Journal articles: 'Pietro in Bologna'

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Bowd, Stephen D. "Pietro Bembo and the ?monster? of Bologna (1514)." Renaissance Studies 13, no. 1 (March 1999): 40–54. http://dx.doi.org/10.1111/j.1477-4658.1999.tb00064.x.

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Bowd, SD. "Pietro Bembo and the 'monster' of Bologna (1514)." Renaissance Studies 13, no. 1 (March 1999): 40–54. http://dx.doi.org/10.1111/1477-4658.00291.

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Manetti, Elisa Désirée. "Pietro Trifone, Pocoinchiostro. Storia dell’italiano comune, Bologna, Il Mulino, 2017." DIDIT. Didattica dell’italiano. Studi applicati di lingua e letteratura, no. 2 (November 16, 2022): 245–46. http://dx.doi.org/10.33683/didit.22.02.14.

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Addams-Williams, J., K. Wu, and J. Ray. "The experiments behind the Tullio phenomenon." Journal of Laryngology & Otology 128, no. 3 (February 19, 2014): 223–27. http://dx.doi.org/10.1017/s0022215114000280.

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AbstractBackground:Professor Pietro Tullio was a director at the Laboratory of Experimental Physiology in Bologna during the early twentieth century. His experimental studies resulted in the description of the Tullio phenomenon, which is characterised by sound-induced vertigo and/or eye movements.Objective:The experimental studies behind his contribution to vestibular physiology are described within this paper, as are some of the further developments that have been made.

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LUZZATTO, SERGIO. "The Political Culture of Fascist Italy." Contemporary European History 8, no. 2 (July 1999): 317–34. http://dx.doi.org/10.1017/s0960777399002088.

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Mabel Berezin, Making the Fascist Self. The Political Culture of Interwar Italy (Ithaca: Cornell University Press, 1997), 264 pp., ISBN 0-801-43202-2.Simonetta Falasca-Zamponi, Fascist Spectacle. The Aesthetics of Power in Mussolini's Italy (Berkeley: University of California Press, 1997), 303 pp., ISBN 0-520-20623-1.Emilio Gentile, The Sacralization of Politics in Fascist Italy, trans. Keith Botsford (Cambridge, Mass.: Harvard University Press, 1996), 208 pp., ISBN 0-674-78475-8; originally published as Il culto del littorio. La sacralizzazione della politica nell'Italia fascista (Rome-Bari: Laterza, 1993), 326 pp., ISBN 8-842-04384-2.Giorgio Israel and Pietro Nastasi, Scienza e razza nell'Italia fascista (Bologna: Il Mulino, 1998), 408 pp., ISBN 8-815-06736-1.Karen Pinkus, Bodily Regimes. Italian Advertising under Fascism (Minneapolis-London: University of Minnesota Press, 1995), 268 pp., ISBN 0-816-62562-XAdolfo Scotto di Luzio, L'appropriazione imperfetta. Editori, biblioteche e libri per ragazzi durante il fascismo (Bologna: Il Mulino, 1996), 301 pp., ISBN 8-815-05559-2.

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DEAN, TREVOR. "Wealth distribution and litigation in the medieval Italian countryside: Castel San Pietro, Bologna, 1385." Continuity and Change 17, no. 3 (December 2002): 333–50. http://dx.doi.org/10.1017/s0268416003004429.

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The aim of this paper is to combine two types of source that are usually kept apart in the study of the Italian later Middle Ages: direct tax assessments and local court records. The purpose of putting these two sources together is to discover more about the operation of the local vicariate courts (another neglected element of Italian states) and about wealth distribution and litigation in the Italian countryside. The tax assessments are first analysed for what they reveal of agriculture, migration and wealth, then the court records for the identity of plaintiffs and defendants, and the nature of pleas. To interpret the resulting pattern of debts and credit, cooperation and conflict, concepts from English medieval historiography are used to explore the relationship between debtors and creditors.

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Aldini, Nicolò Nicoli, Milena Fini, and Roberto Giardino. "Pietro Loreta and His Contribution to Surgery in the 19th Century." American Surgeon 77, no. 3 (March 2011): 290–96. http://dx.doi.org/10.1177/000313481107700316.

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Pietro Loreta (1831 to 1889), head of surgery at the University of Bologna, Italy, is at present a little-known name. However, in the field of surgery in the second half of the 19th century, his contributions to various areas, especially that of bladder stone treatment and gastric surgery, aroused great interest also at the international level. This survey focuses on both of these subjects that are particularly indicative of Loreta's activity. While he was trying to improve the operation of perineal cystotomy, which was about to be abandoned, he was faced with the new frontier of gastrointestinal tract surgery. Surgery was in rapid transformation, and the practice of a general surgeon still encompassed the domains of different surgical specialities, which would develop individually afterward. Loreta was a pupil of the outstanding surgeon Francesco Rizzoli and some of his pupils such as Alessandro Codivilla and Bartolo Nigrisoli became heads of surgery. His attitude of caution, that he recommended in his writings, is more remarkable considering his problematic nature and might be the most significant and original trait of Loreta's personality.

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Ceulemans, Anne-Emmanuelle. "INSTRUMENTS REAL AND IMAGINARY: AARON'S INTERPRETATION OF ISIDORE AND AN ILLUSTRATED COPY OF THE TOSCANELLO." Early Music History 21 (September 4, 2002): 1–35. http://dx.doi.org/10.1017/s0261127902002012.

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Pietro Aaron (c.1480-c.1550) is the author of five music treatises. The first, Libri tres de institutione harmonica (Bologna, 1516), was composed in Italian and then translated into Latin by the humanist Giovanni Antonio Flaminio (1464-1536); the other four appeared in Italian, which made Aaron a pioneer in this regard. The Thoscanello de la musica, the first of the vernacular treatises, proved very successful and was reissued three times in the course of the sixteenth century under the title Toscanello in musica (Venice, 1529, 1539, 1562). These reissues are very similar to each other, but are clearly distinct from the first edition, in particular by the addition of an appendix (aggiunta) on various questions concerning musica ficta and the modes of Gregorian chant.

