Academic literature on the topic 'Poetic (artistic) language'
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Journal articles on the topic "Poetic (artistic) language"
Qosimova, Gulnorakhon Bakhtiyorjon qizi. "Artistic language of ihara saikaku." International journal of linguistics, literature and culture 7, no. 3 (May 5, 2021): 180–87. http://dx.doi.org/10.21744/ijllc.v7n3.1623.
Full textStepanova, Varvara Egorovna. "Artistic peculiarities of the philosophical works of S. S. Vasilyev-Borogonsky." Litera, no. 12 (December 2021): 15–24. http://dx.doi.org/10.25136/2409-8698.2021.12.37099.
Full textTurdalieva, D. "Application of Language Facilities." Bulletin of Science and Practice 7, no. 4 (April 15, 2021): 508–11. http://dx.doi.org/10.33619/2414-2948/65/62.
Full textPronin, Maksim V. "ABOUT SOME FEATURES OF LEONID ARONZON’S ARTISTIC WORLD." RSUH/RGGU Bulletin. "Literary Theory. Linguistics. Cultural Studies" Series, no. 3 (2022): 36–48. http://dx.doi.org/10.28995/2686-7249-2022-3-36-48.
Full textFilon, Mykola. "THE LINGVOESTHETIC AND ARTISTIC-COGNITIVE PHENOMENALITY OF POETIC LANGUAGE." Collection of scientific works "Visnyk of Zaporizhzhya National University. Philological Sciences", no. 1 (2019): 72–77. http://dx.doi.org/10.26661/2414-9594-2019-1-16.
Full textSavvinova, Gulnara E. "О поэтике олонхо «Нюргун Боотур Стремительный» П. А. Ойунского и тувинских героических эпосов." Oriental Studies 13, no. 4 (December 25, 2020): 1155–66. http://dx.doi.org/10.22162/2619-0990-2020-50-4-1155-1166.
Full textAkamov, Abusup'yan Tatarkhanovich, and Aigul' Muratovna Bekeeva. "Poetic language features of Abdurakhman from Kakashura." Филология: научные исследования, no. 4 (April 2022): 52–60. http://dx.doi.org/10.7256/2454-0749.2022.4.36386.
Full textDžemić, Kemal, and Ramiz Tiganj. "Identity marks in the poetic worlds of Zaim Azemović and Faiz Softić." Univerzitetska misao - casopis za nauku, kulturu i umjetnost, Novi Pazar, no. 19 (2020): 127–36. http://dx.doi.org/10.5937/univmis2019127d.
Full textDugar, AM. "The role of poetics in architectural lighting design." Lighting Research & Technology 50, no. 2 (August 23, 2016): 253–65. http://dx.doi.org/10.1177/1477153516664967.
Full textPryshchepa, O. "THE LANGUAGE OF SYMBOLS IN THE POETRY OF "YOUNG MUSE"." Вісник Житомирського державного університету імені Івана Франка. Філологічні науки, no. 3(98) (December 23, 2022): 57–67. http://dx.doi.org/10.35433/philology.3(98).2022.57-67.
Full textDissertations / Theses on the topic "Poetic (artistic) language"
Yeung, Cindy K. L. "Multimodal close reading as currency : transmediating poetic language through artistic design." Thesis, University of British Columbia, 2009. http://hdl.handle.net/2429/12548.
Full textCoyle, Derek. "'Out to an other side' : the poetry of Paul Celan and Seamus Heaney and the poetic challenge to post-modern discussions of absence and presence in the context of theological and philosophical conceptions of language and artistic production." Thesis, University of Glasgow, 2002. http://theses.gla.ac.uk/1765/.
Full textMaloney, Leslie Don Bellinger W. H. "A word fitly spoken poetic artistry in the first four acrostics of the Hebrew psalter /." Waco, Tex. : Baylor University, 2005. http://hdl.handle.net/2104/3002.
Full textBalat, Samah Mohamed. "The study of Andalusian “Muwashaḥāt”: a literary and artistic approach"." University of the Western Cape, 2020. http://hdl.handle.net/11394/7267.
