Relevant bibliographies by topics / Pierre massive

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Academic literature on the topic 'Pierre massive'

Author: Grafiati
Published: 4 May 2024

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Journal articles on the topic "Pierre massive"

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Burton, Anthony. "Lucerne Festival 2004: Harrison Birtwistle." Tempo 59, no. 231 (January 2005): 37–39. http://dx.doi.org/10.1017/s0040298205220053.

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Among major European festivals, the Lucerne Festival is outstanding in the attention it pays to contemporary music. The latest manifestation of this is the founding of an annual Lucerne Festival Academy for young professional players, specializing in the music of the 20th and 21st centuries, under the leadership of Ensemble Intercontemporain and the indefatigable Pierre Boulez. Nor is this is on the modest scale of a ‘young Sinfonietta’: its final concert, conducted by Boulez, began with Harrison Birtwistle's massive Earth Dances.
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Hodges, Nicolas. "The Music of Bill Hopkins: a preliminary approach." Tempo, no. 186 (September 1993): 4–12. http://dx.doi.org/10.1017/s0040298200003028.

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When Bill Hopkins died of a massive heart attack in March 1981, at the age of 37, the loss was immense, not only for his family and friends, but also for the music world at large. Those who have actually listened to his music (they are fewer than one would suppose) have judged that his potential was huge, one commentator being ‘sure he would have become a considerable force, comparable perhaps with Pierre Boulez’. However, rather than a dismissal of his work as promise unfulfilled, more appropriate would be a celebration of the startling achievement his completed works in fact represent – as I hope this article, and further performances, will demonstrate.
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Veillette, Jean J., and F. M. Nixon. "Sequence of Quaternary Sediments in the Bélanger Sand Pit, Pointe-Fortune, Québec-Ontario." Géographie physique et Quaternaire 38, no. 1 (November 29, 2007): 59–68. http://dx.doi.org/10.7202/032536ar.

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ABSTRACT Drilling in the floor of the Bélanger sand pit (Ontario) near Pointe-Fortune, Québec, added 3 stratigraphic units to those already exposed in the pit: a lowermost till, and an intermediate organic-bearing (?) sand-clay unit overlain by a massive lacustrine clay. The subsurface units, comprising about 70% of the stratigraphy, complete the Quaternary sequence exposed in the pit face : an organic-bearing silty sand (>40 000 years BP) unit truncated by an unfos-siliferous sand unit and overlain by the uppermost till. The overall sequence forms a continuous 18 m column of Quaternary sediments. The Pointe-Fortune sequence shows some similarities with the Trois-Rivières Quaternary series which includes the Saint-Pierre sediments >75 000 years old. In addition to stratigraphie information the combination of direct (drilling) and indirect (geophysical) methods of investigation by providing a three-dimensional picture of the subsurface has proved helpful in interpreting the stratigraphy. The geotechnical properties of a massive overconsolidated clay have been determined to facilitate the planning of future subsurface investigation.
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Parent, Gabrielle. "Subjects of Interpretation: Second Language Acquisition by Jesuit Missionaries among the Northern Ojibwa, 1842–1880." Montreal 2010 21, no. 1 (May 9, 2011): 59–82. http://dx.doi.org/10.7202/1003043ar.

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This article focuses on second-language learning and “linguicide” in Upper Canada between 1843 and 1877. From the small group of Jesuits that made up the ranks of the Society of Jesus’ new missions to Canada in the post-suppression era, it was Jean Pierre Choné, Joseph Hanipaux, Nicholas Frémiot, and Dominique du Ranquet, August Kohler, Nicolas Point, and Joseph Jennesseaux that first learned Algonquin languages in order to proselytize to the Northern Ojibwa populations at the Upper Canada. The Upper Canada mission, led by superior Pierre Chazelle, re-established some of the Society of Jesus’ older Aboriginal missions, and expanded their evangelical territory north and west along Lake Huron and Lake Superior. Important stations were built among the Ojibwa at Wikwemikong on Manitoulin Island in 1844, in Sault Sainte Marie in 1846, and along the Pigeon and Kamanistikwa Rivers, near Fort William, in 1848. This paper examines why the new Jesuits were motivated to learn the languages spoken at their Aboriginal missions in the nineteenth century and simultaneously investigates how the massive and unexpected psychological challenges of the 1800s, including anti-Catholicism, British rule, mass immigration, and formidable industrial development in Upper Canada, supported or discouraged the Jesuits’ language acquisition.
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Schulten, Irena, David C. Mosher, David J. W. Piper, and Sebastian Krastel. "A Massive Slump on the St. Pierre Slope, A New Perspective on the 1929 Grand Banks Submarine Landslide." Journal of Geophysical Research: Solid Earth 124, no. 8 (August 2019): 7538–61. http://dx.doi.org/10.1029/2018jb017066.

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DeThorne, Jeffrey. "Schaeffer's Values, Henry's Monsters and Orchestral Noise Reduction." Organised Sound 18, no. 1 (March 26, 2013): 81–91. http://dx.doi.org/10.1017/s135577181200026x.

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If nineteenth-century aesthetics distinguish between distinct, colourful French instrumentation and doubled, equalised German orchestration, this distinction softens when the ‘New German’ orchestration of Wagner and Strauss exploits individual instrumental colours before dissolving them into massive orchestral sonorities. Similarly, if early French electroacoustic music counteracts the meta-serialism of early twentieth-century German electronic music, Pierre Schaeffer's Traité des objets musicaux combines his early anecdotal Noise Studies with a noise-reduction process into a new, rather German aesthetic of electroacoustics. In search of musical objects through a reductive, analytical listening (entendre), Schaeffer's neutralisation of anecdotal noises into musical objects is analogous to New German orchestration's neutralisation of individual orchestral colours in order to synthesise new orchestral combinations. Although this orchestral synthesis is different from the analytical probe for new valeurs involved in entendre, the separation of the noise from its residual signification are fundamental processes within both nineteenth-century orchestrational and twentieth-century electroacoustic musical aesthetics. If our current understanding of electronic music aligns Schaeffer and Pierre Henry wholly with modernity and its putatively radical and self-conscious break with Berlioz, Brahms and historical tradition, this article suggests that an essential underlying continuity in the French-instrumentation/German-orchestration binary persists even in the face of the decline of the musical and cultural traditions that created and sustained them.
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Jimenez, Luis. "The psychosocial significance of social character, habitus and structures of feeling in research on neoliberal post-industrial work." Journal of Psychosocial Studies 12, no. 3 (October 1, 2019): 259–76. http://dx.doi.org/10.1332/204378919x15674407132232.

