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Books on the topic 'Photographie – Psychologie'

Author: Grafiati

Published: 18 May 2024

Last updated: 25 May 2024

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1

Mike, Robinson, and Picard David, eds. The framed world: Tourism, tourists, and photography. Farnham, Surrey, England: Ashgate Pub., 2009.

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2

Kaite, Berkeley. Pornography and difference. Bloomington: Indiana University Press, 1995.

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3

Pornography and difference. Bloomington: Indiana University Press, 1995.

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4

Le pouvoir de l'intime dans la photographie documentaire. Arles: Arnaud Bizalion éditeur, 2020.

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5

Dolivet, Frédérique, Pascal Hoël, and Simon Baker. Love songs: Photographies de l'intime. Paris: MEP, 2022.

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6

Sehen und photographie: Ästhetik zum Bild. 2nd ed. Berlin: Springer, 2010.

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7

Sroka, Iris E. Young children's photographic practice: Representation and world knowledge. Ann Arbor, Mich: UMI Dissertation Services, 2002.

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8

L'image en art-thérapie: La photographie comme médium relationnel. Paris: L'Harmattan, 2010.

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9

Photographic engagements: Belonging and affective encounters in contemporary photography. Göteborg: Makadam, 2018.

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10

Mark, Haworth-Booth, Squiers Carol 1948-, San Francisco Museum of Modern Art., and Grey Art Gallery & Study Center., eds. Police pictures: The photograph as evidence. San Francisco: San Francisco Museum of Modern Art, 1997.

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11

1933-, Burton Jane, ed. A baby'sstory: A remarkable photographic account of a baby's first year. London: Joseph, 1989.

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12

Jane, Burton, ed. A baby's story: A remarkable photographic account of a baby's first year. New York: Simon & Schuster, 1991.

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13

Alessandria, Jorge. Imagen y metaimagen. Buenos Aires, Argentina: Instituto de Lingüística, Facultad de Filosofía y Letras, 1996.

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14

Ziller, Robert C. Photographing the self: Methods for observing personal orientations. Newbury Park, Calif: Sage, 1990.

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15

Ziller, Robert C. Photographing the self: Methods for observing personal orientations. Newbury Park, Calif: Sage, 1990.

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16

Horn, Roni. This is me, this is you. Paris: Edition 7L, 2002.

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17

This is me, this is you. Göttingen: Steidl, 2002.

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18

The kids' guide to digital photography: How to shoot, save, play with & print your digital photos. New York: Lark Books, 2004.

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19

The kids' guide to digital photography: How to shoot, save, play with & print your digital photos. New York: Scholastic, Inc., 2007.

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20

Bidner, Jenni. The Kids' Guide to Digital Photography. New York: Sterling Publishing Co., Inc., 2009.

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21

Imaginaires à l'œuvre. Paris: Greco, 1989.

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22

Berger, John. About looking. New York: Vintage International, 1991.

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23

Light in the dark room: Photography and loss. Minneapolis, MN: University of Minnesota Press, 2004.

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24

Spider-Man contre le docteur Octopus. Montréal: Phidal, 2012.

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25

Mindful Photographer. Thames & Hudson, 2022.

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26

Short, Maria, Sri Kartini Leet, and Elisavet Kalpaxi. Context and Narrative in Photography. Taylor & Francis Group, 2020.

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27

Context and Narrative in Photography. Bloomsbury Publishing USA, 2019.

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28

Short, Maria, Sri Kartini Leet, and Elisavet Kalpaxi. Context and Narrative in Photography. Taylor & Francis Group, 2021.

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29

Short, Maria, Sri Kartini Leet, and Elisavet Kalpaxi. Context and Narrative in Photography. Taylor & Francis Group, 2020.

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30

Short, Maria, Sri Kartini Leet, and Elisavet Kalpaxi. Context and Narrative in Photography. Taylor & Francis Group, 2020.

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31

Robinson, Mike, and David Picard. Framed World: Tourism, Tourists and Photography. Taylor & Francis Group, 2016.

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32

Robinson, Mike, and David Picard. Framed World: Tourism, Tourists and Photography. Taylor & Francis Group, 2016.

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33

Robinson, Mike, and David Picard. Framed World: Tourism, Tourists and Photography. Taylor & Francis Group, 2016.

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34

Kaite, Berkeley. Pornography and Difference. Indiana University Press, 1995.

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35

Finnegan, Cara A. Recognizing Lincoln. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252039263.003.0003.

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This chapter examines how viewers in the late nineteenth century made sense of a photograph of Abraham Lincoln, published by McClure's magazine thirty years after his assassination. Revealed to the American public in 1895, nearly five decades after its creation, the daguerreotype reproduction featured a Lincoln few had seen before: a thirty-something, well-groomed, middle-class gentleman. In order to understand viewers' readings of the Lincoln portrait, the chapter investigates portrait photography in relation to the discourses of phrenology and physiognomy. It shows that viewers treated the Lincoln portrait as a vehicle for the exploration of its subject's character. Based on their responses, the viewers saw in the image not only a Lincoln they recognized physically but one whose psychology and morality they recognized as well. Those who composed responses to the McClure's photograph tapped into powerful myths about Lincoln that circulated during the late nineteenth century.

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36

Le son et la voix: Entretien avec Michel Chion. Paris: L'Harmattan, 1998.

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37

Belden-Adams, Kris. Photography and Failure: One Medium's Entanglement with Flops, Underdogs and Disappointments. Taylor & Francis Group, 2020.

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38

Belden-Adams, Kris. Photography and Failure: One Medium's Entanglement with Flops, Underdogs and Disappointments. Taylor & Francis Group, 2020.

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39

Belden-Adams, Kris. Photography and Failure: One Medium's Entanglement with Flops, Underdogs and Disappointments. Taylor & Francis Group, 2020.

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40

Hall, Amy Cox. Camera As Actor: Photography and the Embodiment of Technology. Taylor & Francis Group, 2020.

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41

Hall, Amy Cox. Camera As Actor: Photography and the Embodiment of Technology. Taylor & Francis Group, 2020.

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42

Camera As Actor: Photography and the Embodiment of Technology. Taylor & Francis Group, 2020.

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43

Hamer, Felicity T. C. Parental Grief and Photographic Remembrance: A Historical Account of Undying Love. Emerald Publishing Limited, 2020.

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44

James, Ryan. Photographic Memory: Simple, Proven Methods to Remembering Anything Faster, Longer, Better. Alakai Publishing LLC, 2019.

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45

Interpreting Visual Ethnography: Texts, Photos and the Construction of Sociological Meanings. Routledge, 2018.

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46

Ali, Erkan. Interpreting Visual Ethnography: Texts, Photos and the Construction of Sociological Meanings. Taylor & Francis Group, 2019.

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47

James, Ryan. Photographic Memory: Simple, Proven Methods to Remembering Anything Faster, Longer, Better (Volume. Alakai Publishing LLC, 2019.

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48

Harron, Mary, Jessica Ennis, and Caitlin Cronenberg. Endings: Photographic Stories of Love, Loss, Heartbreak, and Beginning Again. Chronicle Books LLC, 2018.

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49

Endings: Photographic Stories of Love, Loss, Heartbreak, and Beginning Again. Chronicle Books LLC, 2018.

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50

Miller, Sally. Contemporary Photography and Theory: Concepts and Debates. Bloomsbury Publishing USA, 2019.

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