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Dissertations / Theses on the topic 'Piano quartets – Scores and parts'
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1
Moran, David W. (David Wayne). "Chaos, Cosmos, and Communion: Three Movements for String Quartet." Thesis, University of North Texas, 1994. https://digital.library.unt.edu/ark:/67531/metadc278804/.
Full textAbstract:
The three movements of this piece are related proportionally in that movements one and two represent three-fifths of the length of the whole. Movement three represents two-fifths of the length of the whole. Another proportional relationship exists between movements one and two. Movement one represents two-fifths of the length of the first two movements, while movement two represents three-fifths of the length of the two. An additional link between the three movements is pitch content. Movements one and two have little in common in this regard, but movement three combines elements of the first two. The duration of the entire piece is approximately fifteen minutes.
2
Wang, Jing. "Cultural and technical perspectives on Winter landscape." Thesis, connect to online resource, 2009. http://digital.library.unt.edu/ark:/67531/metadc12212.
Full textAbstract:
For flute, piano, erhu, and Max/ISP interactive computer music system. Duration: ca. 15:00. System requirements: Adobe Acrobat Reader. Includes notes for performance. Includes bibliographical references (p. 94-96).
3
Young, Kar-fai Samson, and 楊嘉輝. "Internationalism, individualism and Chinese national style: the hybrid-identity composer and the in-between space." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2006. http://hub.hku.hk/bib/B37095110.
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4
陳錦標 and Kam Biu Joshua Chan. "Portfolio of original compositions." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1994. http://hub.hku.hk/bib/B31234094.
Full text
5
"A portfolio of music compositions." 2006. http://library.cuhk.edu.hk/record=b5896515.
Full textAbstract:
The giving tree : for soprano, tenor, violin, cello and piano / text by Shel Silverstein -- Duo 《琴笙曲》 : for 2 harmonicas -- Clarinet duet : for clarinet and live electronics -- Playing game : for orchestra -- Sculpture II 《浮塑二》 : for pipa and Chinese orchestra -- Volcanicity 《原・始》 : for sheng and Chinese orchestra.The giving tree : for soprano, tenor, violin, cello and piano / text by Shel Silverstein -- Duo "Qin sheng qu" : for 2 harmonicas -- Clarinet duet : for clarinet and live electronics -- Playing game : for orchestra -- Sculpture II "Fu su er" : for pipa and Chinese orchestra -- Volcanicity "Yuan, shi" : for sheng and Chinese orchestra.
Tang Lok-yin.
Thesis (M.Mus.)--Chinese University of Hong Kong, 2006.
Librettos (1st work) in English ; abstracts in English and Chinese.
Chapter Composition 1 --- "The Giving Tree for Soprano, Tenor, Violin, Cello and Piano"
Chapter Composition 2 --- Duo (琴 II 曲〉 for 2 Harmonicas
Chapter Composition 3 --- Clarinet Duet for Clarinet and Live Electronics
Chapter Composition 4 --- Playing Game for Orchestra
Chapter Composition 5 --- Sculpture II {{214753}塑二〉 for pipa and Chinese Orchestra
Chapter Composition 6 --- Volcanicity 《原´Ø始）for Sheng and Chinese Orchestra
6
"A portfolio of three musical compositions." 1997. http://library.cuhk.edu.hk/record=b5896235.
Full textAbstract:
by Hui Cheung Wai.Thesis (M.Mus.)--Chinese University of Hong Kong, 1997.
Chapter 1. --- String Quartet No2
Chapter a) --- programme notes --- p.I. i -ii
Chapter b) --- music score
Chapter ´Ø --- 1st movement --- p.1-15
Chapter ´Ø --- 2nd movement --- p.16 -25
Chapter ´Ø --- 3rd movement --- p.26-51
Chapter 2. --- """Disappearance"" for orchestra"
Chapter a) --- programme notes --- p.II. i -iv
Chapter b) --- music score --- p.1-46
Chapter 3. --- """Wu Wu"" (Sorcery Dance) for piano"
Chapter a) --- programme notes --- p.III. i -ii
Chapter b) --- music score --- p.1-12
7
"Portfolio of music compositions." 2002. http://library.cuhk.edu.hk/record=b5895999.
Full textAbstract:
Quartet -- Bagatelle-Kyrie eleison -- Déploration.Wu Ming-yiu.