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This article highlights the psychosocial relevance of Erich Fromm’s concepts of ‘social character’ and ‘social change’ to broaden our understanding of the intergenerational traumatic legacy of neoliberalism. As part of this, it also reflects on the psychosocial significance of other related concepts ‐ namely Pierre Bourdieu’s ‘habitus’ and Raymond Williams’ ‘structures of feeling’ ‐ as ways to also acknowledge their significance when related to each other in emerging research on the neoliberal effects of changes in work and identities. This includes secondary analysis of my own earlier research on the psychosocial ramifications of the loss of stable work, changing worker-gendered identities, disrupted affect, community engagement and historical memory within a global context of insecure labour. This is all understood within a theoretical frame that stresses the emerging neoliberal forms of social character in the aftermath of the massive redundancies and unemployment experienced recently in post-industrial working-class communities in the UK.
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Sarhindi, Irfan Latifulloh. "Symbolic Violence in Indonesian Society." Journal of Southeast Asian Human Rights 1, no. 1 (November 13, 2017): 56. http://dx.doi.org/10.19184/jseahr.v1i1.5707.

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Islam is by far the largest religion in Indonesia, and given the size of Indonesia’s population and the massive percentage of which follow identify as Muslim, Indonesia becomes the biggest Muslim majority country. In the light of this reality, Islam becomes the society’s dominant role of conduct. As to be predicted in such system, a social hierarchy has developed in which Indonesian Muslims enjoy the most privileges. Such a situation has created a fertile ground for the possible use of what Pierre Bourdieu’s call ‘symbolic violence’. As a consequence, there is a tendency for the minor group of Indonesian people to be marginalized. Sadly, this seems to be exacerbated by the rise of Islamic conservativism and radicalisation in post-1998 Indonesia. That says, their lack of capability in recognizing minority’s rights often leads to religious intolerance. Considerably, as to solve such a situation, widening perspective as well as strengthening inter-group and inter-religion dialogue is required.
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Schulten, Irena, David C. Mosher, Sebastian Krastel, David J. W. Piper, and Markus Kienast. "Surficial sediment failures due to the 1929 Grand Banks Earthquake, St Pierre Slope." Geological Society, London, Special Publications 477, no. 1 (May 3, 2018): 583–96. http://dx.doi.org/10.1144/sp477.25.

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AbstractA Mw 7.2 earthquake centred beneath the upper Laurentian Fan of the SW Newfoundland continental slope triggered a damaging turbidity current and tsunami on 18 November 1929. The turbidity current broke telecommunication cables, and the tsunami killed 28 people and caused major infrastructure damage along the south coast of Newfoundland. Both events are believed to have been derived from sediment mass failure as a result of the earthquake. This study aims to identify the volume and kinematics of the 1929 slope failure in order to understand the geohazard potential of this style of sediment failure. Ultra-high-resolution seismic reflection and multibeam swath bathymetry data are used to determine: (1) the dimension of the failure area; (2) the thickness and volume of failed sediment; (3) fault patterns and displacements; and (4) styles of sediment failure. The total failure area at St Pierre Slope is estimated to be 5200 km2, recognized by escarpments, debris fields and eroded zones on the seafloor. Escarpments are typically 20–100 m high, suggesting failed sediment consisted of this uppermost portion of the sediment column. Landslide deposits consist mostly of debris flows with evidence of translational, retrogressive sliding in deeper water (>1700 m) and evidence of instantaneous sediment failure along fault scarps in shallower water (730–1300 m). Two failure mechanisms therefore seem to be involved in the 1929 submarine landslide: faulting and translation. The main surficial sediment failure concentrated along the deep-water escarpments consisted of widely distributed, translational, retrogressive failure that liquefied to become a debris flow and rapidly evolved into a massive channelized turbidity current. Although most of the surficial failures occurred at these deeper head scarps, their deep-water location and retrogressive nature make them an unlikely main contributor to the tsunami generation. The localized fault scarps in shallower water are a more likely candidate for the generation of the tsunami, but further research is needed in order to address the characteristics of these fault scarps.
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SCHOFIELD, ANN. "The Returned Yank as Site of Memory in Irish Popular Culture." Journal of American Studies 47, no. 4 (February 26, 2013): 1175–95. http://dx.doi.org/10.1017/s0021875813000030.

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This article examines the figure of the Returned Yank in Irish popular culture to explain the contradiction between the Irish preoccupation with the figure of the emigrant who returns and the low number of emigrants who actually do return to their native land. The article argues that the Returned Yank is a lieu de mémoire or site of memory – a concept defined by French historian Pierre Nora as “any significant entity, whether material or non-material in nature, which by dint of human will or the work of time has become a symbolic element of the memorial heritage of any community” and used by scholars of African American and other cultures with particular concerns about memory and history. As a site of memory, the Irish Returned Yank allows the Irish to explore the meaning of massive population loss, the relationship with a diasporic population of overseas Irish, and tensions between urban and rural life. The article also suggests a relationship between Irish national identity and the Returned Yank.
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Dissertations / Theses on the topic "Pierre massive"

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Petkova, Natalia. "Form follows material ? : Stories of building in massive stone today." Electronic Thesis or Diss., Paris Est, 2023. https://these.univ-paris-est.fr/intranet/2023/TH2023PESC2017.pdf.

