Relevant bibliographies by topics / Photomedia

Academic literature on the topic 'Photomedia'

Author: Grafiati
Published: 4 June 2021
Last updated: 20 February 2023

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Journal articles on the topic "Photomedia"

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Furutani, Yutaka, Ri-ichiroh Manabe, Ko Tsutsui, Tomiko Yamada, Nagisa Sugimoto, Shiro Fukuda, Jun Kawai, et al. "Identification and characterization of photomedins: novel olfactomedin-domain-containing proteins with chondroitin sulphate-E-binding activity." Biochemical Journal 389, no. 3 (July 26, 2005): 675–84. http://dx.doi.org/10.1042/bj20050120.

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We screened more than 60000 RIKEN mouse cDNAs for novel ECM (extracellular matrix) proteins by extensive computational screening followed by recombinant expression and immunohistochemical characterization. We identified two novel olfactomedin-family proteins characterized by the presence of tandem CXCXCX9C motifs in the N-terminal region, a coiled-coil domain and an olfactomedin domain in the C-terminal region. These proteins, named photomedin-1 and photomedin-2, were secreted as disulphide-bonded dimers (photomedin-1) or oligomers/multimers (photomedin-2) with O-linked carbohydrate chains, although photomedin-1 was proteolytically processed in the middle of the molecule after secretion. In the retina, photomedin-1 was selectively expressed in the outer segment of photoreceptor cells and photomedin-2 was expressed in all retinal neurons. Among a panel of ECM components, including glycosaminoglycans, photomedins preferentially bound to chondroitin sulphate-E and heparin. These results, together, indicate that photomedins are novel olfactomedin-domain-containing extracellular proteins capable of binding to proteoglycans containing these glycosaminoglycan chains.
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Cotton, Charlotte. "Photography's place in culture Keynote 1: Photomedia Conference, Helsinki, 28 March 2012." Photographies 6, no. 1 (March 2013): 29–33. http://dx.doi.org/10.1080/17540763.2013.788835.

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Grushka, Kathryn, and Aaron Bellette. "Artful Inquiry in the E-learning Journal." LEARNing Landscapes 9, no. 2 (April 1, 2016): 261–83. http://dx.doi.org/10.36510/learnland.v9i2.775.

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E-learning is transforming the learning landscape. This paper focuses on photomedia participatory inquiry in an e-feed learning culture. It harnesses the bene ts of artful inquiry and elaborates on interactive re ective opportunities when using participatory research methods. Student e-learning journal examples and the teacher re ective voice demonstrate how artful inquiry accommodates critical and re ective actions for new creative outcomes. The methods described and analyzed may have relevance to educators considering applying multi-semiotic learning approaches within e-learning journals as digital platforms become central to digital learning and communication of ideas.
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Najdowski, Rebecca. "Indeterminate: Flora, 3D scanning and the instability of data." Journal of Environmental Media 2, no. 1 (March 1, 2021): 131–45. http://dx.doi.org/10.1386/jem_00044_1.

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This article discusses Echo, an environmental media project that explores the possibility of defamiliarizing representational structures of nature through creative practice techniques. Through a reflective, critical analysis of Echo, this article examines how the 3D scanning process, used at the threshold of viability, can illuminate the fragile conditions of data and the complexities of photographic representation. I argue that movements from the plane of environmental forces and forms into a digital materiality carries meaning in addition to signifying practices. This article suggests that viewing environmental photomedia through the lens of posthumanism and materialist philosophy offers the possibility of opening up more-than-representational meanings within materialities, processes, practices and art encounters.
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Dam, Cassandra. "Light + photomedia: A new history and future of the photographic image by Jai McKenzie." Visual Studies 31, no. 2 (November 13, 2015): 183–84. http://dx.doi.org/10.1080/1472586x.2015.1110414.

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Medley, John M. "Semiempirical Predictive Kinetic Model of Light Induced Magenta Dye-Based Ink Jet Ink Fading on Polymer-Coated Photomedia." Journal of Imaging Science and Technology 53, no. 4 (2009): 040501. http://dx.doi.org/10.2352/j.imagingsci.technol.2009.53.4.040501.

