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Academic literature on the topic 'Pictures of the Floating World'

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Published: 4 June 2021
Last updated: 10 February 2022

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Journal articles on the topic "Pictures of the Floating World"

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Gallois, William. "An Illumination of a Floating World." American Historical Review 126, no. 2 (June 1, 2021): 708–9. http://dx.doi.org/10.1093/ahr/rhab221.

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Abstract If a picture was not seen to be art when it was made, can we imagine that its producer may have designed the work to be read elsewhere in time or space? Or, perhaps, that the eyes that have been trained upon the work have rarely been those that were able to see and describe its value? This piece (also available on Instagram @cendrillondefes) tries to dramatize the gains that come to history through a process of learning to read a text whose significance was not seen in the moment in which it was made. It aims at a discrete form of upending, in reevaluating the work of an important artist and the culture from which they came, while aspiring to be a more of a beginning than an ending in its more general goals. These humbler aspirations depend upon seeing its subject as a teacher, rather than simply as an object of study.
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Schmidt, Wolfgang, Peter Strangfeld, Eduard Volker, and Yaraslau Sliavin. "Numerical simulation of the movement behavior of floating structures." Real estate: economics, management, no. 2 (June 24, 2021): 55–62. http://dx.doi.org/10.22337/2073-8412-2021-2-55-62.

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The sea level is rising, and floods threaten the infrastructure all over the world; therefore, we should identify the risks for envelops of buildings and settlements. The risks arise due to the new boundary conditions and a direct contact between the water flows in motion. A floating construction site requires a manifold adaptation of structures. The paper demonstrates the effect of water waves on floating houses built on abandoned open pit mines. Pictures of destroyed accessways to such properties have proven the need to study the effect of water waves on floating houses. In order to minimize the time and spending on experimental activities, some of the field studies should be replaced by numerical simulations using modern computing equipment and ANSYS FLUENT, ANSYS MECHANICAL FSI, and ANSYS AQWA software. The results can be validated using a hydraulic testing channel (15 x 5 m), a floating platform near the harbor of Lake Gro r schener See and floating houses in the Lusatian Lakeland. The results demonstrate the wave forces acting on the structures of the pontoons. New connection elements, adapted versions of materials and structures have been developed, water waves are damped, and options for the wave energy use have been analyzed.
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Atkinson, Rowland, and Sarah Blandy. "A Picture of the Floating World: Grounding the Secessionary Affluence of the Residential Cruise Liner." Antipode 41, no. 1 (January 2009): 92–110. http://dx.doi.org/10.1111/j.1467-8330.2008.00656.x.

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Clinton, Daniel. "Line and Lineage." Nineteenth-Century Literature 73, no. 1 (June 1, 2018): 1–29. http://dx.doi.org/10.1525/ncl.2018.73.1.1.

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Daniel Clinton, “Line and Lineage: Visual Form in Herman Melville’s Pierre and Timoleon” (pp. 1–29) This essay examines Herman Melville’s reflections on form, line, and perspective in his novel Pierre (1852) and his poems on art and architecture in Timoleon (1891), a late book of verse partly inspired by his tour of the Mediterranean during 1856–57. I argue that Melville arrives at his understanding of literary form through the language of optical perspective, particularly the terms of “foreshortening” and “outline.” I compare Melville’s figurative conception of outline with the artistic theories and practices of William Blake, George Cumberland, John Ruskin, and the artist John Flaxman, whose illustrations of Homer and Dante feature prominently in Pierre. Widely circulated as engravings by Tommaso Piroli and others, Flaxman’s clean-lined drawings fascinate Melville because they emphasize implied narrative rather than optical verisimilitude. Melville responds to a romantic discourse that positions “outline” on the conceptual boundary between sense-perception and free-floating thought, as a mediating term between competing notions of art’s truth. In both his fiction and poetry, Melville’s reflection on the materiality of pictures doubles as a reflection on the materiality of thought. The formal features of visual art suggest the workings of the mind as it flattens unconscious possibilities and disparate truths into a manageable picture of the world.
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Weltman, David, and Martin Upchurch. "The ideal of non-coherence in the World Bank’s social capital reforms." Journal of Language and Politics 9, no. 1 (April 9, 2010): 50–73. http://dx.doi.org/10.1075/jlp.9.1.03wel.