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La pierre. À en juger par le nombre de projets réalisés, de livres et d’articles publiés, de formations suivies, d’expositions organisées et de conférences données autour de son utilisation structurelle, cet ancien matériau de construction connait manifestement un renouveau dans l’architecture contemporaine. Aux côtés d’autres matériaux bio ou géosourcés, présentés comme des alternatives écologiques à leurs homologues synthétiques (principalement le béton, l’acier etla brique), la pierre fait l’objet d’appréciations très positives de la part des professionnels de la construction et du grand public dans un certain nombre de pays d’Europe occidentale. Cet engouement pour les matériaux dits naturels coïncide avec une évolution plus large de la manière dont l’architecture est aujourd’hui présentée, discutée et évaluée, largement inspirée parle material turn dans le domaine de material studies autour de l’an 2000. Ce tournant a vu l’intérêt pour le style, la fonction ou le contenu symbolique des bâtiments largement supplanté par l’attention portée aux matériaux dont ils sont faits, leur fabrication, usage et agency. Les professionnels comme le grand public ont en effet dorénavant tendance à privilégier les considérations sociales, culturelles, économiques et environnementales autour de la construction,de l’utilisation et de l’après-vie des bâtiments, en minimisant et en mettant parfois de côté les questions de forme – l’essence physique des bâtiments.La thèse principale défendue dans Form follows material ? est que la prise en compte du material turn dans la recherche architecturale, aussi précieuse qu’elle ait été en élargissant l’horizon des préoccupations de la discipline, a également le potentiel de remettre fondamentalement en question la façon dont nous pensons la forme. Cette recherche explore donc ce que l’utilisation de la pierre en structure fait à l’architecture contemporaine, en termes d’usages et de forme. Son objectif est moins de déduire une théorie globale de la construction en pierre massive aujourd’hui que d’induire des façons utiles de l’interpréter. Chacun des neuf chapitres représente une perspective à travers laquelle nous pouvons commencer à la situer dans l’histoire récente de l’architecture et à considérer ses conséquences pour la théorie et la pratique architecturale. Ces perspectives ont émergé d’un travail ethnographique sur le terrain autour d’une série de projets de construction (dessinés par Atelier Archiplein, Atelier Architecture Perraudin, Aulets Arquitectes,Institut Balear de l’Habitatge IBAVI et Caruso St John Architects) en cours de réalisation en Suisse, en Espagne et en Angleterre — où l’intérêt pour le matériau est en train de se développer. La pierre est ainsi examinée dans le cadre de son utilisation à des fins structurelles — c’est-à-dire porteuses ou autoportantes — dans la construction aujourd’hui à travers : les raisons pour lesquelles on choisit de l’employer ; la logique de son approvisionnement ; l’expertise à laquelle elle fait appel ; ses prétendus fondements moraux ; le travail impliqué dans son extraction et sa transformation ; ses tendances brutalistes ; ses associations stylistiques ; et, enfin, sa capacité à durer
Stone. If the number of published projects, magazine features, workshops, university courses,exhibitions, and conferences articulated around its structural use is anything to go by, the age-oldbuilding material appears to be undergoing something of a revival in contemporary architecture. Alongside other bio or geo-sourced building materials, portrayed as ecological alternatives totheir synthetic counterparts (mainly concrete, steel and fired brick) stone has been the object ofgrowing enthusiasm among professionals of the built environment as well as the wider public in anumber of West European countries. This enthusiasm for so-called natural materials coincideswith a broader shift in how architecture today is presented, discussed and its quality evaluated,largely inspired by the material turn within the field of material studies around the year 2000 thatsaw a flourishing of interest in things, their agency, fabrication, exchange and raw matter. Thisshift has seen concern for the style, function or symbolic content of buildings largely supersededby an attention to the materials they are made of. It has tended to privilege social, cultural,economic and environmental considerations around the making, use and after-life of buildings, attimes minimising and sidelining questions of form — the physical essence and shape ofbuildings.The principal thesis defended in Form follows Material? is that the espousal of the material turnin architectural research, immensely valuable as it has been in expanding the discipline’s horizonof concern, also carries the potential to fundamentally challenge how we think about form, itscentral preoccupation. The research thus set out to explore what employing stone in structure isdoing to contemporary architecture, in terms of both uses and form. Its objective has been less tod educe an overarching theory of building in massive stone today than to induce useful ways ofinterpreting the trend as it continues to evolve. Each of the nine chapters represents oneperspective through which we might begin to situate it within recent architectural history and to consider its consequences for contemporary architectural theory and practice. These perspectiveshave emerged out of my ethnographic fieldwork around a series of building projects in themaking (drawn by Atelier Archiplein, Atelier Architecture Perraudin, Aulets Arquitectes, InstitutBalear de l’Habitatge IBAVI et Caruso St John Architects) in Switzerland, Spain and England —where a critical mass of interest in the material is developing. The thesis thus considers stoneused for structural — that is to say load-bearing or self-supporting — purposes in construction today in terms of: the reasons for choosing to employ it; the logic of its supply; the expertise itcalls upon; its purported moral underpinnings; the labour involved in its extraction and transformation; its brutalist tendencies; stylistic associations; and finally, its capacity to last
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Morel, David. "Tailleurs de pierre, sculpteurs et maîtres d'oeuvre dans le Massif Central." Clermont-Ferrand 2, 2009. http://www.theses.fr/2009CLF20008.

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Cette étude se propose de dégager les caractéristiques du chantier de construction, dans son organisation et dans ses enjeux, en se référant aux évolutions architecturales perceptibles dans le diocèce de Clermont entre la fin du XIe siècle et le XVe siècle. L'impact des contextes est clarifié et mesuré, mais l'analyse porte avant tout un regard technique plaçant les réalités monumentales comme supports principaux de réflexion. Les différents niveaux d'informations sont recherchés dans le bâti même à travers la diversité des témoignages disponibles et une large réflexion est proposée autour de pratiques et des qualifications, autour de l'organisation des métiers et autour des réseaux de relations et d'échanges entre les savoir-faire et les classes sociales. Le chantier ecclésiastique focalise les préoccupations, depuis les grands chantiers de la Limagne et les édifices d'ampleur, jusqu'aux sanctuaires plus modestes de plaine et de moyenne montagne. La réflexion prend aussi en compte le chantier laïc, ce dernier permettant d'éclairer la diversité des techniques, la position des différents acteurs, et de mesurer l'impact des savoir-faire et des environnements sur la condition sociale des bâtisseurs. Techniques et technologies se trouvent davantage renseignées, tout en compensant la faiblesse des sources textuelles. D'autres pistes de réflexion connexes viennent aussi jalonner le propos pour élargir le débat en envisageant les niveaux de hiérarchisation et d'appropriation de l'espace bâti, la question de la matérialisation des héritages, ou encore la question de l'individualité de l'ouvrier qualifié.
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Bachari, Hanan. "La genèse des dépôts d'oxydes fer, titane et vanadium associés aux anorthosites massives de la région de Lac-Saint-Jean (Saint-Charles et lac Élan) et de la région de Havre Saint-Pierre (massif de la Rivière-au-Tonnerre, massif de la rivière Romaine et massif de lac Allard), Québec, Canada /." Thèse, Chicoutimi : Université du Québec à Chicoutimi, 2004. http://theses.uqac.ca.

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Milleville, Annabelle. "«De la pierre à la meule» durant le néolithique : circulation et gestion des matières premières entre Rhin et Rhône." Besançon, 2008. http://www.theses.fr/2008BESA1004.

