Relevant bibliographies by topics / Poetics – History – To 1500

Academic literature on the topic 'Poetics – History – To 1500'

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Published: 27 July 2024
Last updated: 29 July 2024

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Journal articles on the topic "Poetics – History – To 1500"

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GONZÁLEZ-CASANOVAS, ROBERTO J. "WESTERN NARRATIVES OF EASTERN ADVENTURES: THE CULTURAL POETICS AND POLITICS OF CATALAN EXPANSION, 1300-1500." Catalan Review: Volume 8, Issue 1-2 8, no. 1-2 (January 1, 1994): 211–27. http://dx.doi.org/10.3828/catr.8.1.11.

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Solares, Blanca. "Figures androgynes de la Vieille Europe et du Mexique Ancien." Caietele Echinox 42 (June 30, 2022): 53–65. http://dx.doi.org/10.24193/cechinox.2022.42.04.

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The symbolic images of the persistent research for integration or synthesis of opposites have been expressed throughout history, in the myth and in an abundant set of plastic, poetic and literary works. In what follows, from some examples of the European Neolithic (7000-3500 B.C.) and the Pre-classic period of Ancient Mexico (2500-1500 B.C.), this symbolism of duality is emphasized as expression of the continuing human quest for completeness.
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Ledesma Alonso, Ricardo. "La lectura romántica de una fuente bajomedieval: la Crónica do Descobrimiento do Brasil de F. A. de Varnhagen como refiguración histórico-poética de la Carta a el-rey D. Manuel de Pêro Vaz de Caminha." Vegueta. Anuario de la Facultad de Geografía e Historia 22, no. 2 (July 29, 2022): 519–32. http://dx.doi.org/10.51349/veg.2022.2.08.

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La Crónica do Descobrimento do Brasil (1840) de F. A. de Varnhagen es estimada como uno de los textos fundadores de la narrativa de ficción brasileña. Este artículo argumenta que la Crónica fue redactada desde el horizonte del primer romanticismo portugués, bajo los supuestos del proyecto de re-figuración histórico-poética de fuentes medievales promovido por A. Herculano. Utilizando aportaciones de la teoría literaria sobre la novela histórica tradicional, se examinan las estrategias ficcionales que permitieron a Varnhagen apropiarse de la Carta a el-Rei D. Manuel (1500) de Vaz de Caminha y configurar una representación híbrida histórico-ficcional del descubrimiento portugués del Brasil. Crónica do Descobrimento do Brasil (1840) by F. A. de Varnhagen is considered one of the founding texts of Brazilian narrative fiction. This article argues that Crônica was written under the broad aegis of early Portuguese Romanticism, and more specifically A. Herculano’s historical-poetic refiguration of medieval sources. Drawing on literary theory of the traditional historical novel, the article examines Varnhagen‘s fictional strategies for appropriating Pêro Vaz de Caminha’s Carta a el-Rei D. Manuel (1500) in order to create a hybrid historical-fictional representation of the Portuguese discovery of Brazil.
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Soranzo, Matteo. "Giovanni Gioviano Pontano (1429–1503) on Astrology and Poetic Authority." Aries 11, no. 1 (2011): 23–52. http://dx.doi.org/10.1163/156798911x546161.

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AbstractL'articolo esamina per quale ragione Giovanni Gioviano Pontano (1429–1503) ha spiegato in termini di causalità astrologica l'origine della sua autorità poetica, con lo scopo di illustrare un elemento di continuità tra Medioevo e Umanesimo. I testi presi in esame sono il poema Urania (scritto nel 1475–1494; stampato nel 1505), il dialogo Actius (scritto nel 1495–1499; stampato nel 1507), il commento al Centiloquio pseudotolemaico (scritto nel 1477; stampato nel 1512) e il trattato De Rebus Coelestibus (scritto nel 1475–1495; stampato nel 1512). Si sostiene che l'approccio astrologico all'autorità poetica di Pontano deriva dalla sua interpretazione del primo aforisma del Centiloquio, e che questa scelta era dettata dal tentativo di mettere in questione la teoria del furor poetico di Marsilio Ficino, le cui opere stavano diventando sempre più diffuse nel contesto della Napoli Aragonese alla fine del Quattrocento.
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Wade, Elizabeth I., and Sarah Westphal. "Textual Poetics of German Manuscripts, 1300-1500." German Quarterly 69, no. 4 (1996): 441. http://dx.doi.org/10.2307/407998.

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TYBJERG, KARIN. "J. LENNART BERGGREN and ALEXANDER JONES, Ptolemy'sGeography: An Annotated Translation of the Theoretical Chapters. Princeton and Oxford: Princeton University Press, 2000. Pp. xiii+192. ISBN 0-691-01042-0. £24.95, $39.50 (hardback)." British Journal for the History of Science 37, no. 2 (May 24, 2004): 193–96. http://dx.doi.org/10.1017/s0007087404215813.

