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Books on the topic 'Piano music Analysis'

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Author: Grafiati
Published: 10 December 2022
Last updated: 29 January 2023

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1

Schumann piano music. London: British Broadcasting Corporation, 1986.

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2

Câmara, J. M. Bettencourt da. A música para piano de Francisco Lacerda. Lisboa: Instituto de Cultura e Língua Portuguesa, 1987.

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3

Bitsch, Marcel. Claude Debussy, Préludes pour piano, livre 1. Paris: Combre, 1995.

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4

J. M. Bettencourt da Câmara. A música para piano de Francisco Lacerda. Lisboa: Instituto de Cultura e Língua Portuguesa, Ministério da Educação e Cultura, 1987.

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5

The piano works of Serge Prokofiev. Metuchen, N.J: Scarecrow Press, 1994.

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6

Luethi, Geraldine Gant. Beethoven, solo piano literature. Boulder, Colo: Maxwell Music Evaluation, 1992.

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7

The piano sonority of Claude Debussy. Lewiston: E. Mellon Press, 1994.

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8

The player-piano music of Conlon Nancarrow: An analysis of selected studies. Brooklyn, N.Y: Institute for Studies in American Music, Conservatory of Music, Brooklyn College of the City University of New York, 1988.

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9

Olivier, Messiaen. Ravel: Analyses des œuvres pour piano de Maurice Ravel. Paris?]: Durand, 2003.

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10

Olivier, Messiaen. Ravel: Analyses of the piano works of Maurice Ravel. [Paris]: Durand, 2005.

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11

Messiaen, Olivier. Ravel, analyses des œuvres pour piano de Maurice Ravel. Paris: Durand, 2003.

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12

Girdlestone, Cuthbert Morton. Mozart & his piano concertos. Mineola, N.Y: Dover Publications, 2011.

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13

Beethoven's piano music: A listener's guide. Montclair, NJ: Amadeus Press, 2011.

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14

Edwin, Evans. Handbook to the pianoforte works of Johannes Brahms. London: Reeves, 1987.

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15

Robert, Walter. From Bach to Brahms: A musician's journey through keyboard literature. Bloomington, IN: Tichenor Publishing, 1994.

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16

Drechsel, Oliver. Jürg Baur, das Klavierwerk. Köln: Dohr, 1998.

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17

Guertin, Marcelle. De la lecture à l'audition d'un texte musical: Une étude des thèmes dans le Livre I des Préludes pour piano de Debussy. Montréal, Québec: Presses de l'Université de Montréal, 1990.

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18

Cortot, Alfred. Alfred Cortot's studies in musical interpretation. New York: Da Capo Press, 1989.

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19

Xiaobang di xu shi qu. Beijing: Ren min yin yue chu ban she, 1986.

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20

Wu, Kuei-Mei. Die Bagatellen Ludwig van Beethovens. Köln: Dohr, 1999.

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21

Suchoff, Benjamin. Bartók's Mikrokosmos: Genesis, pedagogy, and style. Lanham, MD: Scarecrow Press, 2002.

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22

Nuovi percorsi tonali in Erik Satie. Lucca: Libreria musicale italiana, 1999.

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23

García, Rosa María Fernández. La obra pianística de Joan Guinjoan. Madrid, España: Alpuerto, 1996.

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24

Louvier, Alain. Béla Bartók, Mikrokosmos. Paris: Editions Combre, 2004.

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25

Nemecek, Robert. Untersuchungen zum frühen Klavierschaffen von Pierre Boulez. Kassel: G. Bosse, 1998.

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26

Arabkert︠s︡eva, S. B. Fortepiannye proizvedenii︠a︡ S.V. Rakhmaninova: Pʹesy-fantazii op. 3 : Muzykalʹnye momenty op. 16 : Preli︠u︡dii op. 23, 32 : stilevye osobennosti interpretat︠s︡ii. Rostov-na-Donu: Terra, 2001.

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27

Striegel, Ludwig. Schlaffe Präludien und verdorrte Embryos: Klavierspielen mit Erik Satie. Fernwald: B. Muth, 1997.

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28

Lee, Kyung-Sun. Stilistische Untersuchungen am Klavierwerk Theodor Kirchners. Aachen: Shaker Verlag, 1998.

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29

Fortepiannoe tvorchestvo Karoli︠a︡ Shimanovskogo: Problemy stili︠a︡ i interpretat︠s︡ii : issledovanie. Moskva: Kompozitor, 2002.

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30

The piano works of the Brazilian composer Marlos Nobre: A guide to the repertoire. Lewiston: The Edwin Mellen Press, 2012.

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31

Kelterborn, Rudolf. Analyse und Interpretation: Eine Einführung anhand von Klavierkompositionen : Bach, Haydn, Mozart, Beethoven, Schumann, Brahms, Schönberg, Bartók. Winterthur/Schweiz: Amadeus, 1993.

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32

Rabelo, Paulo César Martins. A música para violoncelo e piano de Guarnieri. Goiânia: Editora UFG, 2002.

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33

Beethoven's piano sonatas: A short companion. New Haven: Yale University Press, 2002.

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34

Sacre, Guy. La musique de piano: Dictionnaire des compositeurs et des œuvres. Paris: Robert Laffont, 1998.

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35

Beethoven, the Moonlight and other sonatas, op. 27 and op. 31. Cambridge, UK: Cambridge University Press, 1999.

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36

The Russian piano concerto. Bloomington: Indiana University Press, 1994.

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37

Rabelo, Paulo César Martins. A música para violoncelo e piano de Guarnieri. Goiânia: Editora UFG, 2002.

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38

Anton Weberns Studienzeit: Seine Entwicklung im Lichte der Sätze und Fragmente für Klavier. Frankfurt am Main: P. Lang, 1992.

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39

quan, Sun wei. Shi jie zhu ming tong su gang qin qu xin shang. Shang hai: Shang hai yin le chu ban she, 1999.

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40

Makis, Solomos, ed. Esthétique de la sonorité: L'héritage debussyste dans la musique pour piano du XXe siècle. Paris: Harmattan, 2009.

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41

Guigue, Didier. Esthétique de la sonorité: L'héritage debussyste dans la musique pour piano du XXe siècle. Paris: Harmattan, 2009.

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42

Gaceva, Ana. Pijanistički tehniki vo koncerti na kompozitori-izveduvači od svetskata muzička scena. Skopje: Bigoss, 2008.

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43

Interpreting Chopin: Analysis and performance. Burlington, VT: Ashgate, 2014.

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44

Furche-Jurczyk, Małgorzata. Brzmienie: Jako konstytutywny element dzieła muzycznego na przykładzie partii fortepianowych w wybranych utworach Maurice'a Ravela Manuela de Falli, Béli Bartóka i Johna Cage'a. Bydgoszcz: Wydawn. Uniwersytetu Kazimierza Wielkiego, 2009.

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45

Biesold, Maria. Dmitrij Schostakowitsch: Klaviermusik der Neuen Sachlichkeit. Wittmund: Edition Musica et Claves, 1988.

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46

Mozart piano concertos. London: BBC Publications, 1986.

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47

So spiele und lehre ich Chopin: Analysen und Interpretationen. Stuttgart: F. Steiner, 1994.

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48

Fleischmann, Tilly. Aspects of the Liszt tradition. 2nd ed. Aylesbury: Roberton, 1991.

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49

Fleischmann, Tilly. Aspects of the Liszt tradition. Cork: Adare Press, 1986.

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50

The art of French piano music: Debussy, Ravel, Fauré, Chabrier. New Haven, Conn: Yale University Press, 2009.

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