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1

Jussim, Estelle. The eternal moment: Essays on the photographic image. New York, NY: Aperture, 1989.

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2

Hugunin, James Richard. Understanding the effect that photographs have on us: Case studies in photographic criticism. Lewiston, N.Y: Edwin Mellen Press, 2012.

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3

Hugunin, James Richard. Understanding the effect that photographs have on us: Case studies in photographic criticism. Lewiston, N.Y: Edwin Mellen Press, 2012.

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4

United States. Bureau of Land Management. Challis Resource Area. Photographic guide to median stubble heights. Boise, Idaho: US Dept. of the Interior, Bureau of Land Management, Idaho State Office, 1999.

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5

Photographic engagements: Belonging and affective encounters in contemporary photography. Göteborg: Makadam, 2018.

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6

ha- Amanah ha-ezraḥit shel ha-tsilum. Tel Aviv: Resling, 2007.

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7

MacOrlan, Pierre. Écrits sur la photographie. Paris: Textuel, 2011.

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8

Kraus, Michael G. The Civil War in Pennsylvania: A photographic history. Pittsburgh, Pa: Senator John Heinz History Center, 2012.

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9

Cooley, Austin. Photoprocessing and the environment. Springfield, Va: Society for Imaging, 1995.

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10

DuChemin, David. Within the frame: The journey of photographic vision. Berkeley, CA: New Riders, 2009.

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11

DuChemin, David. Within the frame: The journey of photographic vision. Berkeley, CA: New Riders, 2009.

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12

DuChemin, David. Within the frame: The journey of photographic vision. Berkeley, CA: New Riders, 2009.

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13

Within the frame: The journey of photographic vision. Berkeley, CA: New Riders, 2009.

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14

DuChemin, David. Within the frame: The journey of photographic vision. Berkeley, CA: New Riders, 2009.

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15

DuChemin, David. Within the frame: The journey of photographic vision. Berkeley, CA: New Riders, 2009.

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16

Dyer, Geoff, ed. Para entender la fotografía. Bacelona, Spain: Gustavo Gili, 2017.

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17

Vujicic, Sanja. Photographic messages in tourism advertising: Advertisers' planning for the production of as well as potential tourists' interpretation of photographic messages in tourist brochures. Göteborg, Sweden: BAS Publishing, School of Business, Economics and Law, University of Gothenburg, 2008.

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18

Volmari, Christian. Vernakulare Fotografie zwischen analogen und digitalen Gebrauchsweisen. Göttingen: Schmerse, 2012.

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19

Lone visions, crowded frames: Essays on photography. Albuquerque: University of New Mexico Press, 1994.

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20

1947-, Lister Martin, ed. The photographic image in digital culture. London: Routledge, 1995.

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21

Langford, Martha. Suspended conversations: The afterlife of memory in photographic albums. Montreal: McGill-Queen's University Press, 2001.

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22

Shaw, Susan. Overexposure: Health hazards in photography. 2nd ed. New York, N.Y: Allworth Press, 1991.

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23

Shields, Mike. Never, never quit: A photographic celebration of courage in American sports. Lombard, Ill: Great Quotations Pub. Co., 1987.

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24

Monona, Rossol, ed. Overexposure: Health hazards in photography. 2nd ed. New York, N.Y: Allworth Press, 1991.

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25

Turning back: A photographic journal of re-exploration. San Francisco: Fraenkel Gallery, 2005.

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26

Marsh, Anne. The darkroom: Photography and the theatre of desire. Melbourne: Macmillan, 2003.

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27

Psikhologii︠a︡ fotografii: Kulʹturno-istoricheskiĭ analiz : monografii︠a︡. Moskva: I︠U︡raĭt, 2021.

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28

E, Kahler-Jenett, and Schunck B, eds. Fotochemikalien: Daten und Fakten zum Umweltschutz. Berlin: Springer, 1990.

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29

Baumann, W. Fotochemikalien: Daten und Fakten zum Umweltschutz. 2nd ed. Berlin: Springer-Verlag, 1994.

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30

Shaw, Susan. Overexposure: Health hazards in photography. 2nd ed. New York: Allworth Press, 1991.

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31

Hansen, R. K. (Ronald K.), ed. Jukeboxes & jackalopes: A photographic companion to Wyoming bars & backways. Wheatland, WY: Wyoming State Historical Society, 2009.

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32

The pivot of the world: Photography and its nation. Cambridge, Mass: MIT Press, 2006.

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33

Stimson, Blake. The pivot of the world: Photography and its nation. Cambridge, Mass: MIT Press, 2006.

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34

Kim, Kyŏng-hun. Sajin ŭl ilgŏ tŭrimnida: Ŏdisŏn'ga pon chŏk innŭn sajin e kwanhan iyagi. Sŏul-si: Sigongart, 2019.

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35

Delage, Christian. La fabrique des images contemporaines. Paris: Éditions Cercle d'art, 2007.

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36

Looters, photographers, and thieves: Aspects of Italian photographic culture in the nineteenth and twentieth centuries. Lanham: Fairleigh Dickinson University Press, 2011.

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37

Clarke, Stuart. Football in our time: A photographic record of our national game. Edinburgh: Mainstream, 2003.

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38

Strauss, David Levi. Between the eyes: Essays on photography and politics. New York: Aperture, 2003.

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39

John, Berger, ed. Between the eyes: Essays on photography and politics ; introduction by Joh Berger. New York: Aperture, 2003.

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40

Hensle, Wiebke. Maschinenverschwörung: Apparative Phantasmen in der zweiten Hälfte des 19. und zu Beginn des 20. Jahrhunderts. Freiburg: Syntagma, 2010.

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41

Patricia, Holland, Spence Jo, Watney Simon, and Photography Workshop, eds. Photography / politics. London: Comedia, 1986.

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42

Patricia, Holland, Spence Jo, and Watney Simon, eds. Photography/politics--two. London: Comedia Pub. Group, 1986.

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43

Images habitées: Photographie et spatialité. Paris: CREAPHIS, 2006.

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44

Photographs, histories, and meanings. New York, NY: Palgrave Macmillan, 2009.

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45

1950-, Kadar Marlene, Perreault Jeanne Martha, and Warley Linda, eds. Photographs, histories, and meanings. New York, NY: Palgrave Macmillan, 2009.

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46

Rempel, Siegfried. Health hazards for photographers. New York: Lyons & Burford, 1993.

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47

Rempel, Siegfried. Health hazards for photographers. New York: Lyons & Burford, 1992.

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48

Miller, Jesse. Aspects of Contemporary Photographic Lighting. Kendall Hunt Publishing Company, 2021.

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49

In Appropriate Distance: The Ethics of the Photographic Essay. University of New Mexico Press, 2016.

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50

Wells, Liz. Photography History and Theory Reader. Taylor & Francis Group, 2019.

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