Journal articles on the topic 'Phenomenology of film'
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Puckett, Thomas F. N. "A Phenomenology of Film Experience." American Journal of Semiotics 15, no. 1 (2000): 311–18. http://dx.doi.org/10.5840/ajs200015/161/414.
Full textHarvey, Charles. "Phenomenology, Film and Religious Belief." Glimpse 6 (2004): 11–18. http://dx.doi.org/10.5840/glimpse200464.
Full textTomasulo, Frank P. "Selected bibliography: Phenomenology and film." Quarterly Review of Film and Video 12, no. 3 (June 1990): 99–101. http://dx.doi.org/10.1080/10509209009361356.
Full textHanich, Julian. "How Many Emotions Does Film Studies Need?" Projections 15, no. 2 (June 1, 2021): 91–115. http://dx.doi.org/10.3167/proj.2021.150204.
Full textInce, Kate. "Feminist Phenomenology and the Film World of Agnès Varda." Hypatia 28, no. 3 (2013): 602–17. http://dx.doi.org/10.1111/j.1527-2001.2012.01303.x.
Full textFerencz-Flatz, Christian, and Julian Hanich. "Editor’s Introduction: What is Film Phenomenology?" Studia Phaenomenologica 16 (2016): 11–61. http://dx.doi.org/10.5840/studphaen2016161.
Full textNair, Kartik. "Toward a Phenomenology of Film Production." Discourse 44, no. 2 (March 2022): 158–80. http://dx.doi.org/10.1353/dis.2022.0016.
Full textSoman, S., J. Parameshwaran, and J. KP. "Films and fiction leading to onset of psycho-phenomenology: Case reports from a tertiary mental health center, India." European Psychiatry 41, S1 (April 2017): S747. http://dx.doi.org/10.1016/j.eurpsy.2017.01.1385.
Full textFair, Alan. "Domietta Torlasco (2008) The Time of the Crime: Phenomenology, Psychoanalysis, Italian Film." Film-Philosophy 14, no. 1 (February 2010): 303–9. http://dx.doi.org/10.3366/film.2010.0012.
Full textSinnerbrink, Robert. "Guest Editor's Introduction." Projections 13, no. 2 (June 1, 2019): 1–19. http://dx.doi.org/10.3167/proj.2019.130201.
Full textChateau, Dominique, and Martin Lefebvre. "Dance and Fetish: Phenomenology and Metz's Epistemological Shift." October 148 (May 2014): 103–32. http://dx.doi.org/10.1162/octo_a_00177.
Full textSera, Mareike. "Saige Walton (2016)Cinema's Baroque Flesh: Film, Phenomenology and the Art of Entanglement." Film-Philosophy 22, no. 2 (June 2018): 302–5. http://dx.doi.org/10.3366/film.2018.0078.
Full textAdkins, Peter. "James Joyce and the phenomenology of film." Textual Practice 32, no. 6 (July 3, 2018): 1030–33. http://dx.doi.org/10.1080/0950236x.2018.1492246.
Full textFuruya, Kohei. "Why Is Touch Sometimes So Touching?: The Phenomenology of Touch in Susan Streitfeld'sFemale Perversions." Film-Philosophy 15, no. 1 (February 2011): 63–81. http://dx.doi.org/10.3366/film.2011.0004.
Full textBrayard, Frédéric. "Jenny Chamarette (2012) Phenomenology and the Future of Film: Rethinking Subjectivity beyond French Cinema." Film-Philosophy 20, no. 2-3 (October 2016): 391–93. http://dx.doi.org/10.3366/film.2016.0025.
Full textWalton, Saige. "Other Sides." Projections 13, no. 2 (June 1, 2019): 38–57. http://dx.doi.org/10.3167/proj.2019.130203.
Full textSchofield, Paul. "Action and Agency inThe Red Shoes." Film-Philosophy 22, no. 3 (October 2018): 484–500. http://dx.doi.org/10.3366/film.2018.0091.
Full textLindner, Katharina. "Questions of embodied difference: Film and queer phenomenology." NECSUS. European Journal of Media Studies 1, no. 2 (January 1, 2012): 199–217. http://dx.doi.org/10.5117/necsus2012.2.lind.
