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Books on the topic 'Photographed moment'

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Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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1

McCurry, Steve. The unguarded moment. London: Phaidon Press, 2009.

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2

Robert, Mapplethorpe, Joselit David, Larson Kay, and University of Pennsylvania. Institute of Contemporary Art., eds. Robert Mapplethorpe: The perfect moment. 2nd ed. Philadelphia, Pa: Institute of Contemporary Art, University of Pennsylvania, 1989.

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3

Decydujący moment: Nowe zjawiska w fotografii polskiej po 2000 roku = The decisive moment : new phenomena in Polish photography since 2000. Kraków: Wydawnictwo Karakter, 2012.

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4

Jussim, Estelle. The eternal moment: Essays on the photographic image. New York, NY: Aperture, 1989.

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5

Shamis, Bob. Leon Levinstein: The moment of exposure. Ottawa: National Gallery of Canada, 1995.

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6

Shamis, Bob. The moment of exposure: Leon Levinstein. Ottawa: National Gallery of Canada, 1995.

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7

Akntʻartʻ: Moment. Erevan: "Van Aryan", 2012.

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8

Ken, Miller. Shoot: Photography of the moment. New York: Rizzoli, 2009.

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9

Penny, Martin, and Shore Stephen 1947-, eds. Shoot: Photography of the moment. New York: Rizzoli, 2009.

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10

Ken, Miller. Shoot: Photography of the moment. New York: Rizzoli, 2009.

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11

Anita, Haldemann, Schüpbach Hannes, and Öffentliche Kunstsammlung Basel, eds. Rudy Burckhardt -- New York moments: Photographs and films. Zürich: Scheidegger & Spiess, 2005.

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12

Lowit, Roxanne. Moments: Roxanne Lowit photographs. New York: Vendome Press, 1993.

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13

Lowit, Roxanne. Moments: Roxanne Lowit photographs. Paris: Editions Assouline, 1990.

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14

Catching the moment. London: Booth-Clibborn, 1997.

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15

Reaume, Tom. Pure abstract photography: The creative moment. Winnipeg, Manitoba, Canada: T.J. Reaume, 1995.

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16

Reaume, Thomas. Pure abstract photography: The creative moment. Winnipeg: [s.n.], 1995.

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17

Amy, Berssen, ed. Ten moments. Los Angeles: [Public Access Press, Southern California Institute of Architecture], 1995.

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18

Catching the moment: Photograph your child. New York: E.P.Dutton, 1985.

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19

Catching the moment: Photograph your child. London: Herbert Press, 1985.

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20

author, Kluge Alexander 1932, ed. Le moment fugitif. Wädenswil am Zürichsee, Schweiz: Nimbus, Kunst und Bücher, 2014.

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21

Un moment donné: Brancusi et la photographie. Paris: Hazan, 2007.

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22

Muir, Fiona. Photography between moments and actions. Leicester: De Montfort University, 1999.

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23

Moments in Eden: Garden photographs. London: Bloomsbury, 1989.

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24

1945-, Nothhelfer Helmut, Conrath-Scholl Gabriele, and SK Stiftung Kultur. Photographische Sammlung, eds. Gabriele und Helmut Nothhelfer: Momente und Jahre 1970-2008 = moments and years 1970-2008. [Munich]: Schirmer Mosel, 2009.

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25

Seidman, Robert J. Moments captured. New York, NY: Overlook Press, 2012.

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26

Moments captured. New York: Overlook Press, 2014.

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27

Kaufhold, Enno. Geschichtete Momente. Berlin: Nishen, 1989.

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28

Shamis, Bob. Le moment révélateur: Leon Levinstein. Ottawa: Musée des beaux-arts du Canada, 1995.

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29

D'Orazio, Sante. Sante d'Orazio: Private moments. Hamburg: STERN Gruner + Jahr AG & Co., 1999.

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30

Kostyal, K. M. National Geographic moments. Washington, D.C: National Geographic, 2004.

