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Books on the topic 'Poetic conceptions of language'

Author: Grafiati

Published: 14 December 2024

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1

Čarkić, Milosav Ž. On poetic language. Beograd: Institute for the Servian Lanuage, Serbian Academy of Sciences and Arts, 2010.

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2

Watson, R. A. Language and human action: Conceptions of language in the Essais of Montaigne. New York: P. Lang, 1996.

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3

Botha, Rudolf P. Twentieth century conceptions of language: Mastering the metaphysics market. Oxford UK: Blackwell, 1992.

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4

McCumber, John. Poetic interaction: Language, freedom, reason. Chicago: University of Chicago Press, 1989.

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5

1951-, Vogelzang Marianna E., and Vanstiphout H. L. J, eds. Mesopotamian poetic language: Sumerian and Akkadian. Groningen: Styx Publications, 1996.

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6

Regier, Alexander, and Stefan H. Uhlig. Wordsworth's poetic theory: Knowledge, language, experience. New York: Palgrave Macmillan, 2009.

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7

Carson, Ciaran. First language: Poems. Winston-Salem, NC: Wake Forest University Press, 1994.

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8

Boase-Beier, Jean. Poetic compounds: The principles of poetic language in modern English poetry. Tübingen: Niemeyer, 1987.

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9

Hollander, John. Melodious guile: Fictive pattern in poetic language. New Haven: Yale University Press, 1989.

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10

Krishnamoorthy, K. Aspects of poetic language, an Indian perspective. Pune: Board of Extra-Mural Studies, University of Poona, 1988.

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11

Lees, Heath. Mallarmé and Wagner: Music and poetic language. Aldershot, Hants, England: Ashgate, 2007.

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12

Hollander, John. Melodious guile: Fictive pattern in poetic language. New Haven: Yale University Press, 1988.

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13

Crossley-Holland, Kevin. The language of yes. London: Enitharmon Press, 1996.

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14

Hooker, Jeremy. Their silence a language. London: Enitharmon Press, 1992.

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15

Benson, Phil. Making sense of autonomous language learning: Conceptions of learning and readiness for autonomy. [s.l.]: The University of Hong Kong, 1998.

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16

Kahn, Andrew, Mark Lipovetsky, Irina Reyfman, and Stephanie Sandler. The poetics of language. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199663941.003.0035.

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The chapter analyzes language-oriented poets and movements, showing how different conceptions of the poetic word emerged and influenced writing and performance throughout the period. The chapter follows the ramifications of avant-garde experiment, expressed in manifestos, public gestures, and performances. These innovations continued to influence the artistic practices of the 1920s and were revived later in the 1960s–80s. They comprised a legacy for concrete and Conceptualist poetry and, later, Metarealism. The chapter discusses the connection of these groups to underground culture, and shows how the inherited tropes of the avant-garde join up with postmodernist poetics and narratives in the post-Soviet period.

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17

Johnson, Galen A., Mauro Carbone, and Emmanuel de Saint Aubert. Merleau-Ponty's Poetic of the World. Fordham University Press, 2020. http://dx.doi.org/10.5422/fordham/9780823288137.001.0001.

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Merleau-Ponty’s Poetics of the World offers detailed studies of the philosopher’s engagements with Proust, Claudel, Claude Simon, André Breton, Mallarmé, Francis Ponge, and more. From Proust, Merleau-Ponty developed his conception of “sensible ideas,” from Claudel, his conjoining of birth and knowledge as “co-naissance,” from Valéry came “implex” or the “animal of words” and the “chiasma of two destinies.” Thus also arise the questions of expression, metaphor, and truth and the meaning of a Merleau-Pontyan poetics. The poetic of Merleau-Ponty is, inseparably, a poetic of the flesh, a poetic of mystery, and a poetic of the visible in its relation to the invisible. This poetics is worked out across each co-author’s chapters in dialogue with Husserl, Walter Benjamin, Heidegger, and Sartre. A new optic proposes the conception of literature as a visual “apparatus” in relation to cinema and screens. Recent transcriptions of Merleau-Ponty’s first two 1953 courses at the Collège de France The Sensible World and the World of Expression and Research on the Literary Usage of Language, as well as the course of 1953–54, The Problem of Speech, lend timeliness, urgency and energy to this project. Our goal is to specify more precisely the delicate nature and properly philosophical function of literary works in Merleau-Ponty’s thought as the literary writer becomes a partner of the phenomenologist. Ultimately, theoretical figures that appear at the threshold between philosophy and literature enable the possibility of a new ontology. What is at stake is the very meaning of philosophy itself and its mode of expression.