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Duggan, Jo-Anne, and Enza Gandolfo. "Other Spaces: migration, objects and archives." Modern Italy 16, no. 3 (August 2011): 315–28. http://dx.doi.org/10.1080/13532944.2010.507931.

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Other Spaces is a collaborative creative arts exhibition project that explores visual and material expressions of cultural identity with a particular focus on museum collections. This project aims to provide a rich examination – visual, emotional and intellectual – of the multiple cultural narratives that contribute to the social fabric of Australia through a unique marriage of contemporary photomedia and creative writing practice. This project explores the ways that migrants and refugees have found to express their cultural identity through the material objects they have brought with them to Australia. Many of these objects are not only of great personal value but often of cultural, historical and religious significance. Some are very ordinary everyday objects but they can be highly evocative and symbolic of the relationship between culture and identity, and between the places of origin and an individual's present home in Australia. This article, through a combination of photography, creative text and scholarly discussion, will focus specifically on Italo-Australian migrants and on some of the material objects that they have donated to museum collections, and use these objects to explore notions of cultural belonging and identity.
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Loe, David. "Book Review: Photometria." Lighting Research & Technology 34, no. 1 (March 2002): 83–84. http://dx.doi.org/10.1191/1365782802li033xx.

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Wada, Satoshi. "Laser research for photomedical science." Nippon Laser Igakkaishi 28, no. 4 (2007): 411–15. http://dx.doi.org/10.2530/jslsm.28.411.

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Baselga, Sergio, Gaspar Mora-Navarro, and José Luis Lerma. "Assessment of Cranial Deformation Indices by Automatic Smartphone-Based Photogrammetric Modelling." Applied Sciences 12, no. 22 (November 12, 2022): 11499. http://dx.doi.org/10.3390/app122211499.

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This paper presents research carried out to assess the accuracy of a fully automatic smartphone-based photogrammetric solution (PhotoMeDAS) to obtain a cranial diagnostic based on the 3D head model. The rigorous propagation of the coordinate measurement uncertainty to the infant’s derived cranial deformation indices is demonstrated. The cranial anthropometric parameters and cranial deformation indices that PhotoMeDAS calculates automatically were analysed based on the estimated accuracy and uncertainty. To obtain both accuracy and uncertainty, a dummy head was measured 54 times under different conditions. The same head was measured with a top-of-the-line coordinate-measuring machine (CMM), and the results were used as ground-truth data. It is demonstrated that the PhotoMeDAS 3D models are an average of 1.01 times bigger than the corresponding ground truth, and the uncertainties are around 1 mm. Even assuming uncertainties in the coordinates of up to 1.5 mm, the error in the derived deformation index uncertainties is around 1%. In conclusion, the PhotoMeDAS solution improves the uncertainty obtained in an ordinary paediatric consultation and can be recommended as a tool for doctors to establish an adequate medical diagnosis based on comprehensive cranial deformation indices, which is much more precise and complete than the information obtained by existing analogue devices (measuring tapes and callipers) and easier to use and less expensive than radiological imaging (CT and MRI).
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Dissertations / Theses on the topic "Photomedia"

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Jolly, Martyn. "Fake photographs making truths in photography /." Click here for electronic access to document: http://www.anu.edu.au/ITA/CSA/photomedia/ph_d.pdf, 2003. http://www.anu.edu.au/ITA/CSA/photomedia/ph_d.pdf.

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Kelly, Amelia. "Anxiety and Agency in Fashion, Beauty, and the Erotic Female Grotesque." Thesis, The University of Sydney, 2018. http://hdl.handle.net/2123/18997.

