Relevant bibliographies by topics / Plants in art

Academic literature on the topic 'Plants in art'

Author: Grafiati
Published: 4 June 2021
Last updated: 29 July 2024

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Contents

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Plants in art.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "Plants in art"

1

Gökalp, D. D., and M. E. Yazgan. "ORNAMENTAL PLANTS IN MINIATURE ART." Acta Horticulturae, no. 1002 (July 2013): 277–82. http://dx.doi.org/10.17660/actahortic.2013.1002.35.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Hofsess, Brooke Anne. "Follow the Plants." Departures in Critical Qualitative Research 9, no. 2 (2020): 85–91. http://dx.doi.org/10.1525/dcqr.2020.9.2.85.

Full text
Abstract:
Through poetic glimpses of an ongoing participatory art process, Tree Memory Gathering, this essay considers the special issue theme by questioning, “How might the concept of ‘social warming’ invite new possibilities for creative-relational inquiry?” Responses unfold through three variations of social warming inspired by socially engaged art and ecopoetry. These variations—gathering, participatory bookmaking, and perforating—unsettle residual boundaries between tree bodies and human bodies, generating ecological wisdom for living and inquiring differently in the world. Perforating is theorized as an alternative to research findings in post-qualitative approaches to inquiry.
APA, Harvard, Vancouver, ISO, and other styles
3

María I, Dinolfo, Castañares Eliana, and Stenglein Sebastián A. "Fusarium–plant interaction: state of the art – a review." Plant Protection Science 53, No. 2 (February 10, 2017): 61–70. http://dx.doi.org/10.17221/182/2015-pps.

Full text
Abstract:
One of the most important genera able to develop diseases in cereals is Fusarium which not only produces losses by the fungal presence but also mycotoxin production harmful to human and animal consumers. In the environment, plants are continuously threatened by abiotic and biotic stresses. Among the latter, pathogens gained importance mainly due to their ability to affect the plant fitness. To protect against potential attacks, plants have developed strategies in which phytohormones have an essential role. In plant–pathogen interactions, salicylic acid, ethylene, and jasmonates are the most important, but there are also auxins, gibberellins, abscisic acid, cytokinins, brassinosteroids, and peptide hormones involved in plant defence. The interaction between Fusarium species and plants used as models has been developed to allow understanding the plant behaviour against this kind of pathogen with the aim to develop several strategies to decrease the Fusarium disease effects.
APA, Harvard, Vancouver, ISO, and other styles
4

Karavasiles, Nina. "NATIVE PLANTS ENHANCE ART: TRANSFORMING PUBLIC TRANSPORTATION." Native Plants Journal 7, no. 2 (July 2006): 114–20. http://dx.doi.org/10.2979/npj.2006.7.2.114.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Çetinkaya Karafakı, F., and M. E. Yazgan. "USE OF PLANTS IN OTTOMAN ORNAMENTATION ART." Acta Horticulturae, no. 1002 (July 2013): 283–87. http://dx.doi.org/10.17660/actahortic.2013.1002.36.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Ledford, Heidi. "The lost art of looking at plants." Nature 553, no. 7689 (January 2018): 396–98. http://dx.doi.org/10.1038/d41586-018-01075-5.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

YOUNG-MASON, JEANINE. "Plants, Art, and the Healing of Cancer." Clinical Nurse Specialist 24, no. 3 (May 2010): 177. http://dx.doi.org/10.1097/nur.0b013e3181d828a6.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Youngman, Angela. "Gardens and children: Using plants for art." Practical Professional Child Care 4, no. 7 (July 2007): 16–17. http://dx.doi.org/10.12968/ppcc.2007.4.7.38236.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Prokhorov, Alexey Anatolievich. "Mechanisms available for cooling plants’ surfaces." HORTUS BOTANICUS 11, no. 11 (January 2016): 34–37. http://dx.doi.org/10.15393/j4.art.2016.3862.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Prokhorov, Alexey Anatolievich. "Active condensation of water by plants." Principles of the Ecology 7, no. 3 (October 2013): 72–76. http://dx.doi.org/10.15393/j1.art.2013.2921.

Full text
APA, Harvard, Vancouver, ISO, and other styles
More sources

Dissertations / Theses on the topic "Plants in art"

1

Brickman, Jacklyn E. "Experiments in Biological Planet Formation and Plants: Nourishing Bodies, Nourishing Planets." The Ohio State University, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=osu1595340630648528.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Cinti, L. "The sensorial invisibility of plants : an interdisciplinary inquiry through bio art and plant neurobiology." Thesis, University College London (University of London), 2011. http://discovery.ucl.ac.uk/1310152/.

Full text
Abstract:
The thesis, titled ‘The Sensorial Invisibility of Plants: An Interdisciplinary Inquiry through Bio Art and Plant Neurobiology’, is an interdisciplinary art practice-related research that focuses on the complexities in recognising plant behaviour. It explores the contradistinction between scientific studies that reveal cognitive capacities in plants and our subjective perceptions where plants appear motionless and devoid of sensation. The difficulties inherent in perceiving plants’ interactions with their environment are concerned with physiological processes in plants, their morphological adaptations and temporal disparities. Thus, techno-scientific interfaces utilising genomic and electrophysiological approaches offer unprecedented scopes to extend our perceptual boundaries and reveal plants’ behavioural qualities. In biological art practices, scientific approaches and methodologies are deployed to empathetically explore intrinsic biological expressions in plants through aesthetics, genetics and electrophysiology. The thesis critically examines issues thrown up when scientific strategies are incorporated into artworks by questioning the role of the interfaces (i.e. green fluorescent protein or electrodes) and their authenticity in revealing aspects of plant responses and expressions. The practical aspects of the research draw on experimental approaches (using time-lapse, fluorescence and nanotechnology) to modulate plant motion into our frame of reference. In doing so, it investigates whether our subjective experience can be consolidated with the sensorial image of plants emerging from the sciences. Accompanying the written thesis is a visual documentation of the research’s practical component in the form of a multimedia DVD.
APA, Harvard, Vancouver, ISO, and other styles
3

Chapman, Gaye. "Decompose : decay + weeds = beauty : research into the visual art/painting implications of botanical biodegradation of weeds as an expression of I. The subjective, expansive and ephemeral nature of art, artist and materials. II. An incarnation of the nature of time and sublime beauty that articulates and expands perceptions of art, artist and materials as text + paintings." Thesis, View thesis, 2004. http://handle.uws.edu.au:8081/1959.7/29745.

