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1

Miklós, Boskovits, ed. Italian paintings from the 13th to 15th century. Firenze, Italy: Polistampa, 2009.

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2

Ferrari, Martin. The Machiavelli model: [a 21st century strategic management guide from the 15th century Italian mastermind]. Oxford: Management Books 2000 Ltd, 2014.

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3

Voices, Gothic. The garden of Zephirus: Courtly songs of the early 15th century. London: Hyperion, 1985.

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4

Michael, Pächt, and Vyoral-Tschapka Margareta, eds. Venetian painting in the 15th century: Jacopo, Gentile and Giovanni Bellini and Andrea Mantegna. London: Harvey Miller, 2003.

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5

Santucci, Antonio. Ricerche sul pensiero italiano tra Ottocento e Novecento. Bologna: CLUEB, 2004.

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6

National Gallery of Art (U.S.). Italian paintings of the fifteenth century. Washington: National Gallery of Art, 2003.

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7

Vocazione e responsabilità del filosofo: Filosofia 2000. Genova: Il melangolo, 2000.

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8

The responsibility of the philosopher. New York: Columbia University Press, 2010.

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9

Alberto, Peruzzi, and Preti Giulio, eds. Giulio Preti: Filosofo europeo. Firenze: L.S. Olschki, 2004.

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10

Greeks and Latins in renaissance Italy: Studies on humanism and philosophy in the 15th century. Aldershot, Hampshire, Great Britain: Ashgate, 2004.

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11

Rossi, Vittorio. Il Quattrocento. Padova: Piccin, 1992.

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12

Humanism in Italian Renaissance musical thought. New Haven: Yale University Press, 1985.

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13

Girón-Negrón, Luis M. Alfonso de la Torre's Visión deleytable: Philosophical rationalism and the religious imagination in 15th century Spain. Leiden, The Netherlands: Brill, 2001.

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14

Maimonides, Moses. Guide for the perplexed: A 15th century Spanish translation by Pedro de Toledo (Ms. 10289, B.N. Madrid). Edited by Pedro deToledo fl 1419-1432, Lazar Moshe 1928-, Dilligan Robert J, and Biblioteca Nacional (Spain). Culver City, Calif: Labyrinthos, 1989.

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15

James, Haar, ed. The Italian madrigal in the early sixteenth century: Sources and interpretation. Cambridge: Cambridge University Press, 1988.

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16

Moyer, Ann E. Musica scientia: Musical scholarship in the Italian Renaissance. Ithaca: Cornell University Press, 1992.

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17

Museum, Godwin-Ternbach. Italian art, 15th to 18th century: Selections from the permanent collection : an exhibition held at the Godwin-Ternbach Museum, Queens College, City University of New York, March 19-May 7, 1986. Edited by Simor Suzanna. [New York, N.Y.]: The Museum, 1986.

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18

Maguire, Simon. Vincenzo Bellini and the aesthetics of early nineteenth-century Italian opera. New York: Garland Pub., 1989.

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19

1928-, Lazar Moshe, and Biblioteca Nacional (Spain), eds. Book of the Kuzari: A book of proof and argument in defense of a despised faith : a 15th century Ladino translation (Ms. 17812, B.N. Madrid). Culver City, Calif: Labyrinthos, 1990.

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20

Avicenna in Renaissance Italy: The Canon and medical teaching in Italian universities after 1500. Princeton, N.J: Princeton University Press, 1987.

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21

Lockwood, Lewis. Music in Renaissance Ferrara, 1400-1505: The creation of a musical center in the fifteenth century. Oxford: Oxford University Press, 2009.

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22

Lockwood, Lewis. Music in Renaissance Ferrara, 1400-1505: The creation of a musical center in the fifteenth century. Oxford: Oxford University Press, 2009.

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23

Music in Renaissance Ferrara, 1400-1505: The creation of a musical center in the fifteenth century. Oxford: Oxford University Press, 2009.

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24

Henri, Zerner, ed. Italian art, 1500-1600: Sources and documents. Evanston, Ill: Northwestern University Press, 1989.

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25

Toreno, Elisabetta. Netherlandish and Italian Female Portraiture in the Fifteenth Century. Nieuwe Prinsengracht 89 1018 VR Amsterdam Nederland: Amsterdam University Press, 2022. http://dx.doi.org/10.5117/9789463728614.