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This thesis considers anxieties and concepts of agency related to femininity as represented through the beautiful and the grotesque, and the tensions that manifest when these two states coalesce. Reviewing dominant anti-fashion/beauty rhetoric that rose to prominence with second-wave feminism establishes a framework for understanding the persistence of Western culture’s fraught relationship with women’s cultivation of image and sexual appeal. Conversely, examining third and fourth-wave feminism’s more holistic embrace of fashion presents an alternate viewpoint that justifies the agential power of knowing engagement with contemporary systems of dress and beautification. This is supported by theories of performativity of gender. Similarly, highlighting Western culture’s historic belief that women’s bodies exist as innately abject provides insight into enduring anxieties towards the corporeal female form constituted as grotesque. In contrast, referencing scholarly theories that frame the carnivalesque female grotesque, including the active display of erotic will, as a mode of liberating female bodily expression, helps support arguments for the grotesque’s self-affirming potential. Consideration of philosophical arguments that demonstrate the value of the erotic and its connection with the abject assists in reasoning the link between personal sovereignty, erotic pleasure and transgression. Examination of select artistic examples helps draw even greater attention to the tensions that reside in dominant attitudes towards representations of femininity today. The studio practice consists of two short films buttressed by a selection of photographic works. These artworks use the subject of the self to explore concerns of fantastical, performative self-transformation to reflect on the polymorphic nature of femininity. Like the work critiqued in the thesis, the studio research similarly evokes aesthetics of the sumptuous, alluring and repellent relating to style, location, materiality and the female body. Together, the written thesis and creative studio outcomes aid appreciation of the semiotic value of this ambiguous yet powerful mode of representation.
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Smith, Bernadette. "Translucent Potentialities: From Art Activism to Pure Aesthetics." Thesis, The University of Sydney, 2019. https://hdl.handle.net/2123/21967.

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This project begins by researching how art can change individual and collective behaviour regarding life support systems, using water conservation as a lens through which to examine wider environmental concerns. Examining the role and nature of art as an effective communicative tool has involved a journey from art activism to pure aesthetics and back again to explore the performativity of images. My hybridised practice first investigates how photography and video through performative actions, installation and social media can be activated to engage onlookers during environmental protests and beyond to support the movement for water sustainability. Art strategies were developed to raise public awareness of water by producing eye-catching visual aids such as water themed activist clothing and situating meaningful art interventions both during public campaigns and elsewhere. As well as engaging with socio-political art forms presented outside of gallery contexts my practice approaches New Materialist concerns with the primacy of matter in the age of the Anthropocene. Counteracting a dominant anthropocentric view of the universe my art practice explores the viscerality of matter to emphasise non-human agency. While photographing aquatic environments I used an extreme macro lens to closely observe the way light interacts within different states of water such as condensation and flowing water. This contributed to my growing interest in the optical effects of light refractions then a rupture caused a new awareness of my studio window pane prompting further study of the science behind light interacting with translucent materials. These discoveries on my art journey have augmented an appreciation of the complexity of the non-human world and generated more visually compelling ways to create and present activist art for environmental sustainability.
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Tegan, Charlotte. "Balancing the binary: Ambivalent entanglement and digital isolation in creative capacity for contemporary photomedia artists." Thesis, Queensland University of Technology, 2020. https://eprints.qut.edu.au/201726/1/Charlotte_Tegan_Thesis.pdf.

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This thesis is an examination into contemporary art photography and how digital isolation and digital entanglements interact and impact the creative process. It contains interviews with contemporary photographers from Australia and from the international community, and includes new bodies of works of my own creative photography. This research helps to understand the way photographic artists critique and use digital technology, and how they actively mitigate disruptive entanglements.
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King-Smith, Leah. "Resonances of difference : creative diplomacy in the multidimensional and transcultural aesthetics of an indigenous photomedia practice." Thesis, Queensland University of Technology, 2006. https://eprints.qut.edu.au/16321/1/Leah_King-Smith_Thesis.pdf.

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Multidimensional aesthetics in photomedia practice shift the emphasis away from the culturally dominating singularity of the camera's eye-piece towards a supple interplay of semi-transparent image planes and shifting positions. Using various image-capture devices that can produce digital, film, still or moving pictures, I create bodies of work that invite the viewer to see many perspectives simultaneously. The challenge is to implement the effectiveness of the technologies and simultaneously dislodge those principles and values fundamental to their imperialist cultural backgrounds. My practice investigates a diplomatic negotiability of aesthetic language to accommodate conceptual and cultural difference/s. Located on the print surface or in animated sequences are symbolic representations that disclose histories, cultures, times and places in subtle and ambiguous ways. The interplay of allure and resistance, repetition and change, are strategies that reveal the delicate and paradoxical nature of the multidimensional psyche.
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King-Smith, Leah. "Resonances of difference : creative diplomacy in the multidimensional and transcultural aesthetics of an indigenous photomedia practice." Queensland University of Technology, 2006. http://eprints.qut.edu.au/16321/.

