Relevant bibliographies by topics / Photography – Collection and restoration

Academic literature on the topic 'Photography – Collection and restoration'

Author: Grafiati
Published: 10 December 2022
Last updated: 29 January 2023

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Journal articles on the topic "Photography – Collection and restoration"

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Stănescu, Mihai. "From Daguerreotype to Autochrome: An Incursion in European, Colonial and Romanian Pharmaceutical and Medical Photography." Studia Universitatis Babeș-Bolyai Historia 66, no. 1 (February 2022): 159–70. http://dx.doi.org/10.24193/subbhist.2021.1.08.

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"Pharmacists have the ability to be chemists and that is the reason they possess the knowledge to make photographs. For that purpose, especially in the 19th century, some pharmacists were photographers, so the two professions are related to a certain extent. The daguerreotype was an invention that was brought to the attention of the public in the summer of 1839 in Paris by Louis Daguerre. Although it was a French invention, it enjoyed a huge success in the United States, and for that purpose the most numerous daguerreotypes derive from the American continent. Some daguerreotypes from the pharmaceutical and medical domain will be presented in this work: a picture of the pharmacist Martin (Gamas), of the physician Charles Abadie and of the physician Gustave Adolphe Raichon. The description of the daguerreotypes will include some other particular examples of empirical restoration from the collection of the author. Another type of photography, important for the history of photography, is the autochrome, one of the first colour photographic process available to the public. It was invented by the Lumière brothers. An example of medical photography from colonial France (Morocco), portraying a case of leprosy, will be presented as well. In the end, some examples from the European and Romanian photography will illustrate the role of the pharmacy and of the pharmacist in the 19th century-early 20th century, as a snapshot of the health professional of that period. In conclusion, the picture speaks for itself and somehow, it can be a vivid time machine for the reconstruction of the past, not only in the fields of pharmacy and medicine, but in any other field as well. Keywords: Daguerreotype, autochrome, pharmacy, medicine, old photography, photography collection. "
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Zhu, X., G. Pang, and C. Chen. "RESEARCH AND APPLICATION OF HISTORICAL 3D MODELING BASED ON ARCHIVED NON-OBLIQUE AERIAL PHOTOS." ISPRS - International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XLIII-B2-2020 (August 12, 2020): 555–60. http://dx.doi.org/10.5194/isprs-archives-xliii-b2-2020-555-2020.

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Abstract. Nowadays, the oblique and multi-view, large-overlap aerial photography and airborne LiDAR are the main sources to build the 3D scene model. However, most of our archived aerial photos are acquired by non-oblique, normal photography. Because of low resolution, low overlay and poor model texture, there were less relative research and application. With the development of pixel-level matching technology, especially the application of Semi-Global Matching (SGM) and Multi-View Stereo (MVS) algorithm, the normal (non-oblique, non-large overlap) aerial photos could also be explored to restore the dense Digital Surface Model (DSM) and 3D scene model. In this paper, the method of the 3D scene modelling with the non-oblique aerial photos are summarized into 4 steps consisting of Data preprocessing, Ground Control Points (GCPs) collection and aerial triangulation (AT), DSM extraction and editing, 3D modelling and visualization. For the archived non-oblique aerial photos, including the aerial photographic films, digital frame photos and push-broom aerial data, the key steps of the 3D modelling method with these non-oblique aerial photos are discussed. Based on the experiments, the method can effectively explore the archived normal aerial data for large range restoration, 3D restoration, time series change detection and etc., providing new valuable spatio-temporal data for the urban historical research.
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Szatmári, József, Zalán Tobak, and Zsolt Novák. "Environmental Monitoring Supported by Aerial Photography – a Case Study of the Burnt Down Bugac Juniper Forest, Hungary." Journal of Environmental Geography 9, no. 1-2 (June 1, 2016): 31–38. http://dx.doi.org/10.1515/jengeo-2016-0005.

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Abstract Wildfire poses a serious risk in several regions of the world threatening urban, agricultural areas and natural ecosystems as well. Nature conservation has important role to be prepared for the management of postfire environmental degradation and restoration for protected areas preserving valuable ecosystems. The improving temporal and spatial resolution of remote sensing and GIS methods significantly contributes to map the changes for accelerating management steps of restoration. In this study a severe wildfire and its impacts were assessed in case of a protected area of the Kiskunság National Park in Hungary, which was partly burnt down in 2012. The aim of this research was to efficiently and accurately assess the damages and to plan and execute the restoration works using remote sensing tools. Aerial data collection was performed one month, and one year after the fire. In 2014 the regenerated vegetation was surveyed and mapped in the field. Using the aerial photographs and the field data, the degree and extent of the fire damages, the types and the state of the vegetation and the presence and proportion of the invasive species were determined. Semi-automatic methods were used for the classification of completely, partially damaged and undamaged areas. Based on the results, the reforestation of the burnt area is suggested to prevent the overspreading of white poplar against common junipers and to clean the area from the most frequent invasive species. To monitor the regeneration of the vegetation and the spreading of the invasive species, further aerial photography and field campaigns are planned.
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Lankford, Jeffrey F., Ian Zelo, and Matt R. Stumbaugh. "A SYSTEM FOR INTEGRATED SCAT DATA COLLECTION AND MANAGEMENT: ESCAT, SCATDB, AND PHOTOLOGGER." International Oil Spill Conference Proceedings 2008, no. 1 (May 1, 2008): 481–84. http://dx.doi.org/10.7901/2169-3358-2008-1-481.

