Journal articles on the topic 'Plateformes de streaming musical'
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Bigay, Romain. "Stock et flux : convergence entre radios musicales et plateformes de streaming. Les cas de Fip et Deezer." Le Temps des médias 39, no. 2 (November 24, 2022): 100–117. http://dx.doi.org/10.3917/tdm.039.0100.
Full textMary, Jean-François. "Réflexions sur l’avenir du cinéma face aux plateformes américaines de streaming." Annales des Mines - Réalités industrielles Février 2022, no. 1 (February 14, 2022): 29–32. http://dx.doi.org/10.3917/rindu1.221.0029.
Full textSilva, Igor Fediczko. "Streaming, produção, tecnologia e campo musical." Ponto-e-Vírgula : Revista de Ciências Sociais, no. 24 (February 7, 2019): 133–47. http://dx.doi.org/10.23925/1982-4807.2018i24p133-147.
Full textAlmqvist, Cecilia Ferm. "Spotify as a case of musical Bildung." Nordic Research in Music Education 2, no. 1 (April 6, 2021): 89–113. http://dx.doi.org/10.23865/nrme.v2.3023.
Full textEquoy Hutin, Séverine. "S’affranchir des plateformes de streaming pour redonner de la valeur à sa musique ?" Volume !, no. 20 : 1 (November 1, 2023): 49–61. http://dx.doi.org/10.4000/volume.11473.
Full textRitonga, Danny Ivanno, Tri Danu Satria, and Aqsa Mulya. "IMPLEMENTATION OF OPEN BROADCASTER SOFTWARE STUDIO IN MUSIC PERFORMANCE MANAGEMENT THROUGH LIVE STREAMING." Gondang: Jurnal Seni dan Budaya 5, no. 2 (December 1, 2021): 204. http://dx.doi.org/10.24114/gondang.v5i2.29638.
Full textde Almeida, Jane, Leandro Oliveira, Alexandre Sônego de Carvalho, and Cicero I. da Silva. "The Challenges of Musical Mediation through Streaming." Creative Education 09, no. 16 (2018): 2898–911. http://dx.doi.org/10.4236/ce.2018.916218.
Full textMaia e Silva Júnior, Flávio Marcílio. "Novas articulações no mercado de música digital a partir da cultura do streaming." Culturas Midiáticas 12, no. 2 (December 19, 2019): 47–59. http://dx.doi.org/10.22478/ufpb.1983-5930.2019v12n2.45409.
Full textGregory, Andrew H. "Timbre and Auditory Streaming." Music Perception 12, no. 2 (1994): 161–74. http://dx.doi.org/10.2307/40285649.
Full textVaz de Melo, Gabriel Borges, Ana Flávia Machado, and Lucas Resende de Carvalho. "Music consumption in Brazil: an analysis of streaming reproductions." PragMATIZES - Revista Latino-Americana de Estudos em Cultura 10, no. 19 (September 1, 2020): 141. http://dx.doi.org/10.22409/pragmatizes.v10i19.40565.
Full textDa Costa Nazario, Luciano, Leonardo Roman Ultramari, and Débora Medeiros do Amaral. "DAC LIVE STREAMING." Expressa Extensão 27, no. 2 (September 26, 2022): 143–54. http://dx.doi.org/10.15210/ee.v27i2.22228.
Full textKjus, Yngvar. "Musical exploration via streaming services: The Norwegian experience." Popular Communication 14, no. 3 (July 2, 2016): 127–36. http://dx.doi.org/10.1080/15405702.2016.1193183.
Full textDelépine, Justin. "La manne du streaming musical attise les convoitises." Alternatives Économiques N° 435, no. 6 (June 7, 2023): 58–59. http://dx.doi.org/10.3917/ae.435.0058.
Full textLaborde, Julieta. "Nuevas tácticas digitales del sector musical." Question/Cuestión 3, no. 72 (September 1, 2022): E718. http://dx.doi.org/10.24215/16696581e718.
Full textDewes, Helyna, and Ada C. Machado da Silveira. "Do fundo da grota para o streaming: o sucesso do grotesco na midiatização musical." Revista Internacional de Folkcomunicação 18, no. 41 (December 22, 2020): 152. http://dx.doi.org/10.5212/rif.v.18.i41.0008.
Full textReis, Júlia de Faria. "A IMUNIDADE MUSICAL TRIBUTÁRIA APLICADA ÀS PLATAFORMAS DE STREAMING." Virtuajus 6, no. 11 (February 6, 2022): 142–62. http://dx.doi.org/10.5752/p.1678-3425.2021v6n11p142-162.
Full textMorris, Jeremy Wade, and Devon Powers. "Control, curation and musical experience in streaming music services." Creative Industries Journal 8, no. 2 (July 3, 2015): 106–22. http://dx.doi.org/10.1080/17510694.2015.1090222.