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J. Lennart Berggren and Alexander Jones, Ptolemy's Geography: An Annotated Translation of the Theoretical Chapters. By Karin Tybjerg 194Natalia Lozovsky, ‘The Earth is Our Book’: Geographical Knowledge in the Latin West ca. 400–1000. By Evelyn Edson 196David Cantor (ed.), Reinventing Hippocrates. By Daniel Brownstein 197Peter Dear, Revolutionizing the Sciences: European Knowledge and Its Ambitions, 1500–1700. By John Henry 199Paolo Rossi, Logic and the Art of Memory: The Quest for a Universal Language. By John Henry 200Marie Boas Hall, Henry Oldenburg: Shaping the Royal Society. By Christoph Lüthy 201Richard L. Hills, James Watt, Volume 1: His Time in Scotland, 1736–1774. By David Philip Miller 203René Sigrist (ed.), H.-B. de Saussure (1740–1799): Un Regard sur la terre, Albert V. Carozzi and John K. Newman (eds.), Lectures on Physical Geography given in 1775 by Horace-Bénédict de Saussure at the Academy of Geneva/Cours de géographie physique donné en 1775 par Horace-Bénédict de Saussure à l'Académie de Genève and Horace-Bénédict de Saussure, Voyages dans les Alpes: Augmentés des Voyages en Valais, au Mont Cervin et autour du Mont Rose. By Martin Rudwick 206Anke te Heesen, The World in a Box: The Story of an Eighteenth-Century Picture Encyclopedia. By Richard Yeo 208David Boyd Haycock, William Stukeley: Science, Religion and Archaeology in Eighteenth-Century England. By Geoffrey Cantor 209Jessica Riskin, Science in the Age of Sensibility: The Sentimental Empiricists of the French Enlightenment. By Dorinda Outram 210Michel Chaouli, The Laboratory of Poetry: Chemistry and Poetics in the Work of Friedrich Schlegel. By David Knight 211George Levine, Dying to Know: Scientific Epistemology and Narrative in Victorian England. By Michael H. Whitworth 212Agustí Nieto-Galan, Colouring Textiles: A History of Natural Dyestuffs in Industrial Europe. By Ursula Klein 214Stuart McCook, States of Nature: Science, Agriculture, and Environment in the Spanish Caribbean, 1760–1940. By Piers J. Hale 215Paola Govoni, Un pubblico per la scienza: La divulgazione scientifica nell'Italia in formazione. By Pietro Corsi 216R. W. Home, A. M. Lucas, Sara Maroske, D. M. Sinkora and J. H. Voigt (eds.), Regardfully Yours: Selected Correspondence of Ferdinand von Mueller. Volume II: 1860–1875. By Jim Endersby 217Douglas R. Weiner, Models of Nature: Ecology, Conservation and Cultural Revolution in Soviet Russia. With a New Afterword. By Piers J. Hale 219Helge Kragh, Quantum Generations: A History of Physics in the Twentieth Century. By Steven French 220Antony Kamm and Malcolm Baird, John Logie Baird: A Life. By Sean Johnston 221Robin L. Chazdon and T. C. Whitmore (eds.), Foundations of Tropical Forest Biology: Classic Papers with Commentaries. By Joel B. Hagen 223Stephen Jay Gould, I Have Landed: Splashes and Reflections in Natural History. By Peter J. Bowler 223Henry Harris, Things Come to Life: Spontaneous Generation Revisited. By Rainer Brömer 224Hélène Gispert (ed.), ‘Par la Science, pour la patrie’: L'Association française pour l'avancement des sciences (1872–1914), un projet politique pour une société savante. By Cristina Chimisso 225Henry Le Chatelier, Science et industrie: Les Débuts du taylorisme en France. By Robert Fox 227Margit Szöllösi-Janze (ed.), Science in the Third Reich. By Jonathan Harwood 227Vadim J. Birstein, The Perversion of Knowledge; The true Story of Soviet Science. By C. A. J. Chilvers 229Guy Hartcup, The Effect of Science on the Second World War. By David Edgerton 230Lillian Hoddeson and Vicki Daitch, True Genius: The Life and Science of John Bardeen, the Only Winner of Two Nobel Prizes in Physics. By Arne Hessenbruch 230Stephen B. Johnson, The Secret of Apollo: Systems Management in American and European Space Programs, John M. Logsdon (ed.), Exploring the Unknown: Selected Documents in the History of the U.S. Civil Space Program. Volume V: Exploring the Cosmos and Douglas J. Mudgway, Uplink-Downlink: A History of the Deep Space Network 1957–1997. By Jon Agar 231Helen Ross and Cornelis Plug, The Mystery of the Moon Illusion: Exploring Size Perception. By Klaus Hentschel 233Matthew R. Edwards (ed.), Pushing Gravity: New Perspectives on Le Sage's Theory of Gravitation. By Friedrich Steinle 234Ernest B. Hook (ed.), Prematurity in Scientific Discovery: On Resistance and Neglect. By Alex Dolby 235John Waller, Fabulous Science: Fact and Fiction in the History of Scientific Discovery. By Alex Dolby 236Rosalind Williams, Retooling: A Historian Confronts Technological Change. By Keith Vernon 237Colin Divall and Andrew Scott, Making Histories in Transport Museums. By Anthony Coulls 238
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Hessus (book author), Helius Eobanus, Harry Vredeveld (book editor and translator), and John Considine (review author). "Poetic Works 1: Student Years at Erfurt, 1504-1509." Renaissance and Reformation 40, no. 2 (January 1, 2004): 138–39. http://dx.doi.org/10.33137/rr.v40i2.9024.