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A partir des séries lacustres de Chalain/Clairvaux (Jura), Charavines « Les Baigneurs » (Isère) et Sutz-Lattrigen « Riedstation » (Suisse), la gestion de l'outillage lithique pondéreux est abordée, depuis l'approvisionnement en matière première jusqu'au rejet des outils. Le premier axe de recherche est chronologique et c’est dans la Combe d’Ain, en milieu calcaire, qu’il trouve son meilleur terrain d’application. Pour le matériel de mouture et de broyage, la gestion des matières premières est différente entre le Néolithique moyen et le Néolithique final, avec le choix de matériaux locaux d’une part, majoritairement exogènes d’autre part. Au Néolithique final, la gestion des matières premières diffère selon leur origine, une valeur plus importante est accordée aux matériaux siliceux, importés sur des distances de 50 km et plus ; l’évolution la plus nette est celle de la réorientation des réseaux d’approvisionnement, synchrone des changements culturels. Pour les polissoirs, les matières premières, majoritairement des grès fins, ne changent pas durant le Néolithique final, et certains gîtes sont déjà connus au Néolithique moyen ; la gestion des supports, à savoir une utilisation maximale des outils, est une constante entre 3200 et 2600 av. J. -C. à Chalain/Clairvaux. Le second axe de recherche est celui de la répartition spatiale des artefacts. Il semble que les moulins de type « va-et-vient » soient utilisés devant les habitations ou dans l’aire du pas-de-porte, avec une possible évolution de la localisation de l’activité de mouture, de l’extérieur vers l’intérieur de la maison, évolution symptomatique de la modification des fonctionnements sociaux au Néolithique final
The goal of this work is to understand the management of heavy stone tools, first from supply of the raw material to the moment the tool is discarded. This study is based on the artefacts of three palafittic settlements: Chalain/Clairvaux (Jura), Charavines « Les Baigneurs » (Isère) and Sutz-Lattrigen « Riedstation » (Switzerland). The first line of research is chronological and is best applied to the Combe d’Ain limestone region. In the case of the “back-and-forth” mill, the choice of the raw material differs greatly between the Middle and Late Neolithic. During the earlier period the raw material is exclusively local whereas in the later period it is imported. For the Late Neolithic these tools are treated differently according to their origin. Siliceous stones, imported from more than 50 km, seem to have an important economic value. The clearest indication of evolution is the reorientation of the supply network, which would be consistent with cultural changes. Polishing tools, consisting mostly of fine-grained sandstone, do not vary during the Late Neolithic and some outcrops (20 km from the village) were already exploited during the Middle Neolithic. A constant between 3200 and 2600 BC is that tools were always used until to their end. The second line of research deals with the spatial spread of the heavy stone tools. On lake-dwelling their interpretation is very complex. “Back-and-forth” mill nevertheless seem to be used either in front of the house or at the entrance. There is possibly an evolution of the place of grinding activity from the outside to inside of the house, indicating an evolution of social practices during the Late Neolithic
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Huet, Briagell. "De l’influence des matières premières lithiques sur les comportements techno-économiques au Paléolithique moyen : l’exemple du Massif armoricain (France)." Rennes 1, 2006. https://tel.archives-ouvertes.fr/tel-00147396.

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Dans le Massif armoricain (nord-ouest de la France), plusieurs ensembles lithiques rattachés au Paléolithique moyen témoignent d’une composition lithologique mixte où le silex est associé à une autre roche ou minéral (dolérite, microgranite, tuf volcano-sédimentaire, quartz). Une étude approfondie de ces matières premières, associant leur taille expérimentale, des essais mécaniques et des analyses pétrographiques, a été menée parallèlement à l’analyse techno-économique de cinq de ces industries. Les résultats de cette étude mettent en évidence les réponses adaptatives opérées au niveau des modalités d’exploitation de ces matières premières et de la gestion de leurs produits. Ils permettent ainsi de préciser l’influence des matières premières sur la production lithique. Ce travail contribue à une meilleure connaissance des comportements techniques et économiques de populations néandertaliennes, tout en alimentant le débat sur la variabilité des industries lithiques au Paléolithique moyen.
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Caccianiga, Lorenzo. "Cosmic-ray astronomy at the highest energies with ten years of data of the Pierre Auger observatory." Thesis, Paris 6, 2015. http://www.theses.fr/2015PA066643/document.

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L'identification des sources de rayons cosmiques d'ultra-haute énergie (au-delà de 10^18 eV) constituerait une avancée majeure aussi bien dans le domaine de l'astrophysique que dans celui de la physique des particules. La difficulté principale dans la recherche de telles sources réside dans la perte de l'information directionnelle des rayons cosmiques les moins énergétiques. En effet, leur direction est sujette à des déviations d'amplitude inversement proportionnelle à leur énergie à cause des champs magnétiques qu'il traversent lors de leur propagation jusqu'à la Terre. D'autre part, pour des énergies supérieures à 4x10^(19)eV, l'interaction des rayons cosmiques avec le fond diffus cosmologique limite l'horizon de leurs sources à l'Univers proche (200 Mpc ou moins). Cette thèse a été effectuée au sein de l’observatoire Pierre Auger, le plus grand détecteur de rayons cosmiques de haute énergie. Elle est dédiée à l'étude, la sélection, la reconstruction, ainsi qu'à l'analyse des évènements de plus haute énergie. D'autre part, les particules de plus bas numéro atomique sont plus susceptibles de garder leur direction mais la composition des rayons cosmiques est inconnue à de telles énergies. Une méthode de sélection des événements les plus similaires aux protons a été élaborée et développée dans cette thèse pour étudier la possibilité de leur utilisation pour une "astronomie protons"
Identifying the sources of the ultra-high energy cosmic rays (UHECRs, above 10^{18} eV), the most energetic particles known in the universe, would be an important leap forward for both the astrophysics and particle physics knowledge. However, developing a cosmic-ray astronomy is arduous because magnetic fields, that permeate our Galaxy and the extra-Galactic space, deflect cosmic rays that may lose the directional information on their sources. This problem can be reduced by studying the highest energy end of the cosmic ray spectrum. Indeed, magnetic field deflections are inversely proportional to the cosmic ray energy. Moreover, above 4x10^{19} eV, cosmic rays interact with cosmic photon backgrounds, losing energy. This means that the sources of the highest energy cosmic rays observed on Earth can be located only in the nearby universe (200 Mpc or less). The largest detector ever built for detecting cosmic rays at such high energies is the Pierre Auger Observatory, in Argentina. It combines a 3000 km^2 surface array of water Cherenkov detectors with fluorescence telescopes to measure extensive air showers initiated by the UHECRs. This thesis was developed inside the Auger Collaboration and was devoted to study the highest energy events observed by Auger, starting from the selection and reconstruction up to the analysis of their distribution in the sky. Moreover, since the composition at these energies is unknown, we developed a method to select proton-like events, since high Z cosmic rays are too much deflected by magnetic fields to be used for cosmic-ray astronomy
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Othmen, Inès. "Étude des matériaux d'isolation compatibles avec la pierre de tuffeau : application à la réhabilitation du bâti ancien et/ou historique." Nantes, 2015. http://archive.bu.univ-nantes.fr/pollux/show.action?id=6bd6c8b6-5b05-4f8d-ae3d-8da67f673df9.

