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1

Say 'cheese'!: The snapshot as art and social history. London: Collins, 1986.

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2

(autograph), Monk Lorraine, ed. Photographs that changed the world: The camera as witness, the photograph as evidence. Toronto: Macfarlane Walter & Ross, 1989.

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3

The power of photography: How photographs changed our lives. New York: Abbeville Press, 1991.

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4

Camera Indica: The social life of Indian photographs. Chicago: University of Chicago Press, 1997.

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5

Pinney, Christopher. Camera Indica: The social life of Indian photographs. Chicago: University of Chicago Press, 1997.

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6

Camera Indica: The social life of Indian photographs. London: Reaktion Books, 1997.

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7

Starl, Timm. Knipser: Die Bildgeschichte der privaten Fotografie in Deutschland und Österreich von 1880 bis 1980. München: Koehler & Amelang, 1995.

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8

Anne, Maxwell. Picture imperfect: Photography and eugenics 1870-1940. Brighton [England]: Sussex Academic Press, 2008.

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9

Czech, Kenneth P. Snapshot: America discovers the camera. Minneapolis: Lerner Publications, 1996.

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10

Jäger, Jens. Gesellschaft und Photographie: Formen und Funktionen der Photographie in Deutschland und England 1839-1860. Opladen: Leske + Budrich, 1996.

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11

Nineteenth-century photographs and architecture: Documenting history, charting progress, and exploring the world. Burlington: Ashgate, 2013.

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12

Frade, Pedro Miguel. Figuras do espanto: A fotografia antes da sua cultura. Porto, Portugal: Edições ASA, 1992.

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13

Paz, Alfredo De. La fotografia come simbolo del mondo: Storia, sociologia, estetica. Bologna: CLUEB, 1993.

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14

Protocole & photographie contemporaine. Saint-Étienne: Publications de l'Université de Saint-Étienne, 2014.

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15

Industrial madness: Commercial photography in Paris, 1848-1871. New Haven: Yale University Press, 1994.

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16

Maxwell, Anne. Picture Perfect: Photography and eugenics, 1879-1940. Brighton: Sussex Academic Press, 2008.

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17

The burden of representation: Essays on photographies and histories. Basingstoke: Macmillan, 1998.

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18

Tagg, John. The burden of representation: Essays on photographies and histories. Minneapolis, Minn: University of Minnesota Press, 1993.

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19

Photographs, histories, and meanings. New York, NY: Palgrave Macmillan, 2009.

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20

Scheurer, Hans J. Zur Kultur- und Mediengeschichte der Fotografie: Die Industrialisierung des Blicks. Köln: DuMont, 1987.

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21

Der subjektive Blick in den Fotografien der "Boston School": David Armstrong, Philip-Lorca diCorcia, Nan Goldin, Mark Morrisroe, Jack Pierson, Shellburne Thurber. Marburg: Tectum Verlag, 2008.

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22

Finding the Civil War in your family album. [United States]: Picture Perfect Press, 2011.

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23

Os tempos da fotografia: O efêmero e o perpétuo. Cotia, SP: Ateliê Editorial, 2007.

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24

Ferenc, Tomasz. Fotografia: Dyletanci, amatorzy i artysci. Lodz: Galeria f5 & Ksiegarnia fotograficzna, 2004.

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25

Ferenc, Tomasz. Fotografia: Dyletanci, amatorzy i artyści. Łódź: Galeria f5 & Księgarnia fotograficzna, 2004.

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26

Shooting from the hip: Photography, masculinity, and postwar America. Minneapolis: University of Minnesota Press, 2005.

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27

Demirović, Enver. Govor slike: Sociološki aspekti novinske fotografije kao specifične poruke. Sarajevo: "DES", 2005.

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28

Usages de la photographie: Vérité et croyance : documents, reportages, fictions. Paris: Corti, 2011.

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29

Pols, Robert. Understanding old photographs. Witney, Oxfordshire: Robert Boyd Publications, 1995.

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30

Brown, Julie K. Contesting images: Photography and the World's Columbian Exposition. Tucson: University of Arizona Press, 1994.

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31

Photography, vision, and the production of modern bodies. Albany: State University of New York Press, 1996.

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32

The burden of representation: Essays on photographies and histories. Minneapolis, Minn: University of Minnesota Press, 1993.

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33

The burden of representation: Essays on photographies and histories. Amherst: University of Massachusetts Press, 1988.

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34

Baudelaire, Charles. Il flâneur e lo spettatore: La fotografia dallo stereoscopio all'immagine digitale. Milano, Italy: FrancoAngeli, 2014.

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35

1909-1998, Mieth Hansel, and Palfi Marion 1907-1978, eds. Unfinished stories: The narrative photography of Hansel Mieth and Marion Palfi. Rochester, New York: RIT Press, In Association with the Center for Creative Photography, University of Arizona, Tucson, 2013.

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36

National camera: Photography and Mexico's image environment. Minneapolis: University of Minnesota Press, 2009.

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37

M, Frohlich David, and SpringerLink (Online service), eds. From Snapshots to Social Media - The Changing Picture of Domestic Photography. London: Springer-Verlag London Limited, 2011.

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38

Kraus, Michael G. The Civil War in Pennsylvania: A photographic history. Pittsburgh, Pa: Senator John Heinz History Center, 2012.

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39

Body culture: Max Dupain, photography and Australian culture, 1919-1939. Victoria, Australia: Peleus Press in association with the National Gallery of Victoria, 2004.

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40

Camera works: Photography and the twentieth-century word. Oxford: Oxford University Press, 2005.

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41

Obiettivo moda: Incursioni nella fotografia di moda contemporanea. Bologna: Bononia University Press, 2010.

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42

Christian, Bartsch, ed. Bild.Strategien: Fotografie zwischen politischem Kalkül und sozialdokumentarischem Anspruch. Innsbruck: Studien Verlag, 2009.

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43

Sykora, Katharina. Die Tode der Fotografie. Paderborn: Fink, 2009.

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44

Die Tode der Fotografie. Paderborn: Fink, 2009.

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45

Charpentier-Boude, Christine. La photo de classe: Palimpseste contemporain de l'institution scolaire. Paris: L'Harmattan, 2009.

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46

La photo de classe: Palimpseste contemporain de l'institution scolaire. Paris: L'Harmattan, 2009.

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47

Photography, early cinema, and colonial modernity: Frank Hurley's synchronized lecture entertainments. London: Anthem Press, 2011.

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48

Dancing and mixed media: Early twentieth-century modern dance theory in text and photography. New York: P. Lang, 1994.

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49

Bronfen, Elisabeth. Die Diva: Eine Geschichte der Bewunderung. München: Schirmer/Mosel, 2002.

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50

Memory, trauma, and history: Essays on living with the past. New York: Columbia University Press, 2011.

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