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Stoessel, Jason. "Arms, A Saint and Inperial sedendo fra più stelle." Journal of Musicology 31, no. 1 (January 1, 2014): 1–42. http://dx.doi.org/10.1525/jm.2014.31.1.1.

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Scholars have proposed Milan, Pisa and/or Bologna as possible locations for the copying of the inner gatherings (II–IV) of the manuscript Modena, Biblioteca Estense Universitaria, α.M.5.24 (Mod A) and have argued that some of the compositions might have originated in the circle of Archbishop of Milan Pietro Filargo. Yet evidence based on Mod A's repertory and the scant biographies of its composers is insufficient for determining the manuscript’s origin. To solve this problem, I look at Mod A as a cultural artifact, attributing its illumination to the Master of 1411, an illuminator active in Bologna from 1404 to 1411, or to his assistant, both associated with the manuscript workshop of the Olivetan abbey of San Michele in Bosco, on the outskirts of medieval Bologna. The Master of 1411 might have been Giacomo da Padova, an illuminator documented there between 1407 and 1409. Iconographical analysis shows that the illuminator of Mod A possessed considerable knowledge of Paduan culture before the fall of the ruling Carrara family in 1405. This knowledge is apparent in his use of an astrological allusion to Carrara heraldry in his decoration of the song Inperial sedendo. His illumination of a Gloria by Egardus with the figure of Saint Anthony of Padua implies a familiarity with Padua's musical institutions. Mod A may have been illuminated when the papal entourage of John XXIII visited San Michele in Bosco in the fall of 1410, although further compositions were added after the illuminator had finished his work. This conclusion invites scholars to consider afresh the social context that might have fostered the compilation of the repertory in the inner gatherings of Mod A.

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Coluccia, Rosario. "Pietro G. Beltrami, La filologia romanza. Profilo linguistico e letterario, Bologna, il Mulino, 2017, 388 p." Zeitschrift für romanische Philologie 135, no. 1 (March 4, 2019): 300–303. http://dx.doi.org/10.1515/zrp-2019-0013.

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Azzara, Riccardo Mario, Maria Girardi, Cristina Padovani, and Daniele Pellegrini. "Dynamic Behaviour of the Carillon Tower in Castel San Pietro Terme, Italy." Structural Control and Health Monitoring 2023 (February 9, 2023): 1–23. http://dx.doi.org/10.1155/2023/1045234.

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This paper presents the experimental investigations conducted on the carillon tower of the Santissimo Crocifisso Sanctuary in Castel San Pietro (Bologna, Italy) and the analysis of data collected by using velocimeters and accelerometers installed on the structure. The main goal is to assess the effects of the swinging bells on the dynamic behaviour of the tower. The paper’s novelty relies on the kind of structure monitored and the originality of the experiments. The structure is a rare example of a carillon tower, with fifty-five bells of different sizes, subjected to a careful measurement campaign never carried out before. Six experiments were conducted selectively by activating the bells to measure the tower’s response induced by different vibration sources and determine the peak velocities recorded by using instruments at different heights. Two ambient vibration tests complemented the six experiments. The carillon’s action induces low velocities on the tower, while experiments involving the bells swinging in the upper chamber produce the highest velocity values in the swinging direction; these values are more significant than those induced by the carillon alone. The most robust action is induced on the tower when all the bells (carillon plus swinging bells) ring. The experimental results are complemented by numerical simulations of the dynamic behaviour of the tower subjected to the action of a swinging bell.

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Caballero, Juan Luis. "Roberto PALAZZO, La figura di Pietro nella narrazione degli Atti degli Apostoli, Bologna: EDB, 2011, 160 pp." Scripta Theologica 44, no. 1 (March 20, 2015): 235. http://dx.doi.org/10.15581/006.44.1478.

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GOZZA, PAOLO. "ATOMI, 'SPIRITUS', SUONI: LE SPECULATIONI DI MUSICA (1670) DEL 'GALILEIANO' PIETRO MENGOLI *." Nuncius 5, no. 2 (1990): 75–98. http://dx.doi.org/10.1163/182539190x00039.

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Abstracttitle SUMMARY /title The publication of La Corrispondenza di Pietro Mengoli (Florence 1986), for the ' Archives of the Correspondence of Italian Scientists ' edited by the Istituto e Museo di Storia della Scienza, draws attention to a little-known mathematician and natural philosopher of the Galileian School, who was active in Bologna from 1625-1686. Mengoli was trained at the school of Bonaventura Cavalieri (1598-1647), and, after his teacher's death, became professor of mechanics (from 1649-50) and then mathematicis (from 1678 to 1685) in the Bolognese Studium. Today Mengoli's name is known mainly to Italian historians of mathematics interested in his Novae quadraturae arithmeticae (1650) and Geometria (1659). Only recently have his several works on ' mixed mathematics ', metaphysics, cosmology and Biblical chronology come to the attention of scholars. During his lifetime, however, the ' Bolognese Mathematician ' was widely known in Europe, especially in the years 1660-1680. His Speculationi di musica (1670) was eagerly awaited by members of the Royal Society, and was reviewed and partly translated in the Philosophical Transactions (1674). Oldenburg, in his review, pointed out for future historians of musical science the main points of interest of this uncommon musical treatise: 1) the peculiar theory of sound; 2) the refusal of the so-called ' coincidence-theory of consonance '; and, 3) the amazing physiology of hearing, which Mengoli based on his assumption of the existence of two drums in the human ear.

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Kelly, Thomas Forrest. "OLD-ROMAN CHANT AND THE RESPONSORIES OF NOAH: NEW EVIDENCE FROM SUTRI." Early Music History 26 (October 2007): 91–120. http://dx.doi.org/10.1017/s0261127907000241.

