backyard where I lived a life in my mother's house.
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Juhásová, Jana. "Sanjuanist motifs in the poetic work of Erik Jakub Groch." In The Figurativeness of the Language of Mystical Experience. Brno: Masaryk University Press, 2021. http://dx.doi.org/10.5817/cz.muni.p210-9997-2021-19.

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One of the key poets of Slovak post-November poetry was shaped in the Komúna dissent group headed by philosopher and artist M. Strýko during the communist regime. Operating in dissent supported the radicality of his poetic gesture and lifestyle, the image of an active, evolving individual freed from the senselessness of civilization, and also the idea that it is possible to integrate evil into a higher good. These ideas also form branches to the sanjuanist motifs and intellectual solutions that are close to Groch. The article seeks these penetrating places with special attention on the symbol of the journey and pilgrimage, and at the same time points to Groch’s creative updates of one of the most famous spiritual teachings of the West.
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Gagiu-Pedersen, Elena. "Alexandru Macedonski's Poetics." In Edu World 7th International Conference. Cognitive-crcs, 2017. http://dx.doi.org/10.15405/epsbs.2017.05.02.37.

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Paricio, Raquel, and J. Manuel Moreno. "POEtic-cubes." In the 13th annual ACM international conference. New York, New York, USA: ACM Press, 2005. http://dx.doi.org/10.1145/1101149.1101315.

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Reports on the topic "Poetism"

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O'Brien, K. The poet's tale. Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 2000. http://dx.doi.org/10.4095/298665.

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Janssen, David. Walt Whitman's Poetics of Labor. Portland State University Library, January 2000. http://dx.doi.org/10.15760/etd.6477.

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Orosa, MA, M. López-Golán, C. Márquez-Domínguez, and Y. Therly Ramos-Gil. USA TV series postdrama: poetics and composition. Revista Latina de Comunicación Social, May 2017. http://dx.doi.org/10.4185/rlcs-2017-1176en.

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Baillie, Fran, Bet McCallum, Roy Canning, Ann Prescott, Gavin Cameron, George Robertson, Anita Petrie, et al. Frankenstein's Poetic Progeny: Activity Book For Schools. Edited by Lauren Christie. University of Dundee, November 2018. http://dx.doi.org/10.20933/100001160.

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Li, Xing, Megan MacGarvie, and Petra Moser. Dead Poet's Property - How Does Copyright Influence Price? Cambridge, MA: National Bureau of Economic Research, September 2015. http://dx.doi.org/10.3386/w21522.

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Beebe, G. William Dunbar: An Analysis of His Poetic Development. Portland State University Library, January 2000. http://dx.doi.org/10.15760/etd.2382.

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Erdmann, Elisabeth von. Sehen und Sprache erschaffen die Welt und führen den Menschen zum Glück? Grundgedanken des ukrainischen Philosophen Hryhorij Skovoroda (1722-1794). Otto-Friedrich-Universität, 2021. http://dx.doi.org/10.20378/irb-49029.

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Denken und Poetik des ukrainischen Philosophen H. Skovoroda werden durch das Konzept der philosophia perennis, der einen Weisheit zu verschiedenen Zeiten als Teilhabe an der göttlichen Weisheit lesbar. Dieser Kontext ermöglicht die kohärente Lektüre seiner Schriften und erklärt die Form, in der sich sein Leben abgespielt hat. Nach einer kurzen Einordnung in die Forschung werden Skovorodas Leben und Denken im Kontext von Freimaurertum und Aufklärung betrachtet. Dem schließt sich der Aufruf der Tradition der philosophia perennis an, die eine stimmige und alle Aspekte umfassende Deutung seiner Texte ermöglicht. Besondere Beachtung erfordern dabei der Gottesbegriff und die Bildtheorie der philosophia perennis, die systematisch Analogie und Typologie realisieren und damit alle Denkfiguren, Bilder, Wissenssysteme, Texte und Aussagen derselben Struktur einordnen. Dadurch kann das Konzept der göttlichen Weisheit als Paradigma der philosophia perennis-Tradition in den Schriften Skovorodas wahrgenommen werden. Diese Tradition erklärt, wie Skovoroda Philosophie, Theologie und Poetik als konsequente Teilhabe an der göttlichen Weisheit konzipiert und alles als ein Bild Gottes behandelt und begründet. Die Eigenschaften des Denkens von Skovoroda zeigen die von ihm in seinen Schriften und Aussagen geforderte und praktizierte Poetik und Hermeneutik als eine Realisierung der Zeichenhaftigkeit der Welt als Bild und Spur Gottes im Medium der Sprache. Skovorodas Welterklärung entfaltet sich nach dem Vorbild der Bibel in ihrer christlich-allegorisch-typologischen Auslegungstradition. Poetik erhält die Aufgabe, die göttliche Schöpfung fortzuführen und fortzuschreiben.
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Hagensick, Michael. A Comparative Study of Aristotle's Poetics and Ezra Pound's ABC of Reading. Portland State University Library, January 2000. http://dx.doi.org/10.15760/etd.2256.

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Murphey, Darcy. The Feminine Poetic Voice in the Rymes of Pernette du Guillet. Portland State University Library, January 2000. http://dx.doi.org/10.15760/etd.6570.

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Galenson, David. Literary Life Cycles: The Careers of Modern American Poets. Cambridge, MA: National Bureau of Economic Research, July 2003. http://dx.doi.org/10.3386/w9856.

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