Full text
Abstract:
“In the decomposition of organic/botanic materiality, decayed and decaying exotic weeds are printed and imprinted on the host vessel: The surviving trace becomes a code - a sign - a semiotic map = disjecta membra: being there ... then destroyed... but still remaining.” THE BODY OF VISUAL AND WRITTEN RESEARCH, 'DECOMPOSE', is a cross-disciplinary interrogation, interpreting overlapping meanings in the Botanical Biodegradation of Weeds through Visual Art/Science practices and processes expressed as Text +Paintings. DECOMPOSE validates the Act of Art, Botanical Biodegradation of Weeds, as both: I. An expression of the Subjective, Expansive and Ephemeral nature of Art, Artist and Materials and II. An incarnation of the nature of Time and Sublime Beauty, that articulates, and expands perceptions of Art, Artist and Materials as Text + Paintings. The 'equation': DECAY + WEEDS = BEAUTY expands to encompass key elements in the DECOMPOSE body of research: BOTANICAL BIODEGRADATION + AUSTRALIAN EXOTIC, FERAL and NOXIOUS WEED SPECIES + ARTIST + MATERIALS + ART + SCIENCE + TIME = DECAY-PAINTINGS = RESEARCH = SUBLIME BEAUTY Argued by quantitative and qualitative example, DECOMPOSE is at once: I. Subjective: a conceptual and translative process expressed through the personal vision of the artist. II. Expansive: an interrogation of a single process, at once finite and infinite in meanings and extractions. III. Ephemeral: investigations and results signifying the specific and universal decay of all things.
APA, Harvard, Vancouver, ISO, and other styles
4

Chapman, Gaye. "Decompose : decay + weeds = beauty : research into the visual art/painting implications of botanical biodegradation of weeds as an expression of I. The subjective, expansive and ephemeral nature of art, artist and materials. II. An incarnation of the nature of time and sublime beauty that articulates and expands perceptions of art, artist and materials as text + paintings /." View thesis, 2004. http://handle.uws.edu.au:8081/1959.7/29745.

Full text
Abstract:
Thesis (Ph.D.)--University of Western Sydney, 2004.
A thesis presented to the University of Western Sydney, College of Arts, Education and Social Sciences, School of Contemporary Arts, in fulfilment of the requirements for the degree of Doctor of Philosophy, Contemporary Arts. Includes bibliographies. Electronic version minus appendices 2, 3, 4 is also available online at: http://handle.uws.edu.au:8081/1959.7/29745.
APA, Harvard, Vancouver, ISO, and other styles
5

Wilson-Bryant, Kaitlyn. "The botanical thread /." Online version of thesis, 2008. http://hdl.handle.net/1850/7788.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Wright, Karen Louise. "Seaforms /." Online version of thesis, 1988. http://hdl.handle.net/1850/10412.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Blake, Tamlin. "South African botanical art : a study of nineteenth- and twentieth-century imagery." Thesis, Stellenbosch : Stellenbosch University, 2001. http://hdl.handle.net/10019.1/52458.