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This book investigates the aesthetic and conceptual characteristics of fifteenth-century female portraiture on panel. Portraits of women increased substantially during this century. They formed part of a material and a visual culture borne out of the rapid rise of an oligarchy from entrepreneurial activities that was especially advanced in the urbanised territories of Italy and Flanders. For this reason, the portraits in this book are by Netherlandish and Italian painters. They are simultaneously illustrative of the emancipation of the genre from its medieval idiom, and of the responses to the matrix of patriarchy, under which society was organised. Patriarchy is an androcentric structure that places women in a paradoxical situation of legal and social disenfranchisement on the account of purported psychophysical inadequacy, whilst making them the catalysts, through arranged marriages, for the success of the spheres of power, which are controlled by men. Thus, these portraits are also a window into women’s lives in this structure. This book is the first systematic study of their sign-system and of the feminine experience of seeing and being seen, at the intersection of disciplines that include art history, anthropology, legal history, philosophy. The surprising results suggest new interpretations of form and function in female portraiture, women’s active role in the imaging process and the early instances of a pro-women ideology.
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26

Lockwood, Lewis. La musica a Ferrara nel Rinascimento: La creazione di uncentro musicale nel XV secolo. Bologna: Il Mulino, 1987.

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27

Society for Italian Studies. Themed Conference. Resistance in Italian culture from Dante to the 21st century: La resistenza nella cultura italiana da Dante al XXI secolo. Firenze: Franco Cesati editore, 2019.

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28

Hartmann, Franz. The life of Philippus Theophrastus, Bombast of Hohenheim: Known by the name of Paracelsus, and the substance of his teachings concerning cosmology, anthropology, pneumatology, magic and sorcery, medicine, alchemy and astrology, philosophy and theosophy. San Diego, Calif: Wizards Bookshelf, 1985.

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29

M, Palmer Lucia, ed. On the most ancient wisdom of the Italians: Unearthed from the origins of the Latin language : including the disputation with the Giornale de'letterati d'Italia. Ithaca: Cornell University Press, 1988.

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30

Vico, Giambattista. On the most ancient wisdom of the Italians: Unearthed from the origins of the Latin language : including the disputation with the Giornale de' letterati d'Italia. Ithaca: Cornell University Press, 1988.

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31

Walter-Dressler, Helga. Masterpieces of graphic art: German, French, and Italian copperplate, engravings, and etchings of the 15th to 18th century from the Ferdinand Siegel Collection of the City of Karlsruhe. Karlsruhe: Stadt Karlsruhe-Städtische Galerie, 1991.

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32

Il mosaico di Giulietta e Romeo: Da Boccaccio a Bandello. Ravenna: Longo editore, 2014.

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33

Schuyler, Ingle, ed. Vintage Pellegrini: The collected wisdom of an American buongustaio : writings. Seattle, Wash: Sasquatch Books, 1991.

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34

The great instauration: Science, medicine, and reform, 1626-1660. 2nd ed. Oxford: Peter Lang, 2002.

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35

Ligęza, Maria. Technologia malowideł włoskich z XIV i XV wieku z kolekcji Lanckorońskich Zamku Królewskiego na Wawelu =: Studies in technology of the 14th and 15th century Italian panels belonging to the Lanckoroński collection in the Royal Castle Wawel. Kraków: Akademia Sztuk Pięknych w Krakowie, 2001.

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36

Danzare et sonare: Italian renaissance dance : 15th century Italian dances. Orcheston, Wiltshire: D.Cruickshank, 1992.

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37

Italian Bibliography 15th Century to 2003 CD-ROM. Gale Cengage, 2003.

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38

Healey, R. 15th Century Italian Woodcuts from the Biblioteca Classense Ravenna. Dovehouse Editions, 1989.

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39

Henry, Wallis. Italian Ceramic Art: Figure Design and Other Forms of Ornamentation in 15th Century Italian Maiolica. Creative Media Partners, LLC, 2021.

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40

Kanter, Laurence B. Italian Paintings in the Museum of Fine Arts Boston: 13Th-15th Century. Museum of Fine Arts Boston, 1994.

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41

Wise, David. Renaissance: 15th and 16th Century Italian Paintings from the Accademia Carrara, Bergamo. National Gallery of Australia, 2011.

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42

Rubini, Rocco. Other Renaissance: Italian Humanism Between Hegel and Heidegger. University of Chicago Press, 2014.

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43

Kanter, Laurence B., and Museum of Fine Arts. Italian Paintings in the Museum of Fine Arts, Boston, Volume 1: 13-15th Century. Museum of Fine Arts (Boston), 1997.

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44

The Other Renaissance: Italian Humanism between Hegel and Heidegger. University of Chicago Press, 2014.

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45

Catherine, Martin. Milton's Italy: Anglo-Italian Literature, Travel, and Connections in Seventeenth-Century England. Taylor & Francis Group, 2016.

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46

Catherine, Martin. Milton's Italy: Anglo-Italian Literature, Travel, and Connections in Seventeenth-Century England. Taylor & Francis Group, 2016.

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47

Rubini, Rocco. Other Renaissance. University of Chicago Press, 2014.

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48

Vattimo, Gianni. Responsibility of the Philosopher. Columbia University Press, 2010.

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49

Vattimo, Gianni, William McCuaig, and Franca D'Agostini. Responsibility of the Philosopher. Columbia University Press, 2010.

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50

Responsibility of the Philosopher. Columbia University Press, 2012.

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