Relevant bibliographies by topics / Poem Generation

Academic literature on the topic 'Poem Generation'

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Published: 10 March 2023

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Journal articles on the topic "Poem Generation"

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HREĹ KOVÁ, Miroslava, and KristĂ­na MACHOVÁ. "Haiku Poetry Generation Using Interactive Evolution vs. Poem Models." Acta Electrotechnica et Informatica 17, no. 1 (March 1, 2017): 10–16. http://dx.doi.org/10.15546/aeei-2017-0002.

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Ali Mohammed Saadon, Researcher. "Collective Memories, and Diasporic Experiences in Hala Alyan's Poetry." لارك 4, no. 47 (September 30, 2022): 1130–00. http://dx.doi.org/10.31185/lark.vol4.iss47.2652.

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The construction of the diasporic identity is inextricably linked to the collective memory of home culture: its geography, history, traumatic experiences, and achievements. This paper tackles the effect of trans-generational trauma, diaspora, and collective memories on the second generation of diasporic individuals as represented in selected poems by the Palestinian-American poet Hala Alyan. It traces the development of her exilic identity through the analysis of selected poems by her, written over different periods of time. The poems have been chosen from Alyan's volumes: Atrium (2012), Hijra (2016), the Twenty Ninth Year (2019), and an individual poem published in (2020). The paper examines some significant concepts such as: diaspora, trans-generational trauma, displacement, and home-seeking. The paper argues that trans-generational experiences and collective memories can affect the formation of the identity of second-generational immigrants. It contends that what happened in the past will affect the subsequent generations, and they will permanently be haunted by it.
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O’Halloran, Kieran. "Filming a poem with a mobile phone and an intensive multiplicity: A creative pedagogy using stylistic analysis." Language and Literature: International Journal of Stylistics 28, no. 2 (May 2019): 133–58. http://dx.doi.org/10.1177/0963947019828232.

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A film poem is a cinematic work which uses a written, often canonical poem as its inspiration. Film poems frequently exceed the likely intentions of the poet, becoming something new; one creative work is used as a springboard for another. Typically, however, in film poems the poem’s stylistic detail is largely irrelevant to its cinematic execution. In a previous article, I spotlighted how this oversight/limitation can be addressed by bringing film poems into stylistics teaching and assessment. That article showed how stylistic analysis of a poem can be used to drive generation of a screenplay for a film of the poem. But, it did not show how the film could be produced on that basis. In contrast, this article does just that, modelling how a student could make a film from a poem, with their mobile device, where stylistic analysis has been used to stimulate the screenplay. Accompanying this article is a film that I made on a mobile phone. This is of Michael Donaghy’s poem, Machines. In developing this approach for producing film poems via stylistic analysis, I incorporate ideas from the philosopher, Gilles Deleuze, and from his collaboration with the psychoanalyst, Félix Guattari, in their book A Thousand Plateaus. In particular, I make use of their concept of ‘intensive multiplicity’. Generally, this article highlights how common ownership of mobile devices by university students, in many countries, can be used, in conjunction with stylistic analysis, to foster a different approach to interpreting poetry creatively which, in turn, can extend students’ natural capacity for creative thinking.
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LIN, HONG. "TOWARD AUTOMATED GENERATION OF CHINESE CLASSIC POETRY." New Mathematics and Natural Computation 09, no. 02 (July 2013): 153–81. http://dx.doi.org/10.1142/s1793005713400024.

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The forms of Chinese classic poetry have been developed through thousands of years of history and are still current in today's poetry society. A re-classification of the rhyming words, however, is necessary to keep the classic poetry up to date in the new settings of modern Chinese language. To ease the transition process, computing technology is used to help the readers as well as poetry writers to check the compliance of poems in accordance with the forms and to compose poems without the effort to learn the old grouping of rhyming words. A piece of software has been developed in a faculty/student research project at the University of Houston-Downtown to verify this idea. This software, called Chinese classic poetry wizard, provides the functionality of checking metrical forms and rhyming schemes. It also allows users to edit rhyme dictionaries and metrical forms. The new rhyming scheme proposed in this paper should rationalize the composition rules of classic Chinese poetry in the modern society; and the poem composition wizard will provide a handy tool for poem composition. This work will help revive Chinese classic poetry in modern society and, in a sequel, contribute to the current campaign of advocating Chinese traditional teachings.
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De Wind, M. B. "Bevrijding en verzoening in ‘Libera nos, Domine’." Literator 15, no. 1 (May 2, 1994): 115–24. http://dx.doi.org/10.4102/lit.v15i1.654.

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The poem "Libera nos, Domine" appears in the Dutch poet Geerten Gossaert's only published volume of poetry. Experimenten (1911). This poet of the Generation of 1910 has lately drawn renewed interest. In my opinion this particular poem is important, especially in the current literary climate where emphasis is placed on intertextuality. In addition, liberation and reconciliation are topical issues in the current political and religious climate. Gossaert hid behind many disguises which also manifested themselves in his use of a pseudonym. Regarding this poem, it is commonly held that the poet used the disguise of the apostle going to Emmaus. In my opinion the poet also hid behind another figure, and made use of other intertexts. The prevailing view is that the title "Libera nos. Domine” can he traced back to the Lord's prayer as it appears in the Vulgate: it is believed to derive from "Libera nos a malo". In my view the title "Libera nos, Domine" refers to a different intertext, the Requiem, allowing for a different interpretation of this poem.
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Izenberg, Oren. "Poems Out of Our Heads." PMLA/Publications of the Modern Language Association of America 123, no. 1 (January 2008): 216–22. http://dx.doi.org/10.1632/pmla.2008.123.1.216.