Full text
Abstract:
Thesis (MA)--Stellenbosch University, 2001.
ENGLISH ABSTRACT: Botanical art consists of a complex combination of scientific fact and aesthetic awareness, and is concerned with more than the realistic representation of a plant and its flowers. It goes beyond the visual description of scientific information and speaks about the contributions artists have made through history to the conventions of both art and science. It contains a unique visual language, conventions which we read intelligently and an evolved tradition, and it is this language and the development of these conventions within the genre of South African botanical art, which this thesis investigates. In South Africa botanical art developed as a direct result of European interest in the flora and the colonisation of this country by the West. A brief history of responses to South African plants is discussed in the Introduction in order to begin to establish an understanding of this tradition and to contextualise the contributions made by 19th-and 20th -century South African botanical artists. Now that postmodernity has called for the reassessment and questioning of 'given truths', alternative ways of assessing botanical art are slowly evolving. Through study and the comparison of botanical art and artists of South Africa their evaluation as artists is reconsidered. This issue of defining art and artists is the subject of Chapter One of this study. Some of the factors that have a bearing on this include: relationships between text and image; art and science; art and illustration; and how society's expectations of gender roles affect the production of botanical art. In order to establish a context from which to discuss plant imagery in South Africa, it is important to study the history and development of botanical art in this country. Chapter Two discusses the emergence and development of this art form and its artists, starting with a short description of people and events from the 1600s and then takes a comprehensive look at developments in the 19th and 20m centuries. For the artists working within the genre of botanical art, the conventions and inventions are often explicitly formulated. It is an art based on the logic, scrutiny and informative tradition of science, where the main objective is to represent a plant's structural essence. Fundamental to our response to botanical art, however, is the style and technique employed by the artist. Chapter Three is devoted to a detailed discussion of the work of selected contemporary South African botanical art and artists. By comparing their work it is possible to establish trends and developments in representation and the role played by mediums and techniques in this highly skilled art form. Since this research has both a theoretical and a practical component, Chapter Four is devoted to discussion of my own work within the botanical art genre. I describe and illustrate several related series of paintings and explore established conventions and ways of developing my own stylistic identity as a botanical artist.
AFRIKAANSE OPSOMMING: Botaniese kuns bestaan uit 'n komplekse kombinasie van wetenskaplike feite en estetiese bewustheid, en is gemoeid met baie meer as net die realistiese voorstelling van 'n plant en sy blomme. Dit gaan verder as net die blote visuele uitbeelding van wetenskaplike informasie, en behels die bydraes wat kunstenaars deur die geskiedenis tot die konvensies van beide kuns en die wetenskap gemaak het. Botaniese kuns besit 'n unieke visuele taal, konvensies wat intelligent gelees word, en 'n ontwikkelde tradisie. Hierdie tesis ondersoek juis hierdie spesiale taal en ontwikkeling van konvensies binne die genre van Suid-Afrikaanse botaniese kuns. Botaniese kuns in Suid-Afrika het ontwikkel as In direkte gevolg van Europese belangstelling in die flora, en Westerse kolonialisasie van hierdie land. In die Inleidingword daar kortliks gekyk na die geskiedenis van die hantering van Suid-Afrikaanse plante, en het ten doelom eerstens 'n begrip van hierdie tradisie daar te stel, en tweedens om die bydraes van 19de en 20ste eeuse Suid-Afrikaanse botaniese kunstenaars te kontekstualiseer. Sedert Postmodernisme die herevaluering en bevraagtekening van gegewewe waarhede aangewakker het, is die ontwikkeling van alternatiewe maniere van kyk na botaniese kuns stadig besig om plaas te vind. Deur die bestudering en vergelyking van botaniese kuns en kunstenaars van Suid-Afrika, word die botaniese kunstenaar se status as kunstenaar uitgelig. Hierdie kwessie oor die defmieëring van kuns en kunstenaars is die onderwerp van Hoofstuk 1 van hierdie werkstuk. 'n Paar van die faktore wat In invloed op laasgenoemde het, sluit in: verhoudinge tussen beeld en teks; kuns en wetenskap; kuns en illustrasie; en hoe kwessies van geslag soos waargeneem deur die samelewing die produsering van botaniese kuns beïnvloed. Dit is belangrik om die geskiedenis en ontwikkeling van botaniese kuns in Suid-Afrika te bestudeer, sodat daar 'n konteks geskep kan word waarbinne die afbeelding van plante in hierdie land bespreek kan word. Hoofstuk 2 behandel die totstandkoming en ontwikkeling van hierdie kunsvorm en sy kunstenaars, en begin met 'n kort beskrywing van mense en gebeurtenisse van die 1600s wat gevolg word deur 'n uitgebreide kyk na ontwikkelinge gedurende die 19de en 20ste eeue. Vir die kunstenaars wat werk binne die genre van botaniese kuns, is die konvensies en bevindings van die medium dikwels breedvoerig geformuleer. Dit is 'n kunsvorm gebasseer op die logiese, navorsbare en insiggewende tradisie van die wetenskap, waar die hoofdoel die voorstelling van 'n plant se strukturele essensie is. Fundementeel in die benadering tot botaniese kuns is die styl en tegniek wat deur die kunstenaar gebruik word. Hoofstuk 3 word gewy aan 'n gedetailleerde bespreking van die werk van geselekteerde kontemporêre Suid-Afrikaanse bot~iese kuns en kunstenaars. Deur hul werk te vergelyk is dit moontlik om tendense en ontwikkelings in die voorstelling en aanbieding van botaniese kuns te bepaal, en wat die rol van verskillende mediums en tegnieke in hierdie hoogs geskoolde kunsvorm behels. Weens die feit dat hierdie navorsing uit 'n teoretiese en praktiese komponent bestaan, word Hoofstuk 4 gewy aan 'n bespreking van my praktiese werk binne die genre van botaniese kuns. Ek beskryf en illustreer verskeie verwante reekse werke en kyk na bestaande konvensies en die maniere hoe my eie stilistiese identiteit as botaniese kunstenaar kan ontwikkel binne die medium.
APA, Harvard, Vancouver, ISO, and other styles
8

Gannon, Eleanor. "Botanica the earthly divine : an exegesis submitted to Auckland University of Technology in partial fulfilment of the requirements for the degree of Master of Art and Design, 2009 /." Click here to access this resource online, 2009. http://hdl.handle.net/10292/805.

Full text
Abstract:
Drawing inspiration from Dante Alighieri's Divine Comedy, this project seeks to incorporate the oxymetaphor, digital photography and photo manipulation into considerations of Heaven, Hell and Purgatory. By considering the potential of an earthly site of transition (the cemetery) in relation to Dante's divine spaces, these images consider certain contradictions existing between the cemetery as a manifestation of waiting, permanence, and decay, and its associations with temporality and transition. The cemetery is therefore an oxymoron. It suggests both a beginning and an end; growth and decay; a place of closure and a pace of transition. Although Heaven, Hell and Purgatory have distinct characteristics in these images, there are commonalities between their layered treatments and iconography that unify them as a whole.
APA, Harvard, Vancouver, ISO, and other styles
9

Gray, Michael. "New Australian plants and animals. An exhibition - and - Physiology, phenomenology and photography: Picturing the indeterminate within an Australian art practice. An exegesis." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2016. https://ro.ecu.edu.au/theses/1923.