Full textThis thesis aims at presenting a comprehensive study, through which more will be learnt about the art of the Andalusian Muwashaḥāt. This is a study of their artistic structure, types, and poetic purposes. The art of the Muwashaḥāt was different in form and rhythm from the classic Arabic poem, because the Muwashaḥāt had multi meters and rhymes, and it relied on the musical rhythm. Besides, the poetic language of the Muwashaḥāt was based on both classical and vernacular Arabic. The Muwashaḥāt was invented by the Andalusian poets to keep pace with the musical development in Andalusia, the researcher will shed light on aesthetic methods, and the poetic styles that characterized the Muwashaḥāt as an innovative poetic art which had strong ties with the music and singing, and showing the impact of the Andalusian environment on the development of this art. The art of the Muwashaḥāt left a distinguished mark on the Arabic poetry and music, especially in the Maghreb and North Africa where a lot of musical schools and poets still pay a lot of attention to such type of that Andalusian art. The continuous interest in this art, until current days, strongly motivated the researcher to proceed with this study.
Wirtz, Jason. "Poets on inventing revisioning invention theory, practice and pedagogy within rhetoric, composition, English education and creative writing /." Diss., Connect to online resource - MSU authorized users, 2008.
Find full textCardoso, Ana Paula. "Fotografias verbais entre artes: Pau Brasil, Feuilles de Route e desenhos de Tarsila." Universidade de São Paulo, 2006. http://www.teses.usp.br/teses/disponiveis/8/8151/tde-21052007-141537/.
Full textThis dissertation examines Oswald de Andrade´s Pau Brasil, and Blaise Cendrars´ Feuilles de Route: I. Le Formose and II. Sao-Paulo, and intents to verify how São Paulo has been - in its particular condition in the context of Brazilian modernity - transformed in poetic subject in these works. In contrast to the elements of metropolis´ cosmopolitism, presents the rural life in inner state farms. Based on work analysis, I attempt to evaluate the authors´ poetic in their relationship with the metropolis, considering also a subject matter associated to other modernity issues, like progress x nature and the travelling theme. In rearrangement of poetic projects from the authors in the studied works, the drawings created by Tarsila do Amaral for both poetic produtions are considered key-points.
Rozenberg, Sebastian. "Agamben's Aesthetic Framework and the Published Poetry of the Artist-Poet." Thesis, Södertörns högskola, Estetik, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-40981.
Full textPopulärvetenskaplig sammanfattning Uppsatsen undersöker en samling filosofiska begrepp kopplade till konst, hämtade från några av den italienska filosofen Giorgio Agambens böcker. Dessa kan läsas som en estetisk modell, och användas för att tolka konst som tangerar aspekter av inaktivitet och frånvaro, eller befinner sig mellan konst och andra uttrycksformer. Poesi skriven av konstnärer läses här ur ett metaperspektiv, med hjälp av Agambens filosofiska ramverk. Poesins kvalitet eller effekt är inte det huvudsakliga intresset, utan den gest som skrivandet av poesin förkroppsligar. En historisk kontext presenteras genom konstnären Marcel Broodthaers och konstnärsgruppen Bernadette Corporation. De filosofiska begreppen prövas sedan på tre samtida artist-poets, konstnärer som skriver poesi. Agamben ger verktyg för tolkning av konst som dra sig undan definition och representation. Uppsatsen påvisar hur poesi, när den produceras av konstnärer, kan tolkas som ett motstånd mot konstmarknaden.
Silva, Romero Jorge Henrique da 1980. "As formas da inspiração = linguagem e criação poética em "Inspiração nordestina" de Patativa do Assaré." [s.n.], 2011. http://repositorio.unicamp.br/jspui/handle/REPOSIP/270175.
Full textDissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem
Made available in DSpace on 2018-08-17T15:46:23Z (GMT). No. of bitstreams: 1 SilvaRomero_JorgeHenriqueda_M.pdf: 957479 bytes, checksum: baefb9b935cfaa6757e00bfe169cd9c3 (MD5) Previous issue date: 2011
Resumo: Este trabalho procura investigar a linguagem e a criação poética em Inspiração Nordestina. Publicado em 1956, esse livro representa um momento importante na trajetória poética de Patativa do Assaré. A questão que permeia toda a dissertação é como o poeta transita entre as formas de uma tradição popular, com um repertório composto por cordéis, desafios e pelejas, e uma tradição poética composta por formas pouco utilizadas pelos "poetas populares", como décimas, sonetos, oitavas. É utilizando essa diversidade de recursos poéticos e a possibilidade de se expressar em duas "línguas" ("matuta" e outra de acordo com a norma padrão) que o poeta redimensiona panorama da poesia brasileira dos séculos XX e XXI
Abstract: This study investigates the language and poetic creation in Inspiração Nordestina. Published in 1956, this book represents an important moment in the history of poetic Patativa do Assaré. The question that permeates the entire thesis is how the poet moves between forms of a popular tradition, with a repertoire consisting of "cordéis", "desafios" and "pelejas", and a tradition of poems composed by some forms used by the "folk poets" as decimals, sonnets , octaves. It is using this diversity of poetic devices and the possibility to express themselves in two "languages"("Matuta"and standard) that the poet resize the panorama of Brazilian poetry of XX and XXI century
Mestrado
Teoria e Critica Literaria
Mestre em Teoria e História Literária
Clonts, Charlène. "Ontophonie et pictopoésie dans l'oeuvre de Gherasim Luca. : etude de la "variation continue"." Thesis, Pau, 2016. http://www.theses.fr/2016PAUU1006/document.