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Multidimensional aesthetics in photomedia practice shift the emphasis away from the culturally dominating singularity of the camera's eye-piece towards a supple interplay of semi-transparent image planes and shifting positions. Using various image-capture devices that can produce digital, film, still or moving pictures, I create bodies of work that invite the viewer to see many perspectives simultaneously. The challenge is to implement the effectiveness of the technologies and simultaneously dislodge those principles and values fundamental to their imperialist cultural backgrounds. My practice investigates a diplomatic negotiability of aesthetic language to accommodate conceptual and cultural difference/s. Located on the print surface or in animated sequences are symbolic representations that disclose histories, cultures, times and places in subtle and ambiguous ways. The interplay of allure and resistance, repetition and change, are strategies that reveal the delicate and paradoxical nature of the multidimensional psyche.
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SCHAFFARCZYK, MCHALE SAARA. "AS ABOVE, SO BELOW: Traversing the Self through Images, Objects and Alchemy." Thesis, Sydney College of the Arts, 2019. http://hdl.handle.net/2123/20107.

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Handran, Christopher. "Looking into the light : reinventing the apparatus in contemporary art." Thesis, Queensland University of Technology, 2013. https://eprints.qut.edu.au/63634/1/Christopher_Handran_Thesis.pdf.

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Technical images such as photography, film and video, are dependent on apparatuses for their production and dissemination, yet the apparatus itself is often hidden or obscured in the experience of the work and the discourse that surrounds it. This practice-led research identifies key practice strategies to foreground the apparatus both in the production of work and in its presentation. It therefore develops critical and generative strategies to explore and interrogate the workings of the 'apparatus-audience complex,' and the particular modes of spectatorship that this entails.
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Gibson, Celise M. "Disjecta: Material representations of an Indigenous and immigrant cultural legacy." Thesis, Queensland University of Technology, 2015. https://eprints.qut.edu.au/87001/1/Celise_Gibson_Thesis.pdf.

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This practice-led research explores family history and the on-going influence of cultural legacy on the individual and the artist. Homi Bhabha theorises that identity vacillates through society, shifting and changing form to create disjunctive historical spaces – spaces of slippage that allow for new narratives and understandings to occur. Using the notion of disjuncture that became apparent in this research, the practice outcomes seek to visualise my families' sometimes-occulted history at the intersection of euro-centric and Indigenous ideologies. Researched archival materials, government documents, interviews, collected objects and family photo-albums became primary source data for studio-based explorations. Scanners, glitch apps and photo-hacking were used to navigate through these materials, providing opportunities for photographic punctum and creating metaphors for the connections and disconnections that shape our sense of self.
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Douglas, John Anthony Art College of Fine Arts UNSW. "Aberations of self : manifestations in cinema histories." Publisher:University of New South Wales. Art, 2008. http://handle.unsw.edu.au/1959.4/43254.

