Journal articles on the topic 'Photographic Practice'
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Meron, Yaron. "Photographic (In)authenticity." Video Journal of Education and Pedagogy 4, no. 2 (December 27, 2019): 60–81. http://dx.doi.org/10.1163/23644583-00401018.
Full textSile, Agnese. "Through the mother’s voice: Exposure and intimacy in Lesley McIntyre’s photo project The Time of Her Life and Elisabeth Zahnd Legnazzi’s Chiara A Journey Into Light." Health: An Interdisciplinary Journal for the Social Study of Health, Illness and Medicine 24, no. 5 (December 2, 2018): 461–75. http://dx.doi.org/10.1177/1363459318815933.
Full textVanover, Charles. "The Magic of Theater: Photographing a Performative Academic Career." Cultural Studies ↔ Critical Methodologies 21, no. 1 (June 26, 2020): 41–55. http://dx.doi.org/10.1177/1532708620931136.
Full textFox, Paul. "An unprecedented wartime practice: Kodaking the Egyptian Sudan." Media, War & Conflict 11, no. 3 (July 13, 2017): 309–35. http://dx.doi.org/10.1177/1750635217710676.
Full textSoyref, Polina G. "The Test of Photography." Koinon 3, no. 2 (2022): 86–105. http://dx.doi.org/10.15826/koinon.2022.03.2.018.
Full textBaker, George. "Sharing Seeing." October 174 (December 2020): 163–75. http://dx.doi.org/10.1162/octo_a_00412.
Full textDe Leon, Adrian. "Frank Mancao's “Pinoy Image”: Photography, Masculinity, and Respectability in Depression-Era California." Journal of American Ethnic History 41, no. 2 (January 1, 2022): 58–94. http://dx.doi.org/10.5406/19364695.41.2.03.
Full textKea, Pamela. "Photography, care and the visual economy of Gambian transatlantic kinship relations." Journal of Material Culture 22, no. 1 (December 14, 2016): 51–71. http://dx.doi.org/10.1177/1359183516679188.
Full textBell, Amy. "“We were having a lot of fun at the photographers”." Ontario History 107, no. 2 (July 24, 2018): 240–61. http://dx.doi.org/10.7202/1050637ar.
Full textThelander, Åsa, and Cecilia Cassinger. "Brand New Images? Implications of Instagram Photography for Place Branding." Media and Communication 5, no. 4 (December 21, 2017): 6–14. http://dx.doi.org/10.17645/mac.v5i4.1053.
Full textyang, nel. "Arousal and Elicitation: Photographic Performativity in FinDom." Master, Vol. 5, no. 2 (2020): 70–77. http://dx.doi.org/10.47659/m9.070.art.
Full textRissanen, Mari-Jatta. "Entangled photographers: Agents and actants in preschoolers’ photography talk." International Journal of Education Through Art 16, no. 2 (June 1, 2020): 271–86. http://dx.doi.org/10.1386/eta_00031_1.
Full textVan Dyk, Sian. "Peter Peryer (1941–2018)." Back Story Journal of New Zealand Art, Media & Design History, no. 6 (July 1, 2019): 43–53. http://dx.doi.org/10.24135/backstory.vi6.44.
Full textColner, Miha, and Ivan Petrović. "Ivan Petrović, Photographer, Archivist and Artist: Interview with Ivan Petrović." Cabinet, Vol. 2, no. 2 (2017): 4–9. http://dx.doi.org/10.47659/m3.004.int.
Full textSawant, Shukla. "The Trace Beneath: The Photographic Residue in the Early Twentieth-century Paintings of the “Bombay School”." BioScope: South Asian Screen Studies 8, no. 1 (June 2017): 1–29. http://dx.doi.org/10.1177/0974927617700768.
Full textWall, Gina. "Writing the world: photographing the text of the landscape." Excursions Journal 1, no. 1 (September 12, 2019): 123–42. http://dx.doi.org/10.20919/exs.1.2010.131.
Full textKratz, Corinne A. "Afterword Uncertain trajectories and refigured social worlds: the image entourage and other practices of digital and social media photography." Africa 89, no. 2 (May 2019): 323–28. http://dx.doi.org/10.1017/s0001972019000032.