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Among the manuscript fragments in the Archivio comunale of Sutri (Province of Viterbo), Italy, are four consecutive folios of an Old-Roman antiphoner of the later eleventh century. The two bifolios are now identified as fragments 141 (Frammenti teologici 40) and 141bis (Frammenti teologici 41). These fragments, which preserve music for the feasts of Sexagesima, Quinquagesima and Ash Wednesday, are remnants of what appears to be the oldest witness of Old-Roman music for the office. When added to the two surviving antiphoners (London, British Library, Add. MS 29988, of the twelfth century, and Vatican City, Biblioteca Apostolica Vaticana, MS San Pietro B 79, of the end of the twelfth century) and two recently discovered fragments (in Frosinone and Bologna), the Sutri fragments bring to five the number of Old-Roman antiphoners of which at least some evidence survives. It begins to appear that manuscripts of this music were once not so rare. The Sutri fragments show some unusual liturgical characteristics that provide new information on the Roman liturgy; I will discuss these aspects shortly.

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Sandrini, Silvia, Dominik van Pinxteren, Lara Giulianelli, Hartmut Herrmann, Laurent Poulain, Maria Cristina Facchini, Stefania Gilardoni, et al. "Size-resolved aerosol composition at an urban and a rural site in the Po Valley in summertime: implications for secondary aerosol formation." Atmospheric Chemistry and Physics 16, no. 17 (September 1, 2016): 10879–97. http://dx.doi.org/10.5194/acp-16-10879-2016.

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Abstract. The aerosol size-segregated chemical composition was analyzed at an urban (Bologna) and a rural (San Pietro Capofiume) site in the Po Valley, Italy, during June and July 2012, by ion-chromatography (major water-soluble ions and organic acids) and evolved gas analysis (total and water-soluble carbon), to investigate sources and mechanisms of secondary aerosol formation during the summer. A significant enhancement of secondary organic and inorganic aerosol mass was observed under anticyclonic conditions with recirculation of planetary boundary layer air but with substantial differences between the urban and the rural site. The data analysis, including a principal component analysis (PCA) on the size-resolved dataset of chemical concentrations, indicated that the photochemical oxidation of inorganic and organic gaseous precursors was an important mechanism of secondary aerosol formation at both sites. In addition, at the rural site a second formation process, explaining the largest fraction (22 %) of the total variance, was active at nighttime, especially under stagnant conditions. Nocturnal chemistry in the rural Po Valley was associated with the formation of ammonium nitrate in large accumulation-mode (0.42–1.2 µm) aerosols favored by local thermodynamic conditions (higher relative humidity and lower temperature compared to the urban site). Nocturnal concentrations of fine nitrate were, in fact, on average 5 times higher at the rural site than in Bologna. The water uptake by this highly hygroscopic compound under high RH conditions provided the medium for increased nocturnal aerosol uptake of water-soluble organic gases and possibly also for aqueous chemistry, as revealed by the shifting of peak concentrations of secondary compounds (water-soluble organic carbon (WSOC) and sulfate) toward the large accumulation mode (0.42–1.2 µm). Contrarily, the diurnal production of WSOC (proxy for secondary organic aerosol) by photochemistry was similar at the two sites but mostly affected the small accumulation mode of particles (0.14–0.42 µm) in Bologna, while a shift to larger accumulation mode was observed at the rural site. A significant increment in carbonaceous aerosol concentration (for both WSOC and water-insoluble carbon) at the urban site was recorded mainly in the quasi-ultrafine fraction (size range 0.05–0.14 µm), indicating a direct influence of traffic emissions on the mass concentrations of this range of particles.

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Echevarría C., Evelio. "Le Ande; monografia geografico-alpinistica. By Pietro Meciani . (Bologna: Tamari, 1965. Pp. 158. 48 illus. 15 sketch-maps. 2000 lire.)." Americas 23, no. 2 (April 2004): 188. http://dx.doi.org/10.2307/980588.

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Sztuk, Dariusz. "R. Palazzo, La figura di Pietro nella narrazione degli Atti degli Apostoli, (Supplementi alla Rivista Biblica 52), Edizioni Dehoniane, Bologna 2011." Seminare. Poszukiwania naukowe 35, no. 4 (December 27, 2022): 203–5. http://dx.doi.org/10.21852/sem.2014.4.19.

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Izquierdo, César. "Gianfranco Ravasi, La Lettere di Giovanni e di Pietro, EDB, Bologna 1999, 96 pp., 11,2 x 18,5, ISBN 88-10-70966-7." Scripta Theologica 33, no. 1 (November 7, 2017): 307. http://dx.doi.org/10.15581/006.33.12889.

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di Gregorio, Mario A. "Pietro Corsi, Oltre il mito: Lamarck e le scienze naturali del suo tempo, Bologna, II Mulino, 1983, 8vo, pp. 432, L.30,000 (paperback)." Medical History 30, no. 3 (July 1986): 365. http://dx.doi.org/10.1017/s002572730004583x.

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Paoletti, Matteo. "‘A Single Purpose: The Conquest of the Foreign Art Markets’: Theatre and Cultural Diplomacy in Mussolini’s Italy (1919–1927)." New Theatre Quarterly 38, no. 3 (July 19, 2022): 201–21. http://dx.doi.org/10.1017/s0266464x22000148.

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This article explores the role of theatre in the strategies of cultural diplomacy that developed in Italy between the last years of the liberal state (1919–22) and the rise of Benito Mussolini. It covers the period until 1927, when the establishment of the Istituti Italiani di Cultura (Italian Cultural Institutes) and the approval of a new regulatory framework for migration marked a new era for fascist soft-power ambitions. The article draws upon unpublished sources of the Historical Diplomatic Archive of the Italian Ministry of Foreign Affairs and offers a new perspective on the use of theatre and the performing arts as a tool for cultural diplomacy through the testimony of such flagship authors as Luigi Pirandello, Filippo Tommaso Marinetti, Alfredo Casella, and Pietro Mascagni. Matteo Paoletti is a Senior Assistant Professor in Theatre Studies at the University of Bologna and part of the research project ‘Historia y patrimonio de la Argentina moderna’ with the Universidad Nacional de San Martín, Buenos Aires. He was a Cultural Attaché at the Italian Ministry of Foreign Affairs, and oversaw the 2003 Convention on Intangible Cultural Heritage for the Italian National Commission for UNESCO. His recent publications include ‘A Huge Revolution of Theatrical Commerce’: Walter Mocchi and the Italian Musical Theatre Business in South America (Cambridge University Press, 2020)

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Sesé, J. "François VANDENBROUCKE, La spiritualità del medioevo. (XII-XVI secolo). Nuovi ambienti e problemi, Dehoniane, Bologna 1991, 541 pp., 14 x 21. Tullo GOFFI-Pietro ZOVATO, La spiritualità del settecento, Dehoniane, Bologna 1990, 287 pp., 14 x 21." Scripta Theologica 26, no. 1 (February 5, 2018): 356–57. http://dx.doi.org/10.15581/006.26.16611.