Full text
Abstract:
This practice-led research project investigates indeterminate aspects of perception related to human vision and postcolonial conditioning. Through an inventive range of lens-based artworks, the research draws parallels between preconscious visual phenomena and the subjective experience of non-indigenous Australians of multiple generations. The resulting body of creative work, New Australian Plants and Animals, can be seen to approach preconscious visual phenomena derived from the physiology of the human eye through the use of primitive photographic lens technology. This process is applied to the subject matter: introduced plants and partially naturalised migrants. This synthesis of subject and materials creates new insights into preconscious vision whilst questioning aspects of colonisation-in-reverse (Tacey, 1995) where the colonised land immeasurably exerts itself on the coloniser’s psyche. The partially naturalised migrant is metaphorically compared to introduced plants in Australia that are found inexplicably to evolve into new species. The research highlights photography’s historic role in falsely maintaining the view that the human eye views the world with a flat, sharp field of focus by revealing how images potentially appear at the back of the human eye before being processed by the mind. The photographic component of the research work can be seen to depart from the contemporary practice of representing cultured landscapes with highly refined technical processes. Instead, the photographs move towards picturing an indeterminate space where the physical world meets the embodied subject through the use of primitive photographic materials. Additionally, by inverting the power of the lens and photographing the coloniser instead of the colonised, this project enabled fresh insights into the postcolonial subject. In line with Paul Carter’s concept of material thinking (2004), this research relies on the ‘intelligence’ of materials to automatically reduce visual phenomena to a preconscious ocular quality whilst metaphorically operating as nineteenth-century colonial survey equipment. A broad range of artists has informed the research, ranging from late nineteenth-century European naturalist painters to contemporary Australian installation artists. The main theorists informing this project are Walter Benjamin, Maurice Merleau-Ponty and Edmund Husserl.
APA, Harvard, Vancouver, ISO, and other styles
10

Deffebach, Nancy. "Images of plants in the art of María Izquierdo, Frida Kahlo, and Leonora Carrington : gender, identity, and spirituality in the context of modern Mexico /." Digital version accessible at:, 2000. http://wwwlib.umi.com/cr/utexas/main.

Full text
APA, Harvard, Vancouver, ISO, and other styles
More sources

Books on the topic "Plants in art"

1

Thorsen, Line Marie. Moving plants. Næstved: Rønnebæksholm, 2017.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
2

Gupta, Shakti M. Plants in Indian temple art. Delhi: B.R. Pub. Corp., 1996.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
3

Roux, Barbara A. Society of plants. [S.l: B. Roux], 2001.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
4

Joyce, David. Topiary and the art of training plants. Toronto: Firefly Books, 2000.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
5

Dine, Jim. Jim Dine: Tools and plants. London: Alan Cristea Gallery, 2005.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
6

Sabina, Rüber, ed. Painterly plants. London: Merrell, 2012.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
7

Blossfeldt, Karl. Natural art forms: 120 classic photographs. Mineola, N.Y: Dover Publications, 1998.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
8

Ciencia y Naturaleza Grupo de Investigación Arte. Art al jardí. Valencia: Universitat de Valencia, Jardí Botànic, 2016.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
9

Mayer Branco, Maria João, writer of added text and Galeria João Esteves de Oliveira (Lisbon, Portugal), eds. Julião Sarmento: Women, houses, plants (2008-2011). Lisbon]: Galeria João Esteves de Oliveira, 2012.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
10

Geene, Anne. Book of plants. Rotterdam: Uitgeverij de Hef Publishers, 2021.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
More sources

Book chapters on the topic "Plants in art"

1

Janick, Jules. "Horticulture and Art." In Horticulture: Plants for People and Places, Volume 3, 1197–223. Dordrecht: Springer Netherlands, 2014. http://dx.doi.org/10.1007/978-94-017-8560-0_10.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Dost, Philip Karl-Heinz. "State of the Art." In Multi-functional Power Electronics Tailored for Energy Conversion Plants, 9–20. Wiesbaden: Springer Fachmedien Wiesbaden, 2020. http://dx.doi.org/10.1007/978-3-658-29983-5_2.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Palenzuela, Patricia, Diego-César Alarcón-Padilla, and Guillermo Zaragoza. "State of the Art of Desalination Processes." In Concentrating Solar Power and Desalination Plants, 1–25. Cham: Springer International Publishing, 2015. http://dx.doi.org/10.1007/978-3-319-20535-9_1.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Wu, Kejia. "Hong Kong, Plants and Ten Thousand Things." In A Modern History of China's Art Market, 235–53. London: Routledge, 2023. http://dx.doi.org/10.4324/9781003298540-12.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Hornberger, Matthias. "State of the art." In Experimental Investigation of Calcium Looping CO2 Capture for Application in Cement Plants, 5–29. Wiesbaden: Springer Fachmedien Wiesbaden, 2022. http://dx.doi.org/10.1007/978-3-658-39248-2_2.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Roychoudhury, Aryadeep, and Rituparna Bhowmik. "State-of-the-Art Technologies for Improving the Quality of Medicinal and Aromatic Plants." In Medicinal and Aromatic Plants, 593–627. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-58975-2_23.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Ahuja, M. R. "Genetic Engineering in Forest Trees: State of the Art and Future Perspectives." In Molecular Biology of Woody Plants, 31–49. Dordrecht: Springer Netherlands, 2000. http://dx.doi.org/10.1007/978-94-017-2311-4_2.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Palenzuela, Patricia, Diego-César Alarcón-Padilla, and Guillermo Zaragoza. "Combined Fresh Water and Power Production: State of the Art." In Concentrating Solar Power and Desalination Plants, 27–60. Cham: Springer International Publishing, 2015. http://dx.doi.org/10.1007/978-3-319-20535-9_2.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Jagetiya, Bhagawatilal, Anubha Sharma, Akash Soni, and Umesh Kumar Khatik. "Phytoremediation of Radionuclides: A Report on the State of the Art." In Radionuclide Contamination and Remediation Through Plants, 1–31. Cham: Springer International Publishing, 2014. http://dx.doi.org/10.1007/978-3-319-07665-2_1.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Shrivastava, Smriti, Dilfuza Egamberdieva, and Ajit Varma. "Plant Growth-Promoting Rhizobacteria (PGPR) and Medicinal Plants: The State of the Art." In Soil Biology, 1–16. Cham: Springer International Publishing, 2014. http://dx.doi.org/10.1007/978-3-319-13401-7_1.