Thesis (M.Mus.)--Chinese University of Hong Kong, 2002.
Abstracts in English and Chinese.
Abstract --- p.i
Table of Contents --- p.ii
Acknowledgements --- p.iii
Compositions
Chapter 1. --- Quartet --- p.1
Chapter 2. --- Bagatelle - Kyrie eleison --- p.34
Chapter 3. --- Deploration --- p.47
8
"Composition portfolio of Li Kit-yiu, Emily." Chinese University of Hong Kong, 1995. http://library.cuhk.edu.hk/record=b5888413.
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9
"A portfolio of music compositions." 2003. http://library.cuhk.edu.hk/record=b5891434.
Full textAbstract:
Quintet for winds and piano -- Preludes and fugues for piano solo -- Variation for string quartet.Wong Kong Yu.
Thesis submitted in: December 2002.
Thesis (M.Mus.)--Chinese University of Hong Kong, 2003.
Includes bibliographical references (leaves ).
Abstracts in English and Chinese.
Abstract --- p.1 Page
Scores with Notes:
Chapter 1. --- Quintet for Winds and Piano
Note --- p.2 Pages
Score --- p.30 Pages
Chapter 2. --- Preludes and Fugues for Piano Solo
Note --- p.2 Pages
Score --- p.31 Pages
Chapter 3. --- Variations for String Quartet
Note --- p.2 Pages
Score --- p.9 Pages
Total Duration: 38 minutes
10
Grant, Quentin Stuart David. "Portfolio of original compositions." Thesis, 2008. http://hdl.handle.net/2440/51095.
Full textAbstract:
This submission comprises a portfolio of fifteen original musical works and an exegesis that comments on five of these works. Recordings of twelve of the fifteen compositions are included.
These pieces demonstrate an ongoing investigation into structure, and the discussion will provide an insight into the constant process of experimentation and consolidation involved in developing such a body of work.
In the exegesis I open with a general conversation on the compositional process and then focus on the formal problems inherent in this process. I then discuss the five scores included in the main volume, looking at how each are formed, and comparing their formal characteristics. This involves an analysis
of the musical materials and how such materials are treated through repetition and transformation. I will also look at the aesthetic and stylistic concerns and how they inform the formal architecture of each work.
An appendix includes the scores of a further ten works, with a brief introductory commentary on each.Thesis (Ph.D.) -- University of Adelaide, Elder Conservatorium of Music, 2008
11
Grant, Quentin Stuart David. "Portfolio of original compositions." 2008. http://hdl.handle.net/2440/51095.
Full textAbstract:
This submission comprises a portfolio of fifteen original musical works and an exegesis that comments on five of these works. Recordings of twelve of the fifteen compositions are included. These pieces demonstrate an ongoing investigation into structure, and the discussion will provide an insight into the constant process of experimentation and consolidation involved in developing such a body of work. In the exegesis I open with a general conversation on the compositional process and then focus on the formal problems inherent in this process. I then discuss the five scores included in the main volume, looking at how each are formed, and comparing their formal characteristics. This involves an analysis of the musical materials and how such materials are treated through repetition and transformation. I will also look at the aesthetic and stylistic concerns and how they inform the formal architecture of each work. An appendix includes the scores of a further ten works, with a brief introductory commentary on each.http://proxy.library.adelaide.edu.au/login?url= http://library.adelaide.edu.au/cgi-bin/Pwebrecon.cgi?BBID=1351235
Thesis (Ph.D.) -- University of Adelaide, Elder Conservatorium of Music, 2008
12
Weekes, Diana K. "Twistonality [music] : a personal exploration : portfolio of original compositions and exegesis." 2007. http://hdl.handle.net/2440/57119.
Full textAbstract:
Title page, table of contents and abstract; v.2: table of contents; v.3: table of contents only. The complete thesis in print form is available from the University of Adelaide Library.This doctoral submission comprises three volumes and is entitled Twistonality: A Personal Exploration. Volume One consists of a portfolio of eleven original compositions, Volume Two is an exegesis and Volume Three contains live and/or computer-generated recordings of the music. The works are scored for a variety of instrumental and vocal combinations. The compositions explore the use of tonality as a basis for the creation of a uniquely personal style which incorporates musical gestures encountered in both traditional and contemporary performance practice. The term 'twistonality', devised for this submission, refers to a musical language in which a composer may express original ideas by twisting forms and tonal structures already resident in the conscious or subconscious memory in order to reflect his or her emotional reality as experienced through music.
http://proxy.library.adelaide.edu.au/login?url= http://library.adelaide.edu.au/cgi-bin/Pwebrecon.cgi?BBID=1283916
Thesis (Ph.D.) -- University of Adelaide, Elder Conservatorium of Music, 2007
13
"A portfolio of four original music compositions." 1998. http://library.cuhk.edu.hk/record=b5889514.
