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Books on the topic 'Phocion'

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Author: Grafiati

Published: 4 June 2021

Last updated: 4 February 2022

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1

Tritle, Lawrence A. Phocion the Good. London: Cromm Helm, 1988.

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2

Tritle, Lawrence A. Phocion the Good. London: Croom Helm, 1988.

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3

Mably, Gabriel Bonnot de. Entretiens de Phocion sur le rapport de la morale et de la politique. Caën: Centre de philosophie politique et juridique, Université de Caën, 1986.

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4

Hamilton, Alexander. A letter from Phocion to the considerate citizens of New-York on the politics of the day. [Boston]: New-York printed by Samuel Loudon, Boston re-printed by T. and J. Fleet, 1986.

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5

Winchell, Jane M. Field manual for phocid necropsies (specifically Monachus schauinslandi). Honolulu, Hawaii: U.S. Dept. of Commerce, National Oceanic and Atmospheric Administration, National Marine Fisheries Service, Southwest Fisheries Science Center, 1990.

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6

Typaldou-Fakiris, Catherine. Villes fortifiées de Phocide et la IIIe guerre sacrée, 356-346 av. J.-C. Aix-en-Provence: Publications de l'Université de Provence, 2004.

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7

Bogaert, Abraham. Phocion: Treurspel. Palala Press, 2016.

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8

Phocion the Good (Routledge Revivals). Taylor & Francis Group, 2014.

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9

Trittle, Laurence A. Phocion the Good (Routledge Revivals). Taylor & Francis Group, 2015.

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10

Tritle, Lawrence. Phocion the Good (Routledge Revivals). Routledge, 2014. http://dx.doi.org/10.4324/9781315796420.

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11

Tritle, Lawrence A. Phocion the Good (Croom Helm Classical Studies). Routledge, 1988.

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12

Mably, Gabriel Bonnot de. Entretiens de Phocion, sur le rapport de la morale avec la politique. Adamant Media Corporation, 2001.

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13

Plutarchus. The age of Alexander: nine Greek lives by Plutarch: Agesilaus, Pelopidas, Dion, Timoleon, Demosthenes, Phocion, Alexander, Demetrius, Pyrrhus. Harmondsworth, 1988.

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14

Dubreuil, Raphaëla. The Orator in the Theatre. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198748472.003.0012.

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This chapter explores the image Plutarch created of the end of Athenian Democracy. Its aim is to show that Plutarch conceived of this end through the lens of the theatre, and to explore the origins of this portrayal. It makes this argument through close study of the intersection of theatre and politics in Plutarch’s Life of Phocion. Plutarch expresses the political significance of crucial moments by drawing attention to their theatrical dimension. Theatrical venues, self-presentation, staging, speech, and props are used in order to create an emotional impact on an Athenian audience. Since Plutarch understood theatre in (mostly) Platonic terms, this evaluation is negative. He wishes to depict an Athenian society predisposed to strong emotion, ready to welcome an exuberant tyrant with open arms despite its previous democratic values.

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15

Erskine, Andrew. Standing up to the Demos. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198748472.003.0011.

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Plutarch wrote twenty-three Greek Lives in his series of Parallel Lives—of these, ten were devoted to Athenians. Since Plutarch shared the hostile view of democracy of Polybius and other Hellenistic Greeks, this Athenian preponderance could have been a problem for him. But Plutarch uses these men’s handling of the democracy and especially the demos as a way of gaining insight into the character and capability of his protagonists. This chapter reviews Plutarch’s attitude to Athenian democracy and examines the way a statesman’s character is illuminated by his interaction with the demos. It also considers what it was about Phocion that so appealed to Plutarch, first by looking at his relationship with the democracy and then at the way he evokes the memory of Socrates. For him this was not a minor figure, but a man whose life was representative of the problems of Athenian democracy.

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16

Plutarch. Vitae Parallelae, vol. II, fasc. 1: Phocion et Cato Minor, Dion et Brutus, Aemilius Paulus et Timoleon, Sertorius et Eumenes (Bibliotheca scriptorum Graecorum et Romanorum Teubneriana). K.G. SAUR VERLAG, 1998.

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17

Blome, David A. Greek Warfare beyond the Polis. Cornell University Press, 2020. http://dx.doi.org/10.7591/cornell/9781501747526.001.0001.

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This book assesses the nature and broader significance of warfare in the mountains of classical Greece. Based on detailed reconstructions of four unconventional military encounters, the book argues that the upland Greeks of the classical mainland developed defensive strategies to guard against external aggression. These strategies enabled wide-scale, sophisticated actions in response to invasions, but they did not require the direction of a central, federal government. The book brings these strategies to the forefront by driving ancient Greek military history and ancient Greek scholarship “beyond the polis” into dialogue with each other. As it contends, beyond-the-polis scholarship has done much to expand and refine our understanding of the ancient Greek world, but it has overemphasized the importance of political institutions in emergent federal states and has yet to treat warfare involving upland Greeks systematically or in depth. In contrast, the book scrutinizes the sociopolitical roots of warfare from beyond the polis, which are often neglected in military histories of the Greek city-state. By focusing on the significance of warfare vis-à-vis the sociopolitical development of upland polities, the book shows that although the more powerful states of the classical Greek world were dismissive or ignorant of the military capabilities of upland Greeks, the reverse was not the case. The Phocians, Aetolians, Acarnanians, and Arcadians in circa 490–362 BCE were well aware of the arrogant attitudes of their aggressive neighbors, and as highly efficient political entities, they exploited these attitudes to great effect.

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