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ABSTRACT During response, oiled shorelines must be surveyed to guide cleanup operations. The Shoreline Cleanup and Assessment Technique (SCAT) is a standard method for conducting these surveys. Multiple field teams often conduct SCAT. SCAT surveys quickly produce a large and complex dataset comprised of SCAT observations, GPS positions, and photographs. In order to guide response decision-making, SCAT field data must be processed and analyzed in a timely manner. Until recently, SCAT and GPS data were collected on standardized paper worksheets, transcribed to electronic form, and then incorporated into maps and other decision-making products. Photographs were not tightly managed alongside SCAT data. Today, with the emergence of robust handheld computing technology, the deficiencies inherent in paper data collection are no longer necessary or acceptable. Paper data collection can be slow, error prone, and lacking quality control and integration with GPS technology. Digital options are available to address these challenges. To improve methods, the Office of Response and Restoration is developing a digital field data collection and management system for SCAT data and photographs composed of: (1) specialized software for efficient SCAT data collection with GPS enabled handheld devices, (2) a relational SCAT database which expedites the synthesis of field data into decision making products, promotes community standards, and supports standard paper worksheet and digital data collection methods, and (3) an image database which allows for the processing, documenting, and sharing of large quantities of digital photographs. For this project, commonly used, readily available, and Open Source computing resources were chosen so that end-users could easily test, adopt, and improve this system.
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Druzdiev, Oleg. "Sources for the history of Saints Peter and Paul Garrison Church (the former Jesuit Church) discovered in the funds of Vasyl Stefanyk National Scientific Library of Ukraine in Lviv." NaUKMA Research Papers. History 4 (December 1, 2021): 91–95. http://dx.doi.org/10.18523/2617-3417.2021.4.91-95.

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The article analyzes the sources on the history of Saints Peter and Paul Garrison Church (the former Jesuit Church) discovered in the funds of Vasyl Stefanyk National Scientific Library of Ukraine in Lviv. In particular, the documents that are of practical importance for the process of church revitalization as the building remained closed from 1946 until 2011 are distinguished. The significant corpus of sources concerning the church history is the archive of Vasyl Stefanyk National Scientific Library of Ukraine in Lviv, the depository of which was located in the church until the end of 2011. With these documents, it is possible to trace the history of the church building during the Soviet time and the changes that happened during this period. Moreover, the collection of photographic materials with the depiction of different parts of the church constitutes a significant corpus of sources. This information is valuable for the conservation professionals working on the renewal of church exteriors and interiors. Particularly, the photographs that show the process of the roof restoration in 1959 offer an opportunity to assess the degree of the ceiling destruction during the Second World War. Photographs of the frescoes in the main nave demonstrate the state of the ceiling and frescos as of the beginning of the 20th century and therefore give an insight into the progress of conservation works during the interwar period. The analysis of the photograph of the altar of Saint Stanislaw Kostka makes it possible to understand what one of the three chapels in the church looked like. The other two chapels (of the Virgin Mary and Saint Stanislaw Kostka) will be restored in course of time. As for the third chapel of Saint Benedict the Martyr, important documents concerning the restoration of this chapel at the beginning of the 20th century are stored in the funds of the library. With these documents, it is possible to specify the appearance of the chapel and the peculiarities of its decorations, as the chapel does not belong to the church nowadays. To sum up, it can be stated that the funds of Vasyl Stefanyk National Scientific Library of Ukraine in Lviv contain a relatively small amount of materials on the history of Saints Peter and Paul Garrison Church (the Jesuit Church). At the same time, some of them are important for the studies of the history of the church, so they deserve attention from the researchers.
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Allen, Nancy S. "History of Western sources on Japanese art." Art Libraries Journal 11, no. 4 (1986): 8–13. http://dx.doi.org/10.1017/s0307472200004867.

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Learning about Japanese art has been difficult for Westerners. Limited access, language barriers, and cultural misunderstanding have been almost insurmountable obstacles. Knowledge of Japanese art in the West began over 150 years before the arrival of Commodore Perry in 1853. Englebert Kaempfer (1657-1716), sent to Japan as a physician for the Dutch East India Company, befriended a young assistant who provided information for a book on Japanese life and history published in 1727. By 1850, more ethnographic information had been published in Europe. Catalogs of sales of Japanese art in Europe exist prior to 1850 and collection catalogs from major museums follow in the second half of that century. After the Meiji Restoration (1867) cultural exchange was possible and organizations for that purpose were formed. Diaries of 19th century travellers and important international fairs further expanded cross-cultural information. Okakura Kakuzo, a native of Japan, published in English about Japanese art and ultimately became Curator of the important collections of the Boston Museum of Fine Arts. The advent of photography made visual images easily accessible to Westerners. Great collectors built up the holdings of major American museums. In the 20th century, materials written and published in Japan in English language have furthered understanding of Japanese culture. During the past twenty years, travelling exhibitions and scholarly catalogs have circulated in the West. Presently monographs, dissertations and translated scholarly texts are available. Unfortunately, there is little understanding in the West of the organization of Japanese art libraries and archives which contain primary source material of interest to art historians.
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Wong, Mooly M. "The Lived Experiences of Children in Care with the Going Home Process in a Chinese Context: An Exploratory Study." Open Family Studies Journal 8, no. 1 (April 13, 2016): 1–12. http://dx.doi.org/10.2174/1874922401608010001.

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Aim:This study revealed, through their narrations, the changes in the lived experiences of children who resided in residential childcare services regarding the going home process in a Chinese context.Methods:The research design is that of a panel study of a qualitative nature. Eight children, aged from 9 to 18, were interviewed at three different points during the process of going home. The data were collected through in-depth interviews, supplemented by the use of reflective photography. Data were analyzed by three narrative approaches - macrostructure, plot development and theme.Results:The findings indicated that the children’s lived experience with the going home process was a path of stabilization, which meant that their sense of control over their lives was increasing from the first to the second to the third wave of data collection. The children’s stories were progressive, with their narrations characterized by advancement. Three themes, namely “uncertainty”, “restoration” and “challenge”, emerged at three points in time, with distinctive concerns and feelings occurring in each stage.Conclusion:Their experiences reflected the dominant discourses on children, particularly on disadvantaged children such as children in care. These children are constructed by Chinese society as innocent, lacking knowledge and powerless culturally and socially. Alternative discourses on children as knowledgeable, resourceful and active agents were identified in this study, which shed light on child welfare policy and practice.
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Shibub, Dr Mariam M. "ARCHITECTURE OF THE ANCIENT LIBYAN PALACES BETWEEN (RESTORATION AND REUSE) CASE STUDY (PALACES OF THE WESTERN MOUNTAIN REGION)." Scientific Journal of Applied Sciences of Sabratha University 2, no. 2 (September 27, 2019): 27–40. http://dx.doi.org/10.47891/sabujas.v2i2.27-40.