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Let's start with the old new lyric studies. W. K. Wimsatt and Monroe Beardsley begin their classic essay “The Intentional Fallacy” with a few propositions, “abstracted to a degree where they seem to us axiomatic.” To elucidate the first of these (that although a poem is an intentional object, its author's intentions are not the standard by which artistic success is to be judged), the authors cite in passing Elmer Edgar Stoll's remark that “the words of a poem … come out of a head, not out of a hat.” Wimsatt and Beardsley do not linger long enough to provide a source for Stoll's aperçu; they move swiftly on from their initial metaphysical claim that the work of art is caused by the intentions of a “designing intellect” to the epistemological problem that the poem poses for the reader and critic: “How is he to find out what the poet tried to do?” (4). In answer, they famously declare that a poem, like a pudding or a machine, must “work”; that the evidence of its working is entirely “internal,” located in “the art of the poem itself” (4), its “semantics and syntax” and its “feats of style” (10, 4); and that these features, like puddings and machines or like the human beings that poems are about, are “object[s] of public knowledge” (5). Together, these propositions systematized for a second generation the program of reading—demanding, democratic—that had come to be known as the New Criticism.
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İsmailova, E. "PRAISE OF HUMAN FEELINGS IN M.SHAHRIYAR'S POEM “SAHANDIYA”." East European Scientific Journal 3, no. 5(69) (June 15, 2021): 37–40. http://dx.doi.org/10.31618/essa.2782-1994.2021.3.69.60.

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There is nothing that can affect the spirit and national consciousness of the people as an artistic word. Glorification, propagation and transmission of human feelings from generation to generation is the highest task of the art of speech and literature. In this sense, there is a greater task and responsibility before genius masters of a word. In keeping the people alive, instilling human feelings, and glorifying the highest human feelings such as patriotism, heroism, and bravery, the poets held a leading position in all periods of society. The works of the poet Mohammad Hussein Shahriyar (1906-1988), the most famous figure of both South and North Azerbaijani literature, and the pearls of art he created, especially the poem “Sahandiya” written in a modern style, are of great interest to many readers today. The main purpose of the article is to acquaint the modern reader with the valuable heritage of the poet, promote this heritage by demonstrating the artistic features and importance of the poem “Sahandiya”, which is considered one of the masterpieces among the poet's works written in the native language. Although the poet does not speak in an open context in the poem, the city of M.A. Sabir, remembering Shamakha and Shirvan, actually reminds of the problem of divided Azerbaijan. The last parts of the poem are dedicated to the problem of separation, one of the most painful issues of a divided Azerbaijan. The master described the enthusiasm of the poets of North Azerbaijan for his voice as the support of the mountains, the clear dawn of the waters of the Araz, holding the lamp in the darkness, "the sturgeon of that foal." Due to these features - the high appreciation of national and spiritual interests, the poem "Sahandiya" remains relevant at all times.
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D-Vasilescu, Elena Ene. "Generation (γενεά) in Gregory Nazianzen’s poem On the Son." Akropolis: Journal of Hellenic Studies 1 (December 27, 2017): 169–84. http://dx.doi.org/10.35296/jhs.v1i0.11.

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The article examines the nature of the dogmatics found in the poetry written by Gregory of Nazianzus (c. 329-390) through a particular case-study, the poem On the Son. It demonstrates that his lyric composition contains the same doctrine conveyed by the orations authored by him and exposes the manner in which he employs similar terminology in works belonging to both genres. In order to attain its objective my article compares the above-mentioned piece with Orations 29 and 30 that bear the same title.
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Serova, M. V., and A. M. Vakhnina. "OPTION OF OVERCOMING SYMBOLISM IN THE EARLY WORKS OF BORIS PASTERNAK." Bulletin of Udmurt University. Series History and Philology 31, no. 2 (May 11, 2021): 325–29. http://dx.doi.org/10.35634/2412-9534-2021-31-2-325-329.

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The article presents a comparative analysis of Annensky's poem “Black Spring” and Pasternak's poem “February”; it helps to show how symbolist attitude is overcome by recoding “set of images” of the first text in the second text. First, the topic of “transition” that is important for Pasternak is developed. The “transition” is rebirth of a person into a poet by writing poetry. Watching of the state of the world (especially nature) becomes important, the world is associated with the feelings and sensations of the poet, the process of rebirth is inscribed in the calendar cycle. Then the artistic systems of Pasternak and Annensky are compared. A prerequisite for this is the image of the “black spring” found in Pasternak's text and which is a direct reference to Annensky's text. We find the philosophical polemic of the two authors when we are comparing the two poems. If there is no creation in Annensky's world, all of images are endowed with the semantics of death, then Pasternak's world is formed and charged with poetry that is born in a continuous life cycle. In Pasternak's poetic system, Annensky's images are rebuilt and endowed with the semantics of birth, thereby expressing the author's life-affirming attitude. The poem "February" shows the overcoming of the drama of non-incarnation faced by the second generation Symbolists.
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Vranes, Branko. "Laza Kostic’s Santa Maria della Salute in the poetic scope of Branko Miljkovic and Borislav Radovic." Prilozi za knjizevnost, jezik, istoriju i folklor, no. 88 (2022): 51–63. http://dx.doi.org/10.2298/pkjif2288051v.