Full text
APA, Harvard, Vancouver, ISO, and other styles

Conference papers on the topic "Plants in art"

1

Leote, Rosangella. "Printing Art with plastic from plants." In ARTECH 2021: 10th International Conference on Digital and Interactive Arts. New York, NY, USA: ACM, 2021. http://dx.doi.org/10.1145/3483529.3483772.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Hu, Youyang, Chiaochi Chou, and Yasuaki Kakehi. "Lucid Dream: Sensing and Artistic Representation of Plant-Nature Interaction Based on Plants Biosignals." In 28th International Symposium on Electronic Art. Paris: Ecole des arts decoratifs - PSL, 2024. http://dx.doi.org/10.69564/isea2023-14-short-hu-et-al-lucid-dream.

Full text
Abstract:
SHORT PAPER. The recent progress of modern science has enabled us to detect the physiological status of organisms through their bioelectric activity; this technique has been constantly applied to contemporary media art. However, exploring plants as a subject and allowing them to interpolate and hence perform art through biosignals remains to be further explored. Lucid Dream is an artwork in which inspection, displacement, and engagement of plant communities take place, shedding light on the subjective perception of plants, a peripheral subject that rarely comes to people’s attention. To achieve this, we entered a forest and applied an artificial intelligence-based learning system capable of interpreting the local plants' responses to wind and rain stimuli via their biosignals. Subsequently, we established an environmentally controlled space within the art museum. Here, we simulated and artistically represented the natural elements as perceived by the plants, using artificial machines driven by the plant-nature interaction model. As viewers enter this space, they can experience the plant-perceived natural environment, gaining a non-human perspective through direct engagement with plant life. Lucid Dream not only leverages intelligent computational technologies to comprehend the perceptual system of plants but also fosters cross-species sensory experiences, enhancing our understanding and expanding our perspective on the natural environment.
APA, Harvard, Vancouver, ISO, and other styles
3

Purper, Marcus L., Adriane Prisco Petry, and Letícia Jenisch Rodrigues. "Hybrid photovoltaic-wind power plants: Brazilian legislation and state of the art." In 19th Brazilian Congress of Thermal Sciences and Engineering. ABCM, 2022. http://dx.doi.org/10.26678/abcm.encit2022.cit22-0097.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Baldissera de Souza, Marina, Sabrina Knoll Godoy Ilha, Leticia Renata De carvalho, Ruben Solarte Bolaños, Daniel Martins, Antonio Carlos Valdiero, and Luís Antônio Bortolaia. "The State-of-the-Art of Hydrostatic Transmissions in Micro-Hydropower Plants." In 27th Brazilian Congress of Thermal Sciences and Engineering. ABCM, 2023. http://dx.doi.org/10.26678/abcm.cobem2023.cob2023-0757.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Longo, Francesco, Giovanni Mirabelli, and Sabrina Rondinelli. "Ants Systems, A State Of The Art Overview: Applications To Industrial Plants Problems." In 23rd European Conference on Modelling and Simulation. ECMS, 2009. http://dx.doi.org/10.7148/2009-0421-0429.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Hall, Iain, Kwang Han, and Zheng-Rong Shui. "State of the Art Thermal Spray Technology in the International Waste to Energy Industry." In 12th Annual North American Waste-to-Energy Conference. ASMEDC, 2004. http://dx.doi.org/10.1115/nawtec12-2219.

Full text
Abstract:
International Waste to Energy and Incineration markets are likely to continue to grow in capacity over the next 5 to 6 years. With this comes a greater need to burn more corrosive materials combust at higher temperatures and extract more energy. The reliability burden that this places on operators of plants will re-open opportunities for thermal spray solutions. Where maintenance costs, opportunity costs and access restrictions may preclude alternative in-situ technologies, thermal spray technology may fill a gap in providing new reliable and flexible process and materials technologies for at least the midterm protection of water wall and superheater tubes. The state of the art of the technology is such that coating performance in WTE corrosive environments now approach the performance of corrosion resistant wrought materials. This is verified through accurate laboratory modeling and scale tests and trials conducted by OEM’s and plants.
APA, Harvard, Vancouver, ISO, and other styles
7

Quinkertz, Rainer, and Simon Hecker. "Development of Steam Turbines for State of the Art Combined Cycle Power Plants (CCPP)." In ASME Turbo Expo 2012: Turbine Technical Conference and Exposition. American Society of Mechanical Engineers, 2012. http://dx.doi.org/10.1115/gt2012-68419.

Full text
Abstract:
In order to reduce CO2 emissions, reduce capital costs and increase the percentage of renewable energy in the electricity grid, common drivers of fossil power plant evolution continue to be efficiency, increased electricity output and operating flexibility. For CCPP, the efficiency level has reached more than 60%. Besides new and updated gas turbine frames, an improved bottoming cycle also contributes to this achievement. Without increasing steam temperatures above 565°C, improving steam turbine inner efficiency and enhancing the cold end, the overall efficiency of >60% would not be feasible. Extensive thermodynamic optimization is required to determine steam temperatures and condenser pressures. In addition, from a design standpoint, an optimum product strategy has to be developed. In order to minimize risks with future designs, both the practical and theoretical experiences from both ultra super critical applications at coal-fired steam power plants as well as from the CCPP steam turbine fleet have to be incorporated. For advanced technologies and components appropriate validation programs have to be defined. This paper presents the approach being taking to develop steam turbines for CCPP with modern gas turbines and it also displays the operating results of the first unit. Operational validation included the thermal behaviour of the high and intermediate pressure parts, a new last stage blade for the low pressure turbine and a patented start-up procedure. In particular, the paper focuses on the validation of three dimensional CFD calculations of the high and intermediate pressure turbine.
APA, Harvard, Vancouver, ISO, and other styles
8

Smit, Hermé C., and Arnold J. Rix. "State of the art Surge Protection Device Research and its Application to Photovoltaic Plants." In 2023 International Conference on Clean Electrical Power (ICCEP). IEEE, 2023. http://dx.doi.org/10.1109/iccep57914.2023.10247448.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Contreras, Paul Rosero. "The Revolution Will Launch in the Garden: Politics of representation and vegetal intellig(senti)ence." In 28th International Symposium on Electronic Art. Paris: Ecole des arts decoratifs - PSL, 2024. http://dx.doi.org/10.69564/isea2023-48-full-rosero-contreras-launch-in-the-garden.