Full textBaker, Carole. "From Postmodernism to Posthumanism: The Photographed Animal." Instinct, Vol. 4, no. 1 (2019): 66–70. http://dx.doi.org/10.47659/m6.066.art.
Full textSchwärzler, Monika. "‘Cheese’ and Don’t Move! Tame Animals and Contrived Poses: Rob Macinnis’s Animal Group Portraits." Instinct, Vol. 4, no. 1 (2019): 54–58. http://dx.doi.org/10.47659/m6.054.rev.
Full textStaples, Amy J. "Visualism and the Authentification of the Object: Reflections on the Eliot Elisofon Collection at the National Museum of African Art." Collections: A Journal for Museum and Archives Professionals 3, no. 2 (June 2007): 183–90. http://dx.doi.org/10.1177/155019060700300209.
Full textvon Brevern, Jan. "Fototopografia: The “Futures Past” of Surveying." reproduire, no. 17 (September 8, 2011): 53–67. http://dx.doi.org/10.7202/1005748ar.
Full textGonzales-Day, Ken. "Analytical Photography: Portraiture, from the Index to the Epidermis." Leonardo 35, no. 1 (February 2002): 23–30. http://dx.doi.org/10.1162/002409402753689272.
Full textCataldi, Michael, David Kelley, Hans Kuzmich, Jens Maier-Rothe, and Jeannine Tang. "Residues of a Dream World." Theory, Culture & Society 28, no. 7-8 (December 2011): 358–89. http://dx.doi.org/10.1177/0263276411425834.
Full textPetraitis, Paulius. "Performing Togetherness: Tourist-Like Photography from Abu Ghraib." Acta Academiae Artium Vilnensis, no. 99 (July 5, 2021): 99–125. http://dx.doi.org/10.37522/aaav.99.2020.16.
Full textVan Vliet, David, and Marcos Mortensen Steagall. "Time and postphotography." Revista 2i: Estudos de Identidade e Intermedialidade 3, no. 4 (December 31, 2021): 49–60. http://dx.doi.org/10.21814/2i.3434.
Full textMorris-Reich, Amos. "Science and “Race” In Solomon Yudovin’s Photographic Documentation of Russian Jewry, 1912–1914." Images 6, no. 1 (2012): 52–78. http://dx.doi.org/10.1163/18718000-12340004.
Full textAGUIAR, JONAS JOSÉ MENDES, JEAN CARLOS SANTOS, and MARIA VIRGINIA URSO-GUIMARÃES. "On the use of photography in science and taxonomy: how images can provide a basis for their own authentication." Bionomina 12, no. 1 (March 24, 2017): 44–47. http://dx.doi.org/10.11646/bionomina.12.1.4.
Full textBraeunert, Svea, and Tanja Nusser. "Introduction: Annemarie Schwarzenbach's Photographic Practice." Monatshefte 113, no. 3 (September 2021): 341–60. http://dx.doi.org/10.3368/m.113.3.341.
Full textNewton, Julianne H. "Photographic Interaction as Dynamic Practice." Journalism & Communication Monographs 21, no. 1 (January 31, 2019): 66–72. http://dx.doi.org/10.1177/1522637918823263.
Full textGrushka, Kathryn Meyer, Aaron Bellette, and Allyson Holbrook. "Researching Photographic Participatory Inquiry in an E-Learning Environment." Articles 49, no. 3 (October 8, 2015): 621–39. http://dx.doi.org/10.7202/1033550ar.
Full textBen-Choreen, Tal-Or K. "Emergence of Fine Art Photography in Israel in the 1970s to the 1990s Through Pedagogical and Social Links with the United States." Contemporary Review of the Middle East 6, no. 3-4 (September 2019): 252–65. http://dx.doi.org/10.1177/2347798919872588.
Full textKanicki, Witold. "Wundercamera Obscura." Cabinet, Vol. 2, no. 2 (2017): 70–73. http://dx.doi.org/10.47659/m3.070.art.
Full textCurrie-Williams, Kelann. "Makers and Keepers: Two Lives, through Photographs." Canadian Journal of History 56, no. 3 (December 1, 2021): 292–319. http://dx.doi.org/10.3138/cjh.56-3-2021-0044.