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Among the most important and largest ancient artifices having retained their form and structure in Libya stand the historical palaces, located in the country’s ancient cities and serving as a sign of past Libyan architectural identity. It is vital that these palaces, indicators of the functions of ancient Libyan society, be preserved, developed and revived for use as historic buildings. The main objective of this research paper is to understand how the palaces were used and to uncover the most important dimensions of the architectural and philosophical implications of these palaces, including how the architecture reflects a philosophy that endeavored to meet the human needs of the people of Libya of that time. Furthermore, it will explore how these buildings can be restored, preserved, developed and re-functioned in accordance with knowledge of the characteristics of these structures and their previous functions, as well as consideration of the most appropriate functions for after their restoration. This paper tries to answer all these questions, using them as a guide to propose a general strategy for conservation and reuse based on principles mandated by Libya’s General Directorate for the Development of Historic Cities. In order to arrive at precise answers, this paper adopted the inductive and analytical descriptive method in collecting data from historical sources. The researcher conducted field visits, surveyed, examined archives and used field photography. The focus was on studying and analyzing the implicit philosophical dimensions in the design of these palaces and their correlation with Maslow’s theory (1954) of the hierarchy of human needs. Based on the results, this research paper presents a set of ideas that can be used in the process of restoration and reuse of these palaces to meet general needs. This paper also recommends the need to provide technical support to civil associations that are working on the restoration and maintenance of these historic landmarks and study the possibility of taking advantage of the palaces as tourist museums and grain silos in the upper parts after maintenance and restoration.
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Белецкий, С. В. "Pskov in P. S. Malevsky-Malevich Photoes (1946)." Археология и история Пскова и Псковской земли, no. 33 (December 25, 2018): 48–52. http://dx.doi.org/10.25681/iaras.2018.978-5-94375-278-0.48-52.

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В сообщении рассматривается серия фотографий, сделанных П. С. Ма-левским-Малевичем во время поездки в Псков в 1946 г. Главной ценностью рассматриваемой коллекции является время проведения фотосессии. На снимках зафиксировано состояние ряда храмов, монастырей, каменных палат и крепостных сооружений Пскова не позднее середины первого послевоенного года. По сути дела, эти съемки стали фотофиксацией памятников Пскова, которая предшествовала масштабным строительным и реставрационным работам, проводившимся в городе в 1950-е годы и позволили уточнить некоторые вопросы истории памятников псковской архитектуры. The article describes the series of photographs made by P. S. Malevsky-Malevich during his trip to Pskov in 1946. The time of the photo shooting is considered as the main value of the collection. The photographs fixed the condition of a number of churches, monasteries, stone houses and fortifications of Pskov, not later than in the middle of the first post-war year. In fact, these shots became photographs of the monuments of Pskov, which preceded the large-scale construction and restoration works carried in the city in 1950-es, and thus helped to clarify some issues of the Pskov monuments architecture history
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Riadi, Imam. "Detection DETEKSI DAN IDENTIFIKASI KAPANG PADA PROSES BIODETERIORASI ARSIP FOTO MEMORY OF THE WORLD (MOW) RESTORASI CANDI BOROBUDUR." Jurnal Konservasi Cagar Budaya 15, no. 1 (June 30, 2021): 3–14. http://dx.doi.org/10.33374/jurnalkonservasicagarbudaya.v15i1.255.

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ABSTRACT This study aims to identify the genus of mold in the biodeterioration process of the photo archive of Memory of the World (MoW) restoration of Borobudur Temple and the potential for the enzymatic activity of these molds. The type of research method chosen is descriptive qualitative. Starting with survey sampling and sampling. Inoculation of fungi using the streak method on PDA medium. Mold identification based on macroscopic and microscopic observations of fungi. The results of characterization were then identified using the matching profile method using the mold identification reference book. The identification results resulted in six genera of contaminant molds in the biodeterioration of the MoW photo archive of the Borobudur Temple restoration. The genera identified included: Acremonium (69.66 %%), Penicillium (14.59%), Aspergillus (3.36%), Culvularia (2.24%) Fusarium (1.12%), and Pleurostomophora (1.12%) and some sterile mycelia. The types of biodeterioration in the photo collection include mold growth, discolored spots, peeling off layers, and damage to the substrate in the photo. Based on literature search, all mold genera found as the cause of biodeterioration has the potential to have proteinase, gelatinase, and cellulase enzymes. Keywords: Biodeterioration; Mold; Photograph; Memory of the World; Borobudur Temple
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Dissertations / Theses on the topic "Photography – Collection and restoration"

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Halsban, Megan. "Stereographs as Scholarly Resources in American Academic Libraries and Special Collections." Thesis, School of Information and Library Science, 2008. http://hdl.handle.net/1901/543.

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This paper examines stereographic images as scholarly resources, and begins with a brief history of the stereograph. A discussion and review of the literature related to the stereograph as well as the preservation of photographic objects follows the introduction. In addition to the literature review, collections of stereographs at four repositories were evaluated for usability: The Keystone-Mast Archive at the University of California, Riverside; The Eliot Elisofon Archive at the Smithsonian Institution; the George Eastman House; the Library of Congress. The paper ends with suggestions for future work with the stereograph, in order to facilitate access and use by researchers.
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Cleveland, Larissa. "Collector : collection/possession/persona /." Online version of thesis, 2008. http://hdl.handle.net/1850/6186.