Full text
Abstract:
This paper describes entanglements between human and non-human actants from the perspective of creativity, interdependence and contemporary anthropology. Drawing from experiments on self-representation and swaps from object to subject of study, the author reflects on the potential of the vegetal world and distinct forms of intelligence to propose a subversive anti-anthropocentric view in a planet terraformed by plants and other beings.
APA, Harvard, Vancouver, ISO, and other styles
10

Ottavi, Julien, and Jenny Pickett. "Motherplants: Mycelium Network and Artistic Research." In 28th International Symposium on Electronic Art. Paris: Ecole des arts decoratifs - PSL, 2024. http://dx.doi.org/10.69564/isea2023-21-short-ottavi-et-al-motherplants.

Full text
Abstract:
SHORT PAPER. In 2015, we embarked on an artistic research project involving organic organisms such as plants and fungi, focusing on their role in the processes of recycling of e-waste. Motherplant explores how these systems create feedback audio signal transmission through the interplay of moisture and decomposition of the circuit boards. Specifically, it harnesses the natural decomposition process to transmit audio signals by converting the soil's acidity and electronic compost into electrical signals.
APA, Harvard, Vancouver, ISO, and other styles

Reports on the topic "Plants in art"

1

Rath, Lawrence. Assessment of Hydrogen Production with CO2 Capture Volume 1: Baseline State-of-the-Art Plants. Office of Scientific and Technical Information (OSTI), November 2011. http://dx.doi.org/10.2172/1767148.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Glass, Samuel W., Leonard S. Fifield, Gerges Dib, Jonathan R. Tedeschi, Anthony M. Jones, and Trenton S. Hartman. State of the Art Assessment of NDE Techniques for Aging Cable Management in Nuclear Power Plants FY2015. Office of Scientific and Technical Information (OSTI), September 2015. http://dx.doi.org/10.2172/1242348.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Leptinsky, Sarah, Marc Turner, Mark Woods, Jeff Hoffmann, Gregory Hackett, Shannon McNaul, and Norma Kuehn. Cost and Performance Estimates for State-of-the-Art and Advanced 1×1 H-Class Natural Gas-Fired Power Plants. Office of Scientific and Technical Information (OSTI), June 2024. http://dx.doi.org/10.2172/2376908.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Lindow, Steven, Isaac Barash, and Shulamit Manulis. Relationship of Genes Conferring Epiphytic Fitness and Internal Multiplication in Plants in Erwinia herbicola. United States Department of Agriculture, July 2000. http://dx.doi.org/10.32747/2000.7573065.bard.

Full text
Abstract:
Most bacterial plant pathogens colonize the surface of healthy plants as epiphytes before colonizing internally and initiating disease. The epiphytic phase of these pathogens is thus an important aspect of their epidemiology and a stage at which chemical and biological control is aimed. However, little is known of the genes and phenotypes that contribute to the ability of bacteria to grow on leaves and survive the variable physical environment in this habitat. In addition, while genes such as hrp awr and others which confer pathogenicity and in planta growth ability have been described, their contribution to other aspects of bacterial epidemiology such as epiphytic fitness have not been addressed. We hypothesized that bacterial genes conferring virulence or pathogenicity to plants also contribute to the epiphytic fitness of these bacteria and that many of these genes are preferentially located on plasmids. We addressed these hypotheses by independently identifying genes that contribute to epiphytic fitness, in planta growth, virulence and pathogenicity in the phytopathogenic bacterium Erwinia herbicola pv gypsophilae which causes gall formation on gypsophila. This species is highly epiphytically fit and has acquired a plasmid (pPATH) that contains numerous pathogenicity and virulence determinants, which we have found to also contribute to epiphytic fitness. We performed saturation transposon mutagenesis on pPATH as well as of the chromosome of E.h. gypsophilae, and identified mutants with reduced ability to grow in plants and/or cause disease symptoms, and through a novel competition assay, identified mutants less able to grow or survive on leaves. The number and identity of plasmid-borne hrp genes required for virulence was determined from an analysis of pPATH mutants, and the functional role of these genes in virulence was demonstrated. Likewise, other pPATH-encoded genes involved in IAA and cytokinin biosynthesis were characterized and their pattern of transcriptional activity was determined in planta. In both cases these genes involved in virulence were found to be induced in plant apoplasts. About half of avirulent mutants in pPATH were also epiphytically unfit whereas only about 10% of chromosomal mutants that were avirulent also had reduced epiphytic fitness. About 18% of random mutants in pPATH were avirulent in contrast to only 2.5% of random chromosomal mutants. Importantly, as many as 28% of pPATH mutants had lower epiphytic fitness while only about 10% of random chromosomal mutants had lower epiphytic fitness. These results support both of our original hypotheses, and indicate that genes important in a variety of interactions with plant have been enriched on mobile plasmids such as pPATH. The results also suggest that the ability of bacteria to colonize the surface of plants and to initiate infections in the interior of plants involves many of the same traits. These traits also appear to be under strong regulatory control, being expressed in response to the plant environment in many cases. It may be possible to alter the pattern of expression of such genes by altering the chemical environment of plants either by genetic means or by additional or chemical antagonists of the plant signals. The many novel bacterial genes identified in this study that are involved in plant interactions should be useful in further understanding of bacterial plant interactions.
APA, Harvard, Vancouver, ISO, and other styles
5

Marinkovic, Catalina, and Adrien Vogt-Schilb. Is Energy Planning Consistent with Climate Goals? Assessing Future Emissions from Power Plants in Latin America and the Caribbean. Inter-American Development Bank, October 2023. http://dx.doi.org/10.18235/0005183.

