Journal articles on the topic 'Photography – Collection and restoration'
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Stănescu, Mihai. "From Daguerreotype to Autochrome: An Incursion in European, Colonial and Romanian Pharmaceutical and Medical Photography." Studia Universitatis Babeș-Bolyai Historia 66, no. 1 (February 2022): 159–70. http://dx.doi.org/10.24193/subbhist.2021.1.08.
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"Pharmacists have the ability to be chemists and that is the reason they possess the knowledge to make photographs. For that purpose, especially in the 19th century, some pharmacists were photographers, so the two professions are related to a certain extent. The daguerreotype was an invention that was brought to the attention of the public in the summer of 1839 in Paris by Louis Daguerre. Although it was a French invention, it enjoyed a huge success in the United States, and for that purpose the most numerous daguerreotypes derive from the American continent. Some daguerreotypes from the pharmaceutical and medical domain will be presented in this work: a picture of the pharmacist Martin (Gamas), of the physician Charles Abadie and of the physician Gustave Adolphe Raichon. The description of the daguerreotypes will include some other particular examples of empirical restoration from the collection of the author. Another type of photography, important for the history of photography, is the autochrome, one of the first colour photographic process available to the public. It was invented by the Lumière brothers. An example of medical photography from colonial France (Morocco), portraying a case of leprosy, will be presented as well. In the end, some examples from the European and Romanian photography will illustrate the role of the pharmacy and of the pharmacist in the 19th century-early 20th century, as a snapshot of the health professional of that period. In conclusion, the picture speaks for itself and somehow, it can be a vivid time machine for the reconstruction of the past, not only in the fields of pharmacy and medicine, but in any other field as well. Keywords: Daguerreotype, autochrome, pharmacy, medicine, old photography, photography collection. "
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Zhu, X., G. Pang, and C. Chen. "RESEARCH AND APPLICATION OF HISTORICAL 3D MODELING BASED ON ARCHIVED NON-OBLIQUE AERIAL PHOTOS." ISPRS - International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XLIII-B2-2020 (August 12, 2020): 555–60. http://dx.doi.org/10.5194/isprs-archives-xliii-b2-2020-555-2020.
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Abstract. Nowadays, the oblique and multi-view, large-overlap aerial photography and airborne LiDAR are the main sources to build the 3D scene model. However, most of our archived aerial photos are acquired by non-oblique, normal photography. Because of low resolution, low overlay and poor model texture, there were less relative research and application. With the development of pixel-level matching technology, especially the application of Semi-Global Matching (SGM) and Multi-View Stereo (MVS) algorithm, the normal (non-oblique, non-large overlap) aerial photos could also be explored to restore the dense Digital Surface Model (DSM) and 3D scene model. In this paper, the method of the 3D scene modelling with the non-oblique aerial photos are summarized into 4 steps consisting of Data preprocessing, Ground Control Points (GCPs) collection and aerial triangulation (AT), DSM extraction and editing, 3D modelling and visualization. For the archived non-oblique aerial photos, including the aerial photographic films, digital frame photos and push-broom aerial data, the key steps of the 3D modelling method with these non-oblique aerial photos are discussed. Based on the experiments, the method can effectively explore the archived normal aerial data for large range restoration, 3D restoration, time series change detection and etc., providing new valuable spatio-temporal data for the urban historical research.
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Szatmári, József, Zalán Tobak, and Zsolt Novák. "Environmental Monitoring Supported by Aerial Photography – a Case Study of the Burnt Down Bugac Juniper Forest, Hungary." Journal of Environmental Geography 9, no. 1-2 (June 1, 2016): 31–38. http://dx.doi.org/10.1515/jengeo-2016-0005.
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Abstract Wildfire poses a serious risk in several regions of the world threatening urban, agricultural areas and natural ecosystems as well. Nature conservation has important role to be prepared for the management of postfire environmental degradation and restoration for protected areas preserving valuable ecosystems. The improving temporal and spatial resolution of remote sensing and GIS methods significantly contributes to map the changes for accelerating management steps of restoration. In this study a severe wildfire and its impacts were assessed in case of a protected area of the Kiskunság National Park in Hungary, which was partly burnt down in 2012. The aim of this research was to efficiently and accurately assess the damages and to plan and execute the restoration works using remote sensing tools. Aerial data collection was performed one month, and one year after the fire. In 2014 the regenerated vegetation was surveyed and mapped in the field. Using the aerial photographs and the field data, the degree and extent of the fire damages, the types and the state of the vegetation and the presence and proportion of the invasive species were determined. Semi-automatic methods were used for the classification of completely, partially damaged and undamaged areas. Based on the results, the reforestation of the burnt area is suggested to prevent the overspreading of white poplar against common junipers and to clean the area from the most frequent invasive species. To monitor the regeneration of the vegetation and the spreading of the invasive species, further aerial photography and field campaigns are planned.
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Lankford, Jeffrey F., Ian Zelo, and Matt R. Stumbaugh. "A SYSTEM FOR INTEGRATED SCAT DATA COLLECTION AND MANAGEMENT: ESCAT, SCATDB, AND PHOTOLOGGER." International Oil Spill Conference Proceedings 2008, no. 1 (May 1, 2008): 481–84. http://dx.doi.org/10.7901/2169-3358-2008-1-481.
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ABSTRACT During response, oiled shorelines must be surveyed to guide cleanup operations. The Shoreline Cleanup and Assessment Technique (SCAT) is a standard method for conducting these surveys. Multiple field teams often conduct SCAT. SCAT surveys quickly produce a large and complex dataset comprised of SCAT observations, GPS positions, and photographs. In order to guide response decision-making, SCAT field data must be processed and analyzed in a timely manner. Until recently, SCAT and GPS data were collected on standardized paper worksheets, transcribed to electronic form, and then incorporated into maps and other decision-making products. Photographs were not tightly managed alongside SCAT data. Today, with the emergence of robust handheld computing technology, the deficiencies inherent in paper data collection are no longer necessary or acceptable. Paper data collection can be slow, error prone, and lacking quality control and integration with GPS technology. Digital options are available to address these challenges. To improve methods, the Office of Response and Restoration is developing a digital field data collection and management system for SCAT data and photographs composed of: (1) specialized software for efficient SCAT data collection with GPS enabled handheld devices, (2) a relational SCAT database which expedites the synthesis of field data into decision making products, promotes community standards, and supports standard paper worksheet and digital data collection methods, and (3) an image database which allows for the processing, documenting, and sharing of large quantities of digital photographs. For this project, commonly used, readily available, and Open Source computing resources were chosen so that end-users could easily test, adopt, and improve this system.
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Druzdiev, Oleg. "Sources for the history of Saints Peter and Paul Garrison Church (the former Jesuit Church) discovered in the funds of Vasyl Stefanyk National Scientific Library of Ukraine in Lviv." NaUKMA Research Papers. History 4 (December 1, 2021): 91–95. http://dx.doi.org/10.18523/2617-3417.2021.4.91-95.