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Schrader, Julie Ann. "The Morgan collection of Southwest pottery website : research and photography : a project /." Click here to view virtual exhibition, 2005. http://www.holmes.anthropology.museum/southwestpottery/index.html.

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Rosenthal, Elizabeth A. "Advances in art restoration involving computers and nanotechnology." Honors in the Major Thesis, University of Central Florida, 2007. http://digital.library.ucf.edu/cdm/ref/collection/ETH/id/1044.

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This item is only available in print in the UCF Libraries. If this is your Honors Thesis, you can help us make it available online for use by researchers around the world by following the instructions on the distribution consent form at http://library.ucf.edu/Systems/DigitalInitiatives/DigitalCollections/InternetDistributionConsentAgreementForm.pdf You may also contact the project coordinator, Kerri Bottorff, at kerri.bottorff@ucf.edu for more information.
Bachelors
Arts and Humanities
History
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Wang, Han-Chih. "The Profane and Profound: American Road Photography from 1930 to the Present." Diss., Temple University Libraries, 2017. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/468625.

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Art History
Ph.D.
This dissertation historicizes the enduring marriage between photography and the American road trip. In considering and proposing the road as a photographic genre with its tradition and transformation, I investigate the ways in which road photography makes artistic statements about the road as a visual form, while providing a range of commentary about American culture over time, such as frontiersmanship and wanderlust, issues and themes of the automobile, highway, and roadside culture, concepts of human intervention in the environment, and reflections of the ordinary and sublime, among others. Based on chronological order, this dissertation focuses on the photographic books or series that depict and engage the American road. The first two chapters focus on road photographs in the 1930s and 1950s, Walker Evans’s American Photographs, 1938; Dorothea Lange’s An American Exodus: A Record of Human Erosion, 1939; and Robert Frank’s The Americans, 1958/1959. Evans dedicated himself to depicting automobile landscapes and the roadside. Lange concentrated on documenting migrants on the highway traveling westward to California. By examining Frank’s photographs and comparing them with photographs by Evans and Lange, the formal and contextual connections and differences between the photographs in these two decades, the 1930s and the 1950s, become evident. Further analysis of the many automobile and highway images from The Americans manifests Frank’s commentary on postwar America during his cross-country road trip—the drive-in theater, jukebox, highway fatality, segregation, and social inequality. Chapter 3 analyzes Ed Ruscha’s photographic series related to driving and the roadside, including Twentysix Gasoline Stations, 1962 and Royal Road Test, 1967. The chapter also looks at Lee Friedlander’s photographs taken on the road into the mid-1970s. Although both were indebted to the earlier tradition of Evans and Frank, Ruscha and Friedlander took different directions, representing two sets of artistic values and photographic approaches. Ruscha manifested the Pop art and Conceptualist affinity, while Friedlander exemplified the snapshot yet sophisticated formalist style. Chapter 4 reexamines road photographs of the 1970s and 1980s with emphasis on two road trip series by Stephen Shore. The first, American Surfaces, 1972 demonstrates an affinity of Pop art and Frank’s snapshot. Shore’s Uncommon Places, 1982, regenerates the formalist and analytical view exemplified by Evans with a large 8-by-10 camera. Shore’s work not only illustrates the emergence of color photography in the art world but also reconsiders the transformation of the American landscape, particularly evidenced in the seminal exhibition titled New Topographics: A Man-Altered Landscape, 1975. I also compare Shore’s work with the ones by his contemporaries, such as Robert Adams, William Eggleston, and Joel Sternfeld, to demonstrate how their images share common ground but translate nuanced agendas respectively. By reintroducing both Evans’s and Frank’s legacies in his work, Shore more consciously engaged with this photographic road trip tradition. Chapter 5 investigates a selection of photographic series from 1990 to the present to revisit the ways in which the symbolism of the road evolves, as well as how artists represent the driving and roadscapes. These are evident in such works as Catherine Opie’s Freeway Series, 1994–1995; Andrew Bush’s Vector Portraits, 1989–1997; Martha Rosler’s The Rights of Passage, 1995; and Amy Stein’s Stranded, 2010. Furthermore, since the late 1990s, Friedlander developed a series titled America by Car, 2010, incorporating the driving vision taken from the inside seat of a car. His idiosyncratic inclusion of the side-view mirror, reflections, and self-presence is a consistent theme throughout his career, embodying a multilayered sense of time and place: the past, present, and future, as well as the inside space and outside world of a car. Works by artists listed above exemplify that road photography is a complex and ongoing interaction of observation, imagination, and intention. Photographers continue to re-enact and reformulate the photographic tradition of the American road trip.
Temple University--Theses
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Stead, Sarah. "PLACE, SPACE, AND FORM CAPTURED THROUGH PHOTOGRAPHIC MEDITATION." Master's thesis, University of Central Florida, 2010. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/4193.

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Inspired by Buddhist philosophy, the photographic series Architectural Zen attempts to beautify banal and pragmatic architecture through limiting and preexisting artificial light conditions. The selective illumination of artificial light eliminates the non-essential details and enhances the pure forms and saturated color presented by the camera lens. This encourages the photographer and the viewer to enter a state of meditation. The resulting process is similar to a Zen approach to image making. The ancient Zen artist s compositions are strengthened by a meditation on form and subsequent elimination of the non-essential elements of the subject. Through embracing this Zen mentality and mindfulness,aspects of Eastern aesthetic and balance also appear through the work. The warm glow of artificial lights, long recessed shadows, and surreal colors contribute to the feeling of rest, contemplation, isolation, and solitude. Although the work in Architectural Zen is not directly about Buddhist doctrines, the process of creating the art parallels the ideas and practices of Zen Buddhism and meditation, finding the Buddha nature of typically unappealing architectural forms during a different time of day.
M.F.A.
Department of Art
Arts and Humanities
Studio Art and the Computer MFA
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Samuel, Kegan. "Gradient based MRF learning for image restoration and segmentation." Doctoral diss., University of Central Florida, 2012. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/5480.