Full textWakelin, Daniel. "A New Age of Photography: ‘DIY Digitization’ in Manuscript Studies." Anglia 139, no. 1 (March 4, 2021): 71–93. http://dx.doi.org/10.1515/ang-2021-0005.
Full textSetiawan, Agus Heru. "TUBUH DALAM KUASA KAMERA: TINJAUAN KRITIS AKTIVITAS FOTOGRAFIS LOMBA DAN HUNTING BERSAMA MEMOTRET MODEL DI INDONESIA." spectā: Journal of Photography, Arts, and Media 1, no. 1 (February 13, 2018): 1–11. http://dx.doi.org/10.24821/specta.v1i1.1893.
Full textLee, So-Rim. "Between Plastic Surgery and the Photographic Representation: Ji Yeo Undoes the Elusive Narrative of Transformation." positions: asia critique 30, no. 4 (November 1, 2022): 705–33. http://dx.doi.org/10.1215/10679847-9967318.
Full textSnyder, Robert E. "Margaret Bourke-White and the Communist Witch Hunt." Journal of American Studies 19, no. 1 (April 1985): 5–25. http://dx.doi.org/10.1017/s0021875800020028.
Full textHill, Rodrigo. "Contemporary photography practice: From landscape to expanded modes of place representation." Revista 2i: Estudos de Identidade e Intermedialidade 3, no. 4 (December 31, 2021): 167–85. http://dx.doi.org/10.21814/2i.3455.
Full textKim, Kyoung-hwa Yonnie. "Tactile photography." INTERIN 25, no. 1 (December 6, 2019): 101–20. http://dx.doi.org/10.35168/1980-5276.utp.interin.2020.vol25.n1.pp101-120.
Full textKondratiev, E. A. "Punctum and Reinterpretation in Photography." Art & Culture Studies, no. 2 (June 2021): 38–59. http://dx.doi.org/10.51678/2226-0072-2021-2-38-59.
Full textThomas, Nicole. "Should photographic triage become common practice?" Evidence-Based Dentistry 22, no. 2 (January 2021): 52–53. http://dx.doi.org/10.1038/s41432-021-0170-6.
Full textWeinstein, Michael A. "Photographic realism as a moral practice." Journal of Value Inquiry 26, no. 2 (April 1992): 175–88. http://dx.doi.org/10.1007/bf00138966.
Full textGolia, Maria. "Surrealism and Photography in Egypt." Nka Journal of Contemporary African Art 2021, no. 49 (November 1, 2021): 144–62. http://dx.doi.org/10.1215/10757163-9435751.
Full textA. I., Tapol. "CRISIS OF MODERN VISUAL PRACTICES." UKRAINIAN CULTURAL STUDIES, no. 2 (5) (2019): 41–47. http://dx.doi.org/10.17721/ucs.2019.2(5).08.
Full textKazakevych, Gennadii. "Memory Factories: Professional Photography in Kyiv, 1850-1918." Text and Image: Essential Problems in Art History, no. 1 (2020): 82–101. http://dx.doi.org/10.17721/2519-4801.2020.1.06.
Full textHill, Sarah Patricia. "Double exposures: the photographic afterlives of Pasolini and Moro." Modern Italy 21, no. 4 (November 2016): 409–25. http://dx.doi.org/10.1017/mit.2016.46.
Full textBotar, Oliver A. I. "László Moholy-Nagy's New Vision and the Aestheticization of Scientific Photography in Weimar Germany." Science in Context 17, no. 4 (December 2004): 525–56. http://dx.doi.org/10.1017/s0269889704000250.
Full textPoluektova, Tatiana A. "Phototextuality as a Poetological Category of the English Novel: Stating the Problem." Вестник Пермского университета. Российская и зарубежная филология 13, no. 4 (2021): 100–110. http://dx.doi.org/10.17072/2073-6681-2021-4-100-110.
Full textSuga, Keijiro. "Looking Back at the Phenomenocene." boundary 2 46, no. 3 (August 1, 2019): 117–18. http://dx.doi.org/10.1215/01903659-7614171.
Full textDou, Yue. "The Application of Video Technology in Dance Courses." Art and Society 1, no. 3 (December 2022): 38–43. http://dx.doi.org/10.56397/as.2022.12.04.
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