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Books on the topic 'Photographic scene'

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Author: Grafiati

Published: 25 May 2024

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1

Lacan at the scene. Cambridge, MA: MIT Press, 2009.

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2

Huang shan: Yunfeng she ying ji = The scene of Mt. Huangshan : Zhu Yunfeng photographic works. Hefei Shi: Anhui mei shu chu ban she, 1996.

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3

Dancing with the Dead: A photographic memoir ; my good old days with the Grateful Dead & the San Francisco music scene, 1964-1974. Rohnert Park, CA: Tioli Press & Bytes, 2013.

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4

Camille Silvy: River scene, France. Malibu, Calif: J. Paul Getty Museum, 1992.

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5

Seen behind the scene: Forty years of photographing on set. London: Phaidon Press, 2008.

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6

Stewart, Gail B. The crime scene photographer. Detroit: Lucent Books, 2008.

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7

Dans l'atelier du photographe: La photographie mise en scène, 1839-2006. Paris: Paris-Musées, 2012.

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8

Seider, Norman. Opening scenes: Photographs. Asheville, N.C: Safe Harbor Books, 2006.

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9

Ziegler, Crista. Schauplatz: Fotografien = Public scene : photographs. Basel: Christoph Merian Verlag, 1999.

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10

Scenes in a library: Reading the photograph in the book, 1843-1875. Cambridge, Mass: MIT Press, 1998.

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11

Ben Shahn's American scene: Photographs, 1938. Urbana: University of Illinois Press, 2010.

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12

John, Raeburn. Ben Shahn's American scene: Photographs, 1938. Urbana: University of Illinois Press, 2010.

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13

Cerati, Carla. Scena e fuori scena. Milano: Electa, 1991.

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14

Photographing the L.A. art scene, 1955-1975. Santa Monica, Calif: Smart Art Press, 1996.

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15

Cook, Preston. The railroad night scene. Silver Spring, Md: Old Line Graphics, 1991.

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16

-, Simon Marie-Sophie 19, ed. Scrapbooking: Mettez en scène vos photos. Paris: Fleurus, 2004.

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17

Strand, Paul. Native land and natural scene. Tucson, Arizona: Center for Creative Photography, University of Arizona, 1990.

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18

Cyrus, Gerald. Stormy Monday: New York's uptown jazz scene : photographs. [Philadelphia, Pa.?]: Gerald Cyrus, 2008.

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19

Villemaire, Jules. Une génération en scène. Sudbury [Ont.]: Prise de parole, 1992.

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20

Marc, Haentjens, and Centre franco-ontarien de ressources pédagogiques., eds. Une génération en scène. Sudbury, Ont: Prise de parole, 1992.

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21

Cutting, Laurence. Kentucky scenes: Photographs by Laurence Cutting. Leeds: University Gallery, 1990.

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22

Crime scene and evidence photographer's guide. Temecula, CA: Staggs Pub., 1997.

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23

Duncan, Christopher D. Advanced crime scene photography. Boca Raton: Taylor & Francis, 2010.

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24

Le scrapbooking: Ou L'art de mettre en scène ses photos. Ingersheim: SAEP, 2004.

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25

N, Brownhill R., and Smethurst J, eds. The Penistone scene: Captured in photographs over the years. Sheffield: Bridge Publications, 1987.

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26

Shanghai ren min mei shu chu ban she, ed. Shanghai: A whole scene. Shanghai: Shanghai ren min mei shu chu ban she, 2011.

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27

Marra, Claudio. Scene da camera: L'identità concettuale della fotografia. Ravenna: Edizioni Essegi, 1990.

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28

Schmidt, Eckhart. Mulholland Drive: Opening scenes. München: Belleville, 2009.

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29

Kirino, Tomoaki. Nihon, bi no genfūkei: The scene of the Japanese soul. Tōkyō: Kōdansha, 2016.

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30

Marenzi, Samantha. La scena dell'immagine. Roma: Officina edizioni, 2019.

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31

Hills of color: Scenes and seasons. Tokyo, Japan: Graphic-sha Publishing Co., 1986.

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32

Artist's photo reference: Boats & nautical scenes. Cincinnati, Ohio: North Light Books, 2003.

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33

Stefania, Ricci, ed. Off scene: Wim and Donata Wenders : Museo Salvatore Ferragamo. Firenze: Pagliai Polistampa, 2004.

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34

Respiri di viaggio: Breathing in the scene. Soligo]: Punto Marte, 2021.

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35

The Changing Scene Of Merchant Shipping A Photographic Survey. The History Press Ltd, 2014.

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36

ek, Slavoj Z. iz, and Henry Bond. Lacan at the Scene. MIT Press, 2012.

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37

Lacan at the Scene. The MIT Press, 2012.

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38

Library, New York Public, ed. Making the scene: The Midtown Y Photography Gallery, 1972-1996. New York: New York Public Library, 2007.

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39

Beeston, Alix. Black Flesh Is White Ash. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190690168.003.0003.

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This chapter argues that Jean Toomer’s tactics of poetic and narrative visualization of the series of black female bodies in Cane (1923) correspond to the strategic reappropriation of lynching photographs by African American political activists in the early twentieth century. Configured in line with the ontological multivalence of photography and bearing witness to the deep antinomy embedded in the photographic archive of white supremacy, Cane disassembles the ritualized scene of lynching by reframing and restaging it. Through the confluence of its ruptured, gap-ridden female figures and its ruptured, gap-ridden form, it images the contiguity between “black ash” and “white flesh”: black flesh as burned by, and for, white flesh.

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40

Luong, Quang-Tuan, Olivier Faugeras, and Theo Papadopoulo. Geometry of Multiple Images: The Laws That Govern the Formation of Multiple Images of a Scene and Some of Their Applications. MIT Press, 2004.

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41

Luong, Quang-Tuan, and Olivier Faugeras. The Geometry of Multiple Images: The Laws That Govern the Formation of Multiple Images of a Scene and Some of Their Applications. The MIT Press, 2004.

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42

Clark, Catherine E. “C’était Paris en 1970”. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190681647.003.0006.

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In 1970, a new generation of municipal officials worked with the FNAC, a camera and electronics store that was also a major player on the French cultural scene, to organize an enormous amateur photo contest to document the French capital. Called “C’était Paris en 1970,” this competition asked participants to produce a comprehensive archive of Paris during the month of May. Their submissions provide remarkable access to how their makers understood older photographs as historical documents, how they imagined photography could picture the passage of time, and how, in turn, they imagined their own photos might one day be seen. These photos help take stock of how a century of photographic production, collection, and circulation had influenced the historical imagination.

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43

The Crime Scene Photographer (Crime Scene Investigations). Lucent Books, 2008.

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44

Gnagey, Tom. Thomas Trent: Crime scene photographer. Independently Published, 2017.

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45

Haworth-Booth, Mark. Camille Silvy: River Scene, France (Getty Museum Studies on Art). Getty Trust Publications: J. Paul Getty Museum, 1993.

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46

Scene. Mack, 2019.

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47

Carré d'art/Musée d'art contemporain de Nîmes Staff, David Campany, León Krempel, Stan Douglas, and Haus der Kunst München Staff. Stan Douglas: Mise en Scène. Prestel Publishing, 2014.

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48

Acteurs en scène: Regards de photographes. Paris: Bibliothèque nationale de France, Galerie de phographie, 2008.

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49

Deleted Scene. Kehrer Verlag Heidelberg, Klaus Kehrer, 2015.

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50

Visitation Scenes. Lewis Publishing, Dewi, 2020.

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