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The article analyzes the sources on the history of Saints Peter and Paul Garrison Church (the former Jesuit Church) discovered in the funds of Vasyl Stefanyk National Scientific Library of Ukraine in Lviv. In particular, the documents that are of practical importance for the process of church revitalization as the building remained closed from 1946 until 2011 are distinguished. The significant corpus of sources concerning the church history is the archive of Vasyl Stefanyk National Scientific Library of Ukraine in Lviv, the depository of which was located in the church until the end of 2011. With these documents, it is possible to trace the history of the church building during the Soviet time and the changes that happened during this period. Moreover, the collection of photographic materials with the depiction of different parts of the church constitutes a significant corpus of sources. This information is valuable for the conservation professionals working on the renewal of church exteriors and interiors. Particularly, the photographs that show the process of the roof restoration in 1959 offer an opportunity to assess the degree of the ceiling destruction during the Second World War. Photographs of the frescoes in the main nave demonstrate the state of the ceiling and frescos as of the beginning of the 20th century and therefore give an insight into the progress of conservation works during the interwar period. The analysis of the photograph of the altar of Saint Stanislaw Kostka makes it possible to understand what one of the three chapels in the church looked like. The other two chapels (of the Virgin Mary and Saint Stanislaw Kostka) will be restored in course of time. As for the third chapel of Saint Benedict the Martyr, important documents concerning the restoration of this chapel at the beginning of the 20th century are stored in the funds of the library. With these documents, it is possible to specify the appearance of the chapel and the peculiarities of its decorations, as the chapel does not belong to the church nowadays. To sum up, it can be stated that the funds of Vasyl Stefanyk National Scientific Library of Ukraine in Lviv contain a relatively small amount of materials on the history of Saints Peter and Paul Garrison Church (the Jesuit Church). At the same time, some of them are important for the studies of the history of the church, so they deserve attention from the researchers.
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Allen, Nancy S. "History of Western sources on Japanese art." Art Libraries Journal 11, no. 4 (1986): 8–13. http://dx.doi.org/10.1017/s0307472200004867.
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Learning about Japanese art has been difficult for Westerners. Limited access, language barriers, and cultural misunderstanding have been almost insurmountable obstacles. Knowledge of Japanese art in the West began over 150 years before the arrival of Commodore Perry in 1853. Englebert Kaempfer (1657-1716), sent to Japan as a physician for the Dutch East India Company, befriended a young assistant who provided information for a book on Japanese life and history published in 1727. By 1850, more ethnographic information had been published in Europe. Catalogs of sales of Japanese art in Europe exist prior to 1850 and collection catalogs from major museums follow in the second half of that century. After the Meiji Restoration (1867) cultural exchange was possible and organizations for that purpose were formed. Diaries of 19th century travellers and important international fairs further expanded cross-cultural information. Okakura Kakuzo, a native of Japan, published in English about Japanese art and ultimately became Curator of the important collections of the Boston Museum of Fine Arts. The advent of photography made visual images easily accessible to Westerners. Great collectors built up the holdings of major American museums. In the 20th century, materials written and published in Japan in English language have furthered understanding of Japanese culture. During the past twenty years, travelling exhibitions and scholarly catalogs have circulated in the West. Presently monographs, dissertations and translated scholarly texts are available. Unfortunately, there is little understanding in the West of the organization of Japanese art libraries and archives which contain primary source material of interest to art historians.
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Wong, Mooly M. "The Lived Experiences of Children in Care with the Going Home Process in a Chinese Context: An Exploratory Study." Open Family Studies Journal 8, no. 1 (April 13, 2016): 1–12. http://dx.doi.org/10.2174/1874922401608010001.
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Aim:This study revealed, through their narrations, the changes in the lived experiences of children who resided in residential childcare services regarding the going home process in a Chinese context.Methods:The research design is that of a panel study of a qualitative nature. Eight children, aged from 9 to 18, were interviewed at three different points during the process of going home. The data were collected through in-depth interviews, supplemented by the use of reflective photography. Data were analyzed by three narrative approaches - macrostructure, plot development and theme.Results:The findings indicated that the children’s lived experience with the going home process was a path of stabilization, which meant that their sense of control over their lives was increasing from the first to the second to the third wave of data collection. The children’s stories were progressive, with their narrations characterized by advancement. Three themes, namely “uncertainty”, “restoration” and “challenge”, emerged at three points in time, with distinctive concerns and feelings occurring in each stage.Conclusion:Their experiences reflected the dominant discourses on children, particularly on disadvantaged children such as children in care. These children are constructed by Chinese society as innocent, lacking knowledge and powerless culturally and socially. Alternative discourses on children as knowledgeable, resourceful and active agents were identified in this study, which shed light on child welfare policy and practice.
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Shibub, Dr Mariam M. "ARCHITECTURE OF THE ANCIENT LIBYAN PALACES BETWEEN (RESTORATION AND REUSE) CASE STUDY (PALACES OF THE WESTERN MOUNTAIN REGION)." Scientific Journal of Applied Sciences of Sabratha University 2, no. 2 (September 27, 2019): 27–40. http://dx.doi.org/10.47891/sabujas.v2i2.27-40.
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Among the most important and largest ancient artifices having retained their form and structure in Libya stand the historical palaces, located in the country’s ancient cities and serving as a sign of past Libyan architectural identity. It is vital that these palaces, indicators of the functions of ancient Libyan society, be preserved, developed and revived for use as historic buildings. The main objective of this research paper is to understand how the palaces were used and to uncover the most important dimensions of the architectural and philosophical implications of these palaces, including how the architecture reflects a philosophy that endeavored to meet the human needs of the people of Libya of that time. Furthermore, it will explore how these buildings can be restored, preserved, developed and re-functioned in accordance with knowledge of the characteristics of these structures and their previous functions, as well as consideration of the most appropriate functions for after their restoration. This paper tries to answer all these questions, using them as a guide to propose a general strategy for conservation and reuse based on principles mandated by Libya’s General Directorate for the Development of Historic Cities.
In order to arrive at precise answers, this paper adopted the inductive and analytical descriptive method in collecting data from historical sources. The researcher conducted field visits, surveyed, examined archives and used field photography. The focus was on studying and analyzing the implicit philosophical dimensions in the design of these palaces and their correlation with Maslow’s theory (1954) of the hierarchy of human needs. Based on the results, this research paper presents a set of ideas that can be used in the process of restoration and reuse of these palaces to meet general needs. This paper also recommends the need to provide technical support to civil associations that are working on the restoration and maintenance of these historic landmarks and study the possibility of taking advantage of the palaces as tourist museums and grain silos in the upper parts after maintenance and restoration.
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Белецкий, С. В. "Pskov in P. S. Malevsky-Malevich Photoes (1946)." Археология и история Пскова и Псковской земли, no. 33 (December 25, 2018): 48–52. http://dx.doi.org/10.25681/iaras.2018.978-5-94375-278-0.48-52.