Full text
Abstract:
At least ten Latin American and Caribbean countries have pledged to achieve carbon neutrality. Has electricity planning in the region evolved towards reaching these goals? We compare power generation capacity in 2023 to announced plans in 2019. We then estimate committed emissions from existing and planned power plants that is emissions that would result from the normal operations of these plants during their typical lifetime and compare them to emissions from power generation in published IPCC scenarios. We find that fossil fuel planned capacity has decreased by 47% since 2019, mainly due to the cancellation of 50% of coal and 40% of gas projects, compared to only 32% of renewable energy projects. But existing plants in the region will emit 6.7 GtCO2 during their lifespan, and if all planned plants are built, they will add 4.9 GtCO2, totaling 11.6 GtCO2, exceeding median carbon budgets for 1.5 and 2C-consistent IPCC pathways (2.3 and 4.3 GtCO2). Natural gas power plants are the largest contributor to existing (62%) and planned (75%) emissions (versus 24% and 23% for coal). We evaluate emissions reduction strategies to achieve carbon budgets. Assuming no new coal plants comes into operation, announced gas and oil projects are canceled at the same rate as in the past four years, all fossil fueled plant lifetimes are reduced by 10 years, and all new natural gas displaces existing coal, committed emissions fall by 59%, almost meeting the 2C budget, but still twice as large as the median 1.5C budget. Our results suggest that while progress is being made, energy planning in the region is not yet consistent with global climate goals as reflected by the IPCC scenario database.
APA, Harvard, Vancouver, ISO, and other styles
6

BALYSH, A. HOUSING CONSTRUCTION IN THE USSR IN THE 20T-30TH OF THE TWENTIETH CENTURY AND THE INFLUENCE OF THIS FACTOR ON THE DEVELOPMENT OF HEAVY AND DEFENSE INDUSTRY. Science and Innovation Center Publishing House, 2021. http://dx.doi.org/10.12731/2077-1770-2021-13-4-2-14-23.

Full text
Abstract:
The aim of the article. How state-of-the-art in the field of home building influenced onto capital constructing in defense industry, putting into exploitation and operation of the new military plants during the industrialization period is examined. Methodology. General principles of historism and objectivity are the theoretical-methodological base of this work. Author also uses special historical methods: logic, systematic, chronological, actualisation and periodizing. Results. This article is based on documents storing in the Russian State Archive and Russian State Economical Archive. Collections of historical documents related to the Soviet period of Russian history are also used. On the base of these documents it is shown that poor situation in the field of home building was the reason of persistent deficits of building and exploitation workers. Due to this fact it was impossible to apply the funds given by the Government for building some plants (especially at the periphery), building works were delayed and proper operation of already built ones was spoiled. These problems were not completely solved till the beginning of the Great Patriotic War. All this effected negatively to the Red Army combat readiness before and during the war, especially at the beginning period. Practical application. The field of results application. Practical significance of this work is as follows: the archive data, which are for the first time used for scientific investigation and also the conclusions formulated in this article can be used for further scientific research on the USSR military industry in the industrialization period and also for scientific research on the USSR period in general.
APA, Harvard, Vancouver, ISO, and other styles
7

Bilyk, Zhanna I., Yevhenii B. Shapovalov, Viktor B. Shapovalov, Anna P. Megalinska, Fabian Andruszkiewicz, and Agnieszka Dołhańczuk-Śródka. Assessment of mobile phone applications feasibility on plant recognition: comparison with Google Lens AR-app. [б. в.], November 2020. http://dx.doi.org/10.31812/123456789/4403.

Full text
Abstract:
The paper is devoted to systemizing all mobile applications used during the STEM-classes and can be used to identify plants. There are 10 mobile applications that are plant identifiers worldwide. These applications can be divided into three groups, such as plant identifiers that can analyze photos, plant classification provides the possibility to identify plants manually, plants-care apps that remind water of the plant, or change the soil. In this work, mobile apps such as Flora Incognita, PlantNet, PlantSnap, PictureThis, LeafSnap, Seek, PlantNet were analyzed for usability parameters and accuracy of identification. To provide usability analysis, a survey of experts of digital education on installation simplicity, level of friendliness of the interface, and correctness of picture processing. It is proved that Flora Incognita and PlantNet are the most usable and the most informative interface from plant identification apps. However, they were characterized by significantly lower accuracy compared to Google Lens results. Further comparison of the usability of applications that have been tested in the article with Google Lens, proves that Google Lens characterize by better usability and therefore, Google Lens is the most recommended app to use to provide plant identification during biology classes.
APA, Harvard, Vancouver, ISO, and other styles
8

Morin, Shai, Gregory Walker, Linda Walling, and Asaph Aharoni. Identifying Arabidopsis thaliana Defense Genes to Phloem-feeding Insects. United States Department of Agriculture, February 2013. http://dx.doi.org/10.32747/2013.7699836.bard.