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This paper presents an analysis of a World Bank document representing a version of the new “Social Capital” approach of International Financial Institutions (IFIs). This stance involves a rhetorical reorientation away from a much criticized unilateral approach to the poor indebted countries and to a more bi-lateral and participatory attitude. Analysis suggests that this “post-ideological” posture is reflected in the text in the form of a copious rhetoric of “complex differentiation”. This consists of characterizing the world in the abstract terms of multiple independent factors which work against any more coherent picture of the historical process and its contradictions. While such formal elements appear to be conditional on and anchored in concrete content, they are shown in fact to reflect the negation of such content (and thus coherence). In this way, an apparently limitless proliferation of free-floating isolated elements substitutes for faithful representation of the underlying social cleavages. The implications of the analysis for contrasting conceptualizations of abstraction in texts, as well as for the notion of utopian discourse, are critically discussed.
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Ahmed, Jashim Uddin, N. M. Ashikuzzaman, and Nabila Nisha. "Understanding Operations of Floating Schools: A Case of Shidhulai Swanirvar Sangstha in Bangladesh." South Asian Journal of Business and Management Cases 5, no. 2 (December 2016): 221–33. http://dx.doi.org/10.1177/2277977916665993.

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Bangladesh is highly vulnerable to the effects of climate change since it is a delta formed by the confluence of major rivers. Making sure that schools are resilient against such natural disasters in Bangladesh should be a priority for any disaster risk reduction preparedness and planning. To address this challenge, Shidhulai Swanirvar Sangstha (SSS) found an innovative way to deliver information and primary education to residents of wetland area in Bangladesh. It operates 111-vessel fleet of floating schools, libraries, health clinics and training centres, equipped with wireless Internet access, serving over 1,00,000 families. This case captures a clear picture of this rapidly growing non-governmental organization (NGO) of Shidhulai and its extensive activities leading to the transformation of the region’s waterways into pathways for education, information and technology in Bangladesh. Although the case partly focuses upon the role of NGOs and the operational concept of floating schools across the world, an examination of SSS’s growth, challenges, current and plans ahead strategies is the main emphasis here. All these discussions ultimately pave a clear way as to which steps the NGO could take to strengthen its position, and support the development of socio-economic infrastructure of Bangladesh.
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Porras, Stephanie. "World Pictures." Art History 40, no. 5 (October 17, 2017): 1141–44. http://dx.doi.org/10.1111/1467-8365.12351.

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Canipari, Rita, Lucia De Santis, and Sandra Cecconi. "Female Fertility and Environmental Pollution." International Journal of Environmental Research and Public Health 17, no. 23 (November 26, 2020): 8802. http://dx.doi.org/10.3390/ijerph17238802.

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A realistic picture of our world shows that it is heavily polluted everywhere. Coastal regions and oceans are polluted by farm fertilizer, manure runoff, sewage and industrial discharges, and large isles of waste plastic are floating around, impacting sea life. Terrestrial ecosystems are contaminated by heavy metals and organic chemicals that can be taken up by and accumulate in crop plants, and water tables are heavily contaminated by untreated industrial discharges. As deadly particulates can drift far, poor air quality has become a significant global problem and one that is not exclusive to major industrialized cities. The consequences are a dramatic impairment of our ecosystem and biodiversity and increases in degenerative or man-made diseases. In this respect, it has been demonstrated that environmental pollution impairs fertility in all mammalian species. The worst consequences are observed for females since the number of germ cells present in the ovary is fixed during fetal life, and the cells are not renewable. This means that any pollutant affecting hormonal homeostasis and/or the reproductive apparatus inevitably harms reproductive performance. This decline will have important social and economic consequences that can no longer be overlooked.
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Baxter, Rachel. "Floating world." New Scientist 235, no. 3139 (August 2017): 26–27. http://dx.doi.org/10.1016/s0262-4079(17)31620-2.

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Hazleton, Lesley. "Floating World." Women's Review of Books 12, no. 10/11 (July 1995): 5. http://dx.doi.org/10.2307/4022155.

