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Käppeli, Silvia. "Compassion – a forgotten tradition of nursing?" Pflege 14, no. 5 (October 1, 2001): 293–306. http://dx.doi.org/10.1024/1012-5302.14.5.293.
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Die vorliegende wissenschaftliche Arbeit untersuchte die These, das jüdisch-christliche Motiv vom mit-leidenden Gott sei das Ur- und Vorbild einer Pflegeperson. Dementsprechend geht es hier um die Wirkungs- und Rezeptionsgeschichte dieses Motivs in der Krankenpflege aus judaistisch-pflegewissenschaftlicher Perspektive. Zur Untersuchung der Auslegungsgeschichte dieses Motivs war ein transdisziplinärer und methodisch pluralistischer Ansatz erforderlich. Er beinhaltete verschiedene Anwendungen der Hermeneutik, wie sie die Theologie, Historiographie und Philosophie brauchen. Das Untersuchungsmaterial setzte sich zusammen aus jüdischen und christlichen Primärquellen der ersten 400 Jahre n. Chr. und der dazugehörigen Sekundärliteratur sowie aus Krankenpflegeliteratur des 19. und 20. Jahrhunderts. Die Erscheinungsweise des Forschungsgegenstandes während dieser Zeitabschnitte wurde verglichen. Die Ergebnisse stützen die These und zeigen, dass das Motiv vom mit-leidenden Gott über die letzten 2000 Jahre hinweg in stets aktualisierter Form tradiert wurde. Was ursprünglich ein religiöses Motiv war, präsentiert sich in der modernen und post-modernen Pflegetheorie unter den Begriffen compassion und caring.
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Sánchez-Blanco, Francisco. "La filosofía del «sentido común» y el programa pedagógico de Claude Buffier." Cuadernos de Estudios del Siglo XVIII, no. 26 (October 27, 2017): 357. http://dx.doi.org/10.17811/cesxviii.26.2016.357-382.
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RESUMENLa reflexión sobre el sentido común es un motivo recurrente en la temprana Ilustración. La intención de Buffier no es establecer una lista de proposiciones en las que coincide de facto la mayoría de los hombres, sino de explicitar las premisas de la comunicación entre seres inteligentes que parten de distintas perspectivas. De ahí que su filosofía desemboque en un programa pedagógico que prepare para el trato con otras personas.PALABRAS CLAVEIlustración temprana, sentido común, percepción del otro, sociabilidad. TITELDie Philosophie des Gemeinsinns und das pädagogische Programm von Claude BuffierZUSAMMENFASSUNGDie Reflexion ubre den Gemeinsinn ist ein immer wiederkehrendes Motiv der frühen Aufklärung. Es geht Buffier nicht darum, eine Liste von Thesen aufzustellen, die von der Mehrheit der Menschen bejaht wird; vielmehr versucht er die Voraussetzungen für eine Kommunication zwischen Individuen mit verschiedenen Ansichten herauszuarbeiten. Daher ist seine Philosophie eher als eine Pädagogik des Umgangs mit Andersdenkendenzu verstehen.STICHWÖRTERFrühe Aufklärung, Gemeinsinn, Wahrnehmung des Anderen, soziales Verhalten.
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양대종. "Betrachtung über das weibliche Motiv in der Philosophie von F. Nietzsche." Journal of Korean Nietzsche-Society ll, no. 28 (October 2015): 49–92. http://dx.doi.org/10.16982/jkns.2015..28.002.
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Schuff, Jochen. "Wittgenstein verabscheut »Wittgenstein« und schaut sich »Annie Get Your Gun« an." Zeitschrift für Ästhetik und Allgemeine Kunstwissenschaft 55, no. 1 (2010): 91–107. http://dx.doi.org/10.28937/1000106168.
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Philosophie und Film stehen in einem spannungsvollen Verhältnis. Ziel des Artikels ist, diese Spannungen offen zu legen und ihnen auf den Grund zu gehen. Der Philosoph und Filmzuschauer Wittgenstein dient dabei als leitmotivische Figur der Diskussion. In den Linien, die von diesem Motiv ausgehen, zeigt sich die philosophische Unverfügbarkeit des Films. Um zu verstehen, was wir mit Film meinen und tun, ist eine spezifisch ästhetische Herangehensweise unabdingbar. Das bedeutet insbesondere, Film innerhalb der Praxis der Kunst zu verstehen. Ansätze zu einer solchen Sicht präsentiert der Autor abschließend in kurzen begrifflichen Reflexionen zum Film.<br><br>The relation between film and philosophy is a relation marked by tensions. The article’s aim is to unfold these tensions and to fathom them out. The figure of Wittgenstein as a philosopher and film spectator serves as a leitmotif throughout the course of the argument. Following the lines based in this motif, the philosophical unavailability of film becomes apparent. In order to understand what we mean by film and do with films, a specific aesthetic perspective is essential. This means, in particular, that film is to be understood within the practice of art. Eventually the author presents approaches to such a view in short conceptual reflections.
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Jug, Stephanie. "Motiv mosta i refleksivno promišljanje. O nužnosti primišljanja u romanu Der Mann auf der Brücke Vilme Vukelić." Anafora 11, no. 1 (2024): 47–70. http://dx.doi.org/10.29162/anafora.v11i1.3.
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Wilma Vukelichs Manuskript Der Mann auf der Brucke entstand 1955 in Zagreb, ein Jahr vor dem Tod der deutschsprachigen Schriftstellerin. Das im Titel eingeleitete Bruckenmotiv wird im Beitrag als literarisches Motiv und als Metapher fur reflexives Denken betrachtet, wobei auffallt, dass in der Literatur, Kultur und Philosophie des 20. Jahrhunderts das Uberlegen als bedrohte und fur das Menschliche an sich unabdingbare gedankliche Struktur hervorgehoben wird. Was schon als Problem in klassischen Stoffen wie dem Fauststoff zu finden ist, bekommt in politischen und sozialen Umwalzungen des 20. Jahrhunderts eine spezifische Auspragung. Die Grundlage dieser Lesart wird Clayton Koelbs Interpretation von Franz Kafkas Parabel Die Brucke entnommen und am Roman-Manuskript von Vukelich angewendet und erweitert. Dabei wird das analysierte Manuskript in Vukelichs Leben und Werk eingebettet und das Bruckenmotiv in all seinen Facetten ausgewertet. Letztendlich wird noch auf Hannah Arendts Konzept der Wahrheit in der Schwebe verwiesen, das als philosophische und praktische Umsetzung des erarbeiteten Bruckenkonzepts betrachtet werden kann.
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GAUTHIER, YVON. "De la logique à l’arithmétique. Pourquoi des logiques et des mathématiques constructivistes?" Dialogue 57, no. 1 (March 2018): 1–28. http://dx.doi.org/10.1017/s0012217318000070.