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Lopukhova, Marina A. "A PROVINCIAL TUSCAN PAINTER OF THE 1ST THIRD OF THE 16TH CENTURY IN SEARCH OF THE GRAND MANNER: THE CURIOUS CASE OF AGOSTINO MARTI." RSUH/RGGU Bulletin. "Literary Theory. Linguistics. Cultural Studies" Series, no. 1 (2022): 249–69. http://dx.doi.org/10.28995/2686-7249-2022-1-249-269.

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This paper concerns the paintings of Agostino Marti, who was active in Lucca in the 1510–1530s. His early work was based on local tradition at the turn of the 15th and 16th centuries, which was strongly influenced by Florentine models, though in the 1520s he began to adopt the visual language of the High Renaissance. The main source of his paintings in this period was the art of Fra Bartolomeo, who was well known in Lucca. But citations from Raphael’s and Michelangelo’s Roman works in his “Marriage of Virgin” (1523) and the evidence of Lucchese archives both suggest that he visited Rome in 1517. The image of St. Andrew from the Parish Church in Capannori provides further argument in favour of this suggestion. However, some spectacular details in Marti’s later paintings are similar to the prominent works of Rosso Fiorentino and Parmigianino, executed in Florence (1523) and Bologna (1527) respectively. So we may suppose that he also travelled much in the 1520s. Generally, his borrowings from High Renaissance and from Mannerist art were ingenuous and not systematic. They were anticipated by the eclectic character of late Quattrocento Lucchese painting, which was evidently more familiar to him. The use of older models, such as altarpieces painted by his teacher Michele Angelo di Pietro Membrini or by Filippino Lippi, who was an iconic figure for the Lucchese school, seems more natural for Agostino Marti.

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Ferretti, R., K. De Sanctis, L. Molini, A. Parodi, M. Montopoli, F. S. Marzano, and F. Siccardi. "Investigating the sensitivity of high-resolution mesoscale models to microphysical parameters by the use of polarimetric radar observations." Atmospheric Chemistry and Physics Discussions 10, no. 8 (August 27, 2010): 20461–514. http://dx.doi.org/10.5194/acpd-10-20461-2010.

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Abstract. An improved methodology for investigating mesoscale model microphysics is presented and discussed for a case study. Polarimetric radar data are used to assess numerical weather prediction (NWP) model's skill in reproducing the microphysical features of severe rainfall. To this aim, an event of deep convection, developed on 20 May 2003 in the Po Valley (Italy), is analyzed. During the selected case study, two weather radars, sited in Gattatico and San Pietro Capofiume (near Bologna, Italy), detected a deep-convective and hail cell with a large inner graupel core which reached the ground, as was reported by local weather authorities and citizens. A hydrometeor classification algorithm, based on a Bayesian approach and a radar simulator model, are used to retrieve the vertical structure of the storm and characterize its ground effects. These products are used for evaluating the sensitivity of NWP models with respect to the graupel density, described in terms of the intercept parameter of the graupel size distribution and its depositional velocity. To this purpose two mesoscale NWP models, specifically COSMO-LAMI and MM5-V3, are used at high spatial resolution. Their ability in reproducing the vertical and the horizontal structure and the microphysical distribution of the major convective cell is evaluated. Both models show large sensitivity to different microphysical settings and a capability to reproduce fairly well the observed hail cell. Ground-radar reflectivity fields and the hydrometeor vertical structure are correctly simulated by both NWP models as opposed to a failure in reproducing the graupel distribution near the ground.

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Pollard, John. "Gian Franco Pompei, Un Ambasciatore in Vaticano. Diario, 1969–1977, a cura di Pietro Scoppola, Il Mulino, Bologna, 1994, 604 pp., ISBN 88-15-04317-9, 60,000 Lire." Modern Italy 1, no. 1 (1995): 138–40. http://dx.doi.org/10.1017/s1353294400005767.

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Fornasiero, A., P. P. Alberoni, G. Vulpiani, and F. S. Marzano. "Reconstruction of reflectivity vertical profiles and data quality control for C-band radar rainfall estimation." Advances in Geosciences 2 (June 8, 2005): 209–15. http://dx.doi.org/10.5194/adgeo-2-209-2005.

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Abstract. Microwave Doppler radars are considered a fairly established technique to retrieve rain rate fields from measured reflectivity volumes. However, in a complex orographic environment radar observations are affected by several impairments which should be carefully evaluated. Together with the enhancement of ground-clutter effects, the major limitation is represented by partial or total beam blocking caused by natural obstructions which very often impose to scan at high-elevation angles. These range-related limitations tend to reduce the potential role of operational weather radars in monitoring precipitation amount at ground within mountainous areas since, if either the nature or intensity of rainfall varies with height (e.g., melting effects during stratiform rain), radar returns at higher altitudes may be not representative of surface rain rate. Therefore, before to use the radar data, it is necessary to reduce, as much as possible, this evaluation errors and to estimate the reliability of the processed data. Near to the quality control, are needed quality indexes, taking into account each correction and elaboration step, that could be useful to retrieve a final quality value. In this work, we analyse the main factors that could be affect the efficiency of a reconstruction methodology of near-surface reflectivity fields from high-elevation reflectivity bins, in presence of complex orography. A climatologic schema is applied to infer near-surface reflectivity at a given range interval. The technique is developed in polar coordinates partially taking into account the antenna beam width degradation at longer ranges and overall computational efficiency for operational purposes. Thereafter, it is applied on a rainfall event observed by a C-band Doppler radar operating in S. Pietro Capofiume (Bologna, Italy) and the relation between the reconstruction error and possible quality indicators is analysed and discussed.