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В сообщении рассматривается серия фотографий, сделанных П. С. Ма-левским-Малевичем во время поездки в Псков в 1946 г. Главной ценностью рассматриваемой коллекции является время проведения фотосессии. На снимках зафиксировано состояние ряда храмов, монастырей, каменных палат и крепостных сооружений Пскова не позднее середины первого послевоенного года. По сути дела, эти съемки стали фотофиксацией памятников Пскова, которая предшествовала масштабным строительным и реставрационным работам, проводившимся в городе в 1950-е годы и позволили уточнить некоторые вопросы истории памятников псковской архитектуры. The article describes the series of photographs made by P. S. Malevsky-Malevich during his trip to Pskov in 1946. The time of the photo shooting is considered as the main value of the collection. The photographs fixed the condition of a number of churches, monasteries, stone houses and fortifications of Pskov, not later than in the middle of the first post-war year. In fact, these shots became photographs of the monuments of Pskov, which preceded the large-scale construction and restoration works carried in the city in 1950-es, and thus helped to clarify some issues of the Pskov monuments architecture history
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Riadi, Imam. "Detection DETEKSI DAN IDENTIFIKASI KAPANG PADA PROSES BIODETERIORASI ARSIP FOTO MEMORY OF THE WORLD (MOW) RESTORASI CANDI BOROBUDUR." Jurnal Konservasi Cagar Budaya 15, no. 1 (June 30, 2021): 3–14. http://dx.doi.org/10.33374/jurnalkonservasicagarbudaya.v15i1.255.
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ABSTRACT
This study aims to identify the genus of mold in the biodeterioration process of the photo archive of Memory of the World (MoW) restoration of Borobudur Temple and the potential for the enzymatic activity of these molds. The type of research method chosen is descriptive qualitative. Starting with survey sampling and sampling. Inoculation of fungi using the streak method on PDA medium. Mold identification based on macroscopic and microscopic observations of fungi. The results of characterization were then identified using the matching profile method using the mold identification reference book. The identification results resulted in six genera of contaminant molds in the biodeterioration of the MoW photo archive of the Borobudur Temple restoration. The genera identified included: Acremonium (69.66 %%), Penicillium (14.59%), Aspergillus (3.36%), Culvularia (2.24%) Fusarium (1.12%), and Pleurostomophora (1.12%) and some sterile mycelia. The types of biodeterioration in the photo collection include mold growth, discolored spots, peeling off layers, and damage to the substrate in the photo. Based on literature search, all mold genera found as the cause of biodeterioration has the potential to have proteinase, gelatinase, and cellulase enzymes.
Keywords: Biodeterioration; Mold; Photograph; Memory of the World; Borobudur Temple
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Figueredo, Priya K. "To Study Rehabilitation of Old Elevated Water Tank and to Generate Non-Conventional Energy." International Journal for Research in Applied Science and Engineering Technology 10, no. 7 (July 31, 2022): 1326–32. http://dx.doi.org/10.22214/ijraset.2022.45421.
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Abstract: Many of the existing reinforced concrete structures around the world are in urgent need of reinforcement, repair, or reconstruction due to structural damage that occurs for a variety of reasons. The main purpose of this project is the restoration of an existing ancient water tank (Panyacha Khajina) on Old Mahadwar Road in Kolhapur, Maharashtra. Therefore, it is necessary to store water for daily use, the water storage tank should be in good condition and should be repaired if damaged. To find defects in the aquarium, first perform a visual inspection such as photography, checking for the effects of cracks and corrosion, and then inspect the existing aquarium structure, including collecting information on repair work. In this plot, you can install the solar system on top of the existing water tank to increase the efficiency of the plot. Since we are not using a surface water tank, the project`s idea is to install solar panels on the roof of the tank to generate electricity so that it can be used for various purposes. Next, you can deploy 113 solar panels and find a total of about 146 units of energy per day. Due to the limitations and impacts of non-renewable energy sources, people around the world need to pay attention to renewable energy sources.
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Воронина, И. В. "The Formation of the Collection of the Museum-Reserve Battle of Stalingrad: History, Main Directions and Prospects." Nasledie Vekov, no. 1(29) (March 31, 2022): 63–75. http://dx.doi.org/10.36343/sb.2022.29.1.006.
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В статье исследован процесс формирования фондовых коллекций музея-заповедника «Сталинградская битва» и выявлены их особенности. В результате анализа учетной документации, архивных данных, каталогов представлены основные этапы формирования фондов музея, установлены определяющие направления их комплектования за весь срок его деятельности (с 1936 г.), отмечены периоды наиболее активного пополнения фондовых коллекций. Выявлены виды и разновидности экспонатов, формирующих состав каждого из музейных фондов, описаны их существенные отличительные характеристики. Определены два направления комплектования фондов музея-заповедника (тематическое и типологическое). Установлено, что процесс формирования коллекций определялся политикой советского государства; прослежено влияние государственных структур и представителей общественности на этот процесс. Рассмотрены особенности фондовых коллекций, предложены способы оптимизации деятельности в сфере комплектования фондов. The study aims to analyze the process of formation and to identify the features of the funds of the State Historical and Memorial Preserve The Battle of Stalingrad, to determine the ways for the further development of work on their acquisition. In this case, museum catalogs, accounting documentation (books of receipts, inventory books, acts of acceptance of museum objects), archival documents were used as sources. The methodology was compiled by historiographic, historical-comparative, historical-typological and historical-system methods. Two directions of acquisition of the preserve’s funds (thematic and typological) are determined. The results of work on the identification of new exhibits, achieved in the pre-war period, when the institution was known under the name The Museum of Defence of Tsaritsyn Named After Comrade Stalin, and the influence of the evacuation during the Great Patriotic War on the composition of the collections is shown. The beginning of the process of completing the modern museum collection is associated with the end of the Battle of Stalingrad. The types of exhibits that came into storage after the restoration of the pre-war museum building are highlighted. The results of the first inventory of funds (1950) are described. The periods of the most active replenishment of collections are noted. The main ways of acquiring collections for the entire period of the museum’s activity (1936–2019) have been established, the types and varieties of exhibits that form the composition of each of the museum funds have been identified, and their significant distinctive characteristics have been described. The directions of acquisition of funds are determined, optimal ways of further acquisition and use of museum collections are proposed. The author highlights the stages of development of work on the acquisition of the museum’s funds depending on the change in the thematic focus of the exposition, which before the Great Patriotic War reflected the events related to the defence of Tsaritsyn during the Civil War (1918–1920) and Stalin’s personality cult. In the post-war period, the museum expanded its thematic direction and devoted its activities to preserving the memory of the heroic deed of the Soviet people in the Battle of Stalingrad. The features of the collections are a significant number of exhibits related to the written sources fund, an extensive collection of film and photographic documents. The process of forming the museum’s funds was determined by the cultural policy of the Soviet state; the influence of state structures and members of the public on the formation of the museum collection was also traced.