Full textAbstract:
Trombone concerto (first movement) -- Post-Zero -- Trio for flute, violin and cello, no. 2.submitted by Tang Pan-hang Benny.
Thesis submitted in: December 1997.
Thesis (M.Mus.)--Chinese University of Hong Kong, 1998.
Abstract also in Chinese.
Abstract --- p.i
摘要 --- p.ii
Acknowledgment --- p.iii
Declaration --- p.iv
Introduction --- p.1
Trombone Concerto (first movement) --- p.2
Programme notes --- p.3
Remarks --- p.5
Instrumentation --- p.6
Seating Plan --- p.7
Scores --- p.8
Post-Zero 零後 --- p.56
Introduction --- p.57
Programme notes --- p.57
Performance direction --- p.61
Instrumentation --- p.62
Seating plan --- p.62
Scores --- p.63
"Trio for Flute, Violin and Cello No.2" --- p.144
Programme notes --- p.145
Performance direction --- p.145
Scores --- p.146
Biography --- p.159
Music Works List --- p.160
14
"A portfolio of music compositions." Thesis, 2004. http://library.cuhk.edu.hk/record=b6073653.
Full textAbstract:
Alien-colour : for woodwind quintet -- Two bagatelles for the solo piano -- Duodecat : for large ensemble -- Moonlight : for solo voice and percussion -- Activation : for orchestra.Yang Jin Fong.
"June 2004."
Thesis (D.Mus.)--Chinese University of Hong Kong, 2004.
Electronic reproduction. Hong Kong : Chinese University of Hong Kong, [2012] System requirements: Adobe Acrobat Reader. Available via World Wide Web.
Mode of access: World Wide Web.
Abstracts in English and Chinese.
15
"Conversation, Dark haze, San-shui Xi-nan." 1998. http://library.cuhk.edu.hk/record=b5896306.
Full textAbstract:
by Ho Tsz-Yan, Rebecca.Thesis (M.Mus.)--Chinese University of Hong Kong, 1998.
Abstract also in Chinese.
Chapter Part I: --- p.page
Chapter ´Ø --- Abstract --- p.1
Chapter Part II:
Chapter ´Ø --- "Analysis on ""Conversation""" --- p.3
Chapter ´Ø --- """Conversation"" (Full Score)" --- p.6
Chapter ´Ø --- "Analysis on ""Dark Haze´ح" --- p.25
Chapter ´Ø --- """Dark Haze"" (Full Score)" --- p.28
Chapter ´Ø --- "Analysis on ""San-Shui Xi-Nan""" --- p.65
Chapter ´Ø --- """San -Shui Xi-Nan"" (Full Score)" --- p.69
Chapter Part III：
Chapter ´Ø --- Biography --- p.119
16
"A portfolio of music compositions." Thesis, 2011. http://library.cuhk.edu.hk/record=b6075468.
Full textAbstract:
Dead water : song cycle for tenor and piano -- Shan shui : for string quartet -- Kuang fu : for SSAAATTBB and yangqin -- If life is unknown : for wind quintet -- Symphony II : Marrison for chamber orchestra, male choir, erhu and zheng -- Jazzy illusion of a Chinaman : for clarinet/bass clarinet, piano/electric keyboard, electric guitar, drum set, cello and double bass -- Liao Zhai : Chinese strange tale for recorders , percussions, soprano, tenor and baritone -- A madman's diary : piano solo work.Tam, Chin Fai.
Thesis (D.Mus.)--Chinese University of Hong Kong, 2011.
Includes bibliographical references (leaves 391-392).
Electronic reproduction. Hong Kong : Chinese University of Hong Kong, [2012] System requirements: Adobe Acrobat Reader. Available via World Wide Web.
Electronic reproduction. Hong Kong : Chinese University of Hong Kong , [2012] System requirements: Adobe Acrobat Reader. Available via World Wide Web.
Abstract also in Chinese; includes in Chinese.