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The poetry of Laza Kostic left a strong impression on several Serbian interwar modernists, but it was in the years after the Second World War that Kostic?s role in the forming of modern poetic expression became completely clear to poets and commentators. Various aspects of the reception of Kostic?s poetry, especially of his poem Santa Maria della Salute, in Serbian interwar and post-war literary-critical thought have been largely explored. In this paper, I focus on the way in which members of the second generation of post-war modernists reacted to Kostic?s late poem in their verses. In the poem Laza Kostic [Laza Kostic] from the cycle Seven Dead Poets [Sedam mrtvih pesnika], which was written in 1956, Branko Miljkovic emphasized the autopoetic dimension of Santa Maria della Salute. In the poem Before the Pharmacy of Our Lady of the Sea [Pred lekarnicom u Gospe od mora], which was published in Poems 1971-1982 [Pesme 1971-1982], Borislav Radovic elaborated on ecological problems raised in Kostic?s late poem.
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Dissertations / Theses on the topic "Poem Generation"

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Veskoukis, Damianos. "Automatic MC/DC Test Pattern Generation." OpenSIUC, 2018. https://opensiuc.lib.siu.edu/theses/2377.

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Today’s critical systems of military and aviation grade consist of several complex requirements that need to be assessed for a safe and continuous operation before they are deployed for use. Several coverage methodologies have been proposed over the years with Modified Condition / Decision Coverage (MC/DC) being chosen by the aviation industry. This practice is becoming a highly recommended coverage methodology among several modern standards such as the Automotive Safety Integrity Level (ASIL) of automotive standard ISO 26262 and the Safety integrity level (SIL) 4 in part 3 Annex B of the basic safety publication. The main focus of this thesis is to provide an automated process that can provide test vectors suitable for applying MC/DC testing. By using as the core engine a modified version of a hardware-oriented technique used in Automatic Test Pattern Generation (ATPG) called PODEM (Path-Oriented Decision Making) we get to produce several test vectors that can contribute towards MC/DC structural coverage.
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Berecka, Alan Michael. "The Life of Ben and Other Poems." Thesis, North Texas State University, 1987. https://digital.library.unt.edu/ark:/67531/metadc500798/.

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The Life of Ben and Other Poems consists of two sections. The first, The Life of Ben, is a series of seventeen poems about the life of a first-generation American and his family's immigration. The second section, Other Poems, includes twenty-one poems on a variety of themes.
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Bachmann, Dominique Groslier. "Joyce Mansour's poetics: A discourse of plurality by a second-generation surrealist poet." Diss., The University of Arizona, 2001. http://hdl.handle.net/10150/280687.

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Interest in Joyce Mansour has centered mostly on the ambiguity and the lack of "subjective identity" in her poetic works. This dissertation proposes to investigate that notion and demonstrates that Mansour's discourse is that of a woman poet's assertive, complex, and universal voice in the realm of post-surrealism. Chapter 1 introduces Mansour's poetic corpus, and provides the theoretical approach of our study in view of various critics' interpretations of Joyce Mansour's lack of "subjective identity," as well as other recent, more positive readings of her literary production. Chapter 2 provides pertinent information about the surrealist movement and its founder, Andre Breton. It also considers the role of women and their artistic contribution to the movement. Chapter 3 expounds on the uniqueness of Mansour's assertive voice via the technique of poetic-collage, and highlights the function of eroticism as a liberating force. Georges Bataille's study of Eroticism in literature and surrealism contributes to our study. This chapter also recognizes Mansour's use of Egyptian myths as one of the pillar of her narrative structure. It will show that the poet favors a language of self-regeneration in which the dichotomies between light versus dark, and life versus death are underscored. Chapter 4 explores the role of archetypal images in Mansour's poetry. While the Mother archetypal images demonstrate the universality of her poetry, the Jungian concept of a collective unconscious further clarifies Mansour's poetic discourse. An analysis of archetypes in women literature contributes to the identification of other archetypes, (The Devil, God, and Aphrodite) present in Mansour's discourse. Chapter 5 acknowledges Mansour's pronominal gender play. Monique Wittig's approach on gender theories and our textual concordances of Mansour's poems will provide the underlying theory for discussion. The conclusion supports the notion that Mansour's discourse of plurality is that of a woman who, fearful of humanity's inevitable fate, confronted death through a literary exuberance that has become her identity and personal signature. Our conclusion reveals the existence of two texts that are not part of Mansour's published collection. These texts contribute to a better understanding of Mansour's literary contribution.
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Caetano, Ana Lúcia Peniche. "Fatores que podem influenciar o comportamento de compra online na geração Y em Portugal, especificamente o compromisso com o site." Master's thesis, Instituto Superior de Economia e Gestão, 2018. http://hdl.handle.net/10400.5/16995.

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Mestrado em Marketing
Nas últimas décadas o conceito de shopping online tem vindo a revolucionar o mercado offline. Todas as marcas com lojas físicas, rapidamente perceberam que não ter presença online poderia ser um fator eliminatório na decisão de compra do consumidor. Enquanto as interações nas compras no ambiente de loja são baseadas principalmente em atividades face a face, as interações no comércio eletrónico ocorrem principalmente através do website. O presente estudo investiga a relação entre várias caraterísticas de compras online e comportamento de compra do consumidor. Especificamente, este trabalho foca nos fatores que influenciam o compromisso com o website. Com a finalidade de obter respostas, realizou-se um estudo exploratório quantitativo, recorrendo à realização de um questionário online (n = 121). Os resultados obtidos através de uma análise de dados multivariada indicam que o compromisso com o website tem um impacto positivo na decisão de compra. Também observou-se que a qualidade de informação, a notoriedade do site, a perceção de segurança, a satisfação de informação e os benefícios relacionados são as fatores determinantes no ato da compra.
In recent decades, the concept of online shopping has revolutionized the offline market. Most brands with physical stores quickly realized that having no online presence could be a knock-on factor in the consumer's buying decision. While interactions in shopping in the store environment are mainly based on face-to-face activities, interactions in e-commerce occur primarily through the website. The present study investigates the relationship between various online shopping characteristics and consumer buying behavior. Specifically, the present study focuses on the factors that influence the commitment to the website. In order to obtain answers, a quantitative exploratory study was carried out, using an online questionnaire (n = 121). The results obtained through multivariate data analysis indicate that the commitment to the site has a positive impact on the purchase decision. It is also possible to observe that the quality of information, the notoriety of the website, the security perception, the information satisfaction and the related benefits are all determining factors in the act of purchase.
info:eu-repo/semantics/publishedVersion
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Hagnell, Fredrik, and Karl-Axel Zander. "Personalized Poetry Generator : Development of a mobile application for Android called Deleteby Haiku which generate poems in the Japanese poetry form haiku based on user’s SMS-logs." Thesis, KTH, Skolan för informations- och kommunikationsteknik (ICT), 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-128524.