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The undirected graphical model or Markov Random Field (MRF) is one of the more popular models used in computer vision and is the type of model with which this work is concerned. Models based on these methods have proven to be particularly useful in low-level vision systems and have led to state-of-the-art results for MRF-based systems. The research presented will describe a new discriminative training algorithm and its implementation. The MRF model will be trained by optimizing its parameters so that the minimum energy solution of the model is as similar as possible to the ground-truth. While previous work has relied on time-consuming iterative approximations or stochastic approximations, this work will demonstrate how implicit differentiation can be used to analytically differentiate the overall training loss with respect to the MRF parameters. This framework leads to an efficient, flexible learning algorithm that can be applied to a number of different models. The effectiveness of the proposed learning method will then be demonstrated by learning the parameters of two related models applied to the task of denoising images. The experimental results will demonstrate that the proposed learning algorithm is comparable and, at times, better than previous training methods applied to the same tasks. A new segmentation model will also be introduced and trained using the proposed learning method. The proposed segmentation model is based on an energy minimization framework that is novel in how it incorporates priors on the size of the segments in a way that is straightforward to implement. While other methods, such as normalized cuts, tend to produce segmentations of similar sizes, this method is able to overcome that problem and produce more realistic segmentations.
Ph.D.
Doctorate
Computer Science
Engineering and Computer Science
Computer Science
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Barnett, Katie. "Fathering the future : masculine survival and paternal restoration in 1990s Hollywood." Thesis, University of Birmingham, 2013. http://etheses.bham.ac.uk//id/eprint/4488/.

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The 1990s in the United States saw a particular cultural anxiety manifested in the crisis of masculinity, in which American men were perceived to be suffering from a loss of power and diminished authority. As President Clinton heralded a final push towards the millennium and the creation of a better, brighter future for the nation, concerns emerged over the ability of straight, white, middle-class men to access this same future. In this pre-millennial period, fatherhood is presented as the solution to this state of masculine crisis. Hollywood in particular invests in this notion of masculine crisis and the need for rehabilitation through fatherhood, indulging in one of the key tenets of Lee Edelman’s theory of reproductive futurism: that of the future being realised through an investment in the child. This thesis examines a number of Hollywood films produced between 1989 and 2001, with the aim of demonstrating how fatherhood is persistently constructed as the key to masculine survival during a period of considerable anxiety over the future.
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Walton, Elizabeth. "TRUTHS, REALITIES AND THE EASILY TRANSMITTED IMAGE." Master's thesis, University of Central Florida, 2007. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/3922.

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By the documenting and examining things that are often overlooked in everyday life, I try to find the beauty of these objects, of people, their lives and their homes. I am interested in the current technology and the influence of the easily transmitted image. What is the truth and reality of the images shared by the current youth culture because of the use of camera phones, digital image takers, and the constant image transmissions through online social networking venues such as My Space and FaceBook? The current digital image is no longer a precious object as it was in the past. The easy accessibility of technology and the growing popularity of an affordable camera have made these images a common object, easily replaced. It is my interest or concern with this technology that led me to my final body of work, images of this youth culture.
M.F.A.
Department of Art
Arts and Humanities
Studio Art and the Computer MFA
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Fullerton, Jeanay. "VISUAL STAMP." Master's thesis, University of Central Florida, 2010. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/4017.

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I create images in a painterly manner illustrating a visual dialog, which suggests simultaneous moments, yet are actually a separated collision of moments and time. I have stretched these ideas from a slowed manipulation of time, to a calculated capture of segmented moments. My work undermines the importance of the decisive moment theory. This theory was the catalyst for my new series, VISUAL STAMP. "The decisive moment, it is the simultaneous recognition, in a fraction of a second, of the significance of an event as well as the precise organization of forms which gives that event its proper expression." - Henri Cartier-Bresson I am conveying space and time on a single plane in a similar way to how we perceive, process, and retain information visually. The discarded moments in our perception are what I am interested in capturing. We do not view life in a frozen millisecond. Contemporary modes of perception involve the sensorial experience of viewing thousands of movements in small bursts of time that are often left behind, and forgotten. By layering images I am illustrating gaps from one moment to the next. My interest in using the insignificant event to create an aesthetic has become a personal visual stamp. This series embraces the discarded aspects of our visual interpretation of the objects and places we see in everyday life.
M.F.A.
Department of Art
Arts and Humanities
Studio Art and the Computer MFA
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Books on the topic "Photography – Collection and restoration"

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Sundt, Christine L. Conservation practices for slide and photograph collections. [United States]: Visual Resources Association, 1989.

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Lavédrine, Bertrand. A guide to the preventive conservation of photograph collections. Los Angeles: Getty Conservation Institute, 2003.

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Group, Primary Research, ed. Trends in photography special collections management. 2nd ed. [New York, N.Y.]: Primary Research Group, 2011.

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Trends in photography special collections management. 2nd ed. [New York, N.Y.]: Primary Research Group, 2013.

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Italy. Soprintendenza per il patrimonio storico artistico e demoetnoantropologico di Bologna. Archivio fotografico, ed. C'era due volte: Fondi fotografici e patrimonio artistico. Argelato (BO): Minerva, 2004.

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Ústav dějin umění AV ČR. Oudadate Pix: Revealing a photographic archive. Prague: Artefactum, 2010.

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Conservation management and archival survival of photographic collections. Göteborg, Sweden: Acta Universitatis Gothoburgensis, 1997.

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Peter, Ride, ed. Collecting and preserving old photographs. London: Collins, 1988.