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Steimatsky, Noa. "Cinema’s poetics of history." Modern Italy 22, no. 2 (May 2017): 105–22. http://dx.doi.org/10.1017/mit.2017.19.

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In the movie theatre, history risks drowning in sensory response, in pleasure, or in shock. Yet the cinema can also contribute to a special knowledge of history. Cutting across genres and modes of filmmaking, exploring the effects of duration, gesture, movement, mise-en-scène, framing and editing, recognising affective connotations and the intricacy of figural-poetic devices, this article weighs the impact of the senses and the imagination vis-à-vis the cinema’s historical task. In transforming the narrative past tenses of both fiction and history into the present tense of film viewing, the cinema may be said to loosen the critical grip of writing (history’s ‘proper medium’), to destabilise legibility and interpretation, to interfere with the retrospective, synthetic work of history. But this variability, the inherent ‘impurity’, even promiscuity of the medium also invests cinematic experience with a vitality and urgency: it implicates us in what we see, it animates our response, which is at once aesthetic and ethical.
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Hejman, Helena. "“Who of us has never traced light over these walls”?: The archaeology of Stanisław Grochowiak’s poems." Acta Universitatis Lodziensis. Folia Litteraria Polonica 57, no. 2 (June 30, 2020): 129–44. http://dx.doi.org/10.18778/1505-9057.57.07.

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Through a simple wall, a transparent element of everyday life, Stanisław Grochowiak’s poems enable one to uncover the existential concrete element, matter endowed with an amazing hypnagogic potential, a chronicle of ‘objectness’. In the poet’s imagined world, the wall constitutes both an empirical item and a phenomenon, which transcends the ontology of matter, which determines its semantic fluidity: at one point it resembles an anthropological document (a place of cultural/biographical inscription) only to, a moment later, resemble the basis for surrealist visions or the material of an artifact. The wall seems to be the limit of the zone of mental comfort or, e.g., expose the in-body plane, which, like the walls of pre-historic caves, is covered with archetypal images from (the) childhood (of humanity). This study, based on contexts in art history, psychoanalysis, and a material turn, is an attempt at identifying the references which focus “on the wall” in the following works: “Płonąca żyrafa”, “Malarstwo”, “Zejście”, and “Ars Poetica”.
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Davidson, Michael 1944. "Crosstown poetics." American Quarterly 49, no. 3 (1997): 665–70. http://dx.doi.org/10.1353/aq.1997.0043.

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Dissertations / Theses on the topic "Poetics – History – To 1500"

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Lazarus, Micha David Swade. "Aristotle's Poetics in Renaissance England." Thesis, University of Oxford, 2013. http://ora.ox.ac.uk/objects/uuid:fea8e0e3-df54-4b57-b45d-0b46acd06530.

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This thesis brings to light evidence for the circulation and first-hand reception of Aristotle's Poetics in sixteenth-century England. Though the Poetics upended literary thinking on the Continent in the period, it has long been considered either unavailable in England, linguistically inaccessible to the Greekless English, or thoroughly mediated for English readers by Italian criticism. This thesis revisits the evidentiary basis for each of these claims in turn. A survey of surviving English booklists and library catalogues, set against the work's comprehensive sixteenth-century print-history, demonstrates that the Poetics was owned by and readily accessible to interested readers; two appendices list verifiable and probable owners of the Poetics respectively. Detailed philological analysis of passages from Sir Philip Sidney’s Defence of Poesie proves that he translated directly from the Greek; his and his contemporaries' reading methods indicate the text circulated bilingually as standard. Nor was Sidney’s polyglot access unusual in literary circles: re-examination of the history of Greek education in sixteenth-century England indicates that Greek literacy was higher and more widespread than traditional histories of scholarship have allowed. On the question of mediation, a critical historiography makes clear that the inherited assumption of English reliance on Italian intermediaries for classical criticism has drifted far from the primary evidence. Under these reconstituted historical conditions, some of the outstanding episodes in the sixteenth-century English reception of the Poetics from John Cheke and Roger Ascham in the 1540s to Sidney and John Harington in the 1580s and 1590s are reconsidered as articulate evidence of reading, thinking about, and responding to Aristotle's defining contribution to Renaissance literary thought.
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Archer, Harriet. "The mirror for magistrates, 1559-1610 : transmission, appropriation and the poetics of historiography." Thesis, University of Oxford, 2012. http://ora.ox.ac.uk/objects/uuid:f908cf17-e70a-4449-b2fa-84f24961b3c0.