Full textThe aim of this PHD is to study the process of the continuous variation, as the guiding principle for the complete works of Gherasim Luca. The purpose is to highlight both its plastic and its phonic aspects, how they work together, and also the way pictopoésie and ontophonie help create a perpetual selfgenerated text. Since the works stand at the crossroads of several arts, this analysis underlines the structure of the iconic and textual spaces. One of the axis of research, that focuses on the persona, as it emerges from a protean aesthetics, and on the figurative space proper to language, calls thus intoquestion Deleuze’s theory of “continuous variation”, while showing its internal mechanism and its exceedance. Finally, the phonic, the linguistic and the physical performance, in staging the ontophonie, brings into question the voices and the media as a means, established by the oral poetry and the mediopoetics, granting access to an analysis based on endless repetition and reformulation
Sornat, Katarzyna. "Słownictwo Wacława Potockiego. Geneza, struktura, semantyka." Doctoral thesis, 2021. https://depotuw.ceon.pl/handle/item/4099.
Full textThe subject of this dissertation is the analysis of a part of Wacław Potocki's poetry vocabulary. For the purposes of the study, a text sample of 3000 verses from three representative works of the 17th-century poet (Transakcja wojny chocimskiej, Ogród nie plewiony, Moralia) was excerpted. The three-volume edition of Wacław Potocki's Dzieła edited by Leszek Kukulski (1987) was adopted as the source for the study. A dictionary of the author's language is an integral part of the dissertation, bringing together all the collected lexis: Słownik języka Wacława Potockiego (SJWPot), Słownik frazeologizmów Wacława Potockiego (SFWPot) and Słownik kolokacji Wacława Potockiego (SKWPot). On the basis of the SJWPot entries a linguistic analysis was conducted at several levels: etymological, word-formation, semantic and lexicographical. The collected lexica was auxiliary subjected to register-descriptive, statistical, onomastic and comparative analysis. The adoption of a synchronic-diachronic research perspective has made it possible to point to certain preferences of Wacław Potocki in the creation of lexical units, as well as to draw certain conclusions concerning the entire medieval Polish vocabulary subsystem. The thematic structure of the collected material was examined using the method of lexical-semantic fields. The next stage of the research was a lexicographic analysis of the material, aimed at documenting several hundred SJWPot entries in representative dictionary studies. The search covered five dictionaries collecting Polish word resources from the Old Polish period to the beginning of the 19th century. The dissertation consists of five chapters, including two theoretical and three analytical ones. After a short introduction informing about the aims, assumptions and structure of the work in the first chapter, the author justifies the choice of the research topic, explains the criteria for the selection of the material sample and gives its scope, as well as presents the state of research into the works of Wacław Potocki. The next part of chapter one contains the characteristics of the epoch, in which the author of Moralia lived and worked, and a discussion of the most important concepts and terms associated with the Baroque. In this part of the work there is also a calendar of life and work of the seventeenth-century poet. The second chapter is entirely devoted to the description of methodology, directions and research tools used in the analysis of a selected fragment of the writer's language. The theoretical part of the work ends with a subsection entitled: Słownik języka Wacława Potockiego. Idea, struktura, zasady opracowania. The third chapter begins the analytical part of the dissertation and constitutes its most extensive fragment. It consists of two smaller subsections, distinguished on the basis of the results of the genetic analysis of the material sample. In the first part of the chapter a set of native vocabulary is presented, within which basic (non-derivative) words and words derived from it are distinguished. The first stage of the research was a structural analysis of the latter, consisting in grouping the vocabulary-motivated units according to types, categories and derivational techniques. In the second part of the third chapter, which was devoted to the characteristics of borrowings, the qualitative-quantitative data were placed showing the division of foreign lexemes according to the source of origin, the object of borrowing and the degree of their assimilation into the Polish language system. The fourth chapter presents the results of lexical-semantic analysis