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Dans cet essai informel, je veux exposer les motivations et les motifs de l’approche constructiviste en logique et en mathématiques et, au-delà, dans le savoir scientifique en général et la physique théorique en particulier. Les questions fondationnelles dans ces domaines ne relèvent pas de la philosophie, mais la critique philosophique des fondements est ici un motif recteur ou un leitmotiv dans la mesure où elle départage les options théoriques d’une pratique scientifique souvent aveugle à ses propres présupposés doctrinaux. Il s’agit dès lors de la justification d’une option ou d’une posture philosophique critique dans le champ du savoir scientifique.
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Plante, Maxime. "La tonalité des philosophes. Une approche de D’un ton apocalyptique adopté naguère en philosophie." Varia 45, no. 1 (June 14, 2018): 201–14. http://dx.doi.org/10.7202/1048621ar.
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La lecture du texte D’un ton apocalyptique adopté naguère en philosophie n’est pas sans poser de difficiles problèmes d’interprétation. Parmi ceux-ci, on doit compter entre autres l’enchevêtrement des thèmes et la contradiction apparente de Derrida, partagé qu’il semble être entre une critique du recours au ton apocalyptique en philosophie et la récupération de ce ton au sein de son propre discours. L’article éclaire cette ambiguïté apparente en mettant en parallèle la question du ton dans la philosophie hégélienne avec le motif « apocalyptique » de la fin de la philosophie exprimé dans D’un ton apocalyptique… Cette mise en parallèle permet de dégager toute la cohérence et la pertinence de ce motif et d’éclairer en retour le débat avec Kant et ses héritiers qui traverse le texte en entier, et qui porte sur la possibilité et les limites de la démystification.
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Levesque, Simon. "Entretien avec Claudine Tiercelin, professeure au Collège de France." Cygne noir, no. 6 (June 8, 2022): 11–18. http://dx.doi.org/10.7202/1089774ar.
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Dans cet entretien réalisé par Simon Levesque pour le compte du Cygne noir, Claudine Tiercelin discute de l’importance de Charles S. Peirce sur sa pensée et dans le cheminement de sa carrière, mais également de la valeur générale des travaux du philosophe étatsunien du point de vue de l’histoire de la philosophie. Elle offre aussi des précisions sur la notion de méthode au regard de l’enquête, qui motive et dirige toute entreprise de connaissance, et des applications ou approfondissements vers lesquels l’ont portée ces enquêtes, notamment dans le choix des thèmes pour ses cours des dernières années au Collège de France.
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Jongha Lee. "Die utopische Motive der Philosophie Theodor W. Adornos." Studies in Philosophy East-West ll, no. 65 (September 2012): 167–90. http://dx.doi.org/10.15841/kspew..65.201209.167.
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Prole, Dragan. "Levinasova fenomenologija i obrat ka teologiji." Theoria, Beograd 53, no. 4 (2010): 35–49. http://dx.doi.org/10.2298/theo1004035p.
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(nemacki) Ausgehend von der Stellungnahme, dass in der modernen Philosophie die Tendenz in Richtung Relativisierung g?ltiger Grenzen zwischen Philosophie und Nichtphilosophie immer erkennbarer ist, er?rtert der Verfasser die Annahmen f?r den Durchbruch theologischer Motive in Hinblick der ph?nomenologischen Philosophie. Der erste Teil der Arbeit kommt zur Schlussfolgerung, dass eine der bedeutenden modernen Ansichten, den Begriff Philosophie nicht mehr mit der traditionellen Abgrenzung zwischen dem was sie sei und nicht sei verbindet, sondern mit der Delegitimierung von Grenzen. Der zweite Teil des Artikels befasst sich mit dem Er?rtern von Einspr?chen seitens Badiou und Janicaud in Hinblick darauf, dass jegliche Art von Offenheit gegen?ber theologischer Motive, die Ph?nomenologie vollkommen in einen theologischen Diskurs umwandelt. In Anbetracht darauf, dass die Einheit des Geistes gar nicht mehr mittels tranzendentaler Subjektivit?t zu erstellen versucht wird, sondern sich durch die Entbehrung von Subjektivit?t, im Namen des Unsichtbaren, der absoluten Andersartigkeit, der reinen Gabe oder Offenbarung '?ffnet', so zieht der Verfasser den Schluss, dass eine Zuwendung zur Theologie immer ein Antlitz von radikalen Abrechnens mit der Subjektivit?t darstellt.
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Drawin, Carlos Roberto. "HEIDEGGER E A CRÍTICA DA RAZÃO: PRIMEIRA PARTE: PROLEGÔMENOS À CRÍTICA TEO-LÓGICA DA RAZÃO." Síntese: Revista de Filosofia 37, no. 118 (September 9, 2010): 157. http://dx.doi.org/10.20911/21769389v37n118p157-185/2010.
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O presente texto é uma introdução à crítica heideggeriana da razão. O seu objetivo é ressaltar que o papel da religião na formação de Heidegger – seja através do seu catolicismo juvenil, seja em seu posterior encontro com o luteranismo – não se restringe a um interesse meramente biográfico, mas possui verdadeiro alcance filosófico. A crítica ao racionalismo moderno, alimentada pelo contexto católico da polêmica contra o modernismo, convergiu com a assimilação da fenomenologia husserliana em seu ânimo anti-empirista. Desse modo, longe de aproximar o filósofo do irracionalismo que se difundia dentre as “filosofias da vida”, o motivo teológico se mostrou como “gerador de razão”, isto é, não só como um elemento de distanciamento crítico com relação à primazia da epistemologia, que arrastaria a filosofia inexoravelmente aos impasses do “psicologismo”, mas também de comprometimento com o sentido ontológico inerente à própria razão.Abstract: This article is an introduction to Heidegger’s criticism of reason. It aims at highlighting that the role religion played in Heidegger’s formation – either through his early Catholicism, or through his posterior encounter with Lutheranism – was not merely of biographical interest, but had true philosophical significance. The criticism of modern rationalism, fed by the Catholic polemic against modernism, converged with the assimilation of Husserlian phenomenology and its anti-empiristic perspective. Therefore, far from bringing the philosopher close to the irrationality that prevailed among the “philosophies of life”, the theological motive functioned as a “generator of reason”. It was not only an element of critical distanciation from the primacy of epistemology that would inexorably draw philosophy towards the impasse of psychologism, but also a commitment to the ontological meaning, inherent to reason itself.
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Johae, Antony. "Matricide as Hidden Dream Motive/Motif in Dostoevsky’s Crime and Punishment." Dostoevsky Journal 21, no. 1 (September 5, 2020): 104–12. http://dx.doi.org/10.1163/23752122-02101006.