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Scrapbooks: Souvenirs, moments précieux, albums photos, journaux intimes, livres pour bébé, carnets de collection, carnets de voyages--. Montréal: Modus Vivendi, 2004.

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Mixed-media journals: Creatively chronicling your life. New York: Lark Books, 2009.

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Book chapters on the topic "Photography – Collection and restoration"

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Tang, Wan Sonya. "From Photography to Forensics: Technology, Modernity, and the Internationalization of Spanish History in Gran Hotel." In Televising Restoration Spain, 93–115. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-96196-5_5.

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Cullen Salazar, J. "The Betancourt-Castro archive and its documentary collection." In Reconstruction and Restoration of Architectural Heritage 2021, 335–38. London: CRC Press, 2021. http://dx.doi.org/10.1201/9781003136804-65.

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Kingstone, Helen. "Photography Remediated in the Crimean War: Illustration, Exhibition and Collection." In Panoramas and Compilations in Nineteenth-Century Britain, 109–44. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-15684-7_5.

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Nikielska-Sekula, Karolina. "“Have You Just Taken a Picture of Me?”: Theoretical and Ethical Implications of the Use of Researcher-Produced Photography in Studying Migrant Minorities." In IMISCOE Research Series, 31–49. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-67608-7_2.

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Abstract This paper aims at discussing the value of researcher-generated visual methods in studying migration. It focuses on photography as a data collection method, and the problem is presented in the context of researching urban and rural arenas of exercising transnational belonging by migrants and their descendants in new and ancestral homelands. Photography is approached here as a sensorial experience mediating a relationship between the researcher and the participants. The author argues that the relationships occurring around photo-taking in the field are as important as the data collected intentionally. Moreover, the chapter discusses ethical questions prompted by the employment of visual methods, problematizing them in a context of different social, cultural and national settings. With this chapter, the author attempts to answer a question whether researcher-generated visual data can open new angles of analyses of migrants’ life-words and how the employment of visual methods can influence theoretical perspectives within migration studies.
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Tsitsovits, Ioannis. "Reproduction as Literary Production: Self-Expression and the Index in Kenneth Goldsmith’s Uncreative Writing." In New Directions in Book History, 291–308. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-53614-5_12.

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AbstractThis chapter discusses Kenneth Goldsmith’s Uncreative Writing, a collection of essays that includes an account of his Uncreative Writing course at the University of Pennsylvania. Championing various forms of literary automatism and appropriation, which are often treated as a much-needed response to our contemporary digital environment, the book is offered as a counter-model to established notions of authentic, self-expressive writing. The article takes this position as a springboard into thinking about Goldsmith’s writing exercises in relation to a longer history of indexical artistic practices, most notably analog photography. Despite its own positioning vis-à-vis the digital, I claim, Goldsmith’s writing model can best be understood as an extension of a proto-photographic logic into the ambit of contemporary literature. At the same time, as I show, the use of textual reproduction central to his project has been a longstanding ingredient of self-expressive literary advice. I conclude by arguing that Goldsmith’s model is just as tied to a form of personal expression, albeit one following a less obviously self-expressive logic that resonates with online forms of indexical performativity.
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Cozzolino, Davide, and Luisa Verdoliva. "Multimedia Forensics Before the Deep Learning Era." In Handbook of Digital Face Manipulation and Detection, 45–67. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-87664-7_3.

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AbstractImage manipulation is as old as photography itself, and powerful media editing tools have been around for a long time. Using such conventional signal processing methods, it is possible to modify images and videos obtaining very realistic results. This chapter is devoted to describe the most effective strategies to detect the widespread manipulations that rely on traditional approaches and do not require a deep learning strategy. In particular, we will focus on manipulations like adding, replicating, or removing objects and present the major lines of research in multimedia forensics before the deep learning era and the rise of deepfakes. The most popular approaches look for artifacts related to the in-camera processing chain (camera-based clues) or the out-camera processing history (editing-based clues). We will focus on methods that rely on the extraction of a camera fingerprint and need some prior information on pristine data, for example, through a collection of images taken from the camera of interest. Then we will shift to blind methods that do not require any prior knowledge and reveal inconsistencies with respect to some well-defined hypotheses. We will also briefly review the most interesting features of machine learning- based methods and finally present the major challenges in this area.
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Leung, Kei Yan. "Reflections on Doing Cross-Cultural Research Through and with Visual Methods." In Co-Creativity and Engaged Scholarship, 265–97. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-84248-2_9.

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AbstractAs a traditional and dominant practice of qualitative research, interviewing is heavily dependent on meanings constructed by language. In a cross-cultural setting, the challenge of adequately capturing what interviewees want to convey is well acknowledged by researchers. Indeed, meanings are not only tied to linguistic meanings but also to cultural practices. Moreover, when the focus of one’s research is to understand the mindsets and practices of farmers, focusing solely on spoken words may also hide the fact that farmers also engage with plants, soil and nature through emotions and feelings. In this chapter I will reflect on my personal experiences as a non-Japanese Asian researcher working with an interpreter during my field work in Japan. In the interviews I conducted with farmers, I used photographs of local artwork to elicit information to understand what relationships they may build between the artworks and their farming practices. I used photo elicitation to supplement the limitations of language in making sense of meanings tied to farming practices. Also, to convey results to a western audience, I explore the use of visual illustrations to complement verbal quotes to more fully convey the meaning of the quotes. Two main observations emerged from this cross-cultural experience: first, the gap between language and cultural meaning can provide valuable opportunities for researchers to experiment with different methods, that broaden our sensibilities beyond rational reasoning in data collection; second, using photography in interviews can unfold different layers of realities than talk-only interviews. I argue that visual methods can take us beyond language and open up a more diverse picture to understand the practices of farmers. It is therefore important for cross-cultural researchers to be reflexive about the limitations of language, transform these challenges to an opportunity to remake method and open up different layers of understanding.
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Snegireva, Ekaterina. "Notes on the Photography Collection." In Russian Modernism in the Memories of the Survivors, 225–26. University of Toronto Press, 2021. http://dx.doi.org/10.3138/9781487527266-010.