of the material, conducted with the use of the word field method. The fifth chapter deals mainly with the results of statistical research. In addition, the chapter discusses the results of lexicographic research, covering a specific section of vocabulary of Wacław Potocki's works. Conclusions from the conducted analysis are included in the conclusion. The dissertation ends with a list of abbreviations and designations used, an index of tables included in the main text of the dissertation, a bibliography including dictionaries and other sources and a two-part appendix in traditional and multimedia versions. The first part of the appendix consists of tables attached to the dissertation together with an index to them. The second part of the appendix, placed on an electronic carrier, contains three dictionaries collecting the lexicon of works of a selected author – SJWPot, SFWPot and SKWPot. As the analysis has shown, Wacław Potocki most frequently used words inherited by the Polish language from previous centuries, including a large number of units with indivisible vocabulary and the oldest origins in our language. Contrary to the assumptions put forward by scholars of the Polish language of the Middle Polish period, the author of Moralia did not overuse borrowings from foreign languages. Wacław Potocki turned out to be a traditionalist not only in his choice of native vocabulary, but also of foreign languages, and more often than Middle Polish latinisms, he used German loans in his poems, which were brought into Polish mostly as early as the Middle Ages. Like the vocabulary borrowed from other languages, these were mostly formal- -semantic loans acquired by ear and fulfilling a utilitarian function in the text. In contrast to the prose of Pamiętniki of Jan Chryzostom Pasek, Wacław Potocki's poetry turned out to be free of macaronisms, which, however, should be considered typical of poems written at that time.
Books on the topic "Poetic (artistic) language"
Od psalmów słowiańskich do rzymskich medytacji: O stylu artystycznym Karola Wojtyly = From Slavic psalms to Roman meditations : on Karol Wojtyła's artistic style. Warszawa: Wydawnictwo Uniwersytetu Kardynała Stefana Wyszyńskiego, 2013.
Find full textHarchenko, Vera. The Poetry Of Nicholas Perovskogo. ru: INFRA-M Academic Publishing LLC., 2020. http://dx.doi.org/10.12737/1064942.
Full textPindar. The odes of Pindar. New York: S. Albahari, 21st, 2007.
Find full textLanguage / art: Artistic representation between poetry, concept and the visual. Trier: WVT, Wissenschaftlicher Verlag Trier, 2009.
Find full textBoldrini, Lucia. Joyce, Dante, and the poetics of literary relations: Language and meaning in Finnegans wake. Cambridge: Cambridge University Press, 2001.
Find full textCicerone interprete di Omero: Un capitolo di storia della traduzione artistica. Napoli: Loffredo, 2000.
Find full textMariotti, Scevola. Livio Andronico e la traduzione artistica: Saggio critico ed edizione dei frammenti dell'Odyssea. [Urbino]: Università degli studi di Urbino, 1986.
Find full textPalva, Heikki. Artistic colloquial Arabic: Traditional narratives and poems from al-Balqāʼ (Jordan). Helsinki: Finnish Oriental Society, 1992.
Find full text1954-, David Catherine, Chevrier Jean-François, Documenta GmbH, Museum Fridericianum Veranstaltungs GmbH, and Documenta (10th : 1997 : Kassel, Germany), eds. Politics, poetics: Documenta X, the book. Ostfildern-Ruit: Cantz, 1997.
Find full textKramer, David Bruce. The imperial Dryden: The poetics of appropriation in seventeenth-century England. Athens: University of Georgia Press, 1994.
Find full textBook chapters on the topic "Poetic (artistic) language"
Gu, Ming Dong. "Divine Thinking and Artistic Creation." In Fusion of Critical Horizons in Chinese and Western Language, Poetics, Aesthetics, 237–69. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-73730-6_8.
Full textBugan, Carmen. "Artistic Distance and The Language of Oppression." In Poetry and the Language of Oppression, 111–43. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780198868323.003.0005.
Full textWasley, Aidan. "He Became His Admirers." In The Age of Auden. Princeton University Press, 2011. http://dx.doi.org/10.23943/princeton/9780691136790.003.0006.
Full textMcCarthy, Kathleen. "Poetry as Conversation." In I, the Poet, 38–80. Cornell University Press, 2019. http://dx.doi.org/10.7591/cornell/9781501739552.003.0002.
Full textWassiliwizky, Eugen, and Winfried Menninghaus. "The Power of Poetry." In Brain, Beauty, and Art, 182–87. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780197513620.003.0036.
Full textBlasing, Molly Thomasy. "Through the Lens of Loss." In Snapshots of the Soul, 86–130. Cornell University Press, 2021. http://dx.doi.org/10.7591/cornell/9781501753695.003.0003.
