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Books on the topic 'Photographic mechanics'

Author: Grafiati
Published: 28 September 2022
Last updated: 28 January 2023

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1

Fomin, Nikita A. Speckle Photography for Fluid Mechanics Measurements. Berlin, Heidelberg: Springer Berlin Heidelberg, 1998. http://dx.doi.org/10.1007/978-3-662-03707-2.

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2

Fomin, N. A. Speckle photography for fluid mechanics measurements. Berlin: Springer, 1998.

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3

Fomin, Nikita A. Speckle Photography for Fluid Mechanics Measurements. Berlin, Heidelberg: Springer Berlin Heidelberg, 1998.

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4

Jeep: Mechanical mule to people's plaything : photography. Osceola, WI, USA: Motorbooks International, 1987.

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5

Alan, Davies. The mechanical eye in Australia: Photography 1841-1900. Melbourne: Oxford University Press, 1985.

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6

Peter, Stanbury, and Tanre Con, eds. The mechanical eye in Australia: Photography 1841-1900. Melbourne: Oxford University Press, 1986.

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7

Didi-Huberman, Georges. Mouvements de l'air: Étienne-Jules Marey, photographe des fluides. Paris: Gallimard, 2004.

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8

Mechanicus, Philip. De laatste keuze: Uit het fotografisch woordenboek van [Philip Mechanicus]. Amsterdam: Voetnoot, 2005.

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9

Holland, Scott D. Schlieren photographs and internal pressure distributions for three-dimensional sidewall-compression scramjet inlets at a Mach number of 6 in CFh□. [Washington, DC]: National Aeronautics and Space Administration, Office of Management, Scientific and Technical Information Program, 1993.

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10

Bloise, Felix Salazar. Speckle photography and speckle interferonmetry and their applications to mechanic solid problems. Kerala, India: Research Signpost, 2008.

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11

Robert, Holden. Photography in colonial Australia: The mechanical eye and the illustrated book. Sydney: Hordern House, 1988.

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12

The mother in the age of mechanical reproduction: Psychoanalysis, photography, deconstruction. New York: Fordham University Press, 2012.

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13

Bohm, Dorothy. Walls and windows. London: Lund Humphries, 1998.

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14

Braun, Marta. Picturing time: The work of Etienne-Jules Marey (1830-1904). Chicago: University of Chicago Press, 1992.

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15

Elkins, James. Six stories from the end of representation: Images in painting, photography, astronomy, microscopy, particle physics, and quantum mechanics, 1980-2000. Stanford, Calif: Stanford University Press, 2008.

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16

Menz, Joachim. Automatisierte fotografische Haufwerkanalyse. Leipzig: Deutscher Verlag für Grundstoffindustrie, 1987.

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17

Mann, Charles C., ed. Robo sapiens: Evolution of a New Species. Cambridge, USA: The MIT Press, 2000.

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18

Young, Jeanne. Managing cartographic and architectural records. Washington, D.C: National Archives and Records Administration, Office of Records Administration, 1989.

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19

Adamovsky, Grigory. Optical techniques for determination of normal shock position in supersonic flows for aerospace applications. [Washington, D.C.]: NASA, 1990.

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20

Adamovsky, Grigory. Optical techniques for determination of normal shock position in supersonic flows for aerospace applications. [Washington, D.C.]: NASA, 1990.

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21

Bertram, Ulrich, ed. NASA & the exploration of space: With works from the NASA art collection. New York: Stewart, Tabori & Chang, 1998.

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22

ZnO bao mo zhi bei ji qi guang, dian xing neng yan jiu. Shanghai Shi: Shanghai da xue chu ban she, 2010.

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23

Scribble, 2. Book for Photographic Equipment Mechanics - Pro Series Three: 150-Page Lined Work Decor for Professionals to Write in, with Individually Numbered Pages and Metric/Imperial Conversion Charts. Vibrant and Glossy Color Cover. Independently Published, 2019.

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24

Burton, William Kinninmond. Practical Guide to Photographic & Photo-Mechanical Printing. Adamant Media Corporation, 2005.

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25

100 Flying Birds: Photographing the Mechanics of Flight. Firefly Books, Limited, 2021.

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26

Scarff, Siena, and Gannit Ankori. My Mechanical Sketchbook - Barkley L. Hendricks & Photography. Rose Art Museum, Brandeis University, 2022.