Full textHuelin, Toby. "Stick to the status quo? Music and the production of nostalgia on Disney+." Alphaville: journal of film and screen media, no. 27 (July 2, 2024): 58–74. http://dx.doi.org/10.33178/alpha.27.06.
Full textParmentier, Stephanie. "Les nouvelles vies du livre en régime numérique." HYBRIDA, no. 4 (June 29, 2022): 233. http://dx.doi.org/10.7203/hybrida.4.20633.
Full textDe Oliveira Júnior, Antonio Martins, Vinicius Marques Nejaim, and América Cardoso Barreto Lima Nejaim. "Desafios regulatórios no ecossistema brasileiro de streaming de música: uma análise das lacunas nas leis que tratam dos direitos autorais." Revista de Gestão e Secretariado 15, no. 1 (January 31, 2024): 1365–84. http://dx.doi.org/10.7769/gesec.v15i1.3428.
Full textJones, Steve, and Walter Podrazik. "Streaming through a glass onion." Journal of Beatles Studies: Volume 2022, Issue Autumn 2022, Autumn (September 1, 2022): 67–96. http://dx.doi.org/10.3828/jbs.2022.5.
Full textBazzara, Lucas. "Apuntes para una genealogía de las plataformas de streaming musical." Hipertextos 11, no. 19 (July 14, 2023): 065. http://dx.doi.org/10.24215/23143924e065.
Full textArenal, Alberto, Cristina Armuña, Juan-Miguel Aguado-Terrón, Sergio Ramos, and Claudio Feijóo. "Retos de la IA en la era del streaming musical:." Revista Mediterránea de Comunicación 15, no. 2 (July 1, 2024): e26929. http://dx.doi.org/10.14198/medcom.26929.
Full textNosenko, Oleksiy. "Immersive technologies in the formation of musical audio space." Collection of scientific works “Notes on Art Criticism” 24, no. 1 (April 23, 2024): 23–32. http://dx.doi.org/10.63009/noac/1.2024.23.
Full textIRAVA, Teodora, and Mircea GEORGESCU. "DIGITALIZATION OF CULTURAL AND ARTISTIC DOMAINS - MUSICAL PROJECTS: A LITERATURE REVIEW." Revista Economica 76, no. 2 (December 31, 2024): 72–81. https://doi.org/10.56043/reveco-2024-0017.
Full textMański, Szymon. "The History and Possibilities of Distributing Music in the 21st Century." Interdisciplinary Studies in Musicology, no. 23 (December 29, 2023): 27–39. http://dx.doi.org/10.14746/ism.2023.23.2.
Full textBarros, Camila Monteiro de, and Luciane Paula Vital. "Representación de la información musical; metafora e sentido literal." Revista Ibero-Americana de Ciência da Informação 15, no. 3 (December 15, 2022): 708–22. http://dx.doi.org/10.26512/rici.v15.n3.2022.42202.
Full textBoutet, Manuel, and Sylvain Juanes. "L’envers de la notoriété et du marché." Réseaux N° 246, no. 4 (December 17, 2024): 161–94. https://doi.org/10.3917/res.246.0161.
Full textDostal, Jack A. "Experimenting with technologies in introductory musical acoustics classes." Journal of the Acoustical Society of America 151, no. 4 (April 2022): A82. http://dx.doi.org/10.1121/10.0010726.
Full textRibeiro de Brito, Leticia, and André Bonsanto Dias. "Gamificação em plataformas de streaming." Tríade: Comunicação, Cultura e Mídia 12, no. 25 (December 20, 2024): e024025. https://doi.org/10.22484/2318-5694.2024v12id5528.
Full textMoschetta, Pedro Henrique, and Jorge Vieira. "Música na era do streaming: curadoria e descoberta musical no Spotify." Sociologias 20, no. 49 (December 2018): 258–92. http://dx.doi.org/10.1590/15174522-02004911.
Full textFranklin, M. I. "Global Music Politics." Current History 122, no. 840 (January 1, 2023): 29–35. http://dx.doi.org/10.1525/curh.2023.122.840.29.
Full textJáuregui, Jimena. "Streaming musical en Spotify: ubicuidad entre géneros y estados de ánimo." Inmediaciones de la Comunicación 10, no. 10 (December 2015): 76–90. http://dx.doi.org/10.18861/ic.2015.10.10.2587.
Full textJáuregui, Jimena. "Streaming musical en Spotify: ubicuidad entre géneros y estados de ánimo." InMediaciones de la Comunicación 10 (2015): 76–90. http://dx.doi.org/10.18861/ic.2015.10.2587.
Full textJoux, Alexandre. "Le streaming musical, un révélateur des enjeux de la diversité culturelle." Hermès 86, no. 1 (2020): 275. http://dx.doi.org/10.3917/herm.086.0275.