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En France, le secteur du bâtiment constitue un enjeu majeur car est responsable à lui seul d'environ la moitié de la consommation d'énergie finale et près du quart des émissions nationales de gaz à effet de serre. Dans ce contexte, les réglementations concernant l’efficacité énergétique des bâtiments amènent les professionnels du bâtiment à s'interroger sur la question de l’isolation du bâti dit « ancien », en particulier, sur le bâti en tuffeau de la vallée de la Loire. Or, il n’existe pas actuellement de réponses technologiques avérées pour la réhabilitation de bâtiments en tuffeau. Dans ce cadre, on privilégiera des solutions techniques innovantes faisant appel au chanvre par deux applications sèche et humide. En effet, des travaux de recherche récents ont souligné la performance hygrothermique intéressante de cet éco-matériau, en outre de son respect à l’environnement et la démarche du développement durable. Dans cette thèse, trois objectifs sont ainsi visés. Le premier, a été axé sur une étude paramétrique du tuffeau et des bétons de chanvre ce qui permettra d’élaborer une base de données regroupant les propriétés nécessaires à l’évaluation de la technique d’isolation et à la modélisation numérique des transferts couplés chaleur/humidité dans les parois. Le deuxième objectif a été de tester les parois isolées sous des conditions d’humidité et de température réelles imposées avec la réalisation d’une cellule biclimatique. Enfin le troisième objectif de ce travail fut de vérifier les résultats expérimentaux aux résultats numériques obtenus par le biais d’un logiciel de simulation bidimensionnel des transferts couplés en milieux poreux (chaleur/humidité – WUFI)
In France, the building sector is a major challenge because alone is responsible for about half of the final energy consumption and nearly a quarter of national greenhouse gas emissions. In this context, the regulations concerning the energy efficiency of buildings lead professionals to wonder about the issue of the insulation of buildings said “old”, built before 1948, in particular, those of Loire Valley made with tuffeau. However, there are no proven technology answers for the rehabilitation of buildings in limestone. In this context, we preferred use innovative technical solutions using hemp by wet and dry applications. Indeed, recent research has highlighted the interesting hygrothermal performance of this eco-material, in addition to its respect for the environment and sustainable development approach. In this phD work, three objectives are well pointed out. The first focused on a parametric study of limestone and concrete hemp to create a database of properties necessary for the evaluation of the insulation technique and numerical modeling of coupled heat and moisture transfer in the walls. The second objective was to test the insulated walls under real relative humidity and temperature conditions imposed within a biclimatic device. Finally, the third objective was to verify the experimental results with the numerical results obtained through two-dimensional software in porous media (heat / moisture - WUFI)
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Chauvin, Nicolas. "La transformation d'état de charge 1+->n+ pour l'accélération des ions radioactifs." Grenoble 1, 2000. http://www.theses.fr/2000GRE10082.

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La production de noyaux radioactifs est realisee par bombardement d'une cible par un faisceau primaire de proton, de neutrons ou d'ions stables. Afin d'obtenir des faisceaux d'ions radioactifs de plusieurs mev par nucleons, il convient tout d'abord de les multi-ioniser. Le principe de la methode 1+/n+ consiste a separer la production des elements radioactifs de leur multi-ionisation. Une cible de production d'elements radioactifs est associee a une source d'ions monocharges (ensemble cible-source). Le faisceau d'ions radioactifs 1+ ainsi produit est injecte a basse energie (quelques dizaines de kev) dans une source d'ions multicharges a resonance electronique cyclotronique (ecr). Les ions monocharges sont ralentis electrostatiquement dans la source n+ et sont captures par le plasma ecr. Ils sont alors sont multi-ionises pas a pas vers des etats de charge eleves, extraits et acceleres. Les experiences decrites dans cette these ont ete realisees avec des elements stables. La methode 1+/n+ peut fonctionner en mode continu : le faisceau d'ions monocharges est injecte en continu dans la source n+ et le faisceau d'ions multicharges est produit en continu. Les rendements de transformation 1+/n+ obtenus sont d'une dizaine de pour cent pour les gaz rares et de plusieurs pour cent pour les elements condensables. La duree de la transformation 1+/n+ est de l'ordre de la centaine de millisecondes ce qui est suffisamment rapide pour la majorite des elements radioactifs a multi-ioniser. Ces resultats permettent de considerer que la methode 1+/n+ et aujourd'hui operationnelle pour un systeme de production d'ions radioactifs acceleres. La methode 1+/n+ peut egalement fonctionner en mode pulse : le faisceau d'ions monocharges est injecte en continu dans la source n+ et le faisceau d'ions multicharges est extrait par pulses de quelques millisecondes. Les rendements obtenus sont de l'ordre du pour cent pour le rubidium et le plomb. Il est necessaire de realiser des etudes complementaires sur ce mode de fonctionnement afin d'ameliorer les resultats deja obtenus.
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Blais, Catherine. "Rôle et métabolisme des ecdystéroïdes au niveau des disques imaginaux alaires de Pieris brassicae L. (Lepidoptère)." Paris 6, 1986. http://www.theses.fr/1986PA066217.

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Les disques imaginaux alaires de larves âgées et de prénymphes de Pieris brassicae (Lépidoptère) se différencient in vitro en présence d'ecdysone (0,2-4 mu m) ou de 20-hydroxyecdysone (0,2 mu m). Ces hormones sont métabolisées par les tissus imaginaux (organes entiers, homogénats ou fractions subcellulaires); les réactions intéressent trois positions de la molécule d'ecdysone: les carbones c-26 (26-hydroxylation et formation d'acides ecdysonoïques), c-20 (20-hydroxylation) et c-3 (formation réversible de dérivés 3-déhydro). Les systèmes enzymatiques responsables des réactions d'oxydation en c-20 (microsomal) et d'oxydo-réduction en c-3 (cytosolique) ont été caractérisés chez les chrysalides. Cette étude soulève le problème de la signification physiologique de ce métabolisme des ecdystéroïdes (inactivation et/ou transformation en métabolites actifs biologiquement) dans les disques imaginaux, organes-cibles des hormones
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Philippon, Carole. "Le caravagisme à Naples : polymorphisme de la poétique caravagesque méridionale." Thesis, Montpellier 3, 2010. http://www.theses.fr/2010MON30083.