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The Mirror for Magistrates, the collection of de casibus complaint poems compiled by William Baldwin in the 1550s and expanded and revised between 1559 and 1610, was central to the development of imaginative literature in the sixteenth and early seventeenth century. Additions by John Higgins, Thomas Blenerhasset and Richard Niccols extended the Mirror’s scope, shifted its focus, and prolonged its popularity; in particular, the 1587 edition of the original text with Higgins’s ancient British and Roman complaint collections profoundly influenced the work of Spenser and Shakespeare. However, while there has been a recent resurgence of critical interest in the editions of 1559 and its 1563 ‘Second Part’, the later additions are still largely neglected and disparaged, and the transmission of the original text beyond 1563 has never been fully explored. Without an understanding of this transmission and expansion, the importance of the Mirror to sixteenth-century intellectual culture is dramatically distorted. Higgins, Blenerhasset and Niccols’s contributions are invaluable witnesses to how verse history was conceptualised, written and read across the period, and to the way in which the Mirror tradition was repeatedly reinterpreted and redeployed in response to changing contemporary concerns. The Mirror corpus encompasses topical allegory, nationalist polemic, and historiographical scepticism. What has not been recognised is the complex interaction of these themes right across the Mirror’s history. This thesis provides a comprehensive reassessment of the Mirror’s expansion, transmission, and appropriation between 1559 and 1610, focusing in particular on Higgins, Blenerhasset, and Niccols’s work. By comparing editions and tracing editorial revisions, the changing contexts and attitudes which shaped the early texts’ development are explored. Higgins, Blenerhasset, and Niccols’s contributions are analysed against this backdrop for the first time here, both within their own literary and historiographical contexts, and in dialogue with the early editions. A broad reading of the themes and concerns of these recensions, rather than the limited approach which has characterised previous scholarship, takes account of their depth and variety, and provides a new understanding of the extent of the Mirror’s influence and ubiquity in early modern literary culture.
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Kershaw, Alison. "The poetic of the Cosmic Christ in Thomas Traherne's 'The Kingdom of God'." University of Western Australia. School of Social and Cultural Studies, 2006. http://theses.library.uwa.edu.au/adt-WU2006.0085.

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[Truncated abstract] In this thesis I examine the poetics of Thomas Traherne’s often over-looked Christology through a reading of The Kingdom of God. This work, probably written in the early 1670s, was not discovered until 1997, and not published until 2005. To date, no extended studies of the work have been published. It is my argument that Traherne develops an expansive and energetic poetic expressive of the theme of the ‘Cosmic Christ’ in which Christ is understood to be the source, the sustaining life, cohesive bond, and redemptive goal, of the universe, and his body to encompass all things. While the term ‘Cosmic Christ’ is largely of 20th century origin, its application to Traherne is defended on the grounds that it describes not so much a modern theology, as an ancient theology rediscovered in the context of an expanding cosmology. Cosmic Christology lies, according to Joseph Sittler,“tightly enfolded in the Church’s innermost heart and memory,” and its unfolding in Traherne’s Kingdom of God is accomplished through the knitting together of an essentially Patristic and Pauline Christology with the discoveries and speculations of seventeenth century science: from the infinity of the universe to the workings of atoms. … The thesis concludes with a distillation of Traherne’s Christic poetic The Word Incarnate. The terms put forward by Cosmic Christology are used to explicate Traherne’s intrepid poetic. In his most remarkable passages, Traherne employs language not only as a rhetorical tool at the service of theological reasoning, but to directly body forth his sense of Christ at the centre of world and self. He promises to “rend the Vail” and to reveal “the secrets of the most holy place.” Scorning more “Timorous Spirits,” he undertakes to communicate and “consider it all.”
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Allsopp, Niall. "Turncoat poets of the English Revolution." Thesis, University of Oxford, 2015. https://ora.ox.ac.uk/objects/uuid:72c956c3-ec8b-4b07-ad91-a05b0e72fd39.

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Edmund Waller, William Davenant, Andrew Marvell, and Abraham Cowley were royalist poets who changed sides following the English Revolution, attracted to Cromwellian military power, and the reforming aims of the Independents. This thesis contributes to existing scholarship by showing that the poets engaged strongly with theories of allegiance, self-consciously returning to first principles - the natures of sovereignty and obligation - to develop a concept of allegiance that was contingent and transferrable. Their crucial influence was Hobbes. Hobbes collapsed partisan perspectives into a general theory of sovereignty constituted by a de facto protective and coercive power; this was grounded on a psychological analysis of humans' restless appetite for power. The poets' approach to Hobbes was crucially mediated by Machiavelli, who provided a less abstract account of the relationship between individual agency and collective institutions, and whose concept of virtù offered a model for how restless ambition could be harnessed to political order. An introductory chapter sketches out the intellectual background to this body of theory and reflects on the methods used to show how the poets dramatized it in their works. Chapter two considers the disintegration of Waller's courtly poetry under the pressure of civil war, and his resulting turn to rationalist theory. Chapters three and four focus on the immediate aftermath of the revolution, considering the synthesis of Hobbes' and Machiavelli's theories of military power ventured by Davenant, and the influence of Davenant's ideas on Marvell's Machiavellianism. Chapter five focuses on Cowley and his more religiously-inflected account of Hobbesian psychology and political obligations. Chapter six asks how the poets responded to the Restoration of Charles II, and in particular charts their influence on the younger poet John Dryden. With their emphasis on materialist psychology, the turncoat poets abandoned allegory in favour of a mode of dramatization which observed the contingent circumstances in which allegiances could be generated, dissolved, and transferred. They possessed a political conservatism, but a conceptual radicalism which presented a serious challenge to Anglican and constitutionalist discourses of Stuart monarchy.
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Jusdanis, Gregory. "The Poetics of Cavafy : textuality, eroticism, history /." Princeton : N.J. : Princeton university press, 1987. http://catalogue.bnf.fr/ark:/12148/cb34955514s.

