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Relevant bibliographies by topics / Photography, Panoramic – History / Books

Books on the topic 'Photography, Panoramic – History'

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Author: Grafiati

Published: 10 December 2022

Last updated: 28 January 2023

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1

Skylines of the world: Yesterday and today. [Southport, Conn.]: Hugh Laughter Levin Associates ;[Berkeley, Calif.], 2006.

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2

Catalunya panoràmica. El Papiol (Baix Llobregat) [Spain]: Efadós, 2012.

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3

Goodspeed, M. Hill. Skylines of the world: Yesterday and today. New York: Universe, 2008.

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4

Josh, Ellenbogen, O'Sullivan Timothy H. 1840-1882, Bell William 1830-1910, and David and Alfred Smart Museum of Art., eds. One/many: Western American survey photographs by Bell and O'Sullivan / Joel Snyder ; with contributions by Josh Ellenbogen. Chicago: The David and Alfred Smart Museum of Art, The University of Chicago, 2006.

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5

America's vanishing landscapes: The Western States. Santa Barbara, Calif: Companion Press, 2002.

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6

Skylines: American cities today & yesterday. Southport, Conn: Hugh Lauter Levin, 2005.

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7

David, Harris. Eadweard Muybridge and the photographic panorama of San Francisco, 1850-80. Montréal: Centre canadien d'architecture = Canadian Centre for Architecture, 1993.

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8

Tiedemann, Fritz. So weit kein Auge reicht: Berliner Panoramafotografien aus den Jahren 1949-1952 : aufgenommen von Fritz Tiedemann : rekonstruiert und interpretiert von Arwed Messmer. 3rd ed. Berlin: Berlinische Galerie, 2009.

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9

Goodspeed, M. Hill. Skylines: America's cities yesterday and today. New York City, NY: Universe Publications, 2007.

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10

Co, Panorama Publishing. Katalog fototeki izdatelʹstva "Panorama" = The photograph library catalogue of the Panorama publishers = Katalog der fotosammlung des verlags Panorama. Moskva: "Panorama", 1993.

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11

Maneschy, Orlando, and Rosely Nakagawa. Fotografia contemporânea paraense: Panorama 80-90. Edited by Associação Amigos dos Museus do Pará and Sistema Integrado de Museus (Pará, Brazil). [Belém, Brazil]: SECULT/PA, 2002.

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12

Poncar, Jaroslav. Paris à perte de vue. Alfortville: Revue K, 2002.

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13

Luca, Tiago. Planetary Cinema. NL Amsterdam: Amsterdam University Press, 2021. http://dx.doi.org/10.5117/9789463729628.

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The story is now familiar. In the late 1960s humanity finally saw photographic evidence of the Earth in space for the first time. According to this narrative, the impact of such images in the consolidation of a planetary consciousness is yet to be matched. This book tells a different story. It argues that this narrative has failed to account for the vertiginous global imagination underpinning the media and film culture of the late nineteenth century and beyond. Panoramas, giant globes, world exhibitions, photography and stereography: all promoted and hinged on the idea of a world made whole and newly visible. When it emerged, cinema did not simply contribute to this effervescent globalism so much as become its most significant and enduring manifestation. Planetary Cinema proposes that an exploration of that media culture can help us understand contemporary planetary imaginaries in times of environmental collapse. Engaging with a variety of media, genres and texts, the book sits at the intersection of film/media history and theory/philosophy, and it claims that we need this combined approach and expansive textual focus in order to understand the way we see the world.

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14

Monumental Venice. New York: Vendome Press, 2012.

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15

Starikov, S. V. Panorama starogo goroda: T︠s︡arevokokshaĭsk na starinnykh otkrytkakh i fotografii︠a︡kh = Panorama of the old town Tsarevokokshaisk in old postcards and photographs. Ioshkar-Ola: Periodika Mariĭ Ėl, 2002.

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16

Jeffery, Cottle T., ed. A window to the past: A photographic panorama of early church history and the Doctrine and Covenants. Salt Lake City, Utah: Bookcraft, 1993.

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17

Chris, Ellmers, Werner Alex, and London's Found Riverscape Partnership, eds. London's riverscape lost and found: A photographic panorama of the river Thames from 1937 and today. London: London's Found Riverscape Partnership, 2000.

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18

Goodspeed, M. Hill. Skylines of the World. Universe, 2006.

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19

America by the Yard: Cirkut Camera: Images from the Early Twentieth Century. W. W. Norton, 2006.

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20

Big Picture: America in Panorama. Princeton Architectural Press, 2013.

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21

Wild California. Firefly Books, Limited, 2013.

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22

The Natural World: Portraits of Earth's Great Ecosystems. Universe, 2010.

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23

Snyder, Joel. One/Many: Western American Survey Photographs by Bell and O'Sullivan. Smart Museum Of Art, The University Of C, 2006.

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24

Goodspeed, M. Hill. Skylines: American Cities Yesterday and Today. Universe, 2008.

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25

Big Sky: Wild West Panorama. Firefly Books, 2006.

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26

Images of America: A panorama of history in photographs. Washington, D.C: Smithsonian Books, 1989.

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27

Healey, Charles, and Louis Torres. Santa Rosa Island: A Photographic Panorama. Polyverse Publishing, 2022.

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28

Williams, Keith. James Joyce and Cinematicity. Edinburgh University Press, 2020. http://dx.doi.org/10.3366/edinburgh/9781474402484.001.0001.

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This book investigates how the cinematic tendency of Joyce’s writing developed from popular media predating film. It explores Victorian culture’s emergent 'cinematicity' as a key creative driver of Joyce’s experimental fiction, showing how his style and themes share the cinematograph’s roots in Victorian optical entertainment and science. The book’s scope reveals and elucidates Joyce's references to optical toys, shadowgraphs, magic lanterns, panoramas, photographic analysis and film peepshows; while abundant close analysis shows how his techniques elaborated and critiqued their effects on modernity’s ‘media-cultural imaginary’, making Joyce’s writing appear in advance of the narrative forms of early film itself. The introduction historicises the visual culture during Joyce’s youth, as well as optical science, Dublin’s first screenings and the context of his Volta Cinematograph. Chapter 1 focuses on the key role of magic lantern themes and techniques in Dubliners’ breakthrough into Modernist style and form. Chapter 2 how experiments in photographic analysis and reanimation of movement furnished a model for Joyce’s representation of the dynamic development of consciousness through the three versions of A Portrait of the Artist. Chapter 3 demonstrates how Joyce created a literary equivalent to the moving panorama in Ulysses, providing an influential template for immersive representations of the city in both Modernist fiction and film. Finally, a Coda qualifies ‘radiophonic’ readings of Finnegans Wake arguing instead that it extends Joyce’s interest in the history and future of cinematicity, through ‘verbal dissolves’ and engaging with the emergent medium of television.

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29

Art Panorama of America, 1492-1905: Life and History. Treasures and Splendors from Plymouth Rock to the Golden Gate. a Panorama of America's Progress Photographed in the Finest Art, and in the Widest Expansion of Modern Pictorial Illustration,. Creative Media Partners, LLC, 2018.

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30

Anonyma. Our Land And Country : Life And History, Treasures And Splendors, From Plymouth Rock To The Golden Gate: A Panorama Of 400 Years' American Progress, Photographed In The Finest Art. Arkose Press, 2015.

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