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27

Morrison, G. W., and Nigel G. Harris. Gavin Morrison Steam Photographer: My Favourite Pictures from the BR ERA. Steam World Publishing Limited, 2021.

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28

United States. National Aeronautics and Space Administration. Scientific and Technical Information Program., ed. Schlieren photographs and internal pressure distributions for three-dimensional sidewall-compression scramjet inlets at a Mach number of 6 in CF. [Washington, DC]: National Aeronautics and Space Administration, Office of Management, Scientific and Technical Information Program, 1993.

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29

Dickson, Brian J. Scottish Steam 1948-1966: The Railway Photographs of Andrew Grant Forsyth. History Press Limited, The, 2021.

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30

Cury, Laura de Souza. O parque de Ibirapuera e a construção da imagem de um Brasil moderno. Brazil Publishing, 2021. http://dx.doi.org/10.31012/978-65-5861-366-4.

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This book deals with images of the Ibirapuera Park in the city of São Paulo, favoring a historical perspective and, above all, photographic sources. The main focus lies on photographic representations, because it is believed that the mechanical reproduction of this medium helped to disseminate a certain imaginary about the architectural work, the city and even the country, to the population. The images collected come from important archives and publications – both national and international – in the time period that spans from the 1950s to the 1970s. The research aimed to understand the project of “paulistaneidade” and of national identity that prompted the construction of this monument-park in peripheral socioeconomic circumstances, despite the development the city of São Paulo at the time. The aim of the book is to look into how the architectural, urban and photographic symbols of the Ibirapuera Park helped to produce aesthetic and political sense related to notions of modernity and progress, aiming to transform the urban landscape of São Paulo and of Brazil.
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31

Haworth-Booth, Mark, and Monica Bohm-Duchen. Walls & Windows: Colour Photography by Dorothy Bohm. Lund Humphries Publishers, 1998.

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32

Braun, Marta. Picturing Time: The Work of Etienne-Jules Marey (1830-1904) (1830-1904). University Of Chicago Press, 1995.

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33

Klein, Henry Oscar. Collodion Emulsion and Its Applications to Various Photographic and Photo-Mechanical Purposes with Special Reference to Trichromatic Process Work. Franklin Classics Trade Press, 2018.

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34

Klein, Henry Oscar. Collodion Emulsion and Its Applications to Various Photographic and Photo-Mechanical Purposes with Special Reference to Trichromatic Process Work. Franklin Classics Trade Press, 2018.

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35

Klein, Henry Oscar. Collodion Emulsion and Its Applications to Various Photographic and Photo-Mechanical Purposes with Special Reference to Trichromatic Process Work. Creative Media Partners, LLC, 2018.

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36

Klein, Henry Oscar. Collodion Emulsion and Its Applications to Various Photographic and Photo-Mechanical Purposes with Special Reference to Trichromatic Process Work. Creative Media Partners, LLC, 2018.

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37

Green, Stuart, Robert G. Zamenhof, and Denise E. Delahunty. Radiation measurement. Oxford University Press, 2015. http://dx.doi.org/10.1093/med/9780199655212.003.0004.

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The ability to make accurate and reproducible measurements requires a detailed knowledge of radiation detection mechanisms, quantities to be measured, basic measurement techniques, and assessment of measurement uncertainties. The chapter begins with an overview of the operational dose quantities and the mechanisms by which measurements are traced to a suitable primary standard. This is followed by some tips on detector selection for both dose rate and contamination applications, before a more detailed description of the basic functional characteristics of gas detectors, scintillation detectors, and semiconductor detector. In each case, suggestions are made on typical areas of use, limitations of performance along with practical examples. Detector resolution issues are discussed for active detectors before a brief overview of passive detector systems including film (photographic and radiochromic) and thermoluminescent dosimetry. The chapter concludes with some common issues in practical measurement and describes the role and importance of the annual instrument test.
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38

Elkins, James. Six Stories from the End of Representation: Images in Painting, Photography, Astronomy, Microscopy, Particle Physics, and Quantum Mechanics, 1980-2000 (Writing Science). Stanford University Press, 2008.

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39

Six Stories from the End of Representation: Images in Painting, Photography, Astronomy, Microscopy, Particle Physics, and Quantum Mechanics, 1980-2000 (Writing Science). Stanford University Press, 2008.

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40

Mitchell, Koritha. Whose Evidence? Which Account? University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252036491.003.0001.