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Fayzullina, G. Sh, and E. I. Kubasheva. "Communication aspect of museum activities (experience and innovation of museums of florence)." Bulletin of "Turan" University, no. 2 (June 13, 2021): 175–83. http://dx.doi.org/10.46914/1562-2959-2021-1-2-175-183.

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The aim of the research presented in the article is to study the directions and mechanisms of action of museums in innovative practice. The modern museum as a cultural center is more focused on the individual, takes on the functions of organizing the leisure of citizens, responding to the social order, lifestyle. The study of the experience of museums in this context is focused on considering innovation at the local level - the museums of the city of Florence (center of Tuscany), which are a vivid example of the communicative model of the museum. This model of the museum is especially in demand today against the background of the problem of attracting (and retaining) visitors existing in museums around the world and in Kazakhstan. The study of valuable experience and innovative approaches in the communication activities of the best museums in the world can give impetus to the development of museums in Kazakhstan. The situation with the COVID–19 Pandemic has made its own adjustments in the relationship between visitors and museums. Both Florentine and Kazakhstani museums reacted to the situation with interesting projects. It is concluded that the introduction and development of information systems in museums in Italy made it possible to significantly optimize their work, and this, in turn, allowed them to reach a qualitatively new level of presentation of their services and collections. There are ample opportunities for the world museum community to access the Italian heritage.A great help in this study was the master's thesis by Irene di Pietro, which was written in the city of Bologna in 2017. An important source was the personal observations of E.I. Kubasheva in direct acquaintance with the museums of Florence. The research was carried out using narrative and historical-genetic methods.

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Drogin, David J. "Pietro Delpero I Volpini, una famiglia di scultori tra Lombardia e Baviera (secoli XVII-XVIII). Annali dell’Istituto storico italo-germanico in Trento Monografie 44. Bologna : Società editrice il Mulino , 2006 ISBN: 88-15-10732-0." Renaissance Quarterly 61, no. 1 (2008): 165–66. http://dx.doi.org/10.1353/ren.2008.0024.

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Thurber, T. Barton. "Architecture and civic identity in late sixteenth-century Bologna: Domenico and Pellegrino Tibaldi's projects for the rebuilding of the cathedral of San Pietro and Andrea Palladio's designs for the facade of the basilica of San Petronio." Renaissance Studies 13, no. 4 (December 1999): 455–74. http://dx.doi.org/10.1111/j.1477-4658.1999.tb00091.x.

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Barton Thurber, T. "Architecture and civic identity in late sixteenth-century Bologna: Domenico and Pellegrino Tibaldi's projects for the rebuilding of the cathedral of San Pietro and Andrea Palladio's designs for the facade of the basilica of San Petronio." Renaissance Studies 13, no. 4 (December 1999): 455–74. http://dx.doi.org/10.1111/1477-4658.00317.

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Paglione, Marco, Stefania Gilardoni, Matteo Rinaldi, Stefano Decesari, Nicola Zanca, Silvia Sandrini, Lara Giulianelli, et al. "The impact of biomass burning and aqueous-phase processing on air quality: a multi-year source apportionment study in the Po Valley, Italy." Atmospheric Chemistry and Physics 20, no. 3 (February 3, 2020): 1233–54. http://dx.doi.org/10.5194/acp-20-1233-2020.

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Abstract. The Po Valley (Italy) is a well-known air quality hotspot characterized by particulate matter (PM) levels well above the limit set by the European Air Quality Directive and by the World Health Organization, especially during the colder season. In the framework of Emilia-Romagna regional project “Supersito”, the southern Po Valley submicron aerosol chemical composition was characterized by means of high-resolution aerosol mass spectroscopy (HR-AMS) with the specific aim of organic aerosol (OA) characterization and source apportionment. Eight intensive observation periods (IOPs) were carried out over 4 years (from 2011 to 2014) at two different sites (Bologna, BO, urban background, and San Pietro Capofiume, SPC, rural background), to characterize the spatial variability and seasonality of the OA sources, with a special focus on the cold season. On the multi-year basis of the study, the AMS observations show that OA accounts for averages of 45±8 % (ranging from 33 % to 58 %) and 46±7 % (ranging from 36 % to 50 %) of the total non-refractory submicron particle mass (PM1-NR) at the urban and rural sites, respectively. Primary organic aerosol (POA) comprises biomass burning (23±13 % of OA) and fossil fuel (12±7 %) contributions with a marked seasonality in concentration. As expected, the biomass burning contribution to POA is more significant at the rural site (urban / rural concentration ratio of 0.67), but it is also an important source of POA at the urban site during the cold season, with contributions ranging from 14 % to 38 % of the total OA mass. Secondary organic aerosol (SOA) contributes to OA mass to a much larger extent than POA at both sites throughout the year (69±16 % and 83±16 % at the urban and rural sites, respectively), with important implications for public health. Within the secondary fraction of OA, the measurements highlight the importance of biomass burning aging products during the cold season, even at the urban background site. This biomass burning SOA fraction represents 14 %–44 % of the total OA mass in the cold season, indicating that in this region a major contribution of combustion sources to PM mass is mediated by environmental conditions and atmospheric reactivity. Among the environmental factors controlling the formation of SOA in the Po Valley, the availability of liquid water in the aerosol was shown to play a key role in the cold season. We estimate that the organic fraction originating from aqueous reactions of biomass burning products (“bb-aqSOA”) represents 21 % (14 %–28 %) and 25 % (14 %–35 %) of the total OA mass and 44 % (32 %–56 %) and 61 % (21 %–100 %) of the SOA mass at the urban and rural sites, respectively.