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Kovesi, Killerby C. M. "Italian sumptuary legislation, 1200-1500." Thesis, University of Oxford, 1991. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.315864.

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Jackson, Christine A. "The Berkshire woollen industry : 1500 - 1650." Thesis, University of Reading, 1993. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.357014.

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Wiens, Jason. "The Kootenay School of Writing, history, community, poetics." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2001. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/nq64891.pdf.

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Johnson, Sherri Franks. "Women's monasticism in late medieval Bologna, 1200-1500." Diss., The University of Arizona, 2004. http://hdl.handle.net/10150/290074.

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This dissertation explores the fluid relationship between monastic women and religious orders. I examine the roles of popes and their representatives, governing bodies of religious orders, and the nunneries themselves in outlining the contours of those relationships. At the beginning of the thirteenth century, many emerging religious communities belonged to small, local groups with loose ties to other nearby houses. While independent houses or regional congregations were acceptable at the time of the formation of these convents, after the Fourth Lateran Council in 1215, monastic houses were required to follow one of three monastic rules and to belong to a recognized order with a well-defined administrative structure and mechanisms for enforcing uniformity of practice. This program of monastic reform had mixed success. Though some nunneries attained official incorporation into monastic or mendicant orders due to papal intervention, the governing bodies of these orders were reluctant to take on the responsibility of providing temporal and spiritual guidance to nuns, and for most nunneries the relationship to an order remained unofficial and loosely defined. The continuing instability of order affiliation and identity becomes especially clear in the fourteenth and fifteenth centuries, when war-related destruction forced many nunneries to move into the walled area of the city, often resulting in unions of houses that did not share a rule and order affiliation. Moreover, some individual houses changed rules and orders several times. Though a few local houses of religious women had a strong and durable identification with their order, for many nunneries, the boundaries between orders remained porous and their organizational affiliations were pragmatic and mutable.
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Coster, William. "Kinship and community in Yorkshire, 1500-1700." Thesis, University of York, 1992. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.316165.

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Books on the topic "Poetics – History – To 1500"

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Westphal, Sarah. Textual poetics of German manuscripts, 1300-1500. Columbia, SC: Camden House, 1993.

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Westphal, Sarah. Textual poetics of German manuscripts, 1300-1500. Columbia, S.C: Camden House, 1993.

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Mark, Amodio, and Miller Sarah Gray, eds. Oral poetics in Middle English poetry. New York: Garland Pub., 1994.

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The poetics of melancholy in early modern England. Cambridge: Cambridge University Press, 2004.

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Piero, Boitani, and Torti Anna, eds. Poetics: Theory and practice in medieval English literature. Cambridge: D.S. Brewer, 1991.

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Plett, Heinrich F. English Renaissance rhetoric and poetics: A systematic bibliography of primary and secondary sources. Leiden: E.J. Brill, 1995.

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1928-, Lazar Moshe, and Lacy Norris J, eds. Poetics of love in the Middle Ages: Texts and contexts. Fairfax, Va: George Mason University Press, 1989.

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Hardison, O. B. Poetics and praxis, understanding and imagination: The collected essays of O.B. Hardison, Jr. Athens: University of Georgia Press, 1997.

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Garner, Lori Ann. Structuring spaces: Oral poetics and architecture in early medieval England. Notre Dame, Ind: University of Notre Dame Press, 2011.

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Pavel, Thomas G. The poetics of plot: The case of English Renaissance drama. Manchester: Manchester University Press, 1985.

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Book chapters on the topic "Poetics – History – To 1500"

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Kenningham, Ishbel M. "Europe: to 1500." In Handbook for History Teachers, 364–69. London: Routledge, 2021. http://dx.doi.org/10.4324/9781032163840-44.

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Kekewich, Margaret. "Europe: 1500-1789." In Handbook for History Teachers, 370–79. London: Routledge, 2021. http://dx.doi.org/10.4324/9781032163840-45.

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Hart, Jonathan. "Poetics and Poetic Worlds." In Literature, Theory, History, 99–123. New York: Palgrave Macmillan US, 2011. http://dx.doi.org/10.1057/9780230339583_7.

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Berque, Augustin, and Anne-Marie Feenberg-Dibon. "History, evolution, trajection." In Poetics of the Earth, 181–99. Abingdon, Oxon ; New York, NY : Routledge, 2019. |: Routledge, 2019. http://dx.doi.org/10.4324/9780429259388-10.

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Stearns, Peter N. "1500 as Turning Point." In Globalization in World History, 61–88. Third edition. | New York : Taylor & Francis, 2019. |Series: Themes in world history ; 33: Routledge, 2019. http://dx.doi.org/10.4324/9780429299032-5.

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Woodruff, William. "Europe: 1500-1914." In A Concise History of the Modern World, 23–43. London: Palgrave Macmillan UK, 1998. http://dx.doi.org/10.1007/978-1-349-26663-0_3.