Full textKirály, Hajnal. "Arrested and Arresting: Intermedial Images and the Self-Reflexive Spectator of Contemporary Cinema." Acta Universitatis Sapientiae, Film and Media Studies 18, no. 1 (October 1, 2020): 57–71. http://dx.doi.org/10.2478/ausfm-2020-0003.
Full textLandry, Olivia. "A Body Without a Face: The Disorientation of Trauma in Phoenix (2014) and New Holocaust Cinema." Film-Philosophy 21, no. 2 (June 2017): 188–205. http://dx.doi.org/10.3366/film.2017.0043.
Full textVincze, Teréz. "The Phenomenology of Trauma. Sound and Haptic Sensuality in Son of Saul." Acta Universitatis Sapientiae, Film and Media Studies 13, no. 1 (December 1, 2016): 107–26. http://dx.doi.org/10.1515/ausfm-2016-0017.
Full textByrne, Peter. "Why psychiatrists should watch films (or What has cinema ever done for psychiatry?)." Advances in Psychiatric Treatment 15, no. 4 (July 2009): 286–96. http://dx.doi.org/10.1192/apt.bp.107.005306.
Full textChamarette, Jenny. "Embodied Worlds and Situated Bodies: Feminism, Phenomenology, Film Theory." Signs: Journal of Women in Culture and Society 40, no. 2 (January 2015): 289–95. http://dx.doi.org/10.1086/678144.
Full textCastaldi, Simone. "The Time of the Crime. Phenomenology, Psychoanalysis, Italian Film." Journal of Modern Italian Studies 15, no. 1 (January 2010): 168–69. http://dx.doi.org/10.1080/13545710903465671.
Full textMcHugh, Kevin E. "Touch at a distance: toward a phenomenology of film." GeoJournal 80, no. 6 (June 7, 2015): 839–51. http://dx.doi.org/10.1007/s10708-015-9650-6.
Full textSigrist, M., N. Ogawa, and K. Ueda. "Phenomenology of an unconventional superconductor in a thin film." Physica C: Superconductivity 185-189 (December 1991): 2053–54. http://dx.doi.org/10.1016/0921-4534(91)91151-s.
Full textMarks, E. M., C. Steel, and E. R. Peters. "Intrusions in trauma and psychosis: information processing and phenomenology." Psychological Medicine 42, no. 11 (March 23, 2012): 2313–23. http://dx.doi.org/10.1017/s0033291712000505.
Full textPelusi, F., M. Sega, and J. Harting. "Liquid film rupture beyond the thin-film equation: A multi-component lattice Boltzmann study." Physics of Fluids 34, no. 6 (June 2022): 062109. http://dx.doi.org/10.1063/5.0093043.
Full textHeber-Percy, Colin. "The Flesh is Weak. Empathy and Becoming Human in Jonathan Glazer's "Under the Skin"." Aesthetic Investigations 3, no. 2 (July 22, 2020): 347–64. http://dx.doi.org/10.58519/aesthinv.v3i2.11943.
Full textHockley, Luke. "Jungian screen studies – ‘Everything is Awesome…’?" International Journal of Jungian Studies 7, no. 1 (January 2, 2015): 55–66. http://dx.doi.org/10.1080/19409052.2014.958896.
Full textSchlupmann, Heide, and Thomas Y. Levin. "Phenomenology of Film: On Siegfried Kracauer's Writings of the 1920s." New German Critique, no. 40 (1987): 97. http://dx.doi.org/10.2307/488134.
Full textOxenhandler, Neal, and Vivian Sobchack. "The Address of the Eye: A Phenomenology of Film Experience." SubStance 22, no. 1 (1993): 132. http://dx.doi.org/10.2307/3684747.
Full textVaage, Margrethe Bruun. "The Empathetic Film Spectator in Analytic Philosophy and Naturalized Phenomenology." Film and Philosophy 10 (2006): 21–38. http://dx.doi.org/10.5840/filmphil2006103.