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Abstract An interdisciplinary study of dream motivation in Dostoevsky’s Crime and Punishment, using Freud’s dream analysis as a theoretical framework for interpreting the dream motif in the novel. Following R.D.Laing, who in The Self and Others proposed Dostoevsky’s protagonist, Raskolnikov, as the victim of his mother’s duplicity, and also drawing on Mikhail Bakhtin’s analysis of “microdialog”, I show that the dream in which Raskolnikov re-enacts the murder of Alyona, the money-lender, is a disguise (dream symbol) for his wishing his mother dead (dream work) and that, though he never becomes conscious of it, Raskolnikov is restored to mental health only when his mother is, in reality, dead. I maintain that such a covert explanation for Raskolnikov’s crime can only be accounted for in the “hidden architecture” (Foucault) of the narrative, but that, following Freud, there may still remain obscurities which resist interpretation.
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Voisset-Veysseyre, Cécile. "The Wolf Motif in the Hobbesian Text." Hobbes Studies 23, no. 2 (2010): 124–38. http://dx.doi.org/10.1163/187502510x531642.
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AbstractHobbesian anthropology makes use of the wolf motif, a Roman and Republican one, by which Hobbes defines a state of nature as a state of war where men live in diffidence each other and where fear is law; the wolf is there a timid or unsociable animal, not a sanguinary or savage creature. But against ancient philosophers and moral writers – Aristotle, Cicero – who regard man as a rational being and who believe in a right reason, the modern philosopher reuses this motif to set before men eyes that monarchy is the only way to protect citizens from gatherings of wolves in the city; reflections on civil wars conduct him to side with the sovereign power of one. Against upholders of regicide who compare the king to a tyrant, Hobbes inscribes the political motif of the wolf in his text by which beast – 'arrant wolf ' – is distinguishable from animal; he mainly rewrites it on Seneca's text, the Stoic who expounded a desperate vision of humankind. By focusing on a Graeco-Roman heritage, this study shows in three parts that the philosopher of De Cive and Leviathan is not really – not only – the man of a pessimistic view on mankind; it is a portrait of a Renaissance philosopher who never, exactly, wrote that 'man is a wolf to man'.
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Grigoruk, A. A. "Death Motive in Modern Youth Subcultures." Education and Science without Limits Fundamental and Applied Researches, no. 18 (2023): 141–44. http://dx.doi.org/10.36683/2500-249x/2023-18/141-144.
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The relevance of this study is explained by the fact that there were not yet scientific papers devoted to the semantics of death for National Bolshevik Party despite the fact that death plays a very important role for them, as well as the works touching on the problem of death in subcultures from the point of view of its philosophical foundations. The article at-tempts to describe the views of the National Bolshevik Party on the phenomenon of death from the point of view of philosophical and political movements on which this party relies on. They are Eurasianism, fascism, Jean Baudrillard and Michel Foucault philosophies.
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Foley, Amy A. "The Tension of Intention." Chiasmi International 21 (2019): 207–23. http://dx.doi.org/10.5840/chiasmi20192120.
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This article examines Maurice Merleau-Ponty’s reference to Franz Kafka’s “The Metamorphosis” and “Investigations of a Dog” in his lecture on gesture and reconciliation, “Man Seen from the Outside.” Given the centrality of gesture in Kafka’s work, this essay considers the connections between the two figures and the likely influence of Kafka on Merleau-Ponty’s concept of gesture and intentionality. It compares their respective philosophies of gesture as they relate to meaning, reliability, silence, music, and intention. Finally, Kafka’s gestural motif of the springing body is suggested as a significant example of Merleau-Ponty’s “escaping intentions,” expressing a powerful will to intend toward others.Cet article examine la référence de Maurice Merleau-Ponty à La Métamorphose et aux Recherches d’un chien de Franz Kafka dans sa « causerie » sur le geste et la réconciliation : « L’homme vu du dehors ». Étant-donnée la centralité du geste dans l’oeuvre de Kafka, cet article examine les liens entre les deux auteurs et la possible influence de Kafka sur les concepts merleau-pontiens de geste et d’intentionnalité. Nous comparerons leurs philosophies du geste dans leur manière de se rapporter au sens, à la fiabilité, au silence, à la musique et à l’intention. Enfin, le motif gestuel du corps jaillissant chez Kafka sera proposé comme un exemple significatif des « intentions fuyantes » de Merleau-Ponty, exprimant un puissant désir de se diriger vers les autres.Quest’articolo esamina i riferimenti merleau-pontiani a “La Metamorfosi” e a “Indagini di un cane” di Franz Kafka nella sua conferenza sul gesto e la riconciliazione, “L’uomo visto da fuori”. Data la centralità del gesto nell’opera di Kafka, questo saggio si propone di esaminare le connessioni tra i due autori e la possibile influenza di Kafka sulla concezione merleau-pontiana del gesto e dell’intenzionalità. L’articolo confronta le loro rispettive filosofie del gesto nella misura in cui si riferiscono al significato, alla veridicità, al silenzio, alla musica e all’intenzione. Da ultimo, il motivo gestuale del corpo elastico in Kafka è indagato come significativo esempio delle “intenzioni fuggevoli” merleau-pontiane che esprimono una volontà tesa verso gli altri.
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Toadvine, Ted. "Résumé: La mélodie de la vie et Ie motif de la philosophie." Chiasmi International 7 (2005): 279. http://dx.doi.org/10.5840/chiasmi2005744.
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Kwietniewska, Małgorzata. "L’enfant merveilleux chez Héraclite d’Ephèse." Revista Archai, no. 30 (December 7, 2020): e03034. http://dx.doi.org/10.14195/1984-249x_30_34.
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Dans la phrase marquée DK22 B52, Héraclite décrit un enfant jouant avec de petits objets (pessoi). Le garçon a tout un royaume à sa disposition et il est identifié lui-même avec l’éon. Ce célèbre fragment a été interprété de nombreuses manières par les philologues classiques et les philosophes. De nos jours, il est le plus souvent considéré comme une métaphore de la vie humaine. L’enfant, qui ne connaît pas encore les règles de la vie sociale, introduit dans cette vie des éléments de hasard et de jeu insouciant. Cependant, lorsqu’on compare la phrase d'Héraclite avec des récits de l’Inde ancienne, on peut reconnaître en lui le motif mythologique de l’acte de création – Dieu créant et gouvernant le monde. Dans ce contexte gouverner signifie établir des droits mathématiques fondamentaux – les mêmes droits que ceux appliqués aux observations astronomiques et à la recherche scientifique dans son ensemble. L’hypothèse, selon laquelle l’ancienne culture indoeuropéenne a affecté – à travers l’Inde – Héraclite, permet de mieux comprendre la pensée de ce philosophe qui sait combiner harmonieusement des éléments de science, de religion et d’art. L'hypothèse indienne explique également l’aura de sublimité et de sainteté qu’on retrouve chez les penseurs de l’Antiquité tardive qui ont sauvé la phrase d’Héraclite et l’ont transmise à la littérature occidentale.
