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Books on the topic 'Philosophie du spectacle'

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Author: Grafiati

Published: 22 June 2023

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1

Philosopher sous le règne du spectacle. Sainte-Foy, Québec: Éditions Le Griffon d'argile, 1991.

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2

Baril, André. Philosopher sous le règne du spectacle. Sainte-Foy: Éditions Le Griffon d'argile, 1991.

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3

Fragments d'un théâtre amoureux. Besançon: Les Solitaires intempestifs, 2001.

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4

The Routledge companion to performance philosophy. London: Routledge, 2020.

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5

The politics of new media theatre: Life. London: Routledge, 2007.

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6

Christophe, Triau, ed. Qu'est-ce que le théâtre? Paris: Gallimard, 2006.

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7

Fortier, Mark. Theory/theatre: An introduction. 2nd ed. London: Routledge, 2002.

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8

Theory/theatre: An introduction. London: Routledge, 2002.

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9

Fortier, Mark. Theory/Theatre: An Introduction. London: Taylor & Francis Group Plc, 2003.

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10

Theory/theatre: An introduction. London: Routledge, 1997.

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11

Philology and performing arts: A challenge. Louvain-La-Neuve: Presses Universitaires de Louvain, 2014.

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12

France, Borel, ed. Le Corps-spectacle. Bruxelles: Editions de l'Université de Bruxelles, 1987.

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13

The future of ritual: Writings on culture and performance. London: Routledge, 1993.

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14

L'altérité en spectacle: 1789-1918. Rennes: Presses universitaires de Rennes, 2015.

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15

Benedetto, Steve Di. The provocation of the senses in contemporary theatre. New York: Routledge, 2010.

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16

The provocation of the senses in contemporary theatre. New York: Routledge, 2010.

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17

Helbo, André. Signes du spectacle: Des arts vivants aux médias. Bruxelles: P.I.E.-Peter Lang, 2006.

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18

Sanda, Golopenția-Eretescu, ed. Les propos spectacle: Études de pragmatique théâtrale. New York: Peter Lang, 1996.

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19

The dubious spectacle: Extremities of theater, 1976-2000. Minneapolis: University of Minnesota Press, 2002.

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20

J, Sherman Daniel, and Rogoff Irit, eds. Museum culture: Histories, discourses, spectacles. Minneapolis: University of Minnesota Press, 1994.

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21

Ross, Chanon. Gifts glittering and poisoned: Spectacle, empire, and metaphysics. Eugene, Oregon: Cascade Books, 2014.

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22

Marie, Laurence. Inventer l'acteur: Émotions et spectacle dans l'Europe des Lumières. Paris: Sorbonne université presses, 2019.

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23

J, Sherman Daniel, and Rogoff Irit, eds. Museum culture: Histories, discourses, spectacles. London: Routledge, 1994.

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24

C, Aitken Stuart, and Zonn Leo, eds. Place, power, situation, and spectacle: A geography of film. Lanham, Md: Rowman & Littlefield, 1994.

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25

Cinéma contre spectacle: Suivi de Technique et idéologie (1971-1972). Lagrasse: Verdier, 2009.

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26

Politique de la représentation: Littérature, spectacle, discours de savoir (XVIIe-XXIe siècles). Paris: Honoré Champion éditeur, 2014.

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27

Litvinova, Margarita. Socio-cultural dynamics of mass celebrations and spectacles. ru: INFRA-M Academic Publishing LLC., 2022. http://dx.doi.org/10.12737/1868937.

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Abstract:

The monograph is devoted to understanding the phenomenon of mass celebrations and spectacles from the modern theoretical positions of philosophy and cultural studies. Aspects of the essential content, structure and functional components of mass actions are considered. The analysis of the cultural and historical dynamics of mass holidays and spectacles in the context of the opposition "people - power" is carried out, the role and place of mass holidays and spectacles in the system of cultural values of Russia are determined. For a wide range of readers interested in the phenomenon of mass celebrations and spectacles. It can be useful for students, postgraduates and teachers of philosophical and cultural universities and faculties.

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28

Caillet-Balestrat, Mathilde. À ceux qui vous regardent: Essai sur le spectacle de danse contemporaine. Paris: L'Harmattan, 2019.

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29

L' analyse des spectacles: Théâtre, mime, danse, danse-théâtre, cinéma. Paris: Nathan, 1996.

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30

Bryon, Experience. Performing Interdisciplinarity: Working Across Disciplinary Boundaries Through an Active Aesthetic. Taylor & Francis Group, 2017.

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31

Bryon, Experience. Performing Interdisciplinarity: Working Across Disciplinary Boundaries Through an Active Aesthetic. Taylor & Francis Group, 2017.

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32

Bryon, Experience. Performing Interdisciplinarity: Working Across Disciplinary Boundaries Through an Active Aesthetic. Taylor & Francis Group, 2017.

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33

Performing Interdisciplinarity: Working Across Disciplinary Boundaries Through an Active Aesthetic. Taylor & Francis Group, 2017.

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34

Bryon, Experience. Performing Interdisciplinarity: Working Across Disciplinary Boundaries Through an Active Aesthetic. Taylor & Francis Group, 2017.

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35

Reading Contemporary Performance: Theatricality Across Genres. Taylor & Francis Group, 2015.

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36

Cheng, Meiling, and Gabrielle Cody. Reading Contemporary Performance: Theatricality Across Genres. Taylor & Francis Group, 2015.

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37

Politics of New Media Theatre: Life. Routledge, 2006.

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38

Giannachi, Gabriella. Politics of New Media Theatre: Life®. Taylor & Francis Group, 2006.

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39

Giannachi, Gabriella. Politics of New Media Theatre: Life®. Taylor & Francis Group, 2006.

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40

Schechner, Richard. New Third World of Performance. Taylor & Francis Group, 2014.

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41

Giannachi, Gabriella. Politics of New Media Theatre. Taylor & Francis Group, 2009.

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42

New Third World of Performance. Taylor & Francis Group, 2014.

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43

Aesthetic Collectives. Taylor & Francis Group, 2022.

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44

Fischer-Lichte, Erika. Transformative Power of Performance: A New Aesthetics. Taylor & Francis Group, 2008.

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45

The Transformative Power of Performance: Re-Enchanting the World. Routledge, 2008.

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46

Theatrical Presentation. Routledge, 1991.

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47

Pelias, Ronald J. Writing Performance, Identity, and Everyday Life: The Selected Works of Ronald J. Pelias. Taylor & Francis Group, 2018.

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48

Pelias, Ronald J. Writing Performance Identity and Everyday Life. Taylor & Francis Group, 2020.

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49

Writing Performance, Identity, and Everyday Life: The Selected Works of Ronald J. Pelias. Taylor & Francis Group, 2018.

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50

Pelias, Ronald J. Writing Performance, Identity, and Everyday Life: The Selected Works of Ronald J. Pelias. Taylor & Francis Group, 2018.

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