Books on the topic 'Pigment art'

Pigment compendium: A dictionary and optical microscopy of historical pigments. Amsterdam: Butterworth-Heinemann, 2008.

Bossche, Stefan van den. Grondlaag & pigment: Kunst, cultuur en samenleving. Antwerpen: Garant, 2012.

Blue pigments: 5000 years of art and industry. London: Archetype Publications, 2013.

L, Feller Robert, Roy Ashok, and FitzHugh Elisabeth West, eds. Artists' pigments: A handbook of their history and characteristics. Washington: National Gallery of Art, 1986.

Wyplosz, Nicolas. Laser desorption mass spectometric studies of artists' organic pigments. [Amsterdam]: Universiteit van Amsterdam, 2003.

Delamare, François, and François Delamare. Colors: The story of dyes and pigments. New York: H.N. Abrams, 2000.

Colors: Passages through art, Asia, and nature / by Sarah Sutro. N. Adams, MA: Blue Asia Press, 2010.

1935-, Guineau Bernard, ed. Colour: Making and using dyes and pigments. London: Thames & Hudson, 2000.

Pigments of English medieval wall painting. London: Archetype, 2003.

Bevilacqua, Natalia. I pigmenti nell'arte: Dalla preistoria alla rivoluzione industriale. Saonara (Pd) [i.e. Padua, Italy]: Il prato, 2010.

Bucklow, Spike. The alchemy of paint: Art, science, and secrets from the Middle Ages. London: Marion Boyars, 2009.

Bucklow, Spike. The alchemy of paint: Art, science, and secrets from the Middle Ages. London: Marion Boyars, 2009.

1962-, Clarke Mark, Townsend Joyce, Stijnman Ad, and Instituut Collectie Nederland, eds. Art of the past: Sources and reconstruction : proceedings of the first symposium of the Art Technological Source Research study group. [London]: Archetype Publications with the participation of ICN Amsterdam, 2005.

Rossi-Liegibel, Frédéric. Alchimies--: Couleurs--matières, pigments, lumières : entre les couleurs, les matières, les pigments et la lumière : entre l'experience des hommes et le savoir faire des entreprises = colors--materials, pigments, lights : amongst colors, materials, pigments and light : between man's experience and business know-how. Suresnes: Extreme Paris, 2007.

FitzHugh, Elisabeth West. Pigments in later Japanese paintings: Studies using scientific methods. Washington, D.C: Freer Gallery of Art, Smithsonian Institution, 2003.

State University College at Buffalo. Dept. of Art Conservation, ed. Artists' pigments c.1600-1835: A study in English documentary sources. 2nd ed. London: Archetype Publications, 2001.

Luisa, Gómez González Ma. Examen científico aplicado a la conservación de obras de arte. Madrid: Ministerio de Cultura, Dirección General de Bellas Artes y Archivos, Instituto de Conservación y Restauración de Bienes Culturales, 1994.

Siracusano, Gabriela. Pigments and power in the Andes: From the material to the symbolic in Andean cultural practices, 1500-1800. London: Archetype Publications Ltd, 2011.

Carbó, María Teresa Doménech. Aproximación al análisis instrumental de pigmentos procedentes de obras de arte. Valencia: Universidad Politécnica de Valencia, 2006.

Yi, Sang-hyŏn. Chŏnt'ong hoehwa ŭi saek. 8th ed. Sŏul-si: Kail At'ŭ, 2012.

Crook, Jo. The impact of modern paints. London: Tate Gallery Publishing, 2000.

Cass, Glen Rowan. Protection of works of art from photochemical smog: Final report submitted to the Getty Conservation Institute. Pasadena, Calif: Environmental Quality Laboratory, California Institute of Technology, 1988.

The alchemy of paint: Art, science, and secrets from the Middle Ages. London: Marion Boyars, 2009.

Madder red: A history of luxury and trade : plant dyes and pigments in world commerce and art. Richmond: Curzon, 2000.