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The Screen Test (Americana/Australiana) project is a collection of works that re-makes selected fragments of film spanning cinema history. Through a process of selectively slowing and stilling this form, of what Laura Mulvey calls Delayed Cinema, opens up new possibilities for interpreting and understanding cinema and the photographic. The aesthetic qualities and repetition of the scene or shot are re-created and re-performed, allowing an alternate form of cinema to take place. This alternate cinema takes on the characteristic of the Hollywood screen test and thus we can see each piece as the artist performing the screen test for each film. However, over time the screen test becomes the site for shifting the aesthetic elements within the film and shaping the narrative as a form of aesthetic building block. The viewing of each fragment allows for a new reading of film that suspends or subverts the temporal narrative and allows the contained segment to exist outside of the film opening up the possibility of constructing and emphasizing new iconic images and meanings. Each video piece is supplemented with a photographic still in tableaux form that further explores the aesthetic material of the film or shot raising the aesthetic components of the film ( props, locations etc) to the level of fetishism that may have been missed in the original version. This photographic rendering of the film fragment rethinks the possibilities of photographic tableaux and its relation to the iconic and indexical of photomedia art practice. Similarly, each photographic work is informed by theories of film analysis and psychology that has examined the primacy of the film still with Freudian notions of the primal scene and the uncanny. We are after all bringing to life the graveyard of cinema history. These photographic qualities of the mis en scene and the indexical of metonymy allow a heightened aesthetic experience, which transforms itself into an aberration of the director’s intended meaning, thereby reconstructing this meaning within the context of camp humour and irony. The work also acts as a playful and absurd interpretation of the cult of celebrity within cinema and the art world, which frees up of the interpretation of the film’s meaning and becomes the site for contemporary re-readings of film culture. The juxtaposition of the American Hollywood film and its emphasis on studio lighting, props, character and dialogue against the outdoor location of the Australian films conflates the two cultural imperatives, allowing for the examination of cultural myth through cinema. American cinema is revealed as the dominant culture whose imperialism dogs Australian film and fosters a culture of low self-esteem. Further, the Americana works become the site for cultural examinations of gender, narcissism and war - both real and imagined – and Hollywood is explored in terms of its social imaginings and how they play into real life events. The Australiana component explores the mythology of the Australian landscape with an emphasis on the culture of masculinity and self-destructive violence. However, each work is the result of a conflation of both cultures and other films, or parts of the same film, shifted within the fragment. The production of each photographic and video piece requires the taking on of the role of director, cinematographer, actor and producer. Through the use of interactive technologies such as DVD and the Internet not only am I able to experience a new subjective relationship with the intricacies of cinema but also by recreating these cinematic fragments I am able to bring into being and transform the spectre of cinema into the realm of contemporary art practice.
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Books on the topic "Photomedia"

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Art Gallery of New South Wales and Balnaves Foundation, eds. We used to talk about love: Balnaves Contemporary : photomedia. Sydney, Austrailia: Art Gallery NSW, 2013.

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L, DiLaura David, ed. Photometry, or, On the measure and gradations of light, colors, and shade: Translation from the Latin of Photometria, sive, De mensura et gradibus luminis, colorum et umbrae. [New York?]: Illuminating Engineering Society of North America, 2001.

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McKenzie, Jai. Light + Photomedia. Routledge, 2020. http://dx.doi.org/10.4324/9781003103608.

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Light and Photomedia: A New History and Future of the Photographic Image. I. B. Tauris & Company, Limited, 2014.

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McKenzie, Jai. Light and Photomedia: A New History and Future of the Photographic Image. Taylor & Francis Group, 2020.

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McKenzie, Jai. Light and Photomedia: A New History and Future of the Photographic Image. I. B. Tauris & Company, Limited, 2014.

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McKenzie, Jai. Light and Photomedia: A New History and Future of the Photographic Image. Taylor & Francis Group, 2020.

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McKenzie, Jai. Light and Photomedia: A New History and Future of the Photographic Image. Taylor & Francis Group, 2020.

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McKenzie, Jai. Light and Photomedia: A New History and Future of the Photographic Image. Taylor & Francis Group, 2020.

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Photomesic and Photonuclear Processes. Springer, 2013.

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Book chapters on the topic "Photomedia"

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Gómez Cruz, Edgar. "PhotoMedia as Anthropology." In The Routledge Companion to Media Anthropology, 157–70. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003175605-16.

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McKenzie, Jai. "Introduction." In Light + Photomedia, 1–7. Routledge, 2020. http://dx.doi.org/10.4324/9781003103608-1.

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McKenzie, Jai. "Early Image Machines: The Invention of Photography C. 1830 - C. 1870." In Light + Photomedia, 9–30. Routledge, 2020. http://dx.doi.org/10.4324/9781003103608-2.

