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Books on the topic 'Photography – Technological innovations'

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Author: Grafiati

Published: 10 December 2022

Last updated: 28 January 2023

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1

Ian, Graham. Film and photography. London: Evan Brothers, 2000.

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2

Technologies of seeing: Photography, cinematography and television. London: British Film Institute, 1996.

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3

Mort de la photo de famille?: De l'argentique au numérique. Paris: L'Harmattan, 2010.

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4

Wash. 2004) Workshop on Underwater Video Analysis (Seattle. Report of the National Marine Fisheries Service Workshop on Underwater Video Analysis, August 4-6, 2004. Edited by Somerton David, Glendhill C. T, and United States. National Marine Fisheries Service. [Seattle, Wash: U.S. Dept. of Commerce, National Oceanic and Atmospheric Administration, National Marine Fisheries Service, Alaska Fisheries Science Center], 2005.

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5

Suzanne, Séjournant-Mollier, ed. Mémoires d'un inventeur: De la photographie 35 mm au rétroprojecteur, 1876-1962. Paris: L'Harmattan, 2009.

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6

Mollier, Etienne. Mémoires d'un inventeur: De la photographie 35 mm au rétroprojecteur, 1876-1962. Paris: L'Harmattan, 2009.

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7

International perspectives on business innovation and disruption in the creative industries: Film, video and photography. Cheltenham, UK: Edward Elgar, 2014.

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8

Postdigital aesthetics: Art, computation and design. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan, 2015.

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9

Museum of Modern Art (New York, N.Y.), ed. The printed picture. New York: Museum of Modern Art, 2008.

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10

Lezano, Daniel. The compact and digital camera handbook: The comprehensive guide to choosing and using the new technology. New York: Three Rivers Press, 1999.

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11

Keane, Robert E. The photoload sampling technique: Estimating surface fuel loadings from downward-looking photographs of synthetic fuelbeds. [Fort Collins, CO]: U.S. Dept. of Agriculture, Forest Service, Rocky Mountain Research Station, 2007.

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12

Gardner, Jane P. Car science. Broomall, PA: Mason Crest, 2016.

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13

Framing the interpreter: Towards a visual perspective. London: Routledge, Taylor & Francis Group, 2014.

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14

Hines, Bob. What do you see? Washington, DC: Library of Congress, 2002.

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15

Susan, Wyngaard, ed. Digital images and art libraries in the twenty-first century. Binghamton, N.Y: Haworth Information Press, 2003.

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16

Photography: The Groundbreaking Moments. Prestel, 2012.

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17

Winston, Brian. Technologies of Seeing: Photography, Cinematography and Television. British Film Institute, 1997.

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18

Winston, Brian. Technologies of Seeing: Photography, Cinematography and Television. British Film Institute, 1997.

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19

100 Ideas That Changed Photography. Laurence King, 2012.

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20

Defillippi, Robert, and Patrik Wikstrom. International Perspectives on Business Innovation and Disruption in the Creative Industries: Film, Video and Photography. Elgar Publishing Limited, Edward, 2014.

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21

Dvorák, Tomás, and Jussi Parikka, eds. Photography Off the Scale. Edinburgh University Press, 2021. http://dx.doi.org/10.3366/edinburgh/9781474478816.001.0001.

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Abstract:

The book addresses quantity and scale in contemporary visual culture and photography. It takes the problem of quantity as a theoretical issue that changes the premises of visual analysis. It focuses on the logic and rhetoric behind the arguments by numbers, growth, and tipping points, while recognising that photography has been characterized in quantitative terms since its invention and concerns regarding information overload accompanied the discourse around many earlier technological innovations. Investigating historical trajectories and different modes of reasoning provides a critical framework for contemporary discourses from accelerationism to technological singularity to big data analysis in cultural analytics. The chapters in this edited collection address core areas in photographic theory and its overlap with media and digital culture studies, and as such work across an interdisciplinary area. The texts stem from different theoretical directions with the shared brief to address the question how do we conceptualise photography in the age of the mass image, and how does the quantity of images present a qualitative problem for academic analysis of visual culture.

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22

Anthony, Tyson J., and Wolff Sidney C, eds. Survey and other telescope technologies and discoveries: 27-28 August 2002, Waikoloa, Hawaii, USA. Bellingham, Wash: SPIE, 2002.

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23

Environmental Management Technical Center (National Biological Survey), ed. Long Term Resource Monitoring Program standard operating procedures. [Onalaska, Wis.]: National Biological Service, Environmental Management Technical Center, 1995.

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24

Automated digital mosaicking of airborne videography. Fort Collins, Colo: U.S. Dept. of Agriculture, Forest Service, Forest Health Technology Enterprise Team, 1996.

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25

Dieter, M., David M. Berry, D. Berry, and Michael Dieter. Postdigital Aesthetics: Art, Computation and Design. Palgrave Macmillan, 2014.

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26

The Print Revolution Groundbreaking Textile Design in the Digital Age. Gingko Press Inc., 2013.

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27

I︠U︡, I︠U︡masheva I︠U︡, ed. Informatizat︠s︡ii︠a︡ uchetno-fondovoĭ raboty: Sbornik stateĭ. Moskva: Gos. istoricheskiĭ muzeĭ, 2008.

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28

Centro di fotoriproduzione legatoria e restauro degli archivi di Stato (Italy), ed. Le scienze applicate nella salvaguardia e nella riproduzione degli archivi. Roma: Ministero per i beni culturali e ambientali, Ufficio centrale per i beni archivistici, 1989.

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29

Informatizat︠s︡ii︠a︡ uchetno-fondovoĭ raboty: Sbornik stateĭ. Moskva: Gos. istoricheskiĭ muzeĭ, 2008.

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30

G, Igumnova T., ed. Andreĭ Karelin: Portret v interʹere : vystavka, 17 ii︠u︡ni︠a︡ - 10 avgusta 2006 g. Moskva: Gos. istoricheskiĭ muzeĭ, 2006.

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31

Objectifs terre: La révolution des satellites. Paris: Pommier, 2009.

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32

Fernandez-Ocampo, Anxo, and Michaela Wolf. Framing the Interpreter: Towards a Visual Perspective. Taylor & Francis Group, 2014.

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33

Fernandez-Ocampo, Anxo, and Michaela Wolf. Framing the Interpreter: Towards a Visual Perspective. Taylor & Francis Group, 2014.

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34

Fernandez-Ocampo, Anxo, and Michaela Wolf. Framing the Interpreter: Towards a Visual Perspective. Taylor & Francis Group, 2014.

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35

Wyngaard, Susan. Digital Images and Art Libraries in the Twenty-First Century. Taylor & Francis Group, 2013.

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36

Wyngaard, Susan. Digital Images and Art Libraries in the Twenty-First Century. Taylor & Francis Group, 2013.

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37

Printing Materials: Science and Tech (Pira International Printing Guide). Pira International, 1999.

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