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Researchers at Mobile Life Centre are working on a project called “Delete by Haiku - Concept development and visualization of persistence/an SMS log dilemma” (subproject of “Re-Mobiling -breaking apart time and technology”, 2012-). The purpose of that project is to evaluate an approach of handling the growing amount of users’ digital data in phones (especially SMS logs) by trying to create, in the deletion process of old SMS, something potentially meaningful in a playful manner: poems. The students’ project aimed to develop a concretized demo for their idea, an SMS log deleting and poetry generating application, more particularly the Japanese poetry form “haiku” as chosen style, developed on the mobile platform Android. The goal: to give the researchers a basis to proceed with into the user study and demonstration phase of their project. The result of the development process was a full scale working demo application, although naturally left with many improvement and addition possibilities due to the limited time plan for the student project, and presentation of solved solutions of arisen programming and design implementation challenges.
Forskare på forskningscentret Mobile Life Centre jobbar på projekt kallat “Delete by Haiku –konceptutveckling och föreställning av behållning/ett SMS-log dilemma” (delprojekt av ”Re-Mobiling – isärbrytning av tid och teknologi”, 2012-). Syftet av det projektet är att utvärdera ett sätt att hantera den växande mängden av användares digitala data i telefoner (speciellt SMS-loggar) genom att försöka skapa, i raderingsprocessen av gamla SMS, någonting potentiellt meningsfullt i lekfull stil: dikter. Studenternas projekt var att utveckla en konkretiserad demo för deras idé, en SMS-log-raderande och poesigenerande applikation, mer bestämt den japanska poesiformen ”haiku” som valt format, utvecklat på den mobila plattformen Android. Målet: att ge forskarna en grund att fortsätta med in i användarstudie- och demonstrationsfasen av deras projekt. Resultatet av utvecklingsprocessen var en fungerande demoapplikation i full skala, emellertid givetvis lämnad med många förbättrings och tilläggsmöjligheter på grund av den begränsade tidsplanen för studentprojektet, och presentationer av lösta programmeringsoch designimplementationsutmaningar.
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Paz, Michelle Almeida da. "Variabilidade dos domínios alpha-3, transmembrana e cauda citoplasmática de HLA-C e detecção de variantes que podem modificar sua função." Botucatu, 2018. http://hdl.handle.net/11449/153704.

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Orientador: Erick da Cruz Castelli
Resumo: O Complexo Principal de Histocompatibilidade (MHC) é um complexo gênico que está intimamente envolvido com a regulação do sistema imune. Esse complexo comporta o sistema de Antígenos Leucocitários Humano (HLA), cuja principal importância está relacionada com o reconhecimento do que é próprio ou não do organismo. HLA-C é o gene polimórfico menos variável dos genes HLA clássicos e o que tem menor expressão nos tecidos, exceto na interface materno-fetal, em que é o único gene clássico expresso. A molécula codificada por esse gene possui significante função na apresentação antigênica e regulação da atividade de células NK, o que permite uma íntima associação com situações fisiológicas, como gestação, e patológicas, como doenças infecciosas, autoimunes, inflamatórias, neoplasias e rejeições a enxertos transplantados. Sua porção gênica mais estudada é a que codifica a fenda de ligação a peptídeos antigênicos, devido sua destacada importância na apresentação de antígenos a células T citotóxicas. No entanto, outras regiões do gene, que são negligenciadas nos estudos de variabilidade, também merecem destaque por influenciarem na sinalização e modulação da citotoxicidade de células efetoras, na ancoragem e estabilidade da molécula na membrana plasmática e na internalização e reciclagem da molécula HLA-C. Desta maneira, nós exploramos a variabilidade dos segmentos que codificam α3 (éxon 4), transmembrana (éxon 5) and cauda citoplasmática (éxon 6 and éxon 7) da molécula HLA-C em uma popu... (Resumo completo, clicar acesso eletrônico abaixo)
Abstract: The Major Histocompatibility Complex (MHC) is a gene complex closely involved in the regulation of the immune system. This complex includes the Human Leukocyte Antigen (HLA) system, whose main role is related to the recognition of self/non-self structures of humans. HLA-C is the least variable polymorphic gene of classical HLA genes and has the lowest expression in tissues, except at the maternal-fetal interface, where it is the only classical HLA class I expressed gene. The molecule encoded by this gene has a significant role in the antigen presentation and regulation of NK cells activities, which allows an intimate association with physiological conditions, such as pregnancy, and pathological conditions like infectious, autoimmune, and inflammatory diseases, cancer, and transplantation rejection. The most studied HLA-C portion is that encoding the peptide-binding groove, due to its outstanding importance in presentation of antigens to cytotoxic T cells. However, other regions of the gene, which are neglected in the variability studies, are also important in influencing the signaling and modulation of effector cell cytotoxicity, in the anchorage and stability of the molecule on the cell surface, and in the internalization and recycling of the HLA-C molecule. Here, we explore the variability of the segments encoding the α3 (exon 4), transmembrane (exon 5) and cytoplasmic tail (exon 6 and exon 7) domains of the HLA-C molecule in an admixed population sample from Southeastern B... (Complete abstract click electronic access below)
Mestre
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Matrau, Alice. "Peuples allemand et américain des années 1945-1960 : regards croisés entre poésie et photographie. Comment toucher le nerf d’une époque ? René Burri, Les Allemands ; Hans Magnus Enzensberger, Landessprache ; Robert Frank, Les Américains ; Allen Ginsberg, Howl and other poems." Thesis, Paris 3, 2014. http://www.theses.fr/2014PA030063.