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Fangi, G. "ALEPPO BEFORE AND AFTER THE WAR 2010–2018." ISPRS - International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XLII-2/W15 (August 22, 2019): 449–56. http://dx.doi.org/10.5194/isprs-archives-xlii-2-w15-449-2019.
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<p><strong>Abstract.</strong> What remains of Cultural Heritage in Syria? And in particular in Aleppo? Aleppo, according to UNESCO, is the oldest city in the world. The first settlements date back to 12,000 years ago, the first evidence of the city to 8,000. The A. visited the city in October 2018 at the invitation of the Syrian Trust for Development. He previously went to Syria for a photographic tour in 2010. It was a unique opportunity to document some noticeable buildings and monuments, later on affected by the war. When the war began in 2012, the A. retrieved the photographs and gave them to his students, who then ran some 28 projects of Cultural Heritage items. They are small monuments or small projects, neither complete not very accurate, but sometimes they are unique for the monuments that have already disappeared. In 2017 the book <i>Reviving Palmyra</i> was published, whose main author is the Finnish archaeologist Minna Silver. The book shows the results of the surveys of some monuments of Palmyra, including the Roman theater, the temple of Bel, the triumphal arch and the funerary tower of Al-Habel. The A. made an exibition of the these projects in Ancona, Italy, and produced a video of the exibition, which was then published online. Reme Sackr saw the video and invited the A. to visit Syria. She is a Syrian woman of the Syrian Trust for Development, a Syrian NGO for reconstruction of Syria. She is responsible for the Living Heritage Program inside the Trust, in practice responsible for the reconstruction and the restoration of the monuments in Syria. So in October 2018 the A. went to Aleppo, Syria, for a second time. The present paper shows some results and comparisons for same monuments before and after the war. The objects of the survey are some parts of the Citadel walls, the entrance tower of the Citadel, the southern tower, one mosque and the minaret of the Citadel mosque. One of the first monuments to be restored will be the minaret of the Great Omoyyad Mosque in Aleppo. Some monuments, the minority, are apparently in good condition, seemingly untouched by the war. Some are badly damaged and unsafe. They must first be made sade and subsequently restored. Finally, other monuments – and these are the majority – no longer exist because they have been destroyed to their very foundations. It seems that the war, besides the population, has particularly targeted monuments, perhaps because they represent the soul and history of a people and a country. For them the problem arises whether to reconstruct or not, and in case of reconstruction with which instruments and with which technique, if there are previous findings. This is precisely the case of the minaret. Here they will try to reconstruct the monument where it was, as it was and with the same materials, with possibly the same blocks in the same position they were in. For this task, however, their identification is necessary. The minaret is the most important monument in Syria, because it is the symbol of the country. It was built in 1092, and its restoration was completed in 2007. A special commission now follows the restoration work. It is composed by public, religious and technical-scientific authorities. They are the same university professors who carried out the restoration of 2007 and now curate the reconstruction. Work began in February 2018. The minaret stones were placed in the square of the mosque. Using a crane they raised the stones one by one, then photographed them from all positions. They then proceeded to the identification stage. A computer program was created in MATHLAB<sup>®</sup> which could carry out the first automatic selection of 6–8 possible candidates. The operator then manually selected the choosen one. Of the 1300 stones of the external face, 40&thinsp;% have already been recognized. The high-resolution photographs of the A. of 2010 will help the identification. It is hoped to reach 70&thinsp;%. Many blocks are no longer usable because they are broken, being limestone and therefore fragile. They no longer have the necessary resistance and will have to be replaced. A museum will be set up for the reconstruction of the minaret and the mosque. It is hoped to complete the work in two years. The surveying technique used by the A. is Spherical Photogrammetry. He published in 2018 <i>The book of Spherical Photogrammetry</i> a collection of related papers and experiences. This technique has been set up by the A. since 2006. It is based on spherical panoramas. These are cartographic representations on planes of spheres, on which the partially overlapping photographs taken from a single shooting point, are projected. Its main feature is the shooting speed. The technique is very much suitable for heritage documentation and the A. hopes to transfer it to the students of the local faculty of architecture. In this last mission, especially for the interiors, the A. made extensive use of Panono, a multi-image camera capable of covering 360°. These results prove undoubtedly that photogrammetry is an essential instrument for the 3D documentation and digital preservation of cultural heritage.</p>
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Willot, L., D. Vodislav, L. De Luca, and V. Gouet-Brunet. "AUTOMATIC STRUCTURING OF PHOTOGRAPHIC COLLECTIONS FOR SPATIO-TEMPORAL MONITORING OF RESTORATION SITES: PROBLEM STATEMENT AND CHALLENGES." International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XLVI-2/W1-2022 (February 25, 2022): 521–28. http://dx.doi.org/10.5194/isprs-archives-xlvi-2-w1-2022-521-2022.
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Abstract. Over the last decade, a large number of digital documentation projects have demonstrated the potential of image-based modelling of heritage objects in the context of documentation, conservation, and restoration. The inclusion of these emerging methods in the daily monitoring of the activities of a heritage restoration site (context in which hundreds of photographs per day can be acquired by multiple actors, in accordance with several observation and analysis needs) raises new questions at the intersection of big data management, analysis, semantic enrichment, and more generally automatic structuring of this data. In this article we propose a data model developed around these questions and identify the main challenges to overcome the problem of structuring massive collections of photographs through a review of the available literature on similarity metrics used to organise the pictures based on their content or metadata. This work is realized in the context of the restoration site of the Notre-Dame de Paris cathedral that will be used as the main case study.
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Lam, E. Y. "Image restoration in digital photography." IEEE Transactions on Consumer Electronics 49, no. 2 (May 2003): 269–74. http://dx.doi.org/10.1109/tce.2003.1209513.
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Vlahov, Riccardo, Luisa Bitelli, and Corinna Giudici. "Photography: conservation and restoration problems of archives." Aerobiologia 9, no. 2-3 (December 1993): 187–88. http://dx.doi.org/10.1007/bf02066260.
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Lukiyanchuk, А., and О. Miroshnichenko. "Application of geoinformation systems for the solving tasks of navigation support for the armies." Visnyk Taras Shevchenko National University of Kyiv. Military-Special Sciences, no. 3(51) (2022): 85–87. http://dx.doi.org/10.17721/1728-2217.2022.51.85-87.