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Mon travail cherche à mettre en valeur la richesse de la Scuola Napoletana du XVIIème siècle (qui prend vie après les deux séjours du Caravage à Naples, entre 1606 et 1610). L'art napolitain est injustement sous-estimé ; la première moitié du Seicento est pourtant extrêmement importante puisque Naples est le seul centre artistique qui continue à considérer le caravagisme comme une force vitale de la peinture, et ce jusqu'en 1656 (année de la Grande Pestequi emporte avec elle les derniers peintres d'"origine" caravagesque). Je mets donc en exergue la période méridionale du Caravage (qui est trop souvent délaissée par rapport à sa période romaine), ainsi que l'extrême diversité des peintres caravagesques qui composent le milieu artistique napolitain, unis par une passion commune pour le langage du Caravage mais dont l'expression artistique intègre peu à peu d'autres influences. Le caravagisme méridional se distingue par son polymorphisme et par la diversité des influences extérieures avec lesquelles les artistes enrichissent leur caravagisme originel : si les premiers naturalistes (tels que Battistello) restent toujours fidèles au Maître, nombreux sont ceux qui suivront le courant ribéresque (Ribera, Fracanzano, le Maître de l'Annonce aux Bergers...) qui se caractérisepar sa portée sociale. Mais, parallèlement, certains peintres tissent des liens entre caravagisme et classicisme (Stanzione, Guarino), tandis que d'autres se focalisent sur un caravagisme narratif (Artemisia Gentileschi est réputée pour son talent de storyteller) ; dans le domaine chromatique, de nombreux artistes (dont Pietro Novelli ou Ribera) succombent au néovénétisme et au vandyckianisme en vogue à partir des années 1630. Enfin, le caravagisme se fait plus raffiné avec Bernardo Cavallino, qui apparaît comme un précurseur du goût rococo, tandis que l'oeuvre de Mattia Preti oscille entre caravagisme et baroque
The aim of this work is to emphasize the richness of the Scuola Napoletana in the 17th Century (after it came to life following Caravaggio†s two stays in Naples between 1606 and 1610). Neapolitan art does not get the appreciation it deserves, and yet the first half of the Seicento was an extremely important period as Naples was the only major artistic centre where Caravaggism was still a driving force of painting, and would do so until 1656 (the year of the Great Plague that wiped out the last "original" Caravaggesque painters). I am therefore emphasizing Caravaggio†s Southern period, which is all too often neglected as compared to his Roman period, as well as the great diversity of Caravaggesque painters making up the artistic milieu in Naples, united by a shared passion for Caravaggio's language but progressively incorporating other influences into their artistic expression. Southern Caravaggism stands out because of its polymorphism and the highly diverse outer influences with which these artists enhance their original Caravaggism: while the first naturalists, such as Battistello, are always true to the Master, many will follow into Ribera's footsteps (Ribera,Fracanzano, the Master of the Announcement to the Shepherds...) and adopt a more socially oriented stance. At the same time, some painters draw links between Caravaggism and Classicism (Stanzione, Guarino), while others focus on narrative Caravaggism (Artemisia Gentileschi is famed for the storytelling talent). In the field of colour, many artists (including Pietro Novelli and Ribera) yield to the Neo-venetism or Vandyckianism that were fashionable as of the 1630†s. Finally,Caravaggism becomes more refined with Bernardo Cavallino, who appears to be a precursor of Rococo taste, while Mattia Preti balances on the verge between Caravaggism and Barocco
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Books on the topic "Pierre massive"

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Dréan, Marie Le. La pierre banale: Logements collectifs en pierre massive, région parisienne, 1948-1973. Lausanne: EPFL Press, 2022.

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Trulock, Alison. Massage aux pierres chaudes. HACHETTE PRAT, 2009.

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Trulock, Alison. Massage aux pierres chaudes. HACHETTE PRAT, 2009.

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Trulock, Alison. Massage aux pierres chaudes. HACHETTE PRAT, 2009.

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Tonossi, Parimal-Danielle. le massage avec les pierres chaudes. RECTO VERSEAU, 2004.

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Hot stones, le massage avec les pierres chaudes. EXCLUSIF, 2007.

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FLECK, DAGMAR. Hot stones, le massage avec les pierres chaudes. EXCLUSIF, 2007.

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Bieger, Thomas, Pietro Beritelli, Christian Laesser, Roland Anderegg, Monika Bandi-Tanner, Curdin Bergamin, Thomas Bieger, et al. Krisenmanagement und Zukunftsstrategien für den alpinen Tourismus. Erich Schmidt Verlag GmbH & Co. KG, 2021. http://dx.doi.org/10.37307/b.978-3-503-19582-4.

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Die Corona-Pandemie und ihre massiven Auswirkungen auf alle Bereiche der Tourismuswirtschaft hält die Branche wie kaum eine andere in Atem. Welches Krisenmanagement im alpinen Tourismus Erfolg verspricht und welche Nach-Corona-Strategien sich bereits zeigen, nimmt das von Thomas Bieger, Pietro Beritelli und Christian Laesser herausgegebene Jahrbuch in den Blick.
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Macmaster, Neil. War in the Mountains. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198860211.001.0001.

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The role of the peasantry during the Algerian War of Independence (1954–62) has been long neglected by historians, in part because they have been viewed as a ‘primitive’ mass devoid of political consciousness. This ground-breaking social history challenges this conventional understanding by tracing the ability of the peasant community to sustain an autonomous political culture through family, clan, and village assemblies (djemâa), organizations that were eventually harnessed by emerging guerrilla forces. The long-established system of indirect rule by which the colonial state controlled and policed the vast mountainous interior through an ‘intelligence state’ began to break down after the 1920s as the djemâas formed a pole of opposition to the patron-client relations of the rural élites. Clandestine urban-rural networks emerged that prepared the way for armed resistance and a system of rebel governance. The anthropologist Jean Servier, recognizing the dynamics of the peasant community, in 1957 masterminded a major counterinsurgency experiment, Opération Pilote, that sought to defeat the guerilla forces by constructing a parallel ‘hearts and minds’ strategy. The army, unable to implement a programme of ‘pacification’ of dispersed mountain populations, reversed its policy by the forced evacuation of the peasants into regroupement camps. Contrary to the accepted historical analysis of Pierre Bourdieu and others that rural society was massively uprooted and dislocated, the peasantry continued to demonstrate a high level of social cohesion and resistance based on powerful family and kin networks.
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Cordera, Paola, and Rodolfo Maffeis, eds. Leonardo: arte come progetto. Bologna University Press, 2022. http://dx.doi.org/10.30682/9791254770993.