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Pawlowski, Kazimierz. "The philosophical Initiation in Plato’s Phaedrus." ΣΧΟΛΗ. Ancient Philosophy and the Classical Tradition 14, no. 2 (2020): 419–30. http://dx.doi.org/10.25205/1995-4328-2020-14-2-419-430.
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The article deals with the topic of "initiations" in Plato's Phaedrus. The idea of initiation was characteristic of Greek mysteries, especially the Eleusinian and Orphic mysteries, which played a large role in the formation of Greek philosophy. The essence of initiations was the experience of divinity. The motive of initiations in Plato's Phaedrus seems to have a similar meaning. This is also suggested by the allegory of human souls as chariots and the mystical “epopteia” motif woven into it, suggesting Eleusinian analogies.
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Milanese, Arnaud. "Nécessité et imputation chez Hobbes." Varia 41, no. 1 (June 25, 2014): 3–35. http://dx.doi.org/10.7202/1025721ar.
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La philosophie pratique de Hobbes est problématique parce que son déterminisme ne semble pas permettre une théorie de l’action : comment penser l’imputation des actes, si l’on soutient que le libre-arbitre n’existe pas ? 1) Son analyse se construit à travers la critique de la théorie scolastique du libre arbitre (dans la controverse avec Bramhall), et, à cette fin, Hobbes semble puiser dans l’analyse d’Aristote pour y reprendre sa distinction entre actions volontaires et involontaires. 2) Mais il ne peut penser cependant la spécificité des actions humaines, comme d’Aristote, par la contingence. 3) Il ne lui reste alors, pour penser l’imputation dans une ontologie déterministe, qu’à constituer une conception de l’individualité de l’agent qui repense le motif aristotélicien de la détermination intérieure à agir, mais sans libre-arbitre ni contingence. 4) Si les difficultés théologiques subsistent, c’est parce que, pour Hobbes, aucune philosophie ne peut résoudre les mystères de la foi.
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Dimitrov, E. "Sergey Khoruzhy, or the motif of the problematic character of death." Voprosy literatury, no. 5 (November 29, 2021): 211–21. http://dx.doi.org/10.31425/0042-8795-2021-5-211-221.
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The article is devoted to the memory of an outstanding scholar — physicist, philosopher, theologian and translator — S. Khoruzhy (1941–2020), with whom the author maintained active communication for three decades. This communication included various human and scholarly encounters: meetings in person, correspondence, participation in projects and conferences, book presentations, and shared accommodations in Sofia and Moscow. The article reveals a number of hitherto unknown facts of the scholar’s biography. Also published are his thoughts on topics he found most relevant, based on an interview in Sofia in June 1997, transcribed by the author. Khoruzhy’s philosophical studies ran in parallel with his major subject (theoretical physics), but it was not until 1989 that his theological and philosophical works reached a wider audience. The article emphasises Khoruzhy’s versatile giſt: an original philosopher, author of the concept of synergetic anthropology and successor of the traditions of Russian religious philosophy, he is also atranslator of Ulysses, a scholar of J. Joyce, and a prominent figure of 20th- and 21st-c. Russian culture.
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Herwandi, M. Hum. "Since the Development of New Pattern of Minangkabau until the Motif Batik is Patented." Environment-Behaviour Proceedings Journal 5, SI3 (December 28, 2020): 327–34. http://dx.doi.org/10.21834/ebpj.v5isi3.2574.
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The Minangkabau ethnic group is centred in the central highlands of the island of Sumatra. Minangkabau societies are matrilineal in descent and conceive of two customary (adat) philosophies. They are expressed as the ever-expanding world as an educator (Alam terkembang jadikan guru) and adat based on sharia, sharia-based on the Qur'an (adat basandi syarak, syarak basandi Kitabullah). These adat philosophies have produced hundreds of traditional decorative patterns. This study discusses on Minangkabau ornamental patterns. Their motifs and philosophical bases. This article addresses seven new ornate designs and seven batik motifs, which have been designed, patented and analyses their foundations in Minangkabau philosophy. Keywords: Batik, Designs, Minangkabau, Motifs eISSN: 2398-4287© 2020. The Authors. Published for AMER ABRA cE-Bsby e-International Publishing House, Ltd., UK. This is an open access article under the CC BYNC-ND license (http://creativecommons.org/licenses/by-nc-nd/4.0/). Peer–review under responsibility of AMER (Association of Malaysian Environment-Behaviour Researchers), ABRA (Association of Behavioural Researchers on Asians) and cE-Bs (Centre for Environment-Behaviour Studies), Faculty of Architecture, Planning & Surveying, Universiti Teknologi MARA, Malaysia. DOI: https://doi.org/10.21834/ebpj.v5iSI3.2574
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Meireles, Cristina Amaro Viana. "Motivo e valor: repensando a liberdade individual com Ricoeur e Nabert." Revista Perspectiva Filosófica - ISSN: 2357-9986 48, no. 2 (November 1, 2021): 93. http://dx.doi.org/10.51359/2357-9986.2021.249264.
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Nesse texto, exploraremos a confluência de dois importantes filósofos franceses contemporâneos a respeito do problema da liberdade individual. Trata-se de Jean Nabert (1881-1960) e Paul Ricoeur (1913-2005), que serão lidos em seus textos de juventude: L’Expérience intérieure de la liberté (1924) e Éléments pour une Éthique (1943), no caso de Nabert ; Philosophie de la volonté 1: Le volontaire et l’involontaire (1950), no caso de Ricoeur. Nessas obras, ambos os filósofos nos legam a tarefa de recusar toda conceituação da vontade humana que a entenda como sendo constituída por fases, por momentos pontuais; em vez disso, eles a concebem em seu dinamismo próprio, seu ritmo de existência, no qual a decisão é apenas o ponto de chegada. É nesse ritmo de existência que o homem livre, ao constituir motivos para agir e criar valores para pautar suas ações, termina por criar a si mesmo.
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Lauzon, Jani. "Toronto Quest for Kindling." Canadian Theatre Review 68 (September 1991): 90. http://dx.doi.org/10.3138/ctr.68.023.
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During his lecture on philosophical anthropology at the University of Konigsberg in 1772, the German philosopher Immanuel Kant was quoted to have stated, “The American Indians have no motive force, for they are without affection and passion. They are incapable of governing themselves” and are “destined for extermination.”
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Sepúlveda Zambrano, Pedro. "Thomas Sören Hoffmann: Georg Wilhelm Friedrich Hegel. Eine Propädeutik. Wiesbaden, Marixverlag, 4ta ed. 2020." Revista de Estudios Kantianos 6, no. 2 (November 15, 2021): 265. http://dx.doi.org/10.7203/rek.6.2.20252.