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Dans une Allemagne détruite et divisée qui tente de faire face à son passé nazi, et dans une Amérique aux prises avec le maccarthysme et la guerre froide, quatre jeunes poètes et photographes scrutent les soubresauts de l’histoire. René Burri dans Les Allemands, Hans Magnus Enzensberger dans Landessprache, Robert Frank dans Les Américains, et Allen Ginsberg dans Howl and other poems se font les consciences de leur époque. Ils conçoivent leur pratique artistique comme l’exercice d’une essentielle critique face à un ordre social établi qui ne l’autorise guère. A travers mots et images, ils passent au crible la pensée dominante (« american way of life », « melting-pot », « miracle économique », « culpabilité collective ») et font saillir les paradoxes et apories qui la sous-tendent. Tant bien que mal, ils tentent de dessiner les contours d’une identité à la fois collective – celle d’un peuple – et individuelle – la leur, aux prises avec une société dans laquelle ils éprouvent toutes les difficultés à s’incarner. Ils trouvent appui auprès de figures littéraires, frères de révoltes contemporains ou passés, qui les accompagnent dans leur résistance. Chacun à leur manière, ils explorent de multiples voies/voix, réelles ou imaginaires, pour échapper aux formes d’enfermement et d’aliénation qui pèsent sur eux : itinérance, voyage, anarchie, utopie, drogue, folie, dédoublement poétique. A des degrés divers, leur geste poétique ou photographique se traduit en un geste phénoménologique qui s’abreuve d’images ou de sensations aiguisant la perception. C’est par ce geste, à la fois créateur et critique, qu’ils touchent au nerf de leur époque
Four young poets and photographers trawl through the troughs and peaks of history in a divided and destroyed Germany struggling to come to terms with its Nazi past and an America grappling with McCarthysm and the Cold War. René Burri in Les Allemands, Hans Magnus Enzensberger in Landessprache, Robert Frank in Les Américains, and Allen Ginsberg in Howl and other poems are the consciences of their time. They see their artistic activity as an essential criticism of a social order which only grudgingly allows them to do so. They thoroughly examine the prevailing opinion ("American way of life", "melting pot", "economic miracle", "collective responsibility") through their words and images and in doing so cast light on the paradoxes and aporiae that underline it. Somehow, they attempt to draw the outlines of an identity that is both collective – that of a people – and individual – their own, all the time battling against a society in which they have difficulty existing. They grasp at literary figures, rebellious brothers from the present or the past who give them comfort in their act of resistance. Each in his way explores several paths and voices – real or imaginary – in order to escape from the imprisonment and alienation that threatens him: wandering, traveling, anarchy, utopia, drug-use, madness or a poetical dual personality are all brought to bear. In various degrees their poetical or photographical gesture finds expression in a phenomenological gesture that feeds on living images and sensations that sharpen the sense of perception. It is with this critical gesture, at the same time both creative and critical, that they capture the spirit of their age
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North, Naomi. "Fall Like a Man." Bowling Green State University / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1460115929.

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Zugarini, Andrea. "Language Models for Text Understanding and Generation." Doctoral thesis, 2021. http://hdl.handle.net/2158/1238004.

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The ability to understand and generate language is one of the most fascinating and peculiar aspects of humankind. We can discuss with other individuals about facts, events, stories or the most abstract aspects of our existences, only because of the power and the expressiveness of language. Natural Language Processing (NLP) studies the intriguing properties of languages, the rules, their evolution, its connections with semantics, knowledge and generation, and tries to harness its features into automatic processes. Language is built upon a collection of symbols, and meaning comes from their composition. Such symbolic nature limited for many years the development of Machine Learning solutions for NLP. Many models relied on rule-based methods, and Machine Learning models where based on handcrafted task-specific features. In the last decade there have been incredible advances in the study of language, thanks to the combination of Deep Learning models with Transfer Learning techniques. Deep models can learn from huge amounts of data, and they are proven to be particularly effective in learning feature representations automatically from high-dimensional input spaces. Transfer Learning techniques aim at reducing the need for data by reusing representations learned from related tasks. In the scope of NLP, it is possible thanks to Language Modeling. Language Modeling related tasks are essential in the construction of general purpose representations from unlabelled large textual corpora, allowing the shift from symbolic to sub-symbolic representations of language. In this thesis, motivated by the need of moving steps toward unified NLP agents capable of understanding and generating language in a human-like fashion, we face different NLP challenges, proposing solutions based on Language-Modeling. In summary, we develop a character-aware neural language model to learn general purpose word and context representations, and use the encoder to face several language understanding problems, included an agent for the extraction of entities and relations from an online stream of text. We then focus on Language Generation, addressing two different problems: Paraphrasing and Poem Generation, where in one the generation is tied with information in input, whereas in the other the production of text requires creativity. In addition, we also present how language models can offer aid in the analysis of language varieties. We propose a new perplexity-based indicator to measure distances between different diachronic or dialectical languages.
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Liu, Chen-chi, and 劉振琪. "The Studies in Second Generation Poet of Li-Poetry Organization." Thesis, 2013. http://ndltd.ncl.edu.tw/handle/58595557155823758378.