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31

Nydegger, Walter. Moment!: Walter Nydegger, Pressefotograf, Bern. Bern: Benteli, 1985.

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32

Men moments. New York, NY: Universe, 2002.

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33

Sander, Gloria Williams. The collectible moment: Catalogue of photographs in the Norton Simon Museum. Edited by Mulligan Therese and Norton Simon Museum (Pasadena, Calif.). New Haven: Published for The Norton Simon Art Foundation by Yale University Press, 2006.

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34

Kolbe, Robert. They captured the moment: Dakotas photographers 1853-1920. Sioux Falls, S.D: Pine Hill Press, 2006.

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35

Dagestan v fotografii︠a︡kh: Mgnovenii︠a︡ istorii = Dagestan in photos. Moments of the history. Makhachkala: Izdatelʹskiĭ dom "Ėpokha", 2012.

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36

Stay this moment: The photographs of Sam Abell. [Rochester, N.Y.]: Professional Photography Division, Eastman Kodak Co., 1990.

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37

Packham, Jo. Moments to remember: The art of creating scrapbook memories. Kansas City, MO: Andrews McMeel Pub., 1998.

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38

Designer scrapbooks with Anna Griffin: Memorable moments captured with style. New York: Sterling Pub. Co., 2004.

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39

Tim, Page. The mindful moment. London: Thames & Hudson, 2001.

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40

The mindful moment. New York, N.Y: Thames & Hudson, 2001.

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41

Tim, Page. The mindful moment. New York, N.Y: Thames & Hudson, 2001.

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42

Chandrima, Shaha, ed. Captured moments, a life. Calcutta: Seagull Books, 2001.

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43

Moment and memory: Photography in the New Zealand landscape. Nelson, N.Z: Craig Potton Publishing, 1998.

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44

Mincey, Jean Sutton. Seizing the moment: Wildflower photography with crosw-stitched design. Sylva, NC: Catch the Spirit of Appalachia, 2008.

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45

Lynching Photographs (Defining Moments in American Photography). University of California Press, 2008.

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46

Lynching Photographs (Defining Moments in American Photography). University of California Press, 2008.

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47

Mapplethorpe, Robert, Kay Larson, David Joselit, and Janet Kardon. Robert Mapplethorpe: The Perfect Moment. 2nd ed. Inst of Contemporary Art, 1988.

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48

A Moment Master Photographers. Damiani, 2012.

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49

Donoso Macaya, Ángeles. The Insubordination of Photography. University Press of Florida, 2020. http://dx.doi.org/10.5744/florida/9781683401117.001.0001.

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Abstract:

The Insubordination of Photography studies the documentary practices of photography devised by different collectives (relatives of the detained-disappeared, church organizations, visual artists, and photographers), organizations, and independent media, which resisted, defied, and participated in the downfall of the dictatorial regime in Chile. Given a milieu saturated by disinformation and cover-ups of all kinds and restricted by repression and censorship, how does one demand and make visible the truth about the (denied) crime of forced disappearances under Pinochet’s Chilean dictatorship? At a moment when resistance was gaining more prevalence on the streets and in the independent media, how could one ensure the safety of independent photographers and challenge censorship? How does one convey denunciation when images are prohibited? The objects studied in this book emerged as answers to these pressing questions. Different documentary practices of photography were devised to make visible the crime of forced disappearances in the public space (chapter one), to produce a credible visual record of forensic evidence in a paramount legal case (chapter two), to denounce and resist precarity and protect the work of independent photographers and reporters (chapter three), and to challenge—and ridicule—censorship and the limitations imposed on freedom of the press (chapter four). These practices not only changed the depth of field, which the dictatorship attempted to control by all necessary means, but also, and perhaps more importantly, strengthened the ideology and the public space of the opposition while expanding the photographic field.

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50

Gallery), Dazibao (Art, ed. The Face: A photographic moment. Montréal: Dazibao, 1998.

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