Full text
Abstract:
The whitefly (Bemisia tabaci) is a serious agricultural pest that afflicts a wide variety of ornamental and vegetable crop species. To enable survival on a great diversity of host plants, whiteflies must have the ability to avoid or detoxify numerous different plant defensive chemicals. Such toxins include a group of insect-deterrent molecules called glucosinolates (GSs), which also provide the pungent taste of Brassica vegetables such as radish and cabbage. In our BARD grant, we used the whitefly B. tabaci and Arabidopsis (a Brassica plant model) defense mutants and transgenic lines, to gain comprehensive understanding both on plant defense pathways against whiteflies and whitefly defense strategies against plants. Our major focus was on GSs. We produced transgenic Arabidopsis plants accumulating high levels of GSs. At the first step, we examined how exposure to high levels of GSs affects decision making and performance of whiteflies when provided plants with normal levels or high levels of GSs. Our major conclusions can be divided into three: (I) exposure to plants accumulating high levels of GSs, negatively affected the performance of both whitefly adult females and immature; (II) whitefly adult females are likely to be capable of sensing different levels of GSs in their host plants and are able to choose, for oviposition, the host plant on which their offspring survive and develop better (preference-performance relationship); (III) the dual presence of plants with normal levels and high levels of GSs, confused whitefly adult females, and led to difficulties in making a choice between the different host plants. These findings have an applicative perspective. Whiteflies are known as a serious pest of Brassica cropping systems. If the differences found here on adjacent small plants translate to field situations, intercropping with closely-related Brassica cultivars could negatively influence whitefly population build-up. At the second step, we characterized the defensive mechanisms whiteflies use to detoxify GSs and other plant toxins. We identified five detoxification genes, which can be considered as putative "key" general induced detoxifiers because their expression-levels responded to several unrelated plant toxic compounds. This knowledge is currently used (using new funding) to develop a new technology that will allow the production of pestresistant crops capable of protecting themselves from whiteflies by silencing insect detoxification genes without which successful host utilization can not occur. Finally, we made an effort to identify defense genes that deter whitefly performance, by infesting with whiteflies, wild-type and defense mutated Arabidopsis plants. The infested plants were used to construct deep-sequencing expression libraries. The 30- 50 million sequence reads per library, provide an unbiased and quantitative assessment of gene expression and contain sequences from both Arabidopsis and whiteflies. Therefore, the libraries give us sequence data that can be mined for both the plant and insect gene expression responses. An intensive analysis of these datasets is underway. We also conducted electrical penetration graph (EPG) recordings of whiteflies feeding on Arabidopsis wild-type and defense mutant plants in order to determine the time-point and feeding behavior in which plant-defense genes are expressed. We are in the process of analyzing the recordings and calculating 125 feeding behavior parameters for each whitefly. From the analyses conducted so far we conclude that the Arabidopsis defense mutants do not affect adult feeding behavior in the same manner that they affect immatures development. Analysis of the immatures feeding behavior is not yet completed, but if it shows the same disconnect between feeding behavior data and developmental rate data, we would conclude that the differences in the defense mutants are due to a qualitative effect based on the chemical constituency of the phloem sap.
APA, Harvard, Vancouver, ISO, and other styles
9

Rykken, Jessica. Pollinator diversity and floral associations in subarctic sand dunes of Kobuk Valley National Park, Alaska. National Park Service, 2024. http://dx.doi.org/10.36967/2302008.

Full text
Abstract:
Active sand dunes in Kobuk Valley National Park are a regionally rare and ecologically distinct landscape feature occurring within the northern boreal biome. The sand dunes harbor a rich diversity of plants, including several rare and disjunct species and the endemic Kobuk locoweed (Oxytropis kobukensis). Pollinators associated with these dune plants have not been studied in Kobuk Valley, despite their essential role in transporting pollen which many plants rely on for successful reproduction. In order to gain a better understanding of pollinator diversity and plant-pollinator associations in this unique ecosystem north of the Arctic Circle, we conducted surveys of bees (Hymenoptera: Anthophila) and syrphid flies (Diptera: Syrphidae) in several places along the Kobuk River and in two active dune areas, the Hunt River Dunes and the Great Kobuk Sand Dunes, in late June-early July of 2017 and 2019. We used active and passive collecting methods to sample pollinators at 21 different sites and along five walking transects, and we documented plant associations for net-collected specimens. In all, we collected 326 bees and 256 syrphid flies, representing 27 and 37 taxa, respectively. The most abundant and widespread species collected among syrphid flies were Lapposyrpus lapponicus and Eristalis obscura. For bees, three soil-nesting solitary species, Andrena barbilabris, Megachile circumcincta, and Osmia tarsata made up 60% of the total bee catch. Dryas integrifolia, a widespread plant on the dunes, hosted the highest number of bee and syrphid fly taxa (13 and 20, respectively). Bumble bees (Bombus) and megachilid bees (Megachile, Osmia) favored several plants in the Fabaceae family, while mining bees (Andrena) were abundant on Salix species (willow). A high diversity of syrphid flies were collected on the composite Packera ogotorukensis, and Salix species. Our collections indicate that the endemic Oxytropis kobukensis was primarily visited by the mason bee, Osmia tarsata (44% of all visitors) and the leafcutter bee, Megachile circumcincta (27%). Bumble bees (genus Bombus) made up another 13% of all visitors to this plant. Our study confirms that the active sand dunes in Kobuk Valley provide an ecologically unique habitat both for plants and their associated insect pollinators. For example, many of the solitary bees living in the dunes rely on deep sands for nesting and thus are limited in their distribution across Arctic and boreal landscapes.
APA, Harvard, Vancouver, ISO, and other styles
10

Young, Craig. Problematic plant monitoring in Lincoln Boyhood National Memorial: 2006–2019. Edited by Tani Hubbard. National Park Service, July 2021. http://dx.doi.org/10.36967/nrr-2286660.

Full text
Abstract:
Managers are challenged with the impact of problematic plants, including exotic, invasive, and pest plant species. Information on the cover, distribution, and location of these plants is essential for developing risk-based approaches to managing these species. Based on surveys conducted in 2006, 2011, 2015, and 2019, Heartland Network staff and contractors identified a cumulative total of 45 potentially problematic plant taxa in Lincoln Boyhood National Memorial. Of the 34 species found in 2019, we characterized 4 as very low frequency, 14 as low frequency, 9 as medium frequency, and 7 as high frequency. A single species exceeded a 10-acre threshold based on a mid-point estimate. Because of the number of problematic plant taxa, as well as the extent and cover of problematic plants in the park and the small park size, control efforts should focus on treating high priority species across the entire park. High priority species may include plant species capable of rapid spread, species at low population levels, and species which can effectively be controlled.
APA, Harvard, Vancouver, ISO, and other styles
You might also be interested in the extended bibliographies on the topic 'Plants in art' for particular source types:
Journal articles Dissertations / Theses Books
We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!

To the bibliography