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McKenzie, Jai. "Analogue Image Machines C. 1870 - C. 1990." In Light + Photomedia, 31–71. Routledge, 2020. http://dx.doi.org/10.4324/9781003103608-3.

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McKenzie, Jai. "Digital Image Machines C. 1990 - 2013." In Light + Photomedia, 73–104. Routledge, 2020. http://dx.doi.org/10.4324/9781003103608-4.

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McKenzie, Jai. "Future Image Machines 2039: Two Hundred Years after the Invention of Photography." In Light + Photomedia, 105–25. Routledge, 2020. http://dx.doi.org/10.4324/9781003103608-5.

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McKenzie, Jai. "Conclusion." In Light + Photomedia, 127–34. Routledge, 2020. http://dx.doi.org/10.4324/9781003103608-6.

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"Introduction." In Light + Photomedia. I.B.Tauris, 2014. http://dx.doi.org/10.5040/9780755603442.0004.

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"Conclusion." In Light + Photomedia. I.B.Tauris, 2014. http://dx.doi.org/10.5040/9780755603442.0005.

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"Notes." In Light + Photomedia. I.B.Tauris, 2014. http://dx.doi.org/10.5040/9780755603442.0006.

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Conference papers on the topic "Photomedia"

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Bederson, Benjamin B. "PhotoMesa." In the 14th annual ACM symposium. New York, New York, USA: ACM Press, 2001. http://dx.doi.org/10.1145/502348.502359.

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Khella, Amir, and Benjamin B. Bederson. "Pocket PhotoMesa." In the 3rd international conference. New York, New York, USA: ACM Press, 2004. http://dx.doi.org/10.1145/1052380.1052384.

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Kozhuchar, Olexander, and Olena Tkachenko. "Passing of Radiation Over Multy-Layers Biocloths in Actuatory-Sensory Photomedical Technologies." In 2006 International Conference - Modern Problems of Radio Engineering, Telecommunications, and Computer Science. IEEE, 2006. http://dx.doi.org/10.1109/tcset.2006.4404680.

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Ghezzi, Diego, Andrea Menegon, Alessandra Pedrocchi, Sara Mantero, Flavia Valtorta, and Giancarlo Ferrigno. "PhotoMEA: A New Step Towards Total Optical Analysis of In Vitro Neuronal Networks." In ASME 8th Biennial Conference on Engineering Systems Design and Analysis. ASMEDC, 2006. http://dx.doi.org/10.1115/esda2006-95218.

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Light stimulation of neurons is a promising approach for investigating the molecular mechanisms at the basis of neuronal physiology and plasticity. In particular, flash photolysis of caged compounds offers the unique advantage of allowing to quickly change the concentration of either intracellular or extracellular bioactive molecules, such as neurotransmitters or second messengers, for the stimulation or modulation of neuronal activity. In this field of research, we describe a simple laser-based set-up for the local activation of caged compounds. The coupling of a UV laser diode to a small-core optical fibre allows to reduce the uncaging area and to quickly change the stimulation point. The actual localisation of the light stimulation is determined using a caged fluorescent compound (dextran, DMNB-caged fluorescein). The efficiency of our set up for neuronal stimulation is tested with a caged neurotransmitter (MNI-caged-L-glutamate). Activation of caged glutamate evokes neuronal responses that are recorded using a MicroElectrode Array system and/or following the variations in the concentrations of the Cai2+. This work shows that our laser-based set-up is a powerful tool for local activation of caged compound allowing a unique opportunity to follow the effects of local neuronal pathways on neuronal network activity, for instance during pharmacological and toxicological treatments.
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Hahlweg, Cornelius, Burkhard Meißner, Wenjing Zhao, and Hendrik Rothe. "Time depending techniques for volume and discrete boundary surface scatterometry and part II of a lost chapter in Lambert's Photometria on multiple reflection." In SPIE Optical Engineering + Applications, edited by Zu-Han Gu and Leonard M. Hanssen. SPIE, 2010. http://dx.doi.org/10.1117/12.860170.

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You might also be interested in the extended bibliographies on the topic 'Photomedia' for particular source types:
Journal articles Dissertations / Theses
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