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This introductory chapter contends that lynching plays served as mechanisms through which African Americans survived the height of mob violence—and its photographic representation—still believing in their right to full citizenship. Lynching plays survive in the archive to enhance our understanding of the United States at the turn into the twentieth century; the genre was developed by African Americans aware of their communities' strategies for living with lynching—strategies that required a keen understanding of U.S. culture. As a genre, black-authored lynching drama sheds unique light on the New Negro, the New South, and the New Woman. As African Americans who had never known legal bondage came of age, they laid claim to unprecedented educational opportunities, and like other Americans, they went about the business of defining the contours of their modern identities.
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41

Benjamin, Walter. Work of Art in the Age of Mechanical Reproduction. Lulu Press, Inc., 2021.

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42

Cermak, Michael. Spectacular Snakes of Australia. CSIRO Publishing, 2008. http://dx.doi.org/10.1071/9780643101371.

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Spectacular Snakes of Australia showcases these beautiful creatures which play such an important part in our biodiversity. It portrays most of the species found in Australia, such as tiger snakes, copperheads, brown snakes, death adders and sea snakes, up close and personal. It also includes some unique photographs, such as the hatching of scrub pythons, that offer a rare glimpse into their more intimate lives. The informative text, based on the latest research, describes the reproductive biology, behaviour, predators and prey of these reptiles, as well as their habitat and conservation values. Readers will explore the importance of colours and patterns in allowing snakes to blend into their environment, their defence and attack mechanisms, and the adaptations they have undergone to cope with their surroundings. In addition, the author provides some anecdotes on his encounters with snakes, and clears up a few myths regarding snake behaviour. Richly illustrated with exceptional photographs, Spectacular Snakes of Australia features the deadly serious as well as the quirky – from snakes that love water to those with potent venom, and even snakes that are blind! This book is a real treat for snake lovers.
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43

Benjamin, Walter. The Work of Art in the Age of Mechanical Reproduction. Brand: CreateSpace Independent Publishing Platform, 2010.

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44

Benjamin, Walter. The Work of Art in The Age of Mechanical Reproduction. CreateSpace Independent Publishing Platform, 2009.

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45

The Work of Art in the Age of Mechanical Reproduction. United Kingdom: Penguin Books Ltd, 2008.

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46

Menzel, Peter, and Faith D'Aluisio. Robo sapiens: Evolution of a New Species. The MIT Press, 2001.

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47

Robo sapiens: Evolution of a New Species. Cambridge, USA: The MIT Press, 2001.

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48

Kingdom, Frederick A. A., Ali Yoonessi, and Elena Gheorghiu. The Leaning Tower Illusion. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780199794607.003.0021.

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The Leaning Tower Illusion is the illusion in which two identical images of the Leaning Tower of Pisa photographed from below, placed side by side, appear to rise at different angles. The illusion is not restricted to the Pisa tower however; it occurs in any pair of identical images of objects that appear to recede into the distance. This chapter argues that the illusion results from the misapplication of the visual system’s in-built mechanisms for correcting the distortions due to perspective in two-dimensional images of three-dimensional scenes. The relationship between the Leaning Tower illusion and size constancy illusions is discussed, and it is concluded that they are likely to be closely related.
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49

Rony, Fatimah Tobing. How Do We Look? Duke University Press, 2022. http://dx.doi.org/10.1215/9781478021902.

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In How Do We Look? Fatimah Tobing Rony draws on transnational images of Indonesian women as a way to theorize what she calls visual biopolitics—the ways visual representation determines which lives are made to matter more than others. Rony outlines the mechanisms of visual biopolitics by examining Paul Gauguin’s 1893 portrait of Annah la Javanaise—a trafficked thirteen-year-old girl found wandering the streets of Paris—as well as US ethnographic and documentary films. In each instance, the figure of the Indonesian woman is inextricably tied to discourses of primitivism, savagery, colonialism, exoticism, and genocide. Rony also focuses on acts of resistance to visual biopolitics in film, writing, and photography. These works, such as Rachmi Diyah Larasati’s The Dance that Makes You Vanish, Vincent Monnikendam’s Mother Dao (1995), and the collaborative films of Nia Dinata, challenge the naturalized methods of seeing that justify exploitation, dehumanization, and early death of people of color. By theorizing the mechanisms of visual biopolitics, Rony elucidates both its violence and its vulnerability.
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50

Crónica de la aviación. [Madrid?]: Plaza & Janes Editores, 1992.

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