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博士
國立中山大學
中國文學系研究所
101
“Li-poetry organization” was founded by the first and second generation poets. However, since the second generation poets have different styles and live in different countries, they hardly impress the public by a collective image as a group. When scholars discuss about the pedigree of Li poets, they usually refer to pre-war (the generation that transcended language barriers) or post-war (the third generation Li poets) poets but somehow consciously or unconsciously skip the second generation Li poets. Therefore, this thesis targets at seven representative poets of the second generation Li poets, including Chao Tien-yi, Fei Ma, Bai Qiu, Lee Kuei-hsien, Xu Da-Ran, Du Guoqing, Qiao Lin, to study on the characteristic of this generation. The first three chapters briefly introduce the historical background and literary features of the second generation poets, whose translations were too plentiful for other poets in Taiwan to catch up with. They constructively established in-depth theoretical perspectives to serve as the foundation of the local poetry. They employed diverse language and writing styles to present multiple writing ingredients and show their concerns, which highlighted the collective feature of New Objectivity by sarcasm and criticism, and thus enforced the genre of “Li poetry.” Chapter Four to Chapter Eight analyze the literary journey and creative performances of the seven poets individually. Bai Qiu was very experimental, constantly changed his writing styles from time to time, and surprised his readers by different materials and styles in his poetry. Lee Kuei-hsien usually manipulated writing skills from the angle of New Objectivity, and expressed his concerns for Taiwan in his poetry. The content of his travel poems could echo with the reality in Taiwan. Chao Tien-yi had great contributions to editing, column writing, book reviews and poem reviews, and put much emphasis on environmental and ecological issues. Qiao Lin was an innovative and experimental poet who was good at capturing new and intriguing images. Du Guoqing, a master in literary theories, showed his adoration for Chinese culture and created a great number of love poems. Fei Ma was good at short poems, which powerfully conveyed his observations on the real society. Xu Da-Ran had a unique writing style and produced works with regionalism. This thesis hopes to portray individual personality and the characteristic of the generation by the discussions on the status which the second generation poets instituted in the history of Li poetry, and the generational attributes. Keywords: Li-Poetry Organization, the second generation poet, Bai Qiu, Lee Kuei-hsien, Chao Tien-yi, Qiao Lin, Du Guoqing, Fei Ma, Xu Da-Ran
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Books on the topic "Poem Generation"

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Please excuse this poem: 100 new poets for the next generation. New York, N.Y: Penguin Group (USA), 2015.

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MacCormack, Harry. The displaced warrior: An epic poem for the post WWII generation. Lewiston, N.Y: Mellen Poetry Press, 2002.

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Sanders, Ed. The poetry and life of Allen Ginsberg: A narrative poem. Woodstock, N.Y: Overlook Press, 2000.

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Kraus, Sharon. Generation: Poems. Farmington, USA: Alice James Books, 1997.

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Elkin, Lillian. Generations: Poems. New York (60 East End Ave., Suite 31B, New York 10028): Cardinal Press, 1995.

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Smith, R. Morton. The younger generation: Poems. Toronto: R. Morton Smith, 1994.

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Coleman, Elizabeth J. The fifth generation: Poems. New York City: Spuyten Duyvil, 2016.

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An'qi, Yuancun, and Huang Lihai, eds. Zhong jian dai shi quan ji: Collected poems of the middle generatio [i.e. generation]. Fuzhou Shi: Hai xia wen yi chu ban she, 2004.

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Joans, Ted. Our thang: Several poems, several drawings. Victoria, B.C: Ekstasis Editions, 2001.

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Barash, Moiseĭ. Moë pokolenie: Stikhi = My generation : Poems. Filadelʹfii︠a︡: Instantpublisher, 2008.

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Book chapters on the topic "Poem Generation"

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Chy, Md Kalim Amzad, Md Abdur Rahman, Abdul Kadar Muhammad Masum, Shayhan Ameen Chowdhury, Md Golam Robiul Alam, and Md Shahidul Islam Khan. "Bengali Poem Generation Using Deep Learning Approach." In Learning and Analytics in Intelligent Systems, 148–57. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-38501-9_15.

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Hrešková, Miroslava, and Kristína Machová. "Michiko: Poem Models used in Automated Haiku Poetry Generation." In SOFSEM 2018: Theory and Practice of Computer Science, 469–76. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-73117-9_33.

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Dika, Vera. "Amos Poe and the New York New Wave." In The (Moving) Pictures Generation, 71–85. New York: Palgrave Macmillan US, 2012. http://dx.doi.org/10.1057/9781137118516_5.

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Šabasevičiūtė, Giedrė. "When a Coterie Becomes a Generation: Intellectual Sociability and the Narrative of Generational Change in Sayyid Qutb’s Egypt." In Methodological Approaches to Societies in Transformation, 187–210. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-65067-4_8.

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AbstractDeparting from the case study of Egyptian intellectuals, focusing particularly on Sayyid Qutb, this chapter explores the relationship between narratives of generational change and cultural renewal. It argues that the observation of intellectual sociability is a productive angle from which to understand the conditions under which generational claims result in the effective reshuffling of the intellectual leadership, aesthetic norms, and principles of intellectual authority. The biography of Qutb (1906–1966), a poet and literary critic who abandoned his literary activity in the mid-1950s to pursue a career in Islamic activism—allows us to observe how the generational narrative articulates with his shifting intellectual networks. As a public intellectual, Qutb was at the forefront of two literary confrontations in early- to mid-twentieth century Egypt in which he made generational claims in order to place himself in the literary tradition that emerged at the beginning of the twentieth century, and later to cut himself off from that tradition by announcing the emergence of a new generation dedicated to political Islam. At the core of these competing uses of generational rhetoric, this chapter argues, is Qutb’s shifting relationship with the senior literary generation, some of whom he had considered his mentors. Departing from the case study, the chapter then argues that collectives defined as generational tend to emerge in tandem with the reshuffling of social bonds that a writer maintains with his seniors, switching from a bond of transmission to one of confrontation. The change announced in the generational narrative is effective when followed by the concrete action of shifting one’s intellectual solidarities from masters to peers, as this is the moment when the masters are abandoned to history and peers are promoted as the new literary generation. Depending on the particular set of relationships in which a writer finds himself, the notion of generation may act as a narrative of either change or tradition.
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Taran, Maria, Georgiy Revunkov, and Yuriy Gapanyuk. "The Hybrid Intelligent Information System for Poems Generation." In Studies in Computational Intelligence, 78–86. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-30425-6_8.