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Woodruff, William. "Africa: 1500-1914." In A Concise History of the Modern World, 44–53. London: Palgrave Macmillan UK, 1998. http://dx.doi.org/10.1007/978-1-349-26663-0_4.

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Woodruff, William. "Europe: 1500–1914." In A Concise History of the Modern World, 23–43. London: Palgrave Macmillan UK, 2002. http://dx.doi.org/10.1057/9780230554665_3.

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Woodruff, William. "Africa: 1500–1914." In A Concise History of the Modern World, 44–53. London: Palgrave Macmillan UK, 2002. http://dx.doi.org/10.1057/9780230554665_4.

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Alexander, Michael. "Tudor Literature: 1500–1603." In A History of English Literature, 77–107. London: Macmillan Education UK, 2013. http://dx.doi.org/10.1007/978-1-137-04894-3_4.

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Conference papers on the topic "Poetics – History – To 1500"

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Babelyuk, O. A. "GENRE BLENDING AS A MOTIVATED CHOICE IN POSTMODERN POETICS." In MODERN PHILOLOGY: THEORY, HISTORY, METHODOLOGY. PART 2. Baltija Publishing, 2024. http://dx.doi.org/10.30525/978-9934-26-425-2-24.

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Dudareva, Marianna. "Caucasian Text In Russian Literature: Myths And History In Poetics." In SCTCMG 2019 - Social and Cultural Transformations in the Context of Modern Globalism. Cognitive-Crcs, 2019. http://dx.doi.org/10.15405/epsbs.2019.12.04.108.

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Naumenko, N. V. "THE POETICS OF ENGLISH AND AMERICAN LITERATURE MASTERPIECES IN CONTEMPORARY UKRAINIAN TRANSLATIONS." In MODERN PHILOLOGY: THEORY, HISTORY, METHODOLOGY. PART 2. Baltija Publishing, 2024. http://dx.doi.org/10.30525/978-9934-26-425-2-52.

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Ferran-Marqués, Marta, Silvia Araguás-Rodríguez, Christopher Pilgrim, Kang Lee, Joël Larose, Jörg Feist, and John R. Nicholls. "Thermal History Coatings: Part II — Measurement Capability up to 1500°C." In ASME Turbo Expo 2020: Turbomachinery Technical Conference and Exposition. American Society of Mechanical Engineers, 2020. http://dx.doi.org/10.1115/gt2020-16209.

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Abstract To improve the efficiency of gas turbines, the turbine inlet temperature needs to be increased. The highest temperature in the gas turbine cycle takes place at the exit of the combustion chamber and it is limited by the maximum temperature turbine blades, vanes and discs can withstand. A combination of advanced cooling designs and Thermal Barrier Coatings (TBCs) are used to achieve material surface temperatures of up to 1200°C. However, further temperature increases and materials that can withstand the harsh temperatures are required for next-generation engines. Research is underway to develop next-generation CMCs with 1480 °C temperature capability, but accurate data regarding the thermal load on the components must be well understood to ensure the component life and performance. However, temperature data is very difficult to accurately and reliably measure because the turbine rotates at high speed, the temperature rises very quickly with engine startup and the blades operate under harsh environments. At the operating temperature range of CMCs, typically platinum thermocouples are used, however, this material is incompatible with silicon carbide CMCs. Other temperature techniques such as infrared cameras and pyrometry need optical access and the results are affected by changes in emissivity that can take place during operation. Offline techniques, in which the peak temperature information is stored and read-out later, overcome the need for optical access during operation. However, the presently available techniques, such as thermal paint and thermal crystals cannot measure above ∼1400°C. Therefore, a new measurement technique is required to acquire temperature data at extreme temperatures. To meet this challenge, Sensor Coating Systems (SCS) is focused on the development of Thermal History Coatings (THC) that measure temperature profiles in the 900–1600 °C range. THC are oxide ceramics deposited via air plasma spraying process. This innovative temperature profiling technique uses optically active ions in a ceramic host material that start to phosphoresce when excited by light. After being exposed to high temperatures the host material irreversibly changes at the atomic level affecting the phosphorescence properties which are then related to temperature through calibration. This two-part paper describes the THC technology and demonstrates its capabilities for high-temperature applications. In this second part, the THC is implemented on rig components for a demonstration on two separate case studies for the first time. In one test, the THC was implemented on a burner rig assembly on metallic alloys instrumented with thermocouples, provided by Pratt & Whitney Canada. In another test, the THC was applied to environmental barrier coatings developed by NASA, as part of a ceramic-matrix-composite system and heat-treated up to 1500°C. The results indicate the THC could provide a unique capability for measuring high temperatures on current metallic alloys as well as next-generation materials.
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Nosich, Alexander I. "Beginning of Oceanography from Space: Orbital X-Band Side-Looking Radar of Cosmos-1500." In 2023 8th IEEE History of Electrotechnology Conference (HISTELCON). IEEE, 2023. http://dx.doi.org/10.1109/histelcon56357.2023.10365779.

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Papkova, Elena. "VSEVOLOD IVANOV'S TRILOGY ABOUT THE BORODINO FIELD: HISTORICAL CONTEXTS." In FIRST KULAKOV READINGS: ON THE FIELDS OF RUSSIA'S MILITARY. LCC MAKS Press, 2023. http://dx.doi.org/10.29003/m3631.khmelita-19/29-44.