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Hilje, Emil. "Slika Bogorodice s Djetetom u The Courtauld Institute of Art u Londonu - prijedlog za Petra Jordanića." Ars Adriatica, no. 4 (January 1, 2014): 213. http://dx.doi.org/10.15291/ars.496.

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A painting of the Virgin and Child, signed as “OPVUS P. PETRI”, from the former Fareham Collection (today at the Courtauld Institute of Art), has been known in the scholarly literature for a long time but has only been subject to tangential analyses. These studies attempted to attribute it to painters meeting relatively dubious criteria: that their name was Peter (Petar) and that they could be linked to the painting circle of Squarcione or, more specifically, to that of Carlo Crivelli with whose early works, especially the Virgin and Child (the Huldschinsky Madonna) at the Fine Arts Gallery in San Diego, the Courtauld painting shares obvious connections. Roberto Longhi ascribed it to the Paduan painter Pietro Calzetta in 1926, while Franz Drey, in 1929, considered it to be the work of Pietro Alemanno, Crivelli’s disciple, who worked in the Marche region during the last quarter of the fifteenth century. After the Second World War, the Courtauld painting was almost completely ignored by the experts. The only serious judgement was that expressed by Pietro Zampetti, who established that it was an almost exact copy of Crivelli’s Huldschinsky Madonna, meaning that if Calzetti had painted it, he would have done it while Carlo was still in the Veneto, before he went to Zadar.The search for information which can shed more light on the attribution of the Virgin and Child from the Courtauld is aided by the valuable records in the Fondazione Federico Zeri at the Università di Bologna. The holdings of the Fototeca Zeri include three different photographs of the Courtauld painting with brief but useful accompanying notes. Of particular importance is the intriguing inscription on the back of one of the photographs, which points to the painting’s Dalmatian origin. In a certain way, this opens the possibility that it might be linked to another painter who was close to the Crivelli brothers: the Zadar priest and painter Petar Jordanić. That he may have been the one who painted it is indicated by the signature itself, which could be read as “OPVUS P(RESBITERI) PETRI”.Archival records about Petar Jordanić provide almost no information about his work as a painter. Apart from his signature of 1493 on a no-longer extant polyptich from the Church of St Mary at Zadar, the only record of his artistic activities is one piece of information: that in 1500 he took part in a delegation which was sent from Zadar to its hinterland charged with the task of making drawings of the terrain which could be used to help defend the town against the Ottoman Turks. However, more than thirty documents which mention him do paint a picture of his life’s journey and his connection with Zadar. The most important basis for any consideration of a possible connection between Petar Jordanić and Carlo Crivelli can be found in the will of his father Marko Jordanov Nozdronja (in late 1468) where Petar was named as the executor, meaning that at this point he was of age. Therefore, it can be concluded that he was born between 1446 and 1448. This makes him old enough to have been taught by Carlo during his stay in Zadar from c. 1460 to 1466. Although relatively modest, the oeuvre of Petar Jordanić demonstrates striking connections with the paintings of Carlo and Vittore Crivelli, and Ivo Petricioli has already put forward a hypothesis that he may have been taught by one of the brothers.The comparison between the painting from the Courtauld Institute of Art in London and the known works of Petar Jordanić (the Virgin and Child from a private collection in Vienna; the Virgin and Child from the Parish Church at Tkon; fragments of a painted ceiling from Zadar Cathedral; the lost polyptich from the Church of St Mary at Zadar) reveals a multitude of similar features. Apart from the general resemblance in the physiognomies of the Virgin and Christ Child which represent the most conspicuous analogies, a number of very specific “Morellian” elements can also be noted in the manner in which the faces were painted. These similarities are particularly apparent when one compares the head of the Christ Child on the painting from London and his head on the one from Tkon, which are almost identically depicted. Further similarities between the London painting and the one at Vienna can be seen in the way in which landscapes were painted and in the similar decorations of the gold fabrics in the backgrounds with their undulating scrolls and sharp almond-shaped leaves.However, with regard to visual characteristics, it is apparent at first sight that the quality of the London painting is markedly higher and that it is stylistically more advanced than those works which are attributed with certainty to Jordanić. These differences can be explained by the possibility that this was a more or less direct copy of one of Carlo Crivelli’s painting, probably not the Huldschinsky Madonna but one that was very similar to it and subsequently lost.Naturally, if the London painting is attributed to Petar Jordanić, meaning that it was produced in Zadar, then the argument on the basis of which the Huldschinsky Madonna has been dated to the time before Crivelli’s arrival in Zadar becomes a counter-argument, and, in that way, corroborates the possibility that the Huldschinsky Madonna, which shares a large number of similar elements with the painting from the Courtauld Institute of Art, was created while Carlo was in Zadar.

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Verzichelli, Luca. "Piero Ignazi, L'estrema destra in Europa, Bologna, Il Mulino, 1994, pp. 260." Italian Political Science Review/Rivista Italiana di Scienza Politica 26, no. 2 (August 1996): 429–30. http://dx.doi.org/10.1017/s0048840200024357.

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TANNER, NORMAN. "Un cristiano sul trono di Pietro. Studi storici su Giovanni XXIII. Edited by Enzo Bianchi, Lucia Butturini, Enrico Galavotti, Agostino Giovagnoli, Valeria Martano, Andrea Riccardi, Giuseppe Ruggieri, Micol Tancini and Alberto Melloni. Pp. 399 incl. 9 ills. Bologna: Servitium/Fondazione per le Scienze Religiose Giovanni XXIII, 2003. €30. 88 8166 210 8." Journal of Ecclesiastical History 56, no. 1 (January 2005): 192–93. http://dx.doi.org/10.1017/s0022046904962185.

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Lomonaco, Alice. "Riuso temporaneo dei vuoti urbani: limiti ed opportunità." SOCIOLOGIA URBANA E RURALE, no. 128 (July 2022): 109–24. http://dx.doi.org/10.3280/sur2022-128010.