Walters, Larry. The Six Sigma journey from art to science: A business novel. Milwaukee, Wis: ASQ Quality Press, 2002.

Orti, Ma Angustias Cabrera. Los métodos de análisis físico-químicos y la historia del arte. Granada: Universidad de Granada, 1994.

Wülfert, Stefan. Der Blick ins Bild: Lichtmikroskopische Methoden zur Untersuchung von Bildaufbau, Fasern und Pigmenten. Ravensburg: Ravensburger Buchverlag, 1999.

Bouska, Deborah. The pigman [by Paul Zindel]: A novel study. Vancouver, BC: BCTF Lesson Aids Service, 1997.

Techne und Erfindung in der klassischen Malerei: Eine terminologische Untersuchung. München: Biering & Brinkmann, 2000.

V, Davies W., ed. Colour and painting in ancient Egypt. London: British Museum Press, 2001.

Ashok, Roy, ed. Colour. London: National Gallery Co., 2009.

David, Bomford, and National Gallery (Great Britain), eds. Impressionism. London: National Gallery, in association with Yale University Press, 1990.

David, Bomford, State University College at Buffalo. Dept. of Art Conservation., and National Gallery (Great Britain), eds. Impressionism. London: National Gallery, in association with Yale University Press, 1991.

Fairbrass, Sheila. Modern art: The restoration and techniques of modern paper and paints : the proceedings of a conference jointly organised by UKIC and the Museum of London, May 22nd 1989. Edited by United Kingdom Institute for Conservation of Historic and Artistic Works. London: The United Kingdom Institute of Conservation, 1989.

Feller, Robert L. Contributions to conservation science: A collection of Robert Feller's published studies on artists' paints, paper, and varnishes. Pittsburgh: Carnegie Mellon University Press, 2002.

Ellen, McCarthy Blythe, and Freer Gallery of Art, eds. Scientific research on historic Asian ceramics: Proceedings of the Fourth Forbes Symposium at the Freer Gallery of Art. London: Archetype Publications in association with the Freer Gallery of Art, Smithsonian Institution, 2009.

Smith, Mona-Lisa Haese, and Stan Skora. Pigment in Wax. Black Parrot Books, 2016.

Finlay, Victoria. Colores (Los Otros Libros). Grupo Oceano, 2005.

Color: A Natural History of the Palette. New York, USA: Ballantine Books, 2003.

Finlay, Victoria. Color: A Natural History of the Palette. Penguin Random House, 2007.

Marchessault, Robert L. Pixels and pigment: Designing museum web sites that support art education. 1997.

Publishers, Museum Museum. Notebook: Elu Face Mask, Ogoni People, 20th Century, Wood, Pigment, African Art. Independently Published, 2020.

Trinder, Kingston. An Atlas of Rare & Familiar Colour: The Harvard Art Museums' Forbes Pigment Collection. Atelier Éditions, 2019.

An Atlas of Rare & Familiar Colour: The Harvard Art Museums' Forbes Pigment Collection. Atelier Editions, 2018.

Publishers, Museum Museum. Notebook: Elu Face Mask, Ogoni People, 20th Century, Wood, Pigment, Fiber, African Art. Independently Published, 2020.

¿Por qué los girasoles se marchitan?: Los elementos químicos en el arte. Palencia, España: Cálamo, 2020.

Publishers, Museum Museum. Notebook: Janus-Faced Helmet Mask, Ejagham People, 20th Century, Wood, Skin, Pigment, Iron, Cloth, Fiber, African Art. Independently Published, 2020.

Earthen Pigments Handgathering Using Natural Color In Art. Schiffer Publishing, 2013.

Ricciardi, Paola, and Stella Panayotova. Art and Science. Miller Publishers, Harvey, 2018.

Delamare, Guineau, and Ber Francois. Colors: The Story of Dyes and Pigments. Harry N. Abrams, 2000.