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Rapid implementation of computer and information technologies in the activities of the troops (forces) is currently taking place, namely, significant successes in the use of geographic information systems (GIS) are noted. Modern GIS in the armed forces of other countries has also found wide application in the operational training of military C2 bodies, information support of combat actions, updating topographic maps, determining the location of the position of troops and individual servicemen, as well as in other areas of military activity. Therefore, it is necessary to analyze the most successful technologies and move towards their implementation. Currently, a large part of geographic information changes rapidly with time, which makes the use of traditional maps irrelevant. GIS is a software and technical complex that allows you to combine a model image of the territory with tabular information. The software and technical complex provides automated collection, processing, analysis, storage, display and distribution of spatially coordinated information. A computer system that makes it possible to edit, use, store, analyze and display graphic data in a cartographic form. GIS provide the most complete creation and timely restoration of the cartographic base. First of all, it concerns different types of cards. In addition, it is now possible to receive aerial, photographic and space images of local objects with minimal time delay, with the possibility of obtaining their specific characteristics. The speed of receiving information can only be guaranteed by a modern automated system with the possibility of documenting the provided information. The system allows you to create vector, raster and matrix maps, as well as quickly update various information about the area.
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Lugon, Olivier. "Photography and Scale: Projection, Exhibition, Collection." Art History 38, no. 2 (March 22, 2015): 386–403. http://dx.doi.org/10.1111/1467-8365.12155.
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Panzer, Mary. "The George Kendall Warren photography collection." History of Photography 24, no. 1 (March 2000): 24–30. http://dx.doi.org/10.1080/03087298.2000.10443357.
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Franca Malservisi and Maria Rosaria Vitale. "Photography versus the Historical Record: The Role of Photography in Rouen's Gros-Horloge Restoration." Future Anterior: Journal of Historic Preservation, History, Theory, and Criticism 10, no. 2 (2013): 49. http://dx.doi.org/10.5749/futuante.10.2.0049.
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Егорова, А. А., Л. Е. Петрова, А. Т. Стафеева, and О. А. Стаина. "“Group portrait of the UZTM blacksmith team” by the Ural artist Misha Brusilovsky: an underestimated masterpiece." Iskusstvo Evrazii [The Art of Eurasia], no. 1(24) (March 30, 2022): 90–99. http://dx.doi.org/10.46748/arteuras.2022.01.009.
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В хорошо представленном в научном дискурсе творчестве уральского художника Миши Шаевича Брусиловского (1931–2016) есть работа, незаслуженно обойденная как историками искусства, так и художественной критикой. Это «Групповой портрет бригады кузнецов УЗТМ» 1977 года. Авторы статьи описывают опыт актуализации полотна для экспозиционных, воспитательных, фандрайзинговых (проектных) целей и трудности их достижения. Фиксируется противоречие — живописное полотно маститого автора явно заслуживает более активного изучения и экспонирования, но эти процессы затруднены состоянием картины (экспертами оценивается как предаварийное) и правами обладания (корпоративный музей). Использован историко-описательный и монографический методы, приводятся результаты социологического исследования зрительского опыта взаимодействия с картиной на «Ночи музеев» в 2018 году. Впервые опубликована история возвращения картины в музейную среду, фотография из мастерской М.Ш. Брусиловского, где позируют прототипы героев полотна, описана методика актуализации наследия «индустриального искусства» советского периода на примере «Группового портрета бригады кузнецов УЗТМ»: сбор исторических сведений, воспоминаний, проект учащихся школы искусств, партисипаторное проектирование экспозиции с участием студентов вуза, публикации в СМИ, фандрайзинг. In the work of the Ural artist Misha Shayevich Brusilovsky (1931–2016), well represented in scientific discourse, there is a painting undeservedly bypassed by art historians and art criticism. This is the “Group portrait of the UZTM blacksmith team” (1977; UZTM — Ural Heavy Machinery Plant). The authors describe the experience of updating tables for exposition, educational, fundraising (project) purposes and demand their achievements. A contradiction is fixed — the painting by the venerable author, apparently, is more actively studied and exhibited, but these processes are hampered by the state of the painting (expert assessment as pre-accident) and ownership rights (corporate museum). Here, historical-descriptive and monographic methods are used, when using the results of a historical and sociological study of the viewer's experience of impressions with a painting at the Night of Museums in 2018. The history of the return of paintings to the museum environment was published for the first time, as well as the photograph from the workshop of M. Brusilovsky, where paintings are posed (foreman A. Kordukov, blacksmiths B. Shulepov, K. Le, A. Moskvin, V. Venchinov, I. Bersenev, V. Erer), the methodology for updating the heritage of “industrial art” of the Soviet period of manifestation is described, namely, such stages as collection of special identified memories, a project of students of art schools, participatory design of products with the involvement of university students, in the media, fundraising. Fundraising in the objects of restoration of paintings and its exposure to the general public can be based on various arguments — attention and interest in the time of creation of the canvas as an example of “industrial painting” of the Soviet period, increasing the motivation of the copyright holder (big business), etc. At the moment, restoration work of the painting continues.
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Mileto, C., and F. Vegas. "SURVEY AND RESTORATION." ISPRS - International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XLII-5/W1 (May 12, 2017): 3–7. http://dx.doi.org/10.5194/isprs-archives-xlii-5-w1-3-2017.
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In addition to the technological evolution over the last two centuries, survey has experienced two main conceptual leaps: the introduction of photography as a tool for an indiscriminate register for reality, and the shift from autographic to allographic survey, phenomena which can generate a distancing effect within the restoration process. Besides, this text presents the relationship between survey in its numerous forms and technologies (manual and semi-manual to more complex ones like scanner-laser) and the restoration of the building, either for establishing a diagnosis, operating or valorizating, illustrating it with examples developed by the authors, as well as the criteria to be applied when documenting a building to be restored, irrespective of the means and technology available in each case.
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He, Yanjun, Shuzhao Chen, Bin Zhang, and Kai Chen. "Multimedia Tilt Photography-Assisted Remote Sensing Technology in Mine Ecological Restoration." Computational Intelligence and Neuroscience 2022 (June 10, 2022): 1–5. http://dx.doi.org/10.1155/2022/1442738.
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Ecological restoration with the assistance of certain artificial measures is to restore the original ecological function and productivity of the ecosystem or to make the ecosystem develop to a virtuous circle, which is a complex systematic project. Based on this, combined with the actual needs of a mine ecological restoration project, this paper puts forward the technical process and method of quickly acquiring the geographic information of abandoned mines by using the oblique photography technology of unmanned aerial vehicles. The verification results show that the maximum plane/elevation residual error of the checkpoints measured in the field is 0.221 m−0.181 m, and the median error is 0.030 m–0.112 m. According to the encryption requirement of 1∶500 scale topographic mapping in hilly land, the plane position error of the inspection point relative to the field control point should be less than 0.175 m. The elevation should be less than 0.280 m, and the experimental results in this paper can meet the requirements. Oblique photography can provide abundant digital results, and it can play an important role in mine restoration scheme design, restoration construction, and monitoring and management after restoration.
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Šejbl, Jan. "The Náprstek Museum Photography Collection – An Assessment Based on Collection Records." Annals of the Náprstek Museum 40, no. 2 (2019): 69–94. http://dx.doi.org/10.2478/anpm-2019-0016.
