Academic literature on the topic 'Photographes – Sociologie'
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Journal articles on the topic "Photographes – Sociologie"
Maresca, Sylvain. "Photographes : sociologie d’une profession mal connue." Cahier Louis-Lumière 7, no. 1 (2010): 9–17. http://dx.doi.org/10.3406/cllum.2010.926.
Full textLéon, Véra. "La querelle des photo-filmeurs." Photographica, no. 2 (May 3, 2021): 130–46. http://dx.doi.org/10.54390/photographica.468.
Full textBojanić, Sanja, Jelena Ćeriman, and Sara Nikolić. "Upotreba foto-elicitacije u sociologiji." Revija za sociologiju 53, no. 3 (December 31, 2023): 429–57. http://dx.doi.org/10.5613/rzs.53.3.4.
Full textRobbins, Derek. "Gazing at the Colonial Gaze: Photographic Observation and Observations on Photography Based on a Comparison between Aspects of the Work of Pierre Bourdieu and Jean-Claude Passeron." Sociological Review 57, no. 3 (August 2009): 428–47. http://dx.doi.org/10.1111/j.1467-954x.2009.01848.x.
Full textFox, Paul. "An unprecedented wartime practice: Kodaking the Egyptian Sudan." Media, War & Conflict 11, no. 3 (July 13, 2017): 309–35. http://dx.doi.org/10.1177/1750635217710676.
Full textEnsel, Remco. "Dutch Face-ism. Portrait Photography and Völkisch Nationalism in the Netherlands." Fascism 2, no. 1 (2013): 18–40. http://dx.doi.org/10.1163/22116257-00201009.
Full textBrown, Terry M. "Transcending the colonial gaze: Empathy, agency and community in the South Pacific photography of John Watt Beattie1." Journal of New Zealand & Pacific Studies 8, no. 2 (December 1, 2020): 151–70. http://dx.doi.org/10.1386/nzps_00035_1.
Full textLewis, Abigail E. "Collaboration in Focus." French Politics, Culture & Society 40, no. 3 (December 1, 2022): 73–98. http://dx.doi.org/10.3167/fpcs.2022.400304.
Full textSaburova, Tatiana. "Geographical Imagination, Anthropology, and Political Exiles." Sibirica 19, no. 1 (March 1, 2020): 57–84. http://dx.doi.org/10.3167/sib.2020.190105.
Full textHaddour, Azzedine. "Bread and Wine: Bourdieu's Photography of Colonial Algeria." Sociological Review 57, no. 3 (August 2009): 385–405. http://dx.doi.org/10.1111/j.1467-954x.2009.01846.x.
Full textDissertations / Theses on the topic "Photographes – Sociologie"
Aufort, Adrien. "Homo photographicus : sociogenèse du métier de photographe en France." Electronic Thesis or Diss., Sorbonne université, 2024. http://www.theses.fr/2024SORUL023.
Full textThis doctorate thesis aims to study the profession of photographer through the lens of sociology and history.A current portrait (2018-2023) of the professionals is drawn up by analyzing 30 interviews and 258 responses to an online questionnaire. Education, sociability, technique, aesthetic preferences and cultural habits are described in detail. In the manner of a replicability experiment, some of the results of this double survey reinforce the conclusions of previous work, particularly with regard to the socio-demographic determinants of entry into the profession. Others are more original, such as the influence of seniority on income, or the influence of geographical location on winning a prize. Professional success is also addressed and understood as the match between an ‘extended setup', a link between man and machine, and social representations. The latter are the fruit of the photographers' work, both on the photographic images they produce and on the self-image they cultivate. A historical correspondence (1910-1952) was also established by analyzing 778 issues of the magazine Le Photographe. From its beginnings as a corporate body to its legal, political and institutional achievements, the profession has a rich history. Understood as an individual and collective enterprise, the profession of photographer is seemingly in a constant state of crisis. It requires not only a constant negotiation with technological changes as they arise, but also with other users of the photographic medium
Ulanovsky, Lucia. "Entre l'appareil et les rotatives : photoreporters, usages des photos et organes de presse (1969-1984)." Paris, EHESS, 2014. http://www.theses.fr/2014EHES0628.
Full textDal, Pezzo Rolando. "Photography, sociology & anthropology." FIU Digital Commons, 1999. http://digitalcommons.fiu.edu/etd/2708.
Full textEldridge, Alison. "Photography and sociology : an exercise in serendipity." Thesis, University of Glasgow, 2015. http://theses.gla.ac.uk/7392/.
Full textCampion, Britta Maree Art College of Fine Arts UNSW. "Photography as a method of visual sociology: An investigation of the potential of still photography as a method of visual sociology." Publisher:University of New South Wales. Art, 2008. http://handle.unsw.edu.au/1959.4/42059.