Full textVilela, Rogério Alves. "TRANSMISSÃO DE OBRA MUSICAL E FONOGRAMA VIA STREAMING E DIREITOS AUTORAIS NA JURISPRUDÊNCIA DO TJDFT." Revista de Doutrina Jurídica 107, no. 2 (March 15, 2017): 240–56. http://dx.doi.org/10.22477/rdj.v107i2.29.
Full textPinochet, Luis Hernan Contreras, Guilherme Neves Nunes, and Eliane Herrero. "Applicability of the unified theory of acceptance and use of technology in music streaming services for young users." Revista Brasileira de Marketing 18, no. 1 (May 28, 2019): 147–62. http://dx.doi.org/10.5585/remark.v18i1.4031.
Full textHamilton, Robert, Jeffrey Smith, and Ge Wang. "Social Composition: Musical Data Systems for Expressive Mobile Music." Leonardo Music Journal 21 (December 2011): 57–64. http://dx.doi.org/10.1162/lmj_a_00062.
Full textFerreira Santos, Gustavo Luiz. "A filosofia de programação musical do algoritmo." Radiofonias – Revista de Estudos em Mídia Sonora 12, no. 3 (January 14, 2022): 57–85. https://doi.org/10.63234/radiofonias.v12i3.4771.
Full textBazzara, Lucas. "De embudos, filtros y brújulas: economía, técnica y subjetividad en Spotify." Hipertextos 9, no. 15 (June 28, 2021): 47–82. http://dx.doi.org/10.24215/23143924e028.
Full textMachmudin, Daffa Adra Ghifari, Mila Novita, and Gianinna Ardaneswari. "Analysis of Spotify's Audio Features Trends using Time Series Decomposition and Vector Autoregressive (VAR) Model." Proceedings of The International Conference on Data Science and Official Statistics 2023, no. 1 (December 29, 2023): 613–27. http://dx.doi.org/10.34123/icdsos.v2023i1.375.
Full textBarros, Carolina Geissler Miranda de, and Matheus Andrade Oliveira. "Gestão Coletiva de Direitos Autorais nas Plataformas de “Streaming”." Revista de Direito, Inovação, Propriedade Intelectual e Concorrência 2, no. 2 (December 3, 2016): 99. http://dx.doi.org/10.26668/indexlawjournals/2526-0014/2016.v2i2.1522.
Full textVan Troyer, Akito. "Repertoire Remix: Integrating Musical Preferences from Remote Audience in a Live Networked Improvisation." ScientiaTec 2, no. 2 (September 1, 2015): 38–48. http://dx.doi.org/10.35819/scientiatec.v2i2.1464.
Full textAlaminos-Fernández, Antonio Francisco. "Musical transformations of non-places." OBETS. Revista de Ciencias Sociales 13, no. 3 (November 9, 2018): 211. http://dx.doi.org/10.14198/obets2018.13.1.08.
Full textSenjan, Ivana. "Listening to music with the aim of developing high-school students’ musical culture." Metodički obzori 16, no. 1 (30) (November 8, 2021): 19–55. http://dx.doi.org/10.32728/mo.16.1.2021.02.
Full textMorozova, T. A., P. P. Pritolyuk, A. Zh Saurbaeva, and O. V. Makarova. "Radio on the Internet: state and prospects of development." Bulletin of L.N. Gumilyov Eurasian National University. JOURNALISM Series 143, no. 2 (2023): 86–95. http://dx.doi.org/10.32523/2616-7174-2023-143-2-86-95.
Full textGurgel, Dani. "O novo público da indústria musical: aquele que compra ou aquele que escuta?" Signos do Consumo 8, no. 2 (December 21, 2016): 44. http://dx.doi.org/10.11606/issn.1984-5057.v8i2p44-53.
Full textKalaganis, F. P., D. A. Adamos, and N. A. Laskaris. "Musical NeuroPicks: A consumer-grade BCI for on-demand music streaming services." Neurocomputing 280 (March 2018): 65–75. http://dx.doi.org/10.1016/j.neucom.2017.08.073.
Full textRosa de Medeiros, Franciane, Profª Drª Patricia Lopes Damasceno, and Profª Drª Helena De Araujo Neves (orientadora). "Design em tempos de consumo de música por streaming." Revista Poliedro 7, no. 9 (December 31, 2023): 001–31. http://dx.doi.org/10.15536/2594-4398.2023.v7.n9.pp.001-031.2856.
Full textFigueiredo, Carolina Dantas de, and Renata Regina Barbosa. "Spotify e construção do gosto." Signos do Consumo 11, no. 2 (July 31, 2019): 28–39. http://dx.doi.org/10.11606/issn.1984-5057.v11i2p28-39.
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