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Con motivo de los doscientos cincuenta años del nacimiento de Hegel aparece la cuarta edición del libro Georg Wilhelm Friedrich Hegel. Eine Propädeutik del catedrático de la FernUniversität in Hagen, Prof. Dr. Thomas Sören Hoffmann. La presente recensión afirma que la tesis principal de dicho texto radica en la concepción de la filosofía de Hegel como una filosofía del Sí mismo libre (Philosophie des freien Selbst). Se reunirán así las huellas investigadas por la Propedéutica que acreditan semejante tesis a lo largo del camino del pensar del filósofo de la Ciencia de la lógica.
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Eliopoulos, Panos. "Human Rights, Compassion and the Issue of the Pure Motive in the Ethics of Schopenhauer and Buddhism." Journal of Indian Philosophy and Religion 25 (2020): 64–81. http://dx.doi.org/10.5840/jipr2020252.
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This paper focuses on a specific area of interest within the philosophical system of Schopenhauer and Buddhism which is human rights, the concept of compassion and the issue of the pure motive behind human action. Both theories express pessimism regarding the transitoriness of life and the pain caused, and how this deprives man of inner peace. The common acknowledgment of the fact that human life entails great suffering guides the two philosophies into an awareness of the need for salvation. In their metaphysics, there is a number of similarities that conclude to the point that moral truthfulness is a principal virtue in human life, practically indispensable for right living. In this particular context, while compassion is highlighted as the main ethical factor, it is a question of paramount importance in these doctrines whether the motive behind the action is a motive concentrated on the Self or purely on the Other.
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Jubara, Annett. "Ist das Ende der Geschichte ein hegelianisches Motiv?" Hegel Jahrbuch 2019, no. 1 (January 1, 2019): 552–58. http://dx.doi.org/10.3790/hgjb.2019.1.552.
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Scott, Stephen. "Motive and Justification." Journal of Philosophy 85, no. 9 (September 1988): 479. http://dx.doi.org/10.2307/2026804.
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Kinberg, Olof. "Motive, Choice, Will." Theoria 14, no. 3 (February 11, 2008): 209–37. http://dx.doi.org/10.1111/j.1755-2567.1948.tb00894.x.
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Garcia, J. L. A. "Motive and Duty." Idealistic Studies 20, no. 3 (1990): 230–37. http://dx.doi.org/10.5840/idstudies199020321.
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Petrenko-Tseunova, Olha. "The Motive of Discrepancy in Hryhorii Skovoroda’s Works." Kyiv-Mohyla Humanities Journal, no. 9 (December 29, 2022): 69–81. http://dx.doi.org/10.18523/kmhj270834.2022-9.69-81.
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The article explores the discrepancy of the form and the content as a philosophical, moral and axiological problem in the works of Hryhorii Skovoroda. Using the phenomenological reading and structural analysis, the author investigates the interaction between the form and the content in treatises, soliloquies, poems, and letters of Skovoroda. The intellectual and aesthetic background of the Baroque epoch to a large extent explains why this motive of discrepancy occupies a prominent place among the writings of the Ukrainian philosopher. The article analyzes the main plots, in which the discrepancy is revealed: vocation against non-congenial work; a real friend and a flunkey; the truth and a false thing; and the heavenly and an earthly city. After considering all these aspects and other crucial issues, it is concluded what makes the problem of discrepancy an invariant motive in the works of Hryhorii Skovoroda.
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Ramírez, Mario Teodoro. "Indigenous’ Otherness: Cause and Reason of Luis Villoro’s Philosophy." Eidos, no. 28 (January 15, 2018): 120–27. http://dx.doi.org/10.14482/eidos.28.10571.
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Ramírez, Mario Teodoro. "Indigenous’ Otherness: Cause and Reason of Luis Villoro’s Philosophy." Eidos, no. 28 (June 8, 2020): 120–27. http://dx.doi.org/10.14482/eidos.28.196.1.
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Veleva, Mariya. "El problema del comienzo en el «Sistema del idealismo trascendental»." Pensamiento. Revista de Investigación e Información Filosófica 75, no. 284 (May 14, 2019): 639–60. http://dx.doi.org/10.14422/pen.v75.i284.y2019.004.
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El descubrimiento del carácter poietico del principio del Idealismo trascendental motiva a Schelling a denominar el arte como órganon del Sistema de 1800 y a la vez se convierte en el motivo de algunas modificaciones radicales tanto de la metafísica como de la estética moderna. Schelling intenta deducir todos los comienzos relativos (condicionados) a partir de un solo comienzo, de un principio absoluto (incondicionado) cuya esencia es poiesis. La filosofía del arte no sólo está relacionada con el principio absoluto, sino también con el fin del Sistema, con la definición de la filosofía (más bien con su auto-de-fin-ición). Si el Sistema tiene un fin, si «acaba» en una obra de arte, no significa que lo infinito se agote, que se extinga en lo finito. Absolutum significa lo completo, lo acabado (das Vollendete) en el sentido de algo perfecto. El sistema acaba, sin «acabar», sin desgastarse, simplemente con auto-definirse, y a la vez autoconfirmarse como intelectivo y productivo, como Idealrealismo.
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Maggini, Golfo. "La première lecture heideggérienne de l'Éternel Retour." Dialogue 39, no. 1 (2000): 25–52. http://dx.doi.org/10.1017/s0012217300006387.
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AbstractThis paper focuses on Heidegger's 1937 lecture course on the Nietzschean doctrine of the Eternal Recurrence of the Same. Heidegger interprets the motive of recurrence in Nietzsche as the Moment (Augenblick) of the Eternal Recurrence. Through this key motive of the moment, we try then to examine the double function of the doctrine which, on the one hand, refers us back to some essential themes of the existential analytics, whereas, on the other hand, it paves the way for the new confrontation with metaphysics in the Beiträge zur Philosophie. We hold that the turning away from the existential conception of the moment toward its “aletheiological” understanding in terms of a “site of the Moment” (die Augenblicksstätte) takes place in the context of this very lecture course. This transition is even more critical as it constitutes the very heart of Heidegger's critique of subjectivity in the new perspective opened by the history of Being: Nietzsche's doctrine of time provides the basis for this questioning.
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Maziyah, Siti, A. Alamsyah, and Agustinus Supriyono. "Perkembangan Motif Batik Jepara Tahun 2008-2019: Identitas Baru Jepara Berbasis Kearifan Lokal." Jurnal Sejarah Citra Lekha 5, no. 1 (April 15, 2020): 45–56. http://dx.doi.org/10.14710/jscl.v5i1.28360.
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Along with the emergence of batik in various places with their respective regional identities, batik also emerged in Jepara with its characteristic motifs. This article aims to determine the development of Jepara batik motifs in 2008-2019 as Jepara's new identity based on local wisdom. The emergence of Batik Jepara has begun in 2008 that became the new identity of Jepara. This identity is further strengthened through the inauguration of batik as a world heritage object by UNESCO in 2009. This study uses literature, observation, and in-depth interview with batik entrepreneurs in Jepara to find out superior motifs and philosophies of each batik motif originating from the local wisdom of the people of Jepara. This identity is what makes Jepara batik motifs different from batik motifs in other places. The results show that the Jepara batik motif was influenced by the local culture of the Jepara community, that is not separated from the Jepara carving motif, Kartini batik motif, Jepara community legend, Jepara typical building icons, marine flora-fauna motifs that gave Jepara identity as a coastal area, and the existence of development motifs that remain based on the characteristics of Jepara.