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18

Language of Infertility: Missed Conceptions. Bloomsbury Publishing Plc, 2023.

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19

Jones, Tom. Poetic Language. Edinburgh University Press, 2012. http://dx.doi.org/10.1515/9780748656189.

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20

ThePoet, Hark. Poetic Language. Lulu Press, Inc., 2010.

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21

O'Bryant, Evans. Spontaneous Conceptions. Outskirts Press, Incorporated, 2009.

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22

Lutjeharms, Rembert. On Poetic Language. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198827108.003.0005.

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In Kavikarṇapūra’s poetics, rasa is seen as the ‘soul’ of poetry. Chapter 4 attempts to understand how the language of poetry can embody this soul. I start with Kavikarṇapūra’s eclectic philosophy of language, and then examine his poetics proper, as presented in the Alaṃkāra‐kaustubha: his views on suggestion (dhvani), literary excellences (guṇa), figures of speech (alaṃkāra), style (rīti), and literary defects (doṣa). I compare and contrast Kavikarṇapūra’s understanding of these with those of earlier authors, and demonstrate that Kavikarṇapūra particularly draws on Vāmana, a ninth‐century theorist, and gives prominence to the excellences and style—the core ideas of Vāmana’s poetics—to formulate a poetics that prizes phonetic ornamentation.

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23

Xu, Shenshen. Shenshen Poetic Language. Overseas Chinese Press Inc, 2023.

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24

Breton, Stanislas. The Poetics of the Sensible. Bloomsbury Publishing Plc, 2024. http://dx.doi.org/10.5040/9781350386884.

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In the first English language translation of this classic late 20th-century text within French Catholic thought, Poetics of the Sensible brings together insights from Neoplatonism and phenomenology with a distinctive and innovative approach. Taking a stance within the generative conception of human language represented by continental thinkers such as Humboldt and Herder and powerfully articulated today by Charles Taylor, Stanislas Breton expands the sense of the “poetic”—the constructive meaning-bearing capacity that is a core characteristic of humanity—to include the body and its senses phenomenologically intertwined with the world. Defying Heidegger’s prohibition on the question of God alongside contemporary thinkers such as Jean-Luc Marion, Jean-Louis Chrétien and Emmanuel Falque, he boldly writes of God, of the angel, of the icon, and of prayer in a refusal to bracket his religious faith. Against a Neoplatonic backdrop, Breton promotes the dense material dimensions of embodied signification as paradoxically harbouring meaning that is greater than that of conceptual abstraction alone. Illuminating Breton’s poetic and allusive discourse, Poetics of the Sensible showcases his unique voice in French philosophy, phenomenology and the philosophy of religion and is essential reading for scholars and students alike.

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25

Miles, Josephine. Continuity of Poetic Language. Taylor & Francis Group, 2023.

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26

Roudiez, Leon. Revolution in Poetic Language. Columbia University Press, 2023.

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27

Roudiez, Leon S. Revolution in Poetic Language. Columbia University Press, 2024.

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28

Poetic Language of Ageing. Bloomsbury Publishing Plc, 2023.

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29

Miles, Josephine. Continuity of Poetic Language. Taylor & Francis Group, 2023.

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30

Sciban, Shu-ning. Wang Wenxing's poetic language. 1995.

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31

Miles, Josephine. Continuity of Poetic Language. Taylor & Francis Group, 2023.

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32

Miles, Josephine. Continuity of Poetic Language. Taylor & Francis Group, 2016.

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33

Poetic Language of Ageing. Bloomsbury Publishing Plc, 2023.