Full textJohnston, Maria. "‘We Do Language Like Spiders Do Webs’: Kathleen Jamie and Michael Longley in Conversation." In Kathleen Jamie. Edinburgh University Press, 2015. http://dx.doi.org/10.3366/edinburgh/9780748696000.003.0024.
Full textGaudern, Mia. "Introduction." In The Etymological Poetry of W. H. Auden, J. H. Prynne, and Paul Muldoon, 1–21. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198850458.003.0001.
Full textFreer, Alexander. "Metrical Pleasures." In Wordsworth's Unremembered Pleasure, 106–43. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198856986.003.0004.
Full textAkimova, Maria S. "Sound world of the Russian estate in the lyrics at the turn of the XIX–XX centuries." In Russian Estate in the World Context, 162–73. A.M. Gorky Institute of World literature of the Russian Academy of Sciences, 2020. http://dx.doi.org/10.22455/978-5-9208-0627-7-162-173.
Full textConference papers on the topic "Poetic (artistic) language"
إبراهيم أحمد العزّي, يونس. "Halabja in Poetic Memory: The Crime and the Case." In Peacebuilding and Genocide Prevention. University of Human Development, 2021. http://dx.doi.org/10.21928/uhdicpgp/55.
Full textKoryčánková, Simona. "POETIC TEXTS IN TEACHING OF RUSSIAN ON B1 LEVEL (ON THE EXAMPLE OF WORKING WITH VOCABULARY DENOTING PERCEPTION IN THE POEMS OF O. BŘEZINA AND V. S. SOLOVYOV)." In Aktuální problémy výuky ruského jazyka XIV. Brno: Masaryk University Press, 2020. http://dx.doi.org/10.5817/cz.muni.p210-9781-2020-5.
Full textKaizerová, Petra. "A probe inside the poetic form of mysticism of Slovak Romantic Messianists." In The Figurativeness of the Language of Mystical Experience. Brno: Masaryk University Press, 2021. http://dx.doi.org/10.5817/cz.muni.p210-9997-2021-17.
Full textFigedyová, Marianna. "POETIC TEXT OF VASILY SHUKSHIN – THE RED GUELDER ROSE IN RUSSIAN AS A FOREIGN LANGUAGE CLASS." In Aktuální problémy výuky ruského jazyka XIV. Brno: Masaryk University Press, 2020. http://dx.doi.org/10.5817/cz.muni.p210-9781-2020-2.
Full textNascimento, Suely. "Marlene's house." In LINK 2021. Tuwhera Open Access, 2021. http://dx.doi.org/10.24135/link2021.v2i1.106.
Full textJuhásová, Jana. "Sanjuanist motifs in the poetic work of Erik Jakub Groch." In The Figurativeness of the Language of Mystical Experience. Brno: Masaryk University Press, 2021. http://dx.doi.org/10.5817/cz.muni.p210-9997-2021-19.
Full textMancebo, Juan. "[Re]readings of the perfect. Mysticism of James Lee Byars." In The Figurativeness of the Language of Mystical Experience. Brno: Masaryk University Press, 2021. http://dx.doi.org/10.5817/cz.muni.p210-9997-2021-21.
Full textGallik, Ján. "Death as radical border. About Jan Čep’s novel The Border of a Shadow." In The Figurativeness of the Language of Mystical Experience. Brno: Masaryk University Press, 2021. http://dx.doi.org/10.5817/cz.muni.p210-9997-2021-4.
Full textBulycheva, E. "“MYTHOLOGICAL” AND “POETIC”: ON THE PROBLEM OF MYTHOPOETICS IN THE FINE ARTS OF THE 20TH CENTURY." In Aesthetics and Hermeneutics. LCC MAKS Press, 2022. http://dx.doi.org/10.29003/m2563.978-5-317-06726-7/134-137.
Full textKARABULUT, Mustafa. "AN INVESTIGATION ON NECIP FAZIL KISAKÜREK'S POEMS WITHIN THE CONTEXT OF PSYCHOANALYTIC THEORY OF LITERATURE." In 3. International Congress of Language and Literature. Rimar Academy, 2021. http://dx.doi.org/10.47832/lan.con3-5.
Full textReports on the topic "Poetic (artistic) language"
Klengel, Susanne. Pandemic Avant-Garde Urban Coexistence in Mário de Andrade’s Pauliceia Desvairada (1922) after the Spanish Flu. Maria Sibylla Merian Centre Conviviality-Inequality in Latin America, December 2020. http://dx.doi.org/10.46877/klengel.2020.30.
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