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"Analyzing the Presentation of a Fashion Collection." In Fashion Photography Archive. Bloomsbury, 2015. http://dx.doi.org/10.5040/9781474260428-fpa008.

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"John Galliano, Graduate Collection, “Les Incroyables” 1984." In Fashion Photography Archive. Bloomsbury, 2015. http://dx.doi.org/10.5040/9781474260428-fpa355.

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Conference papers on the topic "Photography – Collection and restoration"

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Némethová, Jana, and Zuzana Dvořáková. "Poľnohospodárske brownfieldy v okrese Zlaté Moravce." In XXIII. mezinárodní kolokvium o regionálních vědách / 23rd International Colloquium on Regional Sciences. Brno: Masaryk University Press, 2020. http://dx.doi.org/10.5817/cz.muni.p210-9610-2020-64.

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Brownfields are mostly associated with urban areas. However, the consequences of political and economic transformation have also affected rural areas. The most common type of brownfields in Slovakia is brownfields after agricultural production. The objective of the study was to identify the brownfields in the Zlaté Moravce district and focus primarily on the localisation of agricultural brownfields in the individual municipalities of the district. The district under review belongs to the Nitra Region, which is the most agriculturally used region in Slovakia. In order to meet our goal we mainly used the field research method and within this method the techniques such as observation, interviews with the employees of the municipal authorities, the owners of brownfield areas, the inhabitants of the municipalities and collection of photographic documentation. In the District we identified 64 brownfields and according to their original use it was predominantly agricultural brownfields amounting to a total number of 36. Most of them are in private hands. In many cases there is not only a single brownfield owner. Agricultural brownfields presented up to 95 % from the overall area of all brownfield categories. Agricultural brownfields are situated almost in every municipality in the district. In the majority of the cases it is agricultural areas, which include a number of abandoned buildings. In the Zlaté Moravce District none of these areas or buildings respectively has been revitalized so far because of the complicated ownership structure and lack of funding necessary for their restoration.
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Holm, Jack. "Survey of developing electronic photography standards." In Critical Review Collection. SPIE, 1996. http://dx.doi.org/10.1117/12.229259.

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Russell, B. J. "A Collection of National Importance." In Historic Ships Design, Restoration & Maintenance. RINA, 1996. http://dx.doi.org/10.3940/rina.hist.1996.1.

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Katsaggelos, Aggelos K., and Mark R. Banham. "Digital restoration of images: recent advances and future trends." In Critical Review Collection. SPIE, 1995. http://dx.doi.org/10.1117/12.204202.

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Shuhai, Chen. "New Posterior Method In Image Restoration." In 18th Intl Congress on High Speed Photography and Photonics, edited by DaHeng Wang. SPIE, 1989. http://dx.doi.org/10.1117/12.969208.

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Hasinoff, Samuel W., and Kiriakos N. Kutulakos. "A Layer-Based Restoration Framework for Variable-Aperture Photography." In 2007 IEEE 11th International Conference on Computer Vision. IEEE, 2007. http://dx.doi.org/10.1109/iccv.2007.4408898.

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Prades, Ignacio J., Jorge Nunez, Fernando Perez, Vincenc Pala, and Roman Arbiol. "Aerial photography restoration using the maximum likelihood estimator (MLE) algorithm." In Spatial Information from Digital Photogrammetry and Computer Vision: ISPRS Commission III Symposium, edited by Heinrich Ebner, Christian Heipke, and Konrad Eder. SPIE, 1994. http://dx.doi.org/10.1117/12.182866.

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Liu, Ning, Yanbin Jiang, and Shuntian Lou. "An improved NAS-RIF algorithm for blind image restoration." In 27th International congress on High-Speed Photography and Photonics, edited by Xun Hou, Wei Zhao, and Baoli Yao. SPIE, 2007. http://dx.doi.org/10.1117/12.725348.

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Wickremasinghe, L. L. S., and A. A. Hettiarachchi. "AN ASSESSMENT OF USER PREFERENCE IN ARTIFICIAL PATHWAY LIGHTING IN URBAN PARKS; Cases from Greater Colombo region." In Beyond sustainability reflections across spaces. Faculty of Architecture Research Unit, 2021. http://dx.doi.org/10.31705/faru.2021.14.

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Urban parks are critical in converting cities to liveable spaces, where artificial lighting directly affects the users’ night-time experience. This study explores the urban park users’ preferences in artificial pathway lighting, through their subjective responses towards Brightness, Correlated Colour Temperature (CCT), and luminaires of the existing lighting design, at four popular urban parks in Colombo. The reasons for the said preferences were investigated under three overarching themes: perceived safety, perceived quality of light, and restorative experience. A mixed methods approach was employed for data collection, where questionnaires were used together with measurements, in-situ observations, and photographic analysis for better understanding. The user preferences were found to be directly associated with their perception of the lit environment. The existing brightness levels are insufficient for majority of the users and has affected their perception of safety. The poor selection and placement of luminaires have negatively affected the lighting quality, while the positive effect on the users’ restorative experience has induced a higher preference towards the CCT of the light sources. The results revealed that the majority of the users opted for changes in the current lighting design, indicating that the user needs and requirements are not effectively addressed in this regard.
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Kido, Masahiro, Yoshiharu Hirata, Seigo Yamada, and Katsuya Kondo. "Automatic restoration of X-ray Photography by estimating point spread function." In 2010 10th International Symposium on Communications and Information Technologies (ISCIT). IEEE, 2010. http://dx.doi.org/10.1109/iscit.2010.5665167.