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AHLBERG, ALF. "Eschatologische Motive des Marxismus." Theoria 15, no. 1-3 (February 11, 2008): 1–16. http://dx.doi.org/10.1111/j.1755-2567.1949.tb00135.x.
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HURKA, THOMAS. "RIGHT ACT, VIRTUOUS MOTIVE." Metaphilosophy 41, no. 1-2 (January 2010): 58–72. http://dx.doi.org/10.1111/j.1467-9973.2009.01624.x.
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van Zyl, Liezl. "Motive and Right Action." Philosophia 38, no. 2 (June 19, 2009): 405–15. http://dx.doi.org/10.1007/s11406-009-9214-4.
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Indriya, Indriya. "Edusyiarpeneur Masyarakat Melalui IRD Batik Motif Keulamaan." Al-Kharaj : Jurnal Ekonomi, Keuangan & Bisnis Syariah 5, no. 5 (May 1, 2023): 2544–53. http://dx.doi.org/10.47467/alkharaj.v5i5.3517.
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It is research that focuses on the creation of research-based works of art carrying the concepts of education, da'wah as well as economic value. The work created is IRD batik with the Ulamaan motif which has contributed to innovation in the development of batik motifs in Indonesia. It is hoped that the development of this batik motif can be used as a basis for making new products as a media for education and broadcast as well as a part of moving the community's economy. There are three stages in the method of creating works of art, namely experimentation, contemplation, and embodiment. From this method the author will develop Ulamaan batik motifs into new products that have edusyiarpreneur content. This research was conducted using a qualitative approach, and creator theory with an attempt to describe the reconstruction of Islamic Education values in batik motifs. Data collection was carried out through observation, literature study, interviews, and documentation, and was analyzed descriptively. The authors found this in the reconstruction of Islamic Education values which can be applied to a batik motif. The philosophies that can be applied to Islamic Education motifs or decorations include, (1) applicative transformation of Islamic Education through its batik motifs (education); (2) Education is characterized by the values of the teachings of the Ulama (syiar), (3) The existence of batik as an ancestral cultural heritage must continue to be preserved, one of which is IRD Batik, as a work of education, preaching as well as having economic value (preneur).
Keywords: Batik, IRD Batik Motives of Religion, Edusyiarpreneur
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Nascimento, David Inácio. "A Relação entre a Filosofia Foucaultiana e o Jornalismo." EDUCAÇÃO E FILOSOFIA 36, no. 76 (June 21, 2022): 537–58. http://dx.doi.org/10.14393/revedfil.v36n76a2022-64851.
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Muitos filósofos utilizaram o jornalismo como meio para expressar suas ideias. Depois da Segunda Guerra Mundial, por exemplo, Sartre, Adorno, Arendt, publicaram em jornais ou concederam entrevistas problematizando aquele evento: seus motivos, consequências e, sobretudo, as formas de evitar outras catástrofes. A partir de 1960, na França, Michel Foucault teve intensificada sua relação com jornais e jornalistas: concedeu entrevistas; participou de debates; publicou informativos e respostas a críticos; e, inclusive, atuou na criação do jornal Libération, em 1972. Quanto aos escritos do autor, conforme Deleuze (1991), as entrevistas de Foucault devem ser consideradas parte da obra do filósofo, destacando a importância do jornalismo para o pensamento do autor: várias delas foram compiladas e publicadas enquanto “formas de expressão” em livros como “Microfísica do Poder” (1977) e na Coleção “Ditos e Escritos” (1994), sendo decisivas para o conjunto da obra foucaultiana. Em sua perspectiva, Filosofia e jornalismo manifestam interesses semelhantes pela “atualidade”, entrecruzando suas práticas, motivo pelo qual se tornou importante dar a necessária atenção ao tema em seus escritos. Assim, este artigo tem como objetivo analisar a relação entre Foucault e o jornalismo de modo a responder como tal relação tem importância para o desenvolvimento e compreensão da filosofia foucaultiana. Palavras-chave: Foucault; Filosofia; Jornalismo; Atualidade; The relationship between Foucaultian Philosophy and Journalism: possibilities to thinking the ‘present reality’ Abstract: Many philosophers have used journalism to expose their ideas. After the Second World War Sartre, Adorno, Arendt published in newspapers or gave interviews about that event: the reasons, the consequences and how to avoid catastrophes. In France since 1960 Michel Foucault increased his relationship with newspapers and journalists: he was interviewed, participated in debates, published newsletters, responded to comments and worked on the project to create the newspaper Libération, in 1972. Considering the texts published in newspapers, Deleuze (1991) said that Foucault’s interviews should be read as part of Foucault’s work. This decision is important to think about the contribution of journalism to Foucault and to his political interventions. Several of these interventions were published as “forms of expression” in the books: “Microfisica del Potere” (Italy, 1977) and in the Collection “Dits et Écrits” (France, 1994) and they were decisive for Foucault’s work. For the author Philosophy and Journalism have similar interests in the present reality: they intertwine their practices and this is a reason to pay attention to this relationship in Foucault’s books. Thus, the present article aims to analyze the relationship between Foucault and journalism and then discuss how this relationship helps in the understanding of Foucault’s philosophy. Keywords: Foucault; Philosophy; Journalism; Present Reality; La relation entre la Philosophie Foucaultienne et le Journalisme: Des possibilités de penser à ‘l’Actualité’ Resumé: De nombreux philosophes ont utilisé le journalisme pour exprimer leurs idées. Après la Seconde Guerre mondiale, par exemple, Sartre, Adorno, Arendt ont écrit des journaux ou donné des entretetiens sur cet événement: les raisons, les conséquences et surtout les moyens d’éviter d’autres conflits. En France, depuis 1960, Michel Foucault multiplie les relations avec les journaux: il donne des entretiens, participe à des débats, publie des bulletins, répond aux critiques et participe à la création du journal Libération. En ce sens, Deleuze (1991) a déclaré que ces entretiens doivent être lus dans le cadre de l’œuvre foucaldienne, soulignant l’importance du journalisme pour la pensée de l’auteur. Plusieurs de ces entretiens ont été compilés et publiés comme “formes d’expression” dans des ouvrages tels que “Microfisica del Potere” (Italie, 1977) et “Dits et Écrits” (1994) et ont été importantes pour l’œuvre foucaldienne. Pour Foucault, la philosophie et le journalisme montrent des intérêts similaires pour l’actualité, ils mêlent leurs pratiques, et c’est pourquoi il est important de prêter attention au thème. Ainsi, cet article vise à analyser la relation entre Foucault et le journalisme et tenter de montrer comment cette relation est importante dans le développement et la compréhension de la philosophie de Foucault. Mots clés: Foucault; Philosophie; Journalisme; Actualité; Data de registro: 15/06/2022 Data de aceite: 22/02/2022
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Ibn-Sina, Abu Ali. "On Love (trans., comm. by T. K. Ibrahim, V. N. Efremova)." Minbar. Islamic Studies 11, no. 2 (September 21, 2018): 296–321. http://dx.doi.org/10.31162/2618-9569-2018-11-2-296-321.