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Dissertations / Theses on the topic "Pictures of the Floating World"

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Nelson-McDermott, Catherine A. "Pictures of a floating world, relocating Bloomsbury." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/nq21611.pdf.

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Dicken, Mary. "George Rochberg’s Ukiyo-e (Pictures of the Floating World)." Miami University Honors Theses / OhioLINK, 2006. http://rave.ohiolink.edu/etdc/view?acc_num=muhonors1146856287.

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Rosenow, Cecilia L. "Pictures of the floating world : American modernist poetry and cultural translations of Japan /." view abstract or download file of text, 2002. http://wwwlib.umi.com/cr/uoregon/fullcit?p3055709.

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Thesis (Ph. D.)--University of Oregon, 2002.
Typescript. Includes vita and abstract. Includes bibliographical references (leaves 176-199). Also available for download via the World Wide Web; free to University of Oregon users.
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Murray, Philippa, and pmurray@swin edu au. "The Floating World - An investigation into illustrative and decorative art practices and theory in print media and animation." RMIT University. Arts and Culture, 2006. http://adt.lib.rmit.edu.au/adt/public/adt-VIT20080506.143949.

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Considered under the theme 'The Floating World', the aim of this research project was to create a written exegesis and a series of artworks, primarily in the form of digital animation and illustration, which investigate decorative and illustrative art practices and their historical lineages. Particular emphasis was given to investigating the links between contemporary decorative/illustrative art practice and the aesthetics and psychology of the Edo period in Japan (C17th - C19th), in which the term 'The Floating World' was used to describe the city of Edo (old Tokyo). The writing concerned with The Floating World is comprised of the following chapters: history; concepts; aesthetics; contemporary adaptations of Ukiyo-e; and gothic romance and associated genres. The outcomes of my Masters program represent a sustained exploration of decorative and illustrative art practice and theory, and incorporate experimentation with associated genres such as magic realism, gothic romance, the uncanny, iconography, surrealism and other metaphorical and abstract representational practices. More broadly, my Masters project is an investigation, both theoretical and practical, into the way drawing and illustration have been a process through which to (literally) give shape to hopes and fears, and to describe understandings of self and the world. I am particularly interested in exploring how, through the act of abstraction and the use of metaphor and decoration, a capacity to 'speak the unspeakable' and 'know the unknowable' are somehow enabled. For example, when contemporary Japanese artist Takashi Murakami decorates Edo-inspired screens with a colourful arrangement of morphing cartoon mushrooms, he conjures up a startling and complex poetic space that juxtaposes traditional Japanese aesthetics and philosophy with the hyper-consumerist characters and ethos of Disneyland, as well as disquieting references to the mushroom bombs that dropped down on Hiroshima and Nagasaki from US planes. A similarly complex space is enacted by contemporary US artist Inka Essenhigh: her oversized canvases seem like sublime Japanese-inspired screens but a closer inspection reveals that the decorative motifs are actually dismembered body parts morphed together to create a savage and compelling metaphor for contemporary America that is all the more disarming for being perf ormed in a seemingly innocuous illustrative style. My research will draw on these examples but will endeavour to create a series of artworks that are particular to an Australian context. This interests me particularly in a time when, as a nation, we appear to be confounded about what it means to be Australian: as a contemporary artist I am interested in how we represent ourselves as a nation, and in exploring the motifs and attributes that we consider to be ours.
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Hopkins, John. "The Floating World." Thesis, University of Sussex, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.302255.

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Best, Karen. "A FLOATING WORLD: STORIES." Master's thesis, University of Central Florida, 2010. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/2070.

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A Floating World is a collection of short stories inspired by fairy tales. Often set in worlds where the mundane and the fantastic come together, these stories explore moments of strangeness that slip beyond the bounds of realist fiction. Fantastical events intrude into mundane reality as characters attempt to reconcile the known with the unknowable.
M.F.A.
Department of English
Arts and Humanities
Creative Writing MFA
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Rippey, John. "Woodblock Sonnets and Floating World : reflections on writing 'Woodblock Sonnets'." Thesis, Lancaster University, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.656335.