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Reports on the topic "Photography – Collection and restoration"

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Coley, R. F., H. I. Avci, and L. J. Habegger. Data collection and analysis in support of the US Department of Energy Environmental Restoration and Waste Management Programmatic Environmental Impact Statement waste management alternatives. Office of Scientific and Technical Information (OSTI), March 1994. http://dx.doi.org/10.2172/10132466.

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Herman, Brook. Evaluation of methods for monitoring herbaceous vegetation. Engineer Research and Development Center (U.S.), August 2022. http://dx.doi.org/10.21079/11681/45100.

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This special report seeks to advance the field of ecological restoration by reviewing selected reports on the processes, procedures, and protocols associated with monitoring of ecological restoration projects. Specifically, this report identifies selected published herbaceous vegetation monitoring protocols at the national, regional, and local levels and then evaluates the recommended sampling design and methods from these identified protocols. Finally, the report analyzes the sampling designs and methods in the context of monitoring restored herbaceous vegetation at US Army Corps of Engineers (USACE) ecosystem restoration sites. By providing this information and the accompanying analyses in one document, this special report aids the current effort to standardize data-collection methods in monitoring ecosystem restoration projects.
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Muxo, Robert, Kevin Whelan, Raul Urgelles, Joaquin Alonso, Judd Patterson, and Andrea Atkinson. Biscayne National Park colonial nesting birds monitoring protocol—Version 1.1. National Park Service, January 2022. http://dx.doi.org/10.36967/nrr-2290141.

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Breeding colonies of wading birds (orders Ciconiiformes, Pelecaniformes) and seabirds (orders Suliformes, Pelecaniformes) serve as important indicators of aquatic ecosystem health, as they respond to changes in food abundance and quality, contaminants, invasive species, and disturbance. The Comprehensive Everglades Restoration Plan, Restoration Coordination & Verification program (CERP-RECOVER) has identified wading-bird colonies as an important ecosystem restoration indicator. The National Park Service South Florida/Caribbean Inventory & Monitoring Network (SFCN) ranked colonial nesting birds eighth out of 44 vital signs of park natural resource conditions for ecological significance and feasibility. However, while large-scale monitoring efforts are occurring in the rest of the Greater Everglades Ecosystem, only minimal historic data collection and no extensive ongoing monitoring of wading bird and seabird nesting have occurred in Biscayne National Park. Consequently, due to their high importance as biological indicators and because they are a gap occurring in regional monitoring efforts, the network has initiated a monitoring program of colonial nesting birds in Biscayne National Park. This protocol provides the rationale, approach, and detailed Standard Operating Procedures for annual colonial bird monitoring within and close to Biscayne National Park and conforms to the Oakley et al. (2003) guidelines for National Park Service long-term monitoring protocols. The specific objectives of this monitoring program are to determine status and long-term trends in: Numbers and locations of active colonies of colonial nesting birds with a special focus on Double-crested Cormorants, Great Egrets, Great White Herons, Great Blue Herons, White Ibises, and Roseate Spoonbills. Annual peak active nest counts of colonial nesting birds in Biscayne National Park with a special focus on the species mentioned above. An annual nesting index (i.e., sum of monthly nest counts) with a special focus on the species mentioned above. Timing of peak nest counts for the focal species.
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Taverna, Kristin. Vegetation classification and mapping of land additions at Richmond National Battlefield Park, Virginia: Addendum to technical report NPS/NER/NRTR 2008/128. National Park Service, September 2022. http://dx.doi.org/10.36967/2294278.

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In 2008 and 2015, the Virginia Department of Conservation and Recreation, Division of Natural Heritage produced vegetation maps for Richmond National Battlefield Park, following the protocols of the United States Geological Survey (USGS) – National Park Service (NPS) Vegetation Mapping Program. The original 2008 report was part of a regional project to map and classify the vegetation in seven national parks in Virginia. The 2015 report was an addendum to the original report and mapped the vegetation in newly acquired parcels. Since 2015, the park has acquired an additional 820 acres of land within 12 individual parcels, including the 650 acre North Anna unit. This report is an addendum to the 2008 and 2015 reports and documents the mapping of vegetation and other land-use classes for the 12 new land parcels at Richmond National Battlefield Park, with an updated vegetation map for the entire park. The updated map and associated data provide information on the sensitivity and ecological integrity of habitats and can help prioritize areas for protection. The vegetation map of the new land parcels includes eighteen map classes, representing 14 associations from the United States National Vegetation Classification, one nonstandard, park-specific class, and three Anderson Level II land-use categories. The vegetation classification and map classes are consistent with the original 2008 report. Vegetation-map classes for the new land parcels were identified through field reconnaissance, data collection, and aerial photo interpretation. Aerial photography from 2017 served as the base map for mapping the 12 new parcels, and field sampling was conducted in the summer of 2020. Three new map classes for the Park were encountered and described during the study, all within the North Anna park unit. These map classes are Coastal Plain / Outer Piedmont Basic Mesic Forest, Northern Coastal Plain / Piedmont Oak – Beech / Heath Forest, and Southern Piedmont / Inner Coastal Plain Floodplain Terrace Forest. The examples of Coastal Plain / Outer Piedmont Basic Mesic Forest and Southern Piedmont / Inner Coastal Plain Floodplain Terrace Forest at North Anna meet the criteria of size, condition, and landscape context to be considered a Natural Heritage exemplary natural community occurrence and should be targeted for protection and management as needed. New local and global descriptions for the three map classes are included as part of this report. Refinements were made to the vegetation field key to include the new map classes. The updated field key is part of this report. An updated table listing the number of polygons and total hectares for each of the 28 vegetation- map classes over the entire park is also included in the report. A GIS coverage containing a vegetation map for the entire park with updated Federal Geographic Data Committee (FGDC) compliant metadata was completed for this project. The attribute table field names are the same as the 2008 and 2015 products, with the exception of an additional field indicating the year each polygon was last edited.
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