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Questa raccolta di saggi e ricerche è un omaggio da parte di amici, colleghi e allievi a Pietro C. Marani, come riconoscimento della sua attività scientifica e della dedizione da lui profusa nell’insegnamento universitario. Gli studi che compongono il volume sono tutti inediti e riguardano Leonardo da Vinci – autore a cui Marani ha dedicato la maggior parte delle proprie ricerche e del quale è tra i massimi esperti a livello internazionale – con l’intento di offrire un aggiornamento su un ampio ventaglio di temi leonardeschi di ambito artistico, scientifico e di fortuna critica. Paradigma del “progetto dell’arte”, Leonardo è motivo di ispirazione costante per molti settori della ricerca universitaria ed è qui fatto oggetto di studio multidisciplinare da parte di una platea internazionale di specialisti che da molti anni intrattengono con Marani un fruttuoso dialogo sulla figura del Vinci. Il volume include la bibliografia completa delle pubblicazioni dello studioso.
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Book chapters on the topic "Pierre massive"

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Carbery, Matthew. "A Massive System of Urgency: Susan Howe’s Pierce-Arrow." In Phenomenology and the Late Twentieth-Century American Long Poem, 125–55. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-05002-3_5.

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Cabrero-Ravel, Laurence. "Entre sculpture et modénature: les chapiteaux moulurés des massifs de façade auvergnats." In Ex quadris lapidibus. La pierre et sa mise en oeuvre dans l'art médiéval, 275–86. Turnhout: Brepols Publishers, 2011. http://dx.doi.org/10.1484/m.sta-eb.1.100206.

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Wu, Fang-Cheng. "L’ancien massif de façade de la cathédrale de Langres au XIIe siècle." In Ex quadris lapidibus. La pierre et sa mise en oeuvre dans l'art médiéval, 245–54. Turnhout: Brepols Publishers, 2011. http://dx.doi.org/10.1484/m.sta-eb.1.100203.

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Borromei, Ana María, and Lorena Laura Musotto. "Late Pleistocene and Holocene Palaeovegetational Changes at Alero El Puesto (AEP-1) Archaeological Site in the Northern Deseado Massif. Regional Palaeoenvironmental Implications and Early Human Occupation." In Archaeology of Piedra Museo Locality, 159–78. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-92503-1_6.

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Pezzotti, Barbara. "Risorgimento e identità italiana nel giallo contemporaneo." In Biblioteca di Studi di Filologia Moderna, 17–28. Florence: Firenze University Press, 2022. http://dx.doi.org/10.36253/978-88-5518-597-4.04.

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By analysing three Italian crime novels – Piero Soria’s Cuore di lupo (1999), Massimo Siviero’s Il terno di San Gennaro (1999) and Marcello Fois’s Dura madre (2001), – this essay investigates how Italian crime fiction set in present times reflects on the Risorgimento and its legacy. It argues that by referring to a crucial period of Italian history, the crime stories analysed in this chapter address an unsolved relationship between the North and the South of Italy brought to light in the 1990s by the success of controversial political parties such as the Lega Nord. In particular, I show how with Dura madre, Fois indicates a way of uniting Italy through a mutual understanding that preserves regional identities and cultures.
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Holmes, Amanda. "Indigenous Spiritual Geographies: Rosalie Little Thunder and “What Does It Mean to Be a Good Relative?”." In Palgrave Studies in Education and the Environment, 105–20. Cham: Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-35430-4_7.

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AbstractFrom long experience with each other, Indigenous Peoples know their Lands—and the beings, energies, and relationships with whom they share their universe—as related. They exist within a relational, storied matrix, spoken and heard, felt and lived in words and through silences, sung, prayed, and envisioned within their own cycles, and remembered in the spiritual geographies of their Lands. This piece reflects on embodied Indigenous intergenerational knowledge relations as lived through the spiritual activism of Lakota Elder Rosalie Little Thunder and articulated in her perennial question, “What does it mean to be a good relative?” Her Lakota ethical practice centered around this question—and it was a question she asked of the rest of the world, so that they might imagine a different way of being, a possibility of waking up the human beings in this time of massive human destruction of all life, the life systems of Earth. Rosalie’s question is a wakeup call that frames human survival from within a Lakota perspective of the world, asking the world’s human beings what it means to be a good relative. This perception of relationality holds the possibility for radically re-imagining different possibilities, transformative shifts in consciousness, and different futurities.
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French, John D. "The Birth of Lula’s Charisma." In Lula and His Politics of Cunning, 264–93. University of North Carolina Press, 2020. http://dx.doi.org/10.5149/northcarolina/9781469655765.003.0015.

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This chapter will explain how Lula, the gifted organizer, emerged as a recognizably charismatic figure during massive rallies in the Vila Euclides soccer stadium as São Bernardo do Campo’s metalworkers made history by paralyzing Brazil’s industrial heartland in 1979 and again in 1980. By tracing the grassroots dynamic of these defiant mass mobilizations, it sheds light on how a charismatic bond was forged while clarifying the conceptualization of charisma based on Max Weber, Pierre Bourdieu, and Emile Durkheim.
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Campbell, Tom. "Poverty as a Violation of Human Rights: Inhumanity or Injustice?" In Freedom from Poverty as a Human Right, 55–74. Oxford University PressOxford, 2007. http://dx.doi.org/10.1093/oso/9780199226313.003.0003.

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Abstract The proposal that poverty be regarded as a violation of human rights and therefore abolished is presented as a new paradigm in the fight against poverty that has the potential to galvanize an effective strategy for ending poverty through an international human rights framework. In the words of Pierre Sané, Assistant Director-General Social and Human Sciences Sector UNESCO: If . . . poverty were declared to be abolished, as it should with regard to its status as a massive, systematic and continuous violation of human rights, its persistence would no longer be a regrettable feature of the nature of things. It would become a denial of justice. The burden of proof would shift. The poor, once recognized as the injured party, would acquire a right to reparation for which governments, the international community and, ultimately, each citizen would be jointly liable.
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Sear, Frank. "Greece." In Roman Theatres, 385–424. Oxford University PressOxford, 2006. http://dx.doi.org/10.1093/oso/9780198144694.003.0017.