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This essay explores the writing of "Woodblock Sonnets," a poem composed of fifty-six sonnet stanzas. The essay represents a sustained enquiry into this poem's development, from its first inchoate sources and urges, to realization through shape, structure, and artifice. The development of the poem is tracked in five central writing concerns: content, language, form, time, and universality. In each concern, "Woodblock Sonnets" is observed to evolve, over the course of the writing, from more latent and intuitive versions into more manifest and deliberated ones. The poem emerges as creation of inspiration and labor, as both a spontaneously occurring phenomenon and a crafted object. In order to explore the reason of poetry, the accounts of this evolving search for significances are extended into consideration of the advantages which specific poetic practices - image, ekphrasis, rhyme, the sonnet form, and so on - provide a poem. "Woodblock Sonnets" possesses a cross-cultural nature, and the essay explores the poem's unusual fusing of Eastern and Western idioms and sensibilities, as well. "Woodblock Sonnets," the conclusion suggests, takes up the intrinsic interconnectedness of lives - natural and human, past and present, and especially our own lives and those of others, in dimensions that range from the personal to the cultural. The poem demonstrates a primary interest in revealing and interpreting relationships. Poetry, in general, is conceived as an opportunity for fusing the figurative and literal.
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Crilly, Shane. ""Gods in our own world" representations of troubled and troubling masculinities in some Australian films, 1991-2001 /." Connect to this title online, 2004. http://hdl.handle.net/2440/37939.

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The dominance of male characters in Australian films makes our national cinema a rich resource for the examination of the construction of masculinities. This thesis argues that the codes of the hegemonic masculinities in capitalist patriarchal societies like Australia insist on an absolute masculine position. However, according to Oedipal logic, this position always belongs to another man. Masculine yet 'feminised,'identity is fraught with anxiety but sustained by the 'dominant fiction' that equates the penis with the phallus and locates the feminine as its polar opposite. This binary relationship is inaugurated in childhood when a boy must distinguish his identity from his mother, who, significantly, is a different gender. Being masculine means not being feminine. However, as much as men strive towards inhabiting the masculine position completely, this masquerade will always be exposed by the elements associated with femininity that are an inevitable part of the human experience. Yet, the more men are drawn to the feminine, the more they risk losing their masculine integrity altogether under the patriarchal gaze. Men, in this dualistic regime, are condemned to negotiate their identity haunted by the promises of the phallus and the fear of its loss. I begin with a model of masculine integrity represented in the image of an ideal father, Darryl Kerrigan, from The Castle and then proceed to problematise it through an examination of its excesses observed in the father of David Helfgott in Shine. In the second chapter I investigate two films that represent mothers as the principal threat to masculine integrity: Death in Brunswick and Proof. Both films reveal a misogynistic impetus, which is expressed as violence against women in The Boys, the sole focus of my middle chapter. With misogyny and violence still resonating, I follow the contours of my argument through an examination of Chopper and The Adventures of Priscilla, Queen of the Desert in the fourth chapter, where I emphasise the performative nature of identity, before arriving at a discussion of men and their relationships in the final chapter (Mullet, Praise, and Thank God He Met Lizzie).
Thesis (Ph.D.)--School of Humanities, 2004.
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Crilly, Shane Alexander. "'Gods in our own world': representations of troubled and troubling masculinities in some Australian films, 1991-2001 /." Title page, table of contents and abstract only, 2004. http://web4.library.adelaide.edu.au/theses/09PH/09phc9291.pdf.

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Callan, Tim. "International transmission of economic disturbances : modelling small countries in a floating rate world." Thesis, University of Oxford, 1989. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.305669.

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Books on the topic "Pictures of the Floating World"

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Sawant, Shukla. Pictures of the floating world: Recent works. New Delhi: Art Inc, 1998.

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Gralla, Cynthia. The floating world. New York: Ballantine Books, 2003.

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The floating world. New York, N.Y: Viking, 1989.

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The floating world. New York: Ballantine Books, 2003.

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Kadohata, Cynthia. The floating world. New York: Ballantine Books, 1991.

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Lynn, Jacobsen-Katsumoto, Portland Art Museum (Or.), and Cleveland Museum of Art, eds. The Floating World revisited. Portland, Or: Portland Art Museum, 1993.

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Ebbesmeyer, Curtis C. Flotsametrics and the Floating World. New York: HarperCollins, 2009.