Full textPlantinga, Carl, and Allan Casebier. "Film and Phenomenology: Toward a Realist Theory of Cinematic Representation." Journal of Aesthetics and Art Criticism 51, no. 3 (1993): 511. http://dx.doi.org/10.2307/431522.
Full textNeill, Alex, and Allan Casebier. "Film and Phenomenology: Toward a Realist Theory of Cinematic Representation." Philosophy and Phenomenological Research 54, no. 2 (June 1994): 486. http://dx.doi.org/10.2307/2108512.
Full textCoates, Paul. "Film and phenomenology: Toward a realist theory of cinematic representation." History of European Ideas 17, no. 1 (January 1993): 113–14. http://dx.doi.org/10.1016/0191-6599(93)90020-q.
Full textStephens, Elizabeth. "Sensation machine: Film, phenomenology and the training of the senses." Continuum 26, no. 4 (July 27, 2012): 529–39. http://dx.doi.org/10.1080/10304312.2012.698033.
Full textCasey, Joel. "Cleo Hanaway-Oakley, James Joyce and the Phenomenology of Film." Notes and Queries 67, no. 3 (August 18, 2020): 449–50. http://dx.doi.org/10.1093/notesj/gjaa121.
Full textDeckard, Michael. "C. Hanaway-Oakley, James Joyce and the phenomenology of film." Phenomenological Reviews 5 (2019): 27. http://dx.doi.org/10.19079/pr.5.27.
Full textPrzybysz, Piotr J. "Fenomenologia, film i awangarda. O inspiracjach Stefana Morawskiego." Przegląd Kulturoznawczy, no. 3 (49) (2021): 562–80. http://dx.doi.org/10.4467/10.4467/20843860pk.21.039.14359.
Full textPrzybysz, Piotr J. "Fenomenologia, film i awangarda. O inspiracjach Stefana Morawskiego." Przegląd Kulturoznawczy, no. 3 (49) (2021): 562–80. http://dx.doi.org/10.4467/20843860pk.21.039.14359.
Full textHorrocks, Roger. "The dance of the hand: Len Lye’s direct films." Animation Practice, Process & Production 8, no. 1 (December 1, 2019): 33–45. http://dx.doi.org/10.1386/ap3_00003_1.
Full textBerger, Matthew. "James Joyce and The Phenomenology of Film by Cleo Hanaway-Oakley." James Joyce Quarterly 55, no. 1-2 (2017): 228–31. http://dx.doi.org/10.1353/jjq.2017.0042.
Full textMillar, Becky, and Jonny Lee. "Horror Films and Grief." Emotion Review 13, no. 3 (July 2021): 171–82. http://dx.doi.org/10.1177/17540739211022815.
Full textAmit, Rea. "What Is Japanese Cinema?" positions: asia critique 27, no. 4 (November 1, 2019): 597–621. http://dx.doi.org/10.1215/10679847-7726903.
Full textGaut, Berys. ": Film and Phenomenology: Toward a Realist Theory of Cinematic Representation . Allan Casebier." Film Quarterly 47, no. 1 (October 1993): 47–49. http://dx.doi.org/10.1525/fq.1993.47.1.04a00130.
Full textEugeni, Ruggero. "“A Past Which Has Never Been a Present”. Cinema and Photography in Blow-Up by Michelangelo Antonioni." Recherches sémiotiques 28, no. 1-2 (October 7, 2010): 125–35. http://dx.doi.org/10.7202/044592ar.
Full textMohamad Rasit, Rosmawati, and Nur Hazriani Razali. "Phenomenological Study of Shariah-Compliant Films as Da’wah Medium." Ulum Islamiyyah 23 (April 1, 2018): 1–11. http://dx.doi.org/10.33102/uij.vol23no0.15.
Full textGallese, Vittorio, and Michele Guerra. "The Neuroscience of Film." Projections 16, no. 1 (March 1, 2022): 1–10. http://dx.doi.org/10.3167/proj.2022.160101.
Full textMikheeva, Julia V. "Sound in the films of Michael Haneke from the perspective of phenomenological aesthetics." Journal of Flm Arts and Film Studies 11, no. 3 (November 13, 2019): 116–27. http://dx.doi.org/10.17816/vgik113116-127.
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