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Abstract Roman times massive wall (1.60 m thick) built on line of old scene building to create scaenae frons; in front of it 6 massive piers creating 5 rectangular niches; regiaframed in central pair of piers projecting from scaenae fronswall; hospitaliaframed in end pairs; columnatio: probably 2 storeys (unfluted Doric column drums and cornice fragments found); 2 sets of 3 piers ran across middle of scene building to support roof; side rooms also incorporated into Roman scene building; extended up to back wall of central room; side
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DuLong, Jessica. "“Sell first, repent later.”." In Saved at the Seawall, 178–90. Cornell University Press, 2021. http://dx.doi.org/10.7591/cornell/9781501759123.003.0011.

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This chapter examines how Chelsea Piers facilities, located directly up the Westside Highway from Lower Manhattan, had served a major role in disaster response from the earliest hours of the 9/11 attacks. The piers offered water stations for people fleeing from downtown and became a key debarkation point for the waterborne evacuation, delivering more than 10,000 people off the island from its docks. Then, the following day, more than 30,000 people arrived to volunteer their help and connect with other New Yorkers. In the days that followed, thousands of uniformed personnel were fed in an events center at Pier 60, hundreds of rescuers slept and showered in Chelsea Piers facilities, and truckloads of donations and supplies were assembled and processed for delivery to the trade center site. By Wednesday, the flood of private citizens' donations had been supplemented with massive corporate contributions arriving in bulk. Meanwhile, the Coast Guard was confronted with two opposing missions: protecting potential targets of a second-wave attack and continuing commerce in a port that regularly handled approximately 6,000 inbound and outbound containers daily, the closure of which created complications worldwide.
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Conference papers on the topic "Pierre massive"

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Wirojjanapirom, Puvanai, Sopon Ritdumrongkul, Sittisak Imsombat, and Knut H. Nielsen. "Design of Segmental Precast Portal Frame for Red Line Mass Transit System in Bangkok." In IABSE Conference, Kuala Lumpur 2018: Engineering the Developing World. Zurich, Switzerland: International Association for Bridge and Structural Engineering (IABSE), 2018. http://dx.doi.org/10.2749/kualalumpur.2018.0267.

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<p>This paper presents innovative design and development of massive precast segmental concrete portal frame system applied for Red Line Mass Transit project in Bangkok, Thailand. The Portals were originally designed as cast-in-place concrete for supporting typical 30 m span elevated viaduct. Several types of portal frame with single and continuous beams, single columns and T- head columns are considered. In order to cover all the structural members, cross beams with typical 3x3 m segmental box section, piers and pier heads are elaborately designed. Stressing and lifting procedures were analyzed to simplify the erection process. A U-tendon system was adopted to connect the precast pier segments to the pile caps. In addition, structural safety of segmental cross beams was verified by full-scale loading test.</p>
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Jun-lin Tao, Kui Li, Li Feng, and Fei Gao. "Numerical simulation analysis of collision between massive object and bridge piers." In 2011 International Conference on Electric Technology and Civil Engineering (ICETCE). IEEE, 2011. http://dx.doi.org/10.1109/icetce.2011.5776315.

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Guerreiro, Joao, Rui Dinis, Paulo Montezuma, Nalin Jayakody, and Mario Silva. "Analytical performance evaluation of massive MIMO systems with 1-bit DACs." In 2017 Progress in Electromagnetics Research Symposium - Fall (PIERS - FALL). IEEE, 2017. http://dx.doi.org/10.1109/piers-fall.2017.8293180.

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Kibona, Lusekelo, Jian Liu, and Yingzhuang Liu. "Ergodic Sum-rate Analysis for Massive MIMO under Imperfect Channel State Information." In 2019 Photonics & Electromagnetics Research Symposium - Fall (PIERS - Fall). IEEE, 2019. http://dx.doi.org/10.1109/piers-fall48861.2019.9021601.

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Colombi, Davide, Paramananda Joshi, Ricardo Pereira, Dimple Thomas, Denish Shleifman, Babak Tootoonchi, Bo Xu, and Christer Tornevik. "Assessment of Actual Maximum RF EMF Exposure from Radio Base Stations with Massive MIMO Antennas." In 2019 PhotonIcs & Electromagnetics Research Symposium - Spring (PIERS-Spring). IEEE, 2019. http://dx.doi.org/10.1109/piers-spring46901.2019.9017343.

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Kibona, Lusekelo, Jian Liu, and Yingzhuang Liu. "BER Analysis Using MRT Linear Precoding Technique for Massive MIMO under Imperfect Channel State Information." In 2019 Photonics & Electromagnetics Research Symposium - Fall (PIERS - Fall). IEEE, 2019. http://dx.doi.org/10.1109/piers-fall48861.2019.9021414.

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Doring, Mathieu, Guillaume Oger, Bertrand Alessandrini, and Pierre Ferrant. "SPH Simulations of Floating Bodies in Waves." In ASME 2004 23rd International Conference on Offshore Mechanics and Arctic Engineering. ASMEDC, 2004. http://dx.doi.org/10.1115/omae2004-51419.

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Water entry of a solid through a free surface is of interest in ship hydrodynamics applications, namely to study ships behaviour in slamming cases for instance. The study presented here deals with the introduction of a new method based on SPH, and aiming at an accurate numerical prediction of the free motion of a body in a free surface. The validation case exposed here is the water entry of a massive wedge, and comparisons with experimental data are provided. Then simulations involving a box and a pierced box in interaction with waves illustrate the flexibility of the method.
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Nishino, Hitoshi, Shinya Yoshida, Akira Kojima, Naokatsu Ikegami, Nobuyoshi Koshida, Shuji Tanaka, and Masayoshi Esashi. "Development of MEMS pierce-type nanocrystalline Si electron-emitter array for massively parallel electron beam direct writing." In 2014 IEEE 27th International Conference on Micro Electro Mechanical Systems (MEMS). IEEE, 2014. http://dx.doi.org/10.1109/memsys.2014.6765678.

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Yakymchuk, N. A., S. P. Levashov, I. N. Korchagin, and D. N. Bozhezha. "Geophysical Investigation of Crystalline Massif Structure during Construction of the Bridge Piers." In 5th Congress of Balkan Geophysical Society. European Association of Geoscientists & Engineers, 2009. http://dx.doi.org/10.3997/2214-4609-pdb.126.6253.

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Micheli, Davide, and Riccardo Diamanti. "Statistical Analysis of Interference in a Real LTE Access Network by Massive Collection of MDT Radio Measurement Data from Smartphones." In 2019 PhotonIcs & Electromagnetics Research Symposium - Spring (PIERS-Spring). IEEE, 2019. http://dx.doi.org/10.1109/piers-spring46901.2019.9017353.

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