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Yi, Xiaoyuan, Ruoyu Li, and Maosong Sun. "Generating Chinese Classical Poems with RNN Encoder-Decoder." In Lecture Notes in Computer Science, 211–23. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-69005-6_18.

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Xing, Shuo, Xueliang Liu, Richang Hong, and Ye Zhao. "Generating Chinese Poems from Images Based on Neural Network." In Advances in Multimedia Information Processing – PCM 2017, 545–54. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-77380-3_52.

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Friedman, Amy L. "Joanne Kyger, Beat Generation Poet: “a porcupine traveling at the speed of light”." In Reconstructing the Beats, 73–88. New York: Palgrave Macmillan US, 2004. http://dx.doi.org/10.1057/9781403982100_6.

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Pereira, Vinicius Carvalho, and Cristiano Maciel. "A Literary Analysis of Poems Automatically Produced by Peter’s Haiku Generator." In Entertainment Computing – ICEC 2017, 24–31. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-66715-7_3.

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Benussi, Cristina. "Ti devo tanto di ciò che sono. Il carteggio tra Claudio Magris e Biagio Marin." In Biblioteca di Studi di Filologia Moderna, 47–62. Florence: Firenze University Press, 2021. http://dx.doi.org/10.36253/978-88-5518-338-3.09.

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The correspondence between the elderly Biagio Marin and the younger Claudio Magris shows the evolution of an intense relationship from both an emotional and an intellectual point of view. Their letters help us develop the biographies of two writers who occasionally disagreed on personal and cultural grounds. For the poet from Grado, who lost his son, the Germanist was a spiritual heir. However, his Weltanschauung still expressed the proactive values of a generation that had been born before WWI. By contrast, Magris’ own values reflected the crisis and anxieties of the twentieth century.
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Conference papers on the topic "Poem Generation"

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Agarwal, Rajat, and Katharina Kann. "Acrostic Poem Generation." In Proceedings of the 2020 Conference on Empirical Methods in Natural Language Processing (EMNLP). Stroudsburg, PA, USA: Association for Computational Linguistics, 2020. http://dx.doi.org/10.18653/v1/2020.emnlp-main.94.

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Hämäläinen, Mika. "Poem Machine - a Co-creative NLG Web Application for Poem Writing." In Proceedings of the 11th International Conference on Natural Language Generation. Stroudsburg, PA, USA: Association for Computational Linguistics, 2018. http://dx.doi.org/10.18653/v1/w18-6525.

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Santillan, Marvin C., and Arnulfo P. Azcarraga. "Poem Generation using Transformers and Doc2Vec Embeddings." In 2020 International Joint Conference on Neural Networks (IJCNN). IEEE, 2020. http://dx.doi.org/10.1109/ijcnn48605.2020.9207442.

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Beheitt, Mohamed El Ghaly, and Moez Ben Haj Hmida. "Automatic Arabic Poem Generation with GPT-2." In 14th International Conference on Agents and Artificial Intelligence. SCITEPRESS - Science and Technology Publications, 2022. http://dx.doi.org/10.5220/0010847100003116.

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Talafha, Sameerah, and Banafsheh Rekabdar. "Arabic Poem Generation with Hierarchical Recurrent Attentional Network." In 2019 IEEE 13th International Conference on Semantic Computing (ICSC). IEEE, 2019. http://dx.doi.org/10.1109/icosc.2019.8665603.

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Zhang, Xiangpeng, Ruixuan Wang, and Wangzhe li. "OPLL-based reconfigurable broadband LFM waveform generation via heterodyne-beating." In 13th International Photonics and OptoElectronics Meetings (POEM 2021), edited by Xinliang Zhang, Perry Shum, and Jianji Dong. SPIE, 2022. http://dx.doi.org/10.1117/12.2625030.

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Liu, Qinyun, Lin Zou, Hongming Che, Haiyun Wang, Yunzhi Jin, and Hongji Yang. "A Creative Computing Based Inspiration Assistant to Poem Generation." In 2017 14th International Symposium on Pervasive Systems, Algorithms and Networks (ISPAN), 2017 11th International Conference on Frontiers of Computer Science and Technology (FCST), & 2017 Third International Symposium of Creative Computing (ISCC). IEEE, 2017. http://dx.doi.org/10.1109/ispan-fcst-iscc.2017.63.

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Chen, Huimin, Xiaoyuan Yi, Maosong Sun, Wenhao Li, Cheng Yang, and Zhipeng Guo. "Sentiment-Controllable Chinese Poetry Generation." In Twenty-Eighth International Joint Conference on Artificial Intelligence {IJCAI-19}. California: International Joint Conferences on Artificial Intelligence Organization, 2019. http://dx.doi.org/10.24963/ijcai.2019/684.