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The study deals with the Náprstek Museum ethnographic photo collection. In order to obtain detailed knowledge of the composition of this collection, an analysis was performed using digital data records obtained through an export from the collection database. The data was then edited using MS Excel with the Contingency Table and Contingency Graph tools. The analysis focusd on the perspective of geography and chronology, originator and the type of photographic material in question. Obtained data clearly shows the percentage of each pursued characteristics and allows to combine them and compare the photo collection as a whole with the other part sof museum’s collections. The analysis method can be also used for another collections as well.
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Kelly, Samantha, Cessair McKinney, and Kerry M. Byrne. "Innovation in Restoration: Estimating Seed Counts Using a Photography App." Ecological Restoration 40, no. 1 (March 2022): 29–32. http://dx.doi.org/10.3368/er.40.1.29.
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Riaz, Sidra, and Sang-Woong Lee. "A robust multimedia authentication and restoration scheme in digital photography." Multimedia Tools and Applications 73, no. 3 (July 31, 2013): 1291–321. http://dx.doi.org/10.1007/s11042-013-1592-8.
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Schmidt, Marco, Konstantin König, Karen Hahn, Georg Zizka, and Rüdiger Wittig. "Restoration of bare incrusted soils in the Sahel region of Burkina Faso." Flora et Vegetatio Sudano-Sambesica 13 (December 9, 2016): 3–9. http://dx.doi.org/10.21248/fvss.13.10.
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Bare incrusted soils are a degradation stage often encountered in the Sahel zone. Our study documents the success of restoration (= regreening) experiments using deep ploughing in an experimental site south of Gorom-Gorom in the Oudalan province of Burkina Faso. We used phytosociological relevés and maximum likelihood classifications of digital photography to analyze changes in vegetation. Plant cover in treated plots was found to be about 20 times higher than in control plots, mean species richness more than twice as high. Therefore, this promising restoration method should be tested also in other Sahelian regions. Our approach to combine phytosociological relevés and maximum likelihood classifications of digital photography proved to be very useful.
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Thomas, Ritchie. "The Charles C. Lewis collection; Photography of aviation." History of Photography 12, no. 1 (January 1988): 37–40. http://dx.doi.org/10.1080/03087298.1988.10442095.
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Che, Defu, Kai He, Kehan Qiu, Yining Liu, Baodong Ma, and Quan Liu. "Edge Restoration of a 3D Building Model Based on Oblique Photography." Applied Sciences 12, no. 24 (December 15, 2022): 12911. http://dx.doi.org/10.3390/app122412911.
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Unmanned aerial vehicle (UAV) oblique photography technology is widely used in a variety of fields because of its excellent efficiency, realism, and low cost of manufacturing. However, due to the influence of lighting, occlusion, weak textures, and other factors in aerial images, the modeling results can have the problem of an incorrect structure that is inconsistent with the real scene. The edge line of a building is the main external expression of its structure. Whether the edge line is straight or not will directly affect the realism of the building, so the restoration of the edge line can improve the realism of the building. In this study, we proposed and developed a method for the restoration of the edge line of a 3D building model based on triangular mesh cutting. Firstly, the feature line of the edge line was drawn using human–computer interaction, and axis-aligned bounding box (AABB) collision detection was carried out around the feature line to determine the triangular patches to be cut. Then, the triangular cutting algorithm was used to cut the triangular patches projected onto the plane. Finally, the structure and texture of the 3D building model were reconstructed. This method allowed us to actualize the physical separation of continuous triangulation; the triangulation around the edge line was cut, and the plane was fitted. This method was able to improve cutting accuracy and edge flatness and enhance the edge features of buildings and the rendering quality of models. The experimental results showed that the edge restoration method proposed in this paper is reliable and that it can effectively improve the building rendering effect of a 3D building model based on UAV oblique photography and can also enhance the realism of the model.
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Wu, Xue Feng, and Yu Fan. "A Research for Fuzzy Image Restoration." Advanced Materials Research 955-959 (June 2014): 1085–88. http://dx.doi.org/10.4028/www.scientific.net/amr.955-959.1085.
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Computational photography and image processing technology are used to restore the clearness of images taken in fog scenes autmatically.The technology is used to restore the clearness of the fog scene,which includes digital image processing and the physical model of atmospheric scattering.An algorithm is designed to restore the clearness of the fog scene under the assumption of the albedo images and then the resolution algorithm is analysised.The algorithm is implemented by the software of image process ,which can improve the efficiency of the algorithm and interface.The fog image and defogging image are compared, and the results show that the visibility of the image is improved, and the image restoration is more clearly.
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Song, G. X. "EXPLORATION OF THE METHOD OF TRACING THE BOUNDARY AND PATTERN OF THE IMPERIAL GARDEN BY FOLLOWING THE TRACES OF HISTORY – TAKING CHANGCHUN GARDEN AS AN EXAMPLE." ISPRS Annals of the Photogrammetry, Remote Sensing and Spatial Information Sciences VIII-M-1-2021 (August 27, 2021): 149–53. http://dx.doi.org/10.5194/isprs-annals-viii-m-1-2021-149-2021.
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Abstract. In the process of digital restoration of cultural heritage, for the disappeared royal gardens, where information is relatively scarce, the process of accurate digital restoration usually encounters a problem of how to effectively use the fragmented and limited historical and status quo information for discernment, to achieve accurate digital alignment restoration of the disappeared royal gardens in the region, and to complete the overall digital restoration of boundaries and patterns. Taking Changchun Garden as an example, this paper uses recent status quo mapping, aerial photography and current status quo structures as the basis, historical archival materials, style house plans, early mapping, early aerial photography and various historical documents as the starting point for the credibility and priority of various materials, and uses the iconic remaining information of key locations, such as buildings, water systems and fences, through historical traces, relative positions and proportional relationships. The identification of the 'line' is done by using the 'point' to determine the location of the wall in the east, north, west and south directions, thus defining the boundary and pattern of the historical Changchun Garden. This approach is based on the disappearing royal gardens and the digital restoration process can be effective in completing the task of solving problems and giving ideas and directions to those working in the relevant fields.
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Jonge, Ingrid Fischer. "The National Museum of Photography at the Royal Library, Copenhagen." Art Libraries Journal 23, no. 1 (1998): 8–12. http://dx.doi.org/10.1017/s0307472200010750.
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The Royal Library, Copenhagen has made many attempts over the years to organise the huge collection of photographs held in its Department of Maps, Prints and Photographs into a formal museum of photography. Finally in 1996 the Royal Library created such a museum, and named it ‘The National Museum of Photography’. This museum within a library will be located in the new building at the City’s harbour front called The Black Diamond. The displays will show new as well as older photography from the collection, which is important both artistically and historically. Digitisation and cataloguing of the collection are under way, and the first couple of thousand items are already available to a wider public on the Internet.