Full textConord, Sylvaine. "Fonctions et usages de la photographie en anthropologie des cafés bellevillois (Paris XXe) à l'île de Djerba (Tunisie) : échanges entre des juives d'origine tunisienne et une anthropologue-photographe." Paris 10, 2001. http://www.theses.fr/2001PA100169.
Full textThe purpose of this research is to study the various functions of photography in intercultural exchanges between a french anthropologist and Jewish women of Tunisia, regular customers of Belleville cafés in Paris XXe. Photography, considered at the same time a practice, a custom, a material and symbolic exchange artcle, a mean of personal enhancement, occupies here a central and determining place in the relations that the anthropologist maintains with her field. A photography is, in itself, a specific representation : it is a result of the interaction between the photograph and the photographed subject. The "reader" of the picture has also his own subjective system of perception. On account of her photographic practices, the photographer practices, the photographer finds herself invested, by the Jewish women of Tunisia, with diverse and varied roles which allow her to understand better certain aspects of the social relation characteristic of this population : self mise en scène, the "evil eye", the rivalries, "good deals", women sociability, the religious ceremonies, pilgrimages of Lag baO mer in Israël and in Tunisia, etc. These different regards help to understand the mediatory function of photography in a field in anthropology
Galla, Taylor. "DANGERS OF THE NEWS(FEED): AN EXPLORATION INTO FAKE NEWS, PHOTOGRAPHIC TRUTH AND THE POWER OF DIGITAL COMMUNICATION ON FACEBOOK." Scholarship @ Claremont, 2018. http://scholarship.claremont.edu/scripps_theses/1208.
Full textGarza-Meza, Laura Elizabeth. "Photography as a spiritual technique." Thesis, Pepperdine University, 2013. http://pqdtopen.proquest.com/#viewpdf?dispub=3558387.
Full textThe purpose of this study is to compare the spiritual benefits of practicing photography to the spiritual benefits of practicing prayer, meditation and yoga. Benefits noted were divided into the 4 dimensions of being human: physical, emotional, intellectual, and spiritual. The study considers Mexican leaders' perceptions of photography as a spiritual practice. A total of 105 Mexican leaders answered surveys. Of the 105 leaders, 14 were professors, 30 were entrepreneurs, 46 were business executives and 15 were students and homemakers (listed as "other") varying in ages from 21 to over 61.
The design of this study is descriptive, while the study was quantitative in nature. In preparation for the study, the researcher gathered qualitative information regarding the benefits observed as leaders practice photography. These descriptive answers were then used to create the quantitative surveys for the study.
The data demonstrated that photography can be considered a spiritual technique. First, the spiritual benefits shown from practicing photography mirror, to a large degree, the spiritual benefits reported for practicing prayer, meditation, and yoga. The literature also supports the reported similarities; however, participants do not consciously recognize these benefits. Second, the 4 dimensions of being human (physical, intellectual, emotional, and spiritual) are divided into 5 factors: (a) physical well-being and better decision-making, (b) optimism in life, (c) interrelation with the environment and intellectual development, (d) relaxing, and (e) spiritual growth.
Hayes, S. "Building community : a sociology of theatre audiences." Thesis, University of Salford, 2006. http://usir.salford.ac.uk/2034/.
Full textBlanchard, Benoît. "Photographie contemporaine, institutionnalisation et marché de l'art (1995-2005)." Paris 8, 2012. http://www.theses.fr/2012PA083821.
Full textPhotography, contemporary, institutions and the art market are the starting elements of the questioning of this thesis. How and why the contemporary art world continues to stumble on the photographic medium? Such is the main problem of this work. We will start from the contradictions inherent in this problem to question the borders of the institutionalized contemporary art world, their condition of existence and the relationships they establish in society, especially those with the public and the consumer society. What place for photography in this system and the extent to which contemporary qualifier may be attributed to photography will be the theme of this research. These lead us from the genesis of the institutional integration phenomenon of the photographic medium in contemporary art market to achieve a re-questioning of the photograph according to it contemporaneity
Books on the topic "Photographes – Sociologie"
contributor, Arrif Abdelmajid, and Tozy Mohamed contributor, eds. Paul Pascon, un été dans le Haouz de Marrakech. Casablanca: Éditions La croisée des chemins, 2017.
Find full textPaz, Alfredo De. La fotografia come simbolo del mondo: Storia, sociologia, estetica. Bologna: CLUEB, 1993.
Find full textMartins, José de Souza. Sociologia da fotografia e da imagem. São Paulo, SP: Editora Contexto, 2008.
Find full textSociologia da fotografia e da imagem. São Paulo, SP: Editora Contexto, 2008.