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Bantock, Gavin. Floating world: A Japanese collection. Bradford: Redbeck Press, 2002.

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Ishiguro, Kazuo. An artist of the floating world. Bath, England: Chivers Press, 2001.

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Ishiguro, Kazuo. An artist of the floating world. New York: Vintage Books, 1989.

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Book chapters on the topic "Pictures of the Floating World"

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Smith, Craig. "Swimming Between the Flags: The Pictures of the Floating World Project." In Transformative Approaches to New Technologies and Student Diversity in Futures Oriented Classrooms, 159–70. Dordrecht: Springer Netherlands, 2011. http://dx.doi.org/10.1007/978-94-007-2642-0_10.

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Levin, Laura. "World Pictures." In Performing Ground, 1–29. London: Palgrave Macmillan UK, 2014. http://dx.doi.org/10.1057/9781137274250_1.

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Novielli, Maria Roberta. "A New World." In Floating Worlds, 47–72. Boca Raton : Taylor & Francis, 2018.: CRC Press, 2018. http://dx.doi.org/10.1201/b22500-3.

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Walters, James. "Perpetual motion pictures." In The Routledge Companion to World Cinema, 382–92. New York : Routledge, 2017.: Routledge, 2017. http://dx.doi.org/10.4324/9781315688251-32.

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Runzo, Joseph. "Visions, Pictures and Rules." In World Views and Perceiving God, 47–66. London: Palgrave Macmillan UK, 1993. http://dx.doi.org/10.1007/978-1-349-23106-5_3.

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Hunnings, Gordon. "From Pictures to Grammar." In The World and Language in Wittgenstein’s Philosophy, 126–58. London: Palgrave Macmillan UK, 1988. http://dx.doi.org/10.1007/978-1-349-09114-0_5.

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Renwick, Neil. "Floating in Hyper-Reality: The Global Republic Imagined." In America's World Identity, 201–28. London: Palgrave Macmillan UK, 2000. http://dx.doi.org/10.1057/9780230597945_6.

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Hinze, Ralf, and Dan Marsden. "Dragging Proofs Out of Pictures." In A List of Successes That Can Change the World, 152–68. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-30936-1_8.

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Yeakley, Celeste Labrunda, and Jeffrey D. Fiebrich. "The Modern World-Building Meaningful Quality Pictures." In Collaborative Process Improvement, 147–64. Hoboken, NJ, USA: John Wiley & Sons, Inc., 2015. http://dx.doi.org/10.1002/9781119134664.ch13.

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Clough, Paul, and Theodora Tsikrika. "Multi-Lingual Retrieval of Pictures in ImageCLEF." In Information Retrieval Evaluation in a Changing World, 217–30. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-22948-1_9.

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Conference papers on the topic "Pictures of the Floating World"

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Kurup, Nishu V., Shan Shi, Zhongmin Shi, Wenju Miao, and Lei Jiang. "Study of Nonlinear Internal Waves and Impact on Offshore Drilling Units." In ASME 2011 30th International Conference on Ocean, Offshore and Arctic Engineering. ASMEDC, 2011. http://dx.doi.org/10.1115/omae2011-50304.

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Internal waves near the ocean surface have been observed in many parts of the world including the Andaman Sea, Sulu Sea and South China Sea among others. The factors that cause and propagate these large amplitude waves include bathymetry, density stratification and ocean currents. Although their effects on floating drilling platforms and its riser systems have not been extensively studied, these waves have in the past seriously disrupted offshore exploration and drilling operations. In particular a drill pipe was ripped from the BOP and lost during drilling operations in the Andaman sea. Drilling riser damages were also reported from the south China Sea among other places. The purpose of this paper is to present a valid numerical model conforming to the physics of weakly nonlinear internal waves and to study the effects on offshore drilling semisubmersibles and riser systems. The pertinent differential equation that captures the physics is the Korteweg-de Vries (KdV) equation which has a general solution involving Jacobian elliptical functions. The solution of the Taylor Goldstein equation captures the effects of the pycnocline. Internal wave packets with decayed oscillations as observed from satellite pictures are specifically modeled. The nonlinear internal waves are characterized by wave amplitudes that can exceed 50 ms and the present of shearing currents near the layer of pycnocline. The offshore drilling system is exposed to these current shears and the associated movements of large volumes of water. The effect of internal waves on drilling systems is studied through nonlinear fully coupled time domain analysis. The numerical model is implemented in a coupled analysis program where the hull, moorings and riser are considered as an integrated system. The program is then utilized to study the effects of the internal wave on the platform global motions and drilling system integrity. The study could be useful for future guidance on offshore exploration and drilling operations in areas where the internal wave phenomenon is prominent.
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André, Elisabeth, and Thomas Rist. "Referring to world objects with text and pictures." In the 15th conference. Morristown, NJ, USA: Association for Computational Linguistics, 1994. http://dx.doi.org/10.3115/991886.991978.