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This article deals with the stories of Vsevolod Ivanov “At Borodino”, “Near the old Smolensk road” and the story “On the Borodino Field”, written in 1943 and forming a kind of trilogy in the writer's work dedicated to the Patriotic War of 1812 and the Great Patriotic War of 1941-1945. The elements of the poetics of texts that unite them into a whole are revealed. For the first time, the historical context of the creation of Ivanov's works in 1943 is analyzed: the actualization of attention to Russian history, and in particular to the war with Napoleon, Soviet propaganda work in the early years of the Great Patriotic War, aimed at covering the events of the people's liberation struggle with foreign invaders in the central press and in fiction. Ivanov's works are also considered from the point of view of the realities of the historical periods of 1812, 1839 and 1941 reflected in them. Possible historical sources of the storylines of the stories “At Borodino” and “Near the old Smolensk Road” are revealed: these are the stories of the heroic Tuchkov family, the creation of a monument on the Borodino field. The methods of psychological analysis used in the trilogy are correlated in the article with the poetics of Ivanov's book “The Secret of Secrets” (1926). The author dwells on the ideas of continuity of Russian and Soviet history, the national-historical origins of the military national feat, emphasized by the writer in the trilogy.
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Bierganns, Morten. "The Creative Process in 18th Century Poetics: A Prologue to Psychological Conceptualisations of the 20th Century." In 14th European Conference on Creativity in Innovation. AIJR Publisher, 2023. http://dx.doi.org/10.21467/proceedings.154.1.

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Since Rhodes’ 4P model, the creative process has been of great interest to the psychology of creativity. Although most psychologists were not aware of it, their conceptions of the creative process on a structural level reiterated those of 18th century poetics. To demonstrate this, the paper methodologically draws on the analytical tools of historical semantics. It proposes to broaden our approach to the creative process by studying poetic views of the past and encourages practitioners to consult these aesthetic texts as inspiration for the development of creativity techniques. Above all, the paper sees itself as a contribution to understanding the history of a concept that is inscribed in our contemporary culture.
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May, Richard, Carlos Perez, Andres Perdoma, Africa Jimenez, John Angel, Nelson Salinas, Efrain Rodriguez, Camilo Angarita, and Jose Mierez. "Identifying and Surviving a 1500 ft Long Keyseat @18,000 ft - A Case History and Lessons Learned." In IADC/SPE Drilling Conference and Exhibition. Society of Petroleum Engineers, 2014. http://dx.doi.org/10.2118/168042-ms.

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Nascimento, Suely. "Marlene's house." In LINK 2021. Tuwhera Open Access, 2021. http://dx.doi.org/10.24135/link2021.v2i1.106.

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As an artist-researcher, I have been developing the research “Marlene's house” in the Doctorate in Arts, Graduate Program in Arts, Institute of Art Sciences, Federal University of Pará, since 2018. An extension of the research I produced in the Master's Degree in Arts, at the same institution of higher education, from 2016 to 2018. It is a poetics built from family and affective memory, in which photography, video, sound, writing, smell, taste, touch and feeling merge. And it is part of research line 1, on poetics and acting processes, dedicated to research in the arts, with a focus on poetics, on modes of acting, on the construction and presentation of an artistic work, accompanied by a reflective text. Thus, the research is being built with a memorial that houses the reflective text and a work, consisting of an installation with photography-video-sound-writing, records of my mother's house. Along the way, I talk to researcher Priscila Arantes, from São Paulo, who writes: “expanded field photography incorporates [...] the idea of dialogue, contamination and intersections of the field of photography with other fields of language and know." I also talk to the American Rosalind Krauss, who studies three-dimensional work and its expanded field. As a personal methodology, I mentally create a garden mixed with my memories of the garden of the house where I lived, where I develop the installation and the memorial. A meditation in which there is the action of artistic making. And it is in this garden that I experiment, read, research, edit photography-video-sound-written, reflect on my life path and what touches me throughout it, and write the research texts. During classes, in practical-reflective studies, I have been building my poetics, experimenting with installations in the classroom. One of them related to the kitchen of the house where I lived. I tried, in two subjects, the coffee experience with classmates. A performance I talk to Renato Cohen about, when he says that this creative act touches the tenuous boundaries that separate life and art. Each layer of the installation is perceived in the creative process of the artwork. And, based on what I perceive in my poetics, I develop conversations with the history of art, and I have conceived texts, which I named the artist's writings. With the letters, words, sentences and reflections, I write down what I thought/think about geometry, dimensions, space, the room in the house and sharing around a dining table. The poetic layers built in the creative path are countless and, in the installation, I present traces that are in me, in the garden, in the bedroom, in the kitchen and in the backyard where I lived a life in my mother's house.
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Bajzát, Tímea Borbála, Botond Bálint Szemes, and Eszter Szlávich. "Az ELTE DH Regénykorpusz és lehetőségei." In Networkshop. HUNGARNET Egyesület, 2021. http://dx.doi.org/10.31915/nws.2021.7.