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Villavicencio-Espinoza, CA, MH Narimatsu, and AY Furuse. "Using Cross-Polarized Photography as a Guide for Selecting Resin Composite Shade." Operative Dentistry 43, no. 2 (March 1, 2018): 113–20. http://dx.doi.org/10.2341/16-227-t.
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SUMMARY The restoration of single discolored maxillary anterior teeth is still a difficult task, as not only shape and surface characterization play an important role in the success of the treatment, but the propagation of light throughout the restorative material does as well. In some cases, small changes in morphology, color, and brightness will be noticeable. These factors are sometimes very tricky, and shade guides alone are difficult to use for color selection. This article proposes a protocol of employing cross-polarization imaging for improving the accuracy of the shade selection of resin composites. The step-by-step technique is presented for the restoration of a single discolored tooth.
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Thomas, Nancy. "The Blackburn Collection of Photography from Polynesia at LACMA." Journal of New Zealand & Pacific Studies 8, no. 1 (May 1, 2020): 81–86. http://dx.doi.org/10.1386/nzps_00016_7.
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Wagner, Kurt W. "Dorn-Severini Historic Photography Collection Donated to Monmouth University." New Jersey Studies: An Interdisciplinary Journal 6, no. 2 (July 9, 2020): 121–27. http://dx.doi.org/10.14713/njs.v6i2.215.
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In December 2019, Kathy Dorn Severini and George Severini, residents of Fair Haven, NJ, donated a collection of photographic images to Monmouth University, a private, comprehensive 4-year institution in West Long Branch, NJ, located about a mile from the Atlantic Ocean. With a 2019 enrollment of 6,167, the University offers undergraduate and graduate programs across all traditional disciplines, as well as a Doctorate in Nursing Practice and an Ed. D. program. Monmouth University is a Grammy Museum affiliate, offers a Peace Corps Prep program that is unique in New Jersey, and is the home to the Monmouth Polling Institute.
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Lee, Anton. "The Order of Things: Photography from the Walther Collection." History of Photography 42, no. 3 (July 3, 2018): 306–8. http://dx.doi.org/10.1080/03087298.2018.1531600.
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Gaafar, Rania. "Migrating Forms: Contemporary African Photography at The Walther Collection." Third Text 25, no. 2 (March 2011): 241–47. http://dx.doi.org/10.1080/09528822.2011.560643.
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Vârtejanu-Joubert, Mădălina. "The Beginnings of Photography, the Beginnings of the Photography Archive: Bonfils at the Harvard Semitic Museum." Martor. The Museum of the Romanian Peasant Anthropology Review 24 (November 15, 2019): 13–26. http://dx.doi.org/10.57225/martor.2019.24.02.
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The article highlights the creation of the Maison Bonfils photographic collection and its transformation into a museum archive by the Harvard Semitic Museum. On the one hand, it examines the archiving of reality through photographic practice and analyses the epistemological premises of documentary photogra¬phy applied to the object “The Holy Land.” On the other hand, it describes the transformation of the Bonfils collection into a corpus and its reception by the scientific community of the Ancient Near East. In both cases, we observe the im¬plementation of a literal conception: on the one hand, the geographical territory is interpreted as the perfect equivalent of the biblical text and, on the other hand, the photographs of this territory are used as an immediate and totally transpar¬ent document of the historical reality of the 19th century.
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Holden, Wendy. "Photography as an Aid in Restoration: The Wall Paintings at Hōryū-ji." Visual Resources 3, no. 4 (January 1987): 273–85. http://dx.doi.org/10.1080/01973762.1987.9659096.
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Jäger, Gottfried. "Concrete Photography: (In-Between) Light Image and Data Image." Leonardo 51, no. 2 (April 2018): 146–54. http://dx.doi.org/10.1162/leon_a_01350.
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The author discusses his works of concrete photography contributed to the Peter C. Ruppert Collection, Concrete Art in Europe after 1945, in the Museum im Kulturspeicher Würzburg. He discusses Concrete Photography as a form of nonrepresentational photography in which the medium itself moves away from its classical role of representing the external world to take on a strict self-referential role, in between both traditional light-images and images of the digital world.
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Motta, Ana Paula Gobbo, Juliana Magalhães Guerreiro, Ana Flora Fogaça Gobbo, Luciana Kusumota, Elisabeth Atila, Rebecca O. Shasanmi, and Fernanda Raphael Escobar Gimenes. "Case study: using participatory photographic methods for the prevention of medication errors." Revista Brasileira de Enfermagem 71, no. 5 (October 2018): 2483–88. http://dx.doi.org/10.1590/0034-7167-2017-0040.
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ABSTRACT Objective: To describe the experience of using participatory photographic research methods to engage nurses and researchers in a collaborative study to improve medication safety conditions, particularly in patients with feeding tubes in a nursing home for the elderly (NHE). Method: This qualitative study was conducted in Brazil and proceeded in iterative phases of visual and textual data collection and analysis. Interviews, subsequent nurse-led photo-narrated walkabouts, and photo elicitation were used with nurses. Results: The need to transform the work design and the workplace to improve medication safety and improving medication processes through effective communication was identified. Unsafe workforce is a challenge in achieving safe medication administration practices; and lack of a patient safety culture is a barrier for adaptive learning and growth. Conclusion: Our findings demonstrated the effectiveness of a restorative research approach for supporting nurses to study and act on medication safety.
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Sheehan, T. "African American Vernacular Photography: Selections from the Daniel Cowin Collection." Journal of American History 93, no. 3 (December 1, 2006): 815–19. http://dx.doi.org/10.2307/4486420.
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Skotniczna, Ewa. "Zbiór fotografii Karola Lanckorońskiego jako źródło do badań nad sztuką religijną renesansu włoskiego. Zarys problematyki w ujęciu historycznym i współczesnym." Artifex Novus, no. 3 (October 1, 2019): 144–56. http://dx.doi.org/10.21697/an.7070.
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ABSTRAKT
Celem artykułu jest omówienie zbioru fotografii naukowych Karola Lanckorońskiego (1848-1933) w kontekście jego znaczenia do badań z zakresu sztuki sakralnej renesansu włoskiego. Zbiór ów obecnie przechowywany w Fototece Lanckorńskich Polskiej Akademii Umiejętności (PAU) stanowi przykład światowej klasy kolekcji fotografii. Przyrównywany bywa do najsłynniejszych tego typu zbiorów, w tym fototeki Bernarda Berensona weFlorencji. Mimo to dopiero od niedawna rozpoczęto systematyczne prace nad inwentaryzacją oraz opracowaniem naukowym całej kolekcji. Hrabia Karol Lanckoroński-znany miłośnik sztuki, mecenas, kolekcjoner i badacz przeszłości stworzył zbiór liczący pierwotnie około 120 tysięcy odbitek. Według obecnych szacunków Fototeka Lanckorońskich PAU przechowuje około 45 775 obiektów. W zakres zbioru Lanckorońskiego oprócz dokumentacji podróżniczej wchodzą przede wszystkim fotografie o tematyce artystycznej poświęcone sztuce światowej, a szczególnie europejskiej od antyku po wiek XIX. Jak wynika ze wstępnego przebadania zbioru dominują w nim reprodukcje dzieł sztuki renesansu włoskiego, w szczególności o tematyce sakralnej. Na łamach artykułu dokonano ogólnej charakterystyki zbioru pod względem tematycznym, wskazano funkcje, które zbiór ów pełnił w czasach swego powstania, w dalszej kolejności zaś podkreślono wagę kolekcji dla współczesnych badań humanistycznych, przede wszystkim historyczno-artystycznych.