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The treatise “On Love” is written by the greatest philosopher of the Islamic world Ibn-Sina (Avicenna, 980–1037). It develops a conception of love as one of God’s attributes as well as the driving motive of cosmogenesis and the principle, which unites the Creator and the creatures. Along with the teaching on epiphany (tajalli) this conception will become fundamental for Islamic theosophy and especially that of the Sufis.
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Papenko, Natalia, and Evgen Papenko. "Natalia Papenko, Evgen Papenko. Society and State in the Works of Thomas Paine." European Historical Studies, no. 10 (2018): 187–200. http://dx.doi.org/10.17721/2524-048x.2018.10.187-200.
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The article discovers the philosophical, socio-political views of the famous American enlightener, philosopher, and participant of the war for independence of northern American colonies of Great Britain – Thomas Paine (1737-1809). The article aims to demonstrate that the equality of people in accordance with their nature has been the main motive of Thomas Paine’s social philosophy. “Natural rights” have been determined by him as those pertaining to a human according to the right of its existence. Thomas Paine, being one of the first American enlighteners, has proved that the terms of “state” and “society” had appeared independently. The humans’ need of the social process, saving of their natural rights had forced them to unite into a society. This statement of the enlightener has been extremely important and accurate: “The society is produced by our desires, and government is produces by our wickedness… The society in every state is a blessing, but the government…is nothing but a necessary evil, and otherwise – an intolerable one”. It is proved that all philosophic works of T. Paine have been pierced by the thought about the inevitability of the state creation. The origin and the existence of state power becomes possible only under the social agreement, as exactly according thereto the humanity is able to realize its natural rights, and only under the social agreement the supreme power in the state shall belong to the nation. The article analyzes T. Paine’s conception about the leadership of the nation, republican principles and representative system of government in the republic form. The contemporaries called Thomas Paine “the British Voltaire” for his fight against willfulness of the church and clergy. He believed in the power of greatness of Mind and Virtue, which had to destroy the wickedness of civilizational society.
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François, Arnaud. "Michel Henry." Revue internationale Michel Henry, no. 1 (September 10, 2018): 51–68. http://dx.doi.org/10.14428/rimh.v1i1.6343.
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Le Marx de Michel Henry est un ouvrage paradoxal – comme en témoigne sa conclusion en manière de coup de force, selon laquelle Marx, au motif que sa philosophie contiendrait une « métaphysique de l’individu », est « l’un des premiers penseurs chrétiens de l’Occident » –, et, à ce titre, il ne peut valoir que par l’éclairage inédit qu’il donne aux textes précis qu’il commente. M. Henry procède ainsi en prêtant à Marx une ontologie de la « vie » subjective et monadique, celle-ci étant elle-même déterminée principalement comme « affectivité », tout en cherchant à mettre en lumière les concepts économiques de Marx à partir de cette notion. C’est le double caractère rigoureux et inédit d’un tel éclairage qu’Arnaud François tente de mettre en évidence.
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Aenishanslin, Jean-François. "De l’idéal au système. Hegel traducteur." Revue philosophique de la France et de l'étranger Tome 148, no. 4 (November 14, 2023): 451–75. http://dx.doi.org/10.3917/rphi.234.0451.
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Alors qu’il était précepteur en Suisse, le jeune Hegel traduisit minutieusement un libelle révolutionnaire dénonçant l’oppression que les autorités bernoises exerçaient sur le Pays de Vaud. Il publia ces Lettres de Jean-Jacques Cart à son retour en Allemagne, en 1798, sous le couvert d’un anonymat qu’il ne leva jamais. Derrière le caractère anecdotique de cette première publication, on peut déceler des enjeux qui conduisirent à l’instauration de l’idéalisme spéculatif. Le motif de la lutte pour la reconnaissance, en particulier, semble y trouver sa première apparition. Plus fondamentalement cette première publication éclaire le travail d’élaboration stylistique conduisant progressivement au système, avec, à l’horizon, la question de la portée pratique de la philosophie.
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Mangai, M. M., Tokan Aje, Bawa Mohammed, and Datau Nicodemus. "Aluminium hybrid composites: A review of reinforcement materials and reinforcement philosophies." Journal of Engineering Innovations and Applications 2, no. 1 (August 30, 2023): 6–14. http://dx.doi.org/10.31248/jeia2023.026.
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Aluminium hybrid composite reinforcement technology is a response to the demands of advanced engineering materials. The motive behind the use of aluminium hybrid components in the transport, agriculture and mining sectors is based on the requirement for weight reduction and in pursuit of high efficiency and performance at a reduced cost. The performance of these materials is largely dependent on selecting the right combination of reinforcing materials, since most of the physical, chemical, mechanical properties and processing parameters such as particle size, weight percent of reinforcement and fabrication method were largely associated with the reinforcement. This paper attempts to review the different materials that have been used as reinforcements and the reinforcement philosophy adopted by several researchers with a view to establishing the effects of the reinforcement materials on micro structural, mechanical and tribological properties of hybrid composites. The processing methodology and its effects on aluminium hybrid composites have also been reviewed with a view to suggesting the best applications of aluminium hybrid composites.
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Soulez, Antonia. "Phrases musicales." Circuit 17, no. 1 (December 7, 2007): 27–47. http://dx.doi.org/10.7202/016772ar.