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34

Frankovich, K. T., David Taub, and Ruth Solomon. Language of Souls: Poetic Expressions. Language of Souls Publications, 1999.

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35

Baskerville, George. Soul Language: A Poetic Documentary. Independently Published, 2018.

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36

Attridge, Derek. Poetic Rhythm: An Introduction. Cambridge University Press, 1996.

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37

Sigo, Cedar. Language Arts. Wave Books, 2014.

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38

Stanley, Bob. Language Barrier. WordTech Communications LLC, 2024.

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39

McCready, Marion. Tree Language. Eyewear Publishing, 2014.

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40

Joseph, Murphy. Another Language. Shanti Arts Publishing, 2021.

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41

Bullock, Philip Ross, and Laura Tunbridge, eds. Song Beyond the Nation. British Academy, 2021. http://dx.doi.org/10.5871/bacad/9780197267196.001.0001.

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Within classical music, much writing on the Western song tradition since 1800 has assumed a direct link between musical cultures and national literatures, and song has typically been interpreted as one of the means by which constructions of nationalism and nationhood have been pursued in the cultural sphere. Yet song can also be a mobile and cosmopolitan genre and form of cultural practice, able – through performance, publication, and translation – to cross boundaries between cultures and languages. This volume brings together musicologists, literary scholars, linguists, and cultural historians to examine the ways in which song creation, practice, and interpretation has been defined by, and in turn defines, conceptions of nationalism and the transnational. It focuses on four key poets – the Persian Hafiz, German Heine, American Whitman, and French Verlaine – and examines how their poems have been ‘translated’ into song, and how music can challenge the seemingly organic relationship between language and nation.

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42

Brewer, Meaghan. Conceptions of Literacy: Graduate Instructors and the Teaching of First-Year Composition. University Press of Colorado, 2020.

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43

Brewer, Meaghan. Conceptions of Literacy: Graduate Instructors and the Teaching of First-Year Composition. University Press of Colorado, 2020.

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44

Ojakangas, Mika. Plato. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474423632.003.0019.

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There are not many books by Agamben in which Plato does not figure. In The Man Without Content (MC 52–64), Agamben discusses the Platonic discrepancy between politics and poetry; in Stanzas, he examines Plato’s conceptions of love (S 115–21) and phantasm (S 73–5); in Infancy and History (IH 73), Agamben takes up Plato’s concept of time (aion and chronos), while in The End of the Poem (EP 17) he examines Plato’s criticism of tragedy. In Language and Death (LD 91–2), he gives an account of Socrates’ ‘demon’ and Plato’s Idea (eidos) – though he investigates the latter more thoroughly in Potentialities (PO 27–38), in which he also briefly touches upon Plato’s doctrine of matter (khôra) (PO 218). In Idea of Prose (IP 120–3) and The ComingCommunity (CC 76–7), it is the Platonic Idea again that is under scrutiny, albeit more implicitly than in Potentialities. In Homo Sacer (HS 33–5), Agamben offers an interpretation of Plato’s treatment of Pindar’s nomos basileus fragment and the sophistic opposition between nomos and physis, whereas in The Sacrament of Language (SL 29) he touches on Plato’s critique of oath. In The Signature of All Things (ST 22–6), Agamben gives an account of Plato’s ‘paradigmatic’ method, while in Stasis (STA 5–12) we find an analysis of Plato’s conception of civil war (stasis).

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45

AS English language & literature: Poetic study. Deddington: Philip Allan Updates, 2006.

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46

Honein, Natalie, and Margaret McKeon. Language, Land and Belonging: Poetic Inquiries. Vernon Art and Science Inc., 2023.

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47

Honein, Natalie, and Margaret McKeon. Language, Land and Belonging: Poetic Inquiries. Vernon Art and Science Inc., 2023.

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48

Mallarmé Wagner: Music and Poetic Language. Taylor & Francis Group, 2017.

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49

Mathews, Timothy. Reading Apollinaire: Theories of Poetic Language. Manchester Univ Pr, 1988.

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50

Mathews, Timothy. Reading Apollinaire: Theories of Poetic Language. Manchester Univ Pr, 1990.

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