SUMMARY
The aim of the article is to discuss Karol Lanckoroński’s collection of scientific photographs (1848–1933) in the context of his significance to research in the sacred art of the Italian Renaissance. This collection is currently stored in the Lanckoroński’s Archive Photography of the Polish Academy of Arts and Sciences (PAU) is an example of a world-class photography collection. It is compared to the most famous collections of this type, for example Bernard Berenson’s Archive Photography in Florence. Nevertheless, it was only recently that systematic work was initiated on the inventory and scientific elaboration of the entire collection. Count Karol Lanckoroński – a wellknown art lover, patron, collector and researcher of the past, created a collection of originally about 120,000 prints. According tocurrent estimates, Lanckoroński’s Archive Photography of the Polish Academy of Arts and Sciences stores approximately 45,775 images. In addition to travel documentation, the Lanckoroński’s collection includes primarily artistic photography devoted to world art, especially European art from antiquity to the nineteenth century. As can be seen from the initial examination of the collection, reproductions of Italian Renaissance works of art, in particular sacral, dominate in it. The article presents the general characterization of the collection in terms of subject matter, indicates the functions that the collection held during its creation, and further emphasized the importance of the collection for contemporary humanistic research, first of all historical-artistic.
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Chanchio, Kasidit, and Xian-He Sun. "Data collection and restoration for heterogeneous process migration." Software: Practice and Experience 32, no. 9 (2002): 845–71. http://dx.doi.org/10.1002/spe.464.
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Ngo, Dat, Seungmin Lee, Tri Minh Ngo, Gi-Dong Lee, and Bongsoon Kang. "Visibility Restoration: A Systematic Review and Meta-Analysis." Sensors 21, no. 8 (April 8, 2021): 2625. http://dx.doi.org/10.3390/s21082625.
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Image acquisition is a complex process that is affected by a wide variety of internal and environmental factors. Hence, visibility restoration is crucial for many high-level applications in photography and computer vision. This paper provides a systematic review and meta-analysis of visibility restoration algorithms with a focus on those that are pertinent to poor weather conditions. This paper starts with an introduction to optical image formation and then provides a comprehensive description of existing algorithms as well as a comparative evaluation. Subsequently, there is a thorough discussion on current difficulties that are worthy of a scientific effort. Moreover, this paper proposes a general framework for visibility restoration in hazy weather conditions while using haze-relevant features and maximum likelihood estimates. Finally, a discussion on the findings and future developments concludes this paper.
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Grevtseva, A. S., R. A. Dmitriev, and A. Zhuchenko. "Restoration of surface soil contamination density to radionuclides at according to aerial photography." IOP Conference Series: Earth and Environmental Science 1096, no. 1 (October 1, 2022): 012012. http://dx.doi.org/10.1088/1755-1315/1096/1/012012.
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Abstract The problems that arise in the surface layer of the soil during periodic emissions at nuclear power plants are considered. The necessity of constant monitoring of this soil layer at different times of the year is substantiated. Various methods of this control are considered. It has been established that it is extremely difficult to implement them in remote areas. A method has been developed for monitoring the surface layer of the soil using aerodynamic survey of the distribution of γ-radiation on the soil surface. This is extremely important during the preparation of agricultural fields for sowing crops in the spring. A new algorithm for restoring images obtained using aerodynamic imaging of γ-radiation is proposed. The results of a new algorithm for image processing and identification are presented.
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Bouséé, Derek. "Restoring the Photographed Past." Public Historian 24, no. 2 (2002): 9–40. http://dx.doi.org/10.1525/tph.2002.24.2.9.
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This article points to cases around the world in which old photographs have been used as the basis for restoring damaged or destroyed public treasures to their "original" condition. The author asks, however, whether photographs can really be reliable historical documents of the past of some object or place that is much older than the art of photography itself. Among his conclusions is that in historical restoration efforts, photographic "evidence" often depicts an arbitrary point in history that is taken at face value and institutionalized as "official truth." He offers some tentative recommendations for future restoration efforts involving photographic evidence.
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Syafriyandi, Syafriyandi, Irpan Riana, and Nova Darmanto. "PEMBUATAN PORTOFOLIO DIGITAL REPRESENTATIF PADA MAHASISWA/I PROGRAM STUDI FOTOGRAFI POLITEKTIK NEGERI MEDIA KREATIF." Jurnal Ilmiah Publipreneur 9, no. 1 (July 1, 2021): 1–9. http://dx.doi.org/10.46961/jip.v9i1.180.
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ABSTRACT Photography needs are now a part of daily activities, because the images that are produced can be used directly in expressing buying and selling activities and activities on new media. This phenomenon is a great opportunity for Creative Media State Polytechnic Photography Students. But the problem is that not many Photography students know the procedures for making a good or representative digital portfolio to be displayed in the online media for promotion of Photography Services. For this reason, this research has produced a representative digital portfolio for every photography student in order to increase the selling power to users of photography services both online and offline. This research uses a method with a qualitative approach. Data collection was also carried out by pretest and posttest control as a measuring tool for the success of the socialization of digital portfolio creation and literature study. The results of this study can be the basis for creating a digital portfolio as well as providing benchmarks for the marketing of Photography Services. Keywords: Photography, Digital Portofolio, new Media
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Anderson, Kathy J. "DECADE BY DECADE: TWENTIETH-CENTURY AMERICAN PHOTOGRAPHY FROM THE COLLECTION OF THE CENTER FOR CREATIVE PHOTOGRAPHY. James Enyeart." Art Documentation: Journal of the Art Libraries Society of North America 8, no. 3 (October 1989): 161. http://dx.doi.org/10.1086/adx.8.3.27948111.
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Ma, Xiu Feng. "Study on Ecological Restoration of Handan Iron Mining Area." Advanced Materials Research 955-959 (June 2014): 2102–5. http://dx.doi.org/10.4028/www.scientific.net/amr.955-959.2102.
Full textAbstract:
This article uses the field investigation and data collection methods, study of the status of the handan iron mining area ecological restoration. Through field survey, Studies the mine soil physical and chemical properties, biological diversity and the dominant species of space and time change. Using the method of data collection and analysis, by collecting data, studies the relationship between the ecological restoration of each factor, we may discover the laws of ecological restoration, to determine the steps and methods of ecological restoration of handan iron mining area.