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L’auteure examine ici la portée du paradigme musical dans la philosophie de Wittgenstein. Le cadre de cet examen est l’approche à partir de Wittgenstein de ce que les philosophes ont aujourd’hui à dire de la signification musicale. Deux styles d’approche sont suggérés, l’un projectif bien marqué par l’idée de « musikalische Gedanke » dans le Tractatus et révélateur d’une filiation à laquelle appartient Wittgenstein, et l’autre horizontal suivant l’axe grammatical du rapport esthétique d’appropriation du geste de l’oeuvre à travers une écoute active. Cette conception intègre une exploration de la résonance des aspects, dans une troisième phase qui ne sera pas développée. Comment Wittgenstein remplit-il certains critères d’appartenance à ce que Lydia Goehr appelle « la quête formelle de l’autonomie du musical » est une question qui conduit l’auteure à re-situer le nouage musique et société chez Wittgenstein, par contraste avec Adorno, en mettant en relief les conditions auxquelles une compréhension interne d’un « contenu formel » (Granger) peut se combiner ici avec le contexte d’une pratique. Soulez met donc l’autonomie musicale selon Wittgenstein à l’épreuve du contexte des formes de vie, dans une phase où dominent les « jeux » d’une grammaire comparative motivée par l’analogie de la compréhension d’une phrase du langage avec celle de la compréhension d’une phrase musicale. Mettant l’accent sur le caractère actif de la compréhension, doublée d’une performance, l’auteure entend montrer comment Wittgenstein pense la musique avec la société autrement qu’Adorno, donc sans référence dialectique. La clef est une connexion inédite entre immanentisme de la signification musicale à l’échelle d’une phrase, comme le pense Wittgenstein et ses contemporains de l’École de Vienne, et un schéma esthético-pragmatique de « context-dependency ». De là s’ensuit une forme d’autonomie compatible avec la sphère extramusicale. Si « tout un monde se tient dans une phrase musicale », comme le dit Wittgenstein, c’est bien au sens où un motif répercute certains aspects d’un « monde » auquel nous contribuons en le « faisant ».
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PERRIN, CHRISTOPHE. "L’Einsamkeit comme Grundbegriff. D’une idée fragmentée chez Heidegger." PhaenEx 6, no. 2 (November 15, 2011): 71–108. http://dx.doi.org/10.22329/p.v6i2.3479.
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Tenue par Heidegger pour un concept fondamental de la métaphysique et pourtant tue le plus souvent dans ses travaux publics, la solitude intrigue. Arpentant son chemin de pensée moins en historien de la philosophie qu’en géographe, nous suivrons donc dans son œuvre le chemin de traverse que nous semble constituer ce motif. De la nécessaire solitude du penseur à la salutaire solitude de l’homme en passant par la solitude sociale du Dasein, pourra ainsi être recomposée une conception exigeante de la solitude (Einsamkeit) qui la distingue et de l’isolement (Vereinsamung), et de l’être-seul (Alleinsein), pour la faire désigner finalement un certain esseulement (Vereinzelung), permettant à l’étant que nous sommes de s’approcher au plus près de son être, comme de l’être lui-même.
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Macallan, Brian Claude. "Freedom as a Centralizing Motif in the Work of Henri Bergson." Process Studies 50, no. 1 (2021): 67–87. http://dx.doi.org/10.5840/process20215015.
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Contemporary debates on freedom traverse questions concerning metaphysics, the mind/body relationship, evolution, morality, and religion. Throughout his life, the French philosopher Henri Bergson dealt with these questions from the perspective of time, believing that spatializing these problems led to inadequate solutions. That freedom was a centralizing concern in his oeuvre can be demonstrated in the way he approached these questions in challenging determinism, materialism, mechanism, and finalism. Bergson studies, despite noting the importance of freedom for Bergson, have focussed on intuition and duration as his seminal contributions. Bergson himself never thematized freedom in any specific way, but by working with a positive conception of freedom, as a creation of the new within the fiow of duration, freedom can be seen as a centralizing motif in his work. By clarifying the nature of freedom and its centrality, the ground can be cleared for a Bergsonian intervention into contemporary debates on freedom.
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Kodri, Riskika Fauziah, and Jullia Titaley. "Variasi Motif Batik Minahasa Berbasis Julia Set." Jurnal MIPA 6, no. 2 (October 30, 2017): 81. http://dx.doi.org/10.35799/jm.6.2.2017.17815.
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Batik adalah corak atau gambar (pada kain) yang pengolahannya diproses dengan cara tertentu biasanya dengan menerakan malam yaitu sejenis lilin pada kain. Batik Minahasa merupakan batik yang menggunakan motif tradisional atau ragam hias dari tanah adat Minahasa, Sulawesi Utara, Indonesia. Batik menjadi warisan budaya Indonesia salah satunya karena motif pada batik yang mengandung filosofi kehidupan masyarakat setempat. Variasi motif pola batik minahasa belum terlalu berkembang walaupun telah ada variasi dari penggabungan motif-motif asli batik Minahasa. Matematika memperkenalkan bentuk fraktal yang memiliki sifat keserupaan diri dan banyak dijumpai pada objek di dunia nyata. Julia Set adalah salah satu jenis fraktal yaitu yang berkaitan dengan bilangan kompleks dan dibangkitkan dari fungsi teriterasi . Tujuan penelitian ini adalah membuat variasi batik minahasa berbasis Julia set. Hasil penelitian menunjukkan dengan memilih sebuah bilangan kompleks tertentu dengan range dan memberikan bentuk-bentuk Julia set yang menarik. Menggunakan aplikasi basis fraktal, variasi batik minahasa berbasis Julia set dibuat dari ragam hias tradisional Minahasa dan motif Julia set yang dipilih dengan mengatur properti motif yang ada seperti layer layout, banyak iterasi, lebar, panjang, sudut, peningkatan sudut dan lain-lain.Batik is a motif or ornaments (on cloth) which processed in a certain way usually using malam which is some kind of wax to the cloth. Batik Minahasa is batik with traditional motif or ornament from indigenous land of Minahasa, North Sulawesi, Indonesia. One of the reasons batik become the cultural heritage of Indonesia is because of the motif which contained local people’s life philosophies. Motif variation of batik Minahasa has not much developed even though there are variations made by combining the traditional motifs. Mathematics introduces fractal which has self-similarity characteristic in its shapes and Julia Set is one of fractals object that corresponds to complex numbers and is generated from the iterated function . The purpose of this research is to make variations of batik Minahasa based on Julia set. The results show that by selecting a complex number within a range of and give interesting shapes of Julia sets. Using fractal-based applications, variation of batik Minahasa is made from traditional ornament and Julia Set motif which selected and arranging the properties such as layout layers, multiple iterations, width, length, angles, angle increases and more.
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Macallan, Brian Claude. "Freedom as a Centralizing Motif in the Work of Henri Bergson." Process Studies 50, no. 1 (April 1, 2021): 67–87. http://dx.doi.org/10.5406/processstudies.50.1.0067.
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Abstract Contemporary debates on freedom traverse questions concerning metaphysics, the mind/body relationship, evolution, morality, and religion. Throughout his life, the French philosopher Henri Bergson dealt with these questions from the perspective of time, believing that spatializing these problems led to inadequate solutions. That freedom was a centralizing concern in his oeuvre can be demonstrated in the way he approached these questions in challenging determinism, materialism, mechanism, and finalism. Bergson studies, despite noting the importance of freedom for Bergson, have focussed on intuition and duration as his seminal contributions. Bergson himself never thematized freedom in any specific way, but by working with a positive conception of freedom, as a creation of the new within the flow of duration, freedom can be seen as a centralizing motif in his work. By clarifying the nature of freedom and its centrality, the ground can be cleared for a Bergsonian intervention into contemporary debates on freedom.