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Le pratiche di riuso temporaneo dei vuoti urbani si prestano a garantire risposte alle nuove esigenze di vita che la contemporaneità ha imposto, per adattarsi più facilmente alle richieste degli attori; tuttavia, sembrano confermare le tendenze alla precarietà e alla flessibilità del lavoro e della vita degli attori coinvolti. Attraverso l'analisi del caso studio dell'Associazione Venti Pietre di Bologna l'articolo intende interrogarsi su cosa succede alle esperienze di rigenerazione urbana dal basso dopo la temporaneità. Queste esperienze possono essere trapiantate altrove? Hanno lo stesso successo e la stessa capacità? Cosa succede alle reti di relazioni costruite nel tempo una volta scaduto il tempo previsto dal contratto?

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Baccetti, Carlo. "Piero Ignazi, Dal PCI al PDS, Bologna, il Mulino, 1992, pp. 176, L. 18.000." Italian Political Science Review/Rivista Italiana di Scienza Politica 23, no. 1 (April 1993): 196–98. http://dx.doi.org/10.1017/s0048840200022139.

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Brizzi, Gian Paolo. "La scolarité de Pietro Antonio Adami chez les jésuites de Bologne à la fin du XVIIe siècle." Histoire de l'éducation, no. 124 (October 1, 2009): 51–71. http://dx.doi.org/10.4000/histoire-education.2062.

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Travis, David. "Piero Dorfles, Carosello, Il Mulino, Bologna, 1998, 120 pp., ISBN 88-15-06588-1 pbk, 18,000 Lire." Modern Italy 5, no. 2 (November 2000): 230–32. http://dx.doi.org/10.1017/s1353294400008188.

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Bertrand, Gilles. "Carlo Capra. I progressi della ragione. Vita di Pietro Verri. Bologne, Società editrice il Mulino, 2002, 631 p." Annales. Histoire, Sciences Sociales 59, no. 4 (August 2004): 882–84. http://dx.doi.org/10.1017/s0395264900019946.

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Olshin, Benjamin B. "Piero Falchetta. Fra' Mauro's World Map: A History. 121 pp., illus., tables, bibl. Bologna: Imago, 2013. €25 (paper)." Isis 105, no. 4 (December 2014): 839. http://dx.doi.org/10.1086/680273.

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Tarchi, Marco. "Piero Ignazi, Il polo escluso. Profilo del Movimento Sociale Italiano, Bologna, Il Mulino, 1989, pp. 414, L. 40.000." Italian Political Science Review/Rivista Italiana di Scienza Politica 20, no. 1 (April 1990): 181–83. http://dx.doi.org/10.1017/s0048840200009011.

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Cipolli, Carlo, and Vincenzo Natale. "Il laboratorio di psicofisiologia del sonno e del sogno." RICERCHE DI PSICOLOGIA, no. 2 (October 2021): 129–43. http://dx.doi.org/10.3280/rip2021oa12602.

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Renzo Canestrari fondò l'Istituto di Psicologia dell'Università di Bologna e lo diresse per oltre 20 anni, durante i quali indirizzò varie linee di ricerca sull'adulto. Assegnò due ambienti al laboratorio del sonno per ricerche su struttura, variazioni circadiane e attività mentali durante il sonno (AMS). Dal 1967 Piero Salzarulo studiò l'influenza della deprivazione sensoriale e dei ritmi circadiani sulle caratteristiche neurofisiologiche del sonno, mentre Marino Bosinelli analizzò le caratteristiche percettive ed emozionali delle AMS soprattutto in addormentamento. Canestrari sostenne costantemente le ricerche con risorse umane, finanziarie e tecnologiche, per cui Salzarulo e Bosinelli poterono organizzare due gruppi di giovani ricercatori. Vennero così individuate le variazioni stadio- e ciclo-dipendenti nei contenuti e nella struttura delle AMS, il funzionamento dei processi cognitivi coinvolti nell'elaborazione delle AMS, l'accesso alle fonti mnestiche trasformate in contenuti di AMS. I progetti di ricerca dei due gruppi, realizzati con approcci cognitivi distinti ma complementari alle AMS, hanno avuto ampia risonanza internazionale e sono stati considerati come i più sistematici realizzati negli anni '70 e '80 al di fuori degli USA. Nel laboratorio sono tuttora attive le linee originarie di ricerca, unitamente alla cronopsicologia del sonno.

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PEREIRA, MICHELA. "PIERO MORPURGO, Filosofia della natura nella Schola Salernitana del secolo XII, Prefazione di Enrique Montero Cartelle, Bologna, CLUEB, 1990, 245 pp., L. 35.000." Nuncius 6, no. 1 (1991): 218–21. http://dx.doi.org/10.1163/182539191x00218.

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Gil-Tamayo, Juan Antonio. "Piero CAPELLI (ed.), Il diavolo e l'occidente. Convegno di studi organizzato da BIBLIA (Bologna, 9-11 maggio 2003), Editrice Morcelliana, Brescia 2006, 160 pp." Anuario de Historia de la Iglesia 16 (April 18, 2018): 475–76. http://dx.doi.org/10.15581/007.16.10143.

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Palmer, Peter. "Swiss Music." Tempo 57, no. 226 (October 2003): 54–56. http://dx.doi.org/10.1017/s0040298203290355.