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The corpus of the Hungarian novel created at the ELTE Department of Digital Humanities offers new methodologies for the philological research and “distant reading” approaches by providing a digitized, annotated and searchable database of freely accessible novels from the Hungarian literary history. The database fits organically into the international collection of the ELTeC COST Action Project (European Literary Text Collection https://www.distant-reading.net/eltec/), since the first 100 novels of the database are part of the Hungarian sub-corpus of that collection. Beside the description of the corpus and the aspects of the selection, the paper also reports in detail on the possibilities of the quantitative analysis of the novels. In doing so, we want to present what kind of knowledge of the Hungarian literary history can be produced by applying statistical and linguistic approaches, and what role these methods can play in the process of the interpretation of the texts. Through the visualized tendencies, a new history of the style of the Hungarian prose can be outlined, while the peculiarities of some texts in relation to others can lead to the description of the poetics of the given authors and their novels.
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Reports on the topic "Poetics – History – To 1500"

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Bianchi, A., R. Barger, F. Johnson, K. McGuire, K. Pinyan, F. Wilson, and W. Cooper. Operational History of Fermilab's 1500-w Refrigerator Used for Energy Saver Magnet Production Testing. Office of Scientific and Technical Information (OSTI), September 1985. http://dx.doi.org/10.2172/1151450.

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Rodríguez-Montemayor, Eduardo, and Pablo M. García. A Primer of International Migration: The Latin American Experience. Inter-American Development Bank, December 2009. http://dx.doi.org/10.18235/0011075.

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Migration has recently taken an important place in the agenda of many governments around the world. But the phenomenon of international mobility of individuals is not new. Following Massey [2003], the modern history of international migration can be divided into four periods. During the mercantile period, from about 1500 to 1800, world immigration was dominated by flows out of Europe and stemmed from processes of colonization and economic growth under mercantile capitalism
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Karlstrom, Karl, Laura Crossey, Allyson Matthis, and Carl Bowman. Telling time at Grand Canyon National Park: 2020 update. National Park Service, April 2021. http://dx.doi.org/10.36967/nrr-2285173.

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Grand Canyon National Park is all about time and timescales. Time is the currency of our daily life, of history, and of biological evolution. Grand Canyon’s beauty has inspired explorers, artists, and poets. Behind it all, Grand Canyon’s geology and sense of timelessness are among its most prominent and important resources. Grand Canyon has an exceptionally complete and well-exposed rock record of Earth’s history. It is an ideal place to gain a sense of geologic (or deep) time. A visit to the South or North rims, a hike into the canyon of any length, or a trip through the 277-mile (446-km) length of Grand Canyon are awe-inspiring experiences for many reasons, and they often motivate us to look deeper to understand how our human timescales of hundreds and thousands of years overlap with Earth’s many timescales reaching back millions and billions of years. This report summarizes how geologists tell time at Grand Canyon, and the resultant “best” numeric ages for the canyon’s strata based on recent scientific research. By best, we mean the most accurate and precise ages available, given the dating techniques used, geologic constraints, the availability of datable material, and the fossil record of Grand Canyon rock units. This paper updates a previously-published compilation of best numeric ages (Mathis and Bowman 2005a; 2005b; 2007) to incorporate recent revisions in the canyon’s stratigraphic nomenclature and additional numeric age determinations published in the scientific literature. From bottom to top, Grand Canyon’s rocks can be ordered into three “sets” (or primary packages), each with an overarching story. The Vishnu Basement Rocks were once tens of miles deep as North America’s crust formed via collisions of volcanic island chains with the pre-existing continent between 1,840 and 1,375 million years ago. The Grand Canyon Supergroup contains evidence for early single-celled life and represents basins that record the assembly and breakup of an early supercontinent between 729 and 1,255 million years ago. The Layered Paleozoic Rocks encode stories, layer by layer, of dramatic geologic changes and the evolution of animal life during the Paleozoic Era (period of ancient life) between 270 and 530 million years ago. In addition to characterizing the ages and geology of the three sets of rocks, we provide numeric ages for all the groups and formations within each set. Nine tables list the best ages along with information on each unit’s tectonic or depositional environment, and specific information explaining why revisions were made to previously published numeric ages. Photographs, line drawings, and diagrams of the different rock formations are included, as well as an extensive glossary of geologic terms to help define important scientific concepts. The three sets of rocks are separated by rock contacts called unconformities formed during long periods of erosion. This report unravels the Great Unconformity, named by John Wesley Powell 150 years ago, and shows that it is made up of several distinct erosion surfaces. The Great Nonconformity is between the Vishnu Basement Rocks and the Grand Canyon Supergroup. The Great Angular Unconformity is between the Grand Canyon Supergroup and the Layered Paleozoic Rocks. Powell’s term, the Great Unconformity, is used for contacts where the Vishnu Basement Rocks are directly overlain by the Layered Paleozoic Rocks. The time missing at these and other unconformities within the sets is also summarized in this paper—a topic that can be as interesting as the time recorded. Our goal is to provide a single up-to-date reference that summarizes the main facets of when the rocks exposed in the canyon’s walls were formed and their geologic history. This authoritative and readable summary of the age of Grand Canyon rocks will hopefully be helpful to National Park Service staff including resource managers and park interpreters at many levels of geologic understandings...
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