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Kakue, Takashi, Takashi Nishitsuji, Tetsuya Kawashima, Tomoyoshi Shimobaba, and Tomoyoshi Ito. "Real-time electro-holography with parabolic mirrors for projecting floating 3D motion pictures." In SA'15: SIGGRAPH Asia 2015. New York, NY, USA: ACM, 2015. http://dx.doi.org/10.1145/2820926.2820968.

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Leeman, Ruedy W., Douglas R. Brown, Rickey L. Stansifer, Donald B. Uldricks, and Dennis A. Guenther. "Computer Accident Simulation - Pretty Pictures and the Real World." In International Congress & Exposition. 400 Commonwealth Drive, Warrendale, PA, United States: SAE International, 1991. http://dx.doi.org/10.4271/910368.

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Cerro, C. "Floating architecture in the developing world." In SUSTAINABLE CITY 2016. Southampton UK: WIT Press, 2016. http://dx.doi.org/10.2495/sc160551.

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Josiassen, Alexander, and Florian Kock. "A FORMALIZED FRAMEWORK OF TOURISTS’ MENTAL PICTURES OF DESTINATIONS." In Bridging Asia and the World: Global Platform for Interface between Marketing and Management. Global Alliance of Marketing & Management Associations, 2016. http://dx.doi.org/10.15444/gmc2016.07.09.04.

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Di´az, S. E., and R. Castro. "Non-Linear Description of Floating Ring Bearings Rotordynamics." In World Tribology Congress III. ASMEDC, 2005. http://dx.doi.org/10.1115/wtc2005-63799.

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Floating ring bearings are commonly used in automotive turbochargers for their low manufacturing costs. However, the strong non-linearity of this configuration prevents the use of traditional rotordynamic techniques to describe their behaivior, thus relegating its design process to a costly trial and error process. A numerical characterization of this non-linearity is hereby presented for a flexible rotor supported on two FRBs. Non-linear techniques such as Poincare´ and Bifurcation maps, along with traditional rotordynamic techniques, show ranges of periodic, quasiperiodic, and chaotic motion, being the most stable ones related to high unbalance and/or low speeds, though in some cases the periodicity of the motion is reestablished at higher speeds. In all cases chaos is reached through a period doubling route. Shaft flexibility is shown to retard the occurrence of chaos, while excitation of conical motion seems to favor it.
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HUANG, WEI, LUNWU TAN, MAGGIE CREED, WENGANG DUAN, and MINGHAI HUANG. "PILOT STUDY ON FLOW STRUCTURE AROUND FLOATING DIKES." In 38th IAHR World Congress. The International Association for Hydro-Environment Engineering and Research (IAHR), 2019. http://dx.doi.org/10.3850/38wc092019-0167.

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KJÆRÅS, HALVOR, LEIF LIA, NILS REIDAR OLSEN, and KNUT ALFREDSEN. "DESIGN OF FLOATING FISH GUIDANCE SYSTEMS USING CFD MODELLING." In 38th IAHR World Congress. The International Association for Hydro-Environment Engineering and Research (IAHR), 2019. http://dx.doi.org/10.3850/38wc092019-0747.

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KLAR, ROBERT, MATTHIAS TONNEL, BERND STEIDL, and MARKUS AUFLEGER. "BEQS - Marine Pumped-Storage Concepts for Floating City Extensions." In 38th IAHR World Congress. The International Association for Hydro-Environment Engineering and Research (IAHR), 2019. http://dx.doi.org/10.3850/38wc092019-1823.

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