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NORBERT MORET: TriptyquepourlesFêtes1; Gastlosen2; Mendiant du Ciel bleu3. 1The Tallis Scholars; 2Fritz Muggler organ); 3Béatrice Haldas (sop), Philippe Huttenlocher (bar), Nederlandse Omroep Stichting of Hilversum, Maitrise de St-Pierre aux Liens of Bulle, Düdingen Women's Choir; Heiner Kühner, Catherine Moret, Claudia Schneuwly (organs), Basle Radio Symphony Orchestra c. Armin Jordan. Musiques Suisses MGB CD 6199.ROLF LIEBERMANN: Furioso for orchestra1; Geigy Festival Concerto2; Medea-Monolog3; Les Echanges4; Concerto for Jazz Band and Symphony Orchestra5. 3Rachael Tovey (sop), 3Darmstadt Concert Choir; 2Alfons Grieder (perc); 1,2,5Simon Nabatov (pno); 5NDR Big Band, 1–5Bremen Philharmonic Orchestra c. Günter Neuhold. Naxos 8.555884.BETTINA SKRZYPCZAK: Scène1; Miroirs2; Fantasie for oboe3; SN 1993 J4; Toccata sospesa5; Concerto for Piano and Orchestra6. 1Noemi Schindler (vln), Christophe Roy (vlc); 2Mireille Capelle mezzo-sop), Ensemble Contrechamps of Geneva; 3Matthias Arter (oboe); 4Bohuslav Martinu Philharmonia of Zlin c. Monica Buckland Hofstetter; 5Verena Bosshart (fl), Riccardo Bologna, Eduardo Leandro (perc); 6Massimiliano Damerini (pno), Philharmonische Werkstatt Schweiz c. Mario Venzago. Musikszene Schweiz Grammont Portrait MGB CTS-M 78.RICHARD DUBUGNON: Piano Quartet1; Incantatio for cello and piano2; Trois Evocations finlandaises3; Cinq Masques for oboe4; Canonic Verses for Oboe, Cor Anglais and Oboe d'Amore5; Frenglish Suite for Wind Quintet6. 4,5Nicholas Daniel (ob), 5Emma Fielding (cor ang), 5Sai Kai (ob d'amore), 1Viv McLean (pno), 2Dominic Harlan (pno), 1Illka Lehtonen (vln), 1Julia Knight (vla), 1,2Matthew Sharp (vlc), 3Richard Dubugnon (db), 6Royal Academy Wind Soloists. Naxos 8.555778.

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Pasquino, Gianfranco. "Troppi capi e troppo pochi indiani: la leadership del centro-sinistra." Modern Italy 10, no. 1 (May 2005): 95–108. http://dx.doi.org/10.1080/13532940500113417.

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SummarySince its defeat in the 2001 general election, the Italian centre-left has been unable to come to any agreement on the question of its political leadership, either inside or outside parliament. For various reasons, neither of the defeated candidates—Francesco Rutelli of the Margherita and Piero Fassino, the new secretary of the Democrats of the Left—was able to take on this role. Nor could the centre-left agree on appointing Massimo D'Alema as the alliance's spokesperson in parliament. As a result, the choice regarding the alliance leadership was continually postponed with the excuse: ‘The centre-left has lots of prominent figures. When the time comes we will choose one of them’. For a time, there was popular support in favour of a leadership role for Sergio Cofferati, the former Secretary of the Confederazione Generale Italiana del Lavoro (CGIL). However, the likelihood of this scenario receded with his decision to run as candidate-mayor for Bologna. Subsequently, the return from Brussels of the only centre-left leader to have won a general election, Romano Prodi, seemed to resolve the leadership question. However, Prodi quickly became aware that, while the party oligarchs of the centre-left were prepared to make him leader, they were not willing to yield much power. Prodi therefore suggested the use of electoral primaries to decide the leadership issue. In this way, he hoped to build up sufficient consensus from the Olive Tree/centre-left electorate to allow him to become not only head of the government, but also the real leader of the alliance. To date, however, the problems surrounding the centre-left leadership and the undefined nature of the Olive Tree remain unresolved.

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Donovan, Mark. "Piero Ignazi, Il polo escluso. Profilo storico del Movimento Sociale Italiano, Il Mulino, Bologna, 1996, 293, second edition, 452 pp., ISBN 88-15-05234-8 pbk, 46,000 Lire." Modern Italy 6, no. 2 (November 2001): 241–43. http://dx.doi.org/10.1017/s1353294400012072.

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Morris, Penelope. "Luisa Cicognetti, Lorenza Servetti and Pierre Sorlin (eds), L'immagine della resistenza in Europa: 1945–1960. Letteratura, cinema, arti figurative, Il Nove, Bologna, 1996, 123 pp." Modern Italy 4, no. 1 (May 1999): 98–99. http://dx.doi.org/10.1017/s1353294400007274.

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Bachmann, P., and D. Sunder. "Theory of Fusion Plasmas. International School of Plasma “Piero Caldirola”. Proceedings of the workshop held at Villa Monastero Varenna, Italy, August 27–31, 1990. Editrice Compositori Bologna 1990. Edited by E. Sindoni, F. Troyon and J. Vaclavic." Contributions to Plasma Physics 31, no. 5 (1991): 558. http://dx.doi.org/10.1002/ctpp.2150310510.

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Charques Gómez, Rocío. "Piero Menarini (ed.). “Romanticismo y exilio”. Actas del X Congreso (Alicante, 12-14 de marzo de 2008. Salón de Grados de Filosofía y Letras). Bologna: Centro Internacional de Estudios sobre el Romanticismo Hispánico «Ermanno Caldera», 2009, 296 pp." BOLETÍN DE LA BIBLIOTECA DE MENÉNDEZ PELAYO 85, Único (September 14, 2022): 581–83. http://dx.doi.org/10.55422/bbmp.727.

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El volumen que se reseña es la recopilación de las actas del X Congreso de Romanticismo Hispánico, celebrado en Alicante en el año 2008, a diferencia de otros años, cuando se celebra en Italia. Las ponencias tienen en común el tratamiento del exilio de distintos escritores románticos hispanoamericanos. La reseña hace un repaso por todas ellas, mencionando sus autores, los escritores que tratan y cómo realizan sus análisis. También se menciona a escritoras olvidadas del Hispanismo, cuya memoria se honra en este Congreso, además de darse diferencias entre los tipos de exilio existentes.

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Bachmann, P., and D. Sünder. "Theory of Fusion Plasmas. International School of Plasma Physics “Piero Caldirola” Proceedings of the workshop held at Villa Cipressi-Verenna, Italy August 24–28, 1987. Editrice Compositori Bologna 1988. edited by A. Bondeson, E. Sindoni and F. Troyon." Contributions to Plasma Physics 29, no. 1 (1989): 90. http://dx.doi.org/10.1002/ctpp.2150290112.

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Journal articles on the topic 'Pietro in Bologna'

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