Find full textProsthetic culture: Photography, memory and identity. London: Routledge, 1998.
Find full textShevchenko, Olga. Double exposure: Memory & photography. New Brunswick: Transaction Publishers, 2014.
Find full textWeinberger, Karlheinz. Karlheinz Weinberger: Photos, 1954-1995. Zurich: Andreas Züst Verlag, 2000.
Find full textBaudrillard, Jean. Jean Baudrillard: Fotografien 1985-1998 ; [im Horizont des Objekts ; Objekte in diesem Spiegel sind näher als sie erscheinen ; 9.1.-14.2.1999, Neue Galerie Graz am Landesmuseum Joanneum, Graz] = Photographies = Photographs. Ostfildern-R #: Hatje Cantz, 1999.
Find full textGariglio, Luigi. Uno sguardo obiettivo?: Fotografie e immagini fisse in campo sociologico. Roma: Aracne, 2010.
Find full textUno sguardo obiettivo?: Fotografie e immagini fisse in campo sociologico. Roma: Aracne, 2010.
Find full textBook chapters on the topic "Photographes – Sociologie"
Harper, Douglas. "Documentary photography and visual sociology." In Visual Sociology, 8–49. 2nd ed. London: Routledge, 2023. http://dx.doi.org/10.4324/9781003251835-2.
Full textSebag, Joyce, and Jean-Pierre Durand. "From Ethnologist Photography to Filmic Sociology." In Filmic Sociology, 31–82. Cham: Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-33696-6_3.
Full textMöller, Frank. "Visual Peace: Towards a Sociology of Visual Knowledge." In Peace Photography, 59–85. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-030-03222-7_3.
Full textBartollas, Clemens, and Dragan Milovanovic. "Auto-ethnography, Visual Sociology, Photography and Quantum Connections: 1990s to Present." In Richard Quinney, 127–58. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-02296-9_7.
Full textMatthews, Scott L. "What a Place This South Is." In Capturing the South, 68–111. University of North Carolina Press, 2018. http://dx.doi.org/10.5149/northcarolina/9781469646459.003.0003.
Full textFuccaro, Nelida. "The Oil Company’s Fields of Vision: Public Relations and Labour Images in The Arab World." In Life Worlds of Middle Eastern Oil, 87–119. Edinburgh University Press, 2023. http://dx.doi.org/10.3366/edinburgh/9781399506144.003.0004.
Full textRowe, Jeremy. "Geo-Referencing Early Photographic Studios and Using Historic Photographs to Study Urban Processes and Environments." In Visual and Multimodal Urban Sociology, Part A, 97–121. Emerald Publishing Limited, 2023. http://dx.doi.org/10.1108/s1047-00422023000018a004.
Full textConord, Sylvaine. "Entre sociologie et photographie. Sur les pas des enquêtés." In Carrières, 253–70. Presses universitaires de Paris Nanterre, 2019. http://dx.doi.org/10.4000/books.pupo.31391.
Full textChoi, Y. Susan, Heather M. Gray, and Nalini Ambady. "The Glimpsed World: Unintended Communication and Unintended Perception." In The New Unconscious, 309–33. Oxford University PressNew York, NY, 2004. http://dx.doi.org/10.1093/oso/9780195149951.003.0013.
Full textArús, María A. Cabrera. "Fashioning and Contesting the Olive-Green Imaginary in Cuban Visual Arts." In Picturing Cuba, 155–74. University Press of Florida, 2019. http://dx.doi.org/10.5744/florida/9781683400905.003.0011.
Full textConference papers on the topic "Photographes – Sociologie"
Cocieru, Mariana. "Values of Romanian ethnological photographic art: Joseph Berman." In Conferință științifică internațională "FILOLOGIA MODERNĂ: REALIZĂRI ŞI PERSPECTIVE ÎN CONTEXT EUROPEAN". “Bogdan Petriceicu-Hasdeu” Institute of Romanian Philology, Republic of Moldova, 2023. http://dx.doi.org/10.52505/filomod.2023.17.20.
Full textREPANOVICI, Angela, Vlad BATRANU-PINTEA, Elisa DAN, Liviu TOADER, and Adrian Paul TULIGA. "DAILY LIFE IN COMMUNISM. AN APPROACH THROUGH PERSONAL OBJECT ANALYSIS." In 10th SWS International Scientific Conferences on SOCIAL SCIENCES - ISCSS 2023. SGEM WORLD SCIENCE, 2023. http://dx.doi.org/10.35603/sws.iscss.2023/s10.44.
Full textMartins, João. "Design of products to honor people post mortem." In Systems & Design: Beyond Processes and Thinking. Valencia: Universitat Politècnica València, 2016. http://dx.doi.org/10.4995/ifdp.2016.3323.
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