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Expressing diverse sentiments is one of the main purposes of human poetry creation. Existing Chinese poetry generation models have made great progress in poetry quality, but they all neglected to endow generated poems with specific sentiments. Such defect leads to strong sentiment collapse or bias and thus hurts the diversity and semantics of generated poems. Meanwhile, there are few sentimental Chinese poetry resources for studying. To address this problem, we first collect a manually-labelled sentimental poetry corpus with fine-grained sentiment labels. Then we propose a novel semi-supervised conditional Variational Auto-Encoder model for sentiment-controllable poetry generation. Besides, since poetry is discourse-level text where the polarity and intensity of sentiment could transfer among lines, we incorporate a temporal module to capture sentiment transition patterns among different lines. Experimental results show our model can control the sentiment of not only a whole poem but also each line, and improve the poetry diversity against the state-of-the-art models without losing quality.
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Li, Yanjun, Huiran Jia, Yuan Li, and Qinglin Wang. "Research on acrostic poem generation based on handwritten Chinese character recognition and machine learning." In 2020 Chinese Automation Congress (CAC). IEEE, 2020. http://dx.doi.org/10.1109/cac51589.2020.9327699.

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Kiamilev, F., Dau-Tsuong Lu, J. Fan, S. Esener, and S. H. Lee. "VHDL for simulation of optoelectronic computers." In OSA Annual Meeting. Washington, D.C.: Optica Publishing Group, 1990. http://dx.doi.org/10.1364/oam.1990.fj7.

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VHSIC Hardware Description Language (VHDL) is a standard language for modelling electronic hardware. To evaluate the application of VHDL to optoelectronic computers, we simulate the programmable optoelectronic multiprocessor (POEM) architecture in VHDL. POEM is an architecture in which processing elements are interconnected with reconfigurable free-space optical interconnections. We use VHDL to simulate the POEM prototype, develop the next-generation POEM system, and design and test new parallel algorithms that exploit unique features of optoelectronic technology. We discuss our experience in the application of VHDL to the modeling of optoelectronic systems.
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Reports on the topic "Poem Generation"

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Pesis, Edna, Elizabeth J. Mitcham, Susan E. Ebeler, and Amnon Lers. Application of Pre-storage Short Anaerobiosis to Alleviate Superficial Scald and Bitter Pit in Granny Smith Apples. United States Department of Agriculture, January 2013. http://dx.doi.org/10.32747/2013.7593394.bard.

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There is increased demand for high quality fruit produced and marketed with reduced chemical inputs to minimize toxic effects on human health and the environment. Granny Smith (GS) apple quality is reduced by two major physiological disorders, superficial scald and bitter pit (BP). These disorders cause great loss to apple growers worldwide. Superficial scald is commonly controlled by chemical treatments, mainly the antioxidant diphenylamine (DPA) and/or the ethylene action inhibitor, 1-methylcyclopropene (1–MCP). Both chemicals are ineffective in controlling bitter pit incidence. We proposed to investigate the beneficial use of non-chemical, abiotic stress with low O2 (LO2) applied for 10d at 20°C on GS apple fruit. During the project we expanded the treatment to more apple cultivars, Golden Delicious (GD) and Starking Delicious (SD) and another pome fruit, the pear. Apple and pear have similar physiological disorders that develop during cold storage and we examined if the LO2 treatment would also be effective on pear. Application of 0.5% LO2 atmosphere for 10d at 20°C or 500ppb 1-MCP at 20°C prior to cold storage at 0°C, was effective in reducing superficial scald in GS apple. Moreover, LO2 pretreatment was also effective in reducing bitter pit (BP) development in California GS and Israeli GD and SD apples The BP symptoms in GS from California were much more prominent, so the effect of LO2 was more dramatic than the effect on the Israeli cvs. GD and SD, nevertheless the LO2 treatment showed the same trend in all cultivars in reducing BP. The LO2 and 1-MCP -treated fruit exhibited lower levels of ethylene, - farnesene and its oxidation product, 6-methyl-5-hepten-2-one (MHO), as determined by SPME/GC-MS analysis. In addition, LO2 pretreatment applied to California Bartlett or Israeli Spadona pears was effective in reducing superficial scald, senescent scald and internal breakdown after 4 m of cold storage at 0°C. For GS apple, low-temperature storage resulted in oxidative stress and chilling injury, caused by increased production of superoxide anions which in turn led to the generation of other dangerous reactive oxygen species (ROS). Using confocal laser-scanning microscopy and H2O2 measurements of apple peel, we observed ROS accumulation in control fruit, while negligible amounts were found in LO2 and 1-MCP treated fruit. Gene-expression levels of ROS-scavenging enzymes were induced by the various pretreatments: catalase was induced by LO2 treatment, whereas Mn superoxide dismutase was induced by 1-MCP treatment. We assume that LO2 and 1-MCP pretreated fruit remained healthier due to reduced production of ethylene and reactive oxygen substances, such as MHO, during cold storage. The LO2-treated apple exhibited greener peel and firmer fruit after 6 m of cold storage, and the fruit had high crispiness leading to high taste preference. In both pear cultivars, the LO2 treatment led to a reduction in internal breakdown and browning around the seed cavity. We tested the LO2 pre-storage treatment on a semi-commercial scale that would be applicable to a small organic grower by sealing the fruit within the plastic field bins. The treatment was most effective with a continuous flow of nitrogen through the bins; however, a single 6 hour flush of nitrogen was also fairly effective. In addition, we determined that it was very important to have the oxygen levels below 0.5% for approximately 10 days to achieve good scald control, not counting the time required to reduce the oxygen concentration. Our LO2 technology has been proven in this project to be effective in reducing several physiological disorders developed in pome fruit during cold storage. We hope that our non-chemical treatment which is friendly to the environment will be used in the near future for the organic apple and pear industry. The next step should be an analysis of the cost-benefits and commercial feasibility.
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