Relevant bibliographies by topics / Phantom Bodies

Academic literature on the topic 'Phantom Bodies'

Author: Grafiati
Published: 4 June 2021
Last updated: 12 February 2022

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Journal articles on the topic "Phantom Bodies"

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Turner, Leaf, and Ari M. Turner. "Asymmetric rolling bodies and the phantom torque." American Journal of Physics 78, no. 9 (September 2010): 905–8. http://dx.doi.org/10.1119/1.3456118.

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Privalova, Ekaterina, Yana Shumina, Aleksandr Vasilyev, and Igor Bondarenko. "The Phantom for Studying Foreign Bodies’ Echo-Signs." International Journal of Biomedicine 10, no. 2 (June 15, 2020): 124–28. http://dx.doi.org/10.21103/article10(2)_oa7.

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Kasraie, Nima, Amie Robinson, and Sherwin Chan. "Construction of an Anthropomorphic Phantom for Use in Evaluating Pediatric Airway Digital Tomosynthesis Protocols." Radiology Research and Practice 2018 (2018): 1–9. http://dx.doi.org/10.1155/2018/3835810.

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Interpretation of radiolucent foreign bodies (FBs) is a common task charged to pediatric radiologists. The use of a motion compensated technique to decrease breathing motion on images would greatly decrease overall exposure to ionizing radiation and increase access to treatment yielding a great impact on clinical care. This study reports on the methodology and materials used to construct an in-house anthropomorphic phantom for investigating image quality in digital tomosynthesis protocols for volumetric imaging of the pediatric airway. Availability and cost of possible substitute materials were considered and simplifying assumptions were made. Two different modular phantoms were assembled in coronal slab layers using materials designed to approximate a one- and three-year-old thorax at diagnostic photon energies for use with digital tomosynthesis protocols such as those offered on GE’s VolumeRAD application. Exposures were made using both phantoms with inserted food particles inside an oscillating airway. The goal of the phantom is to help evaluate (1) whether the currently used protocol is sufficient to image the airway despite breathing motion and (2) whether it is not, to find the optimal protocol by testing various commercially available protocols using this phantom. The affordable construction of the pediatric sized phantom aimed at optimizing GE’s VolumeRAD protocol for airway foreign body imaging is demonstrated in this study which can be used to test VolumeRAD’s ability to image the airways with and without a low-density foreign body within the airways.
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Cervetti, Nancy. "Bodies in the Archive." RBM: A Journal of Rare Books, Manuscripts, and Cultural Heritage 15, no. 2 (September 1, 2014): 124–34. http://dx.doi.org/10.5860/rbm.15.2.425.

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Off and on for fifteen years I traveled the country to research the life and work of the nineteenth-century physician S. Weir Mitchell. Mitchell is best known as the creator of the rest cure to treat hysteria and neurasthenia, but his wide-ranging interests led him to explore many other areas of medicine and literature. His groundbreaking work with rattlesnake venom earned him an international reputation, and his work with gunshot wounds, burning pain, and phantom limbs during the U.S. Civil War won him the title of the “Father of American Neurology.” Mitchell also possessed an impressive facility with language, and . . .
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Wasserman, Tina. "Phantom Bodies: The Missing People and Empty Streets of Film Noir." Quarterly Review of Film and Video 31, no. 7 (July 24, 2014): 611–20. http://dx.doi.org/10.1080/10509208.2012.710520.

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Knowles, Ric. "Editorial Comment: Vocalic Bodies, Scriptive Things, Phantom Limbs, and Other Paradoxes." Theatre Journal 67, no. 1 (2015): ix—xi. http://dx.doi.org/10.1353/tj.2015.0011.

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Nelson, Diane M. "Phantom Limbs and Invisible Hands: Bodies, Prosthetics, and Late Capitalist Identifications." Cultural Anthropology 16, no. 3 (August 2001): 303–13. http://dx.doi.org/10.1525/can.2001.16.3.303.

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Потапкин, А. В., and Д. Ю. Москвичев. "Зависимость звукового удара от взаимного расположения тел в сверхзвуковом потоке." Письма в журнал технической физики 46, no. 6 (2020): 43. http://dx.doi.org/10.21883/pjtf.2020.06.49165.18071.

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Results of calculating the sonic boom generated in a supersonic air flow by two bodies (disk and slender body of revolution) are presented. The bodies are arranged one behind the other. The slender body is aerodynamically shaded by the disk. The free-stream Mach number is 2. The calculations are performed by a combined method of “phantom bodies.” By changing the disk position and its size, it is possible to reduce the sonic boom level. Based on the calculation results, the gas-dynamic factors affecting the sonic boom level are described.
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Chancy, Myriam J. A. "Desecrated bodies/phantom limbs: Post-traumatic reconstructions of corporeality in Haiti/Rwanda." Atlantic Studies 8, no. 1 (March 2011): 109–23. http://dx.doi.org/10.1080/14788810.2011.539779.

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Потапкин, А. В., and Д. Ю. Москвичев. "Влияние локального нагрева набегающего потока на уровень звукового удара от тонкого тела, находящегося в аэродинамической тени за диском." Письма в журнал технической физики 47, no. 16 (2021): 28. http://dx.doi.org/10.21883/pjtf.2021.16.51325.18789.

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Calculations are performed for a sonic boom generated by two bodies (a disk and a thin body of revolution) in the case of local heating of the incident air flow. The bodies are in a heat trail behind the heating region. The thin body is in an aerodynamic shadow behind the disk. The Mach number of the cold air flow is 2. The calculations are carried out using the combined method of "phantom bodies". It is concluded on the basis of the calculations that the level of a sonic boom can be effectively suppressed by simultaneously using the heating of the incident flow and the aerodynamic shadow behind the disk.
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Dissertations / Theses on the topic "Phantom Bodies"

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Lavi, Tali, and talilavi@netspace net au. "Tales of Ash: Phantom Bodies as Testimony in Artistic Representations of Terrorism." RMIT University. Creative Media, 2007. http://adt.lib.rmit.edu.au/adt/public/adt-VIT20080428.114445.

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This paper delves into the realms of tragedy, memory and representation. Drawing upon the phenomenon of the Phantom Limb and extending it towards a theory of Phantom Bodies, various artworks - literary, theatrical and visual - are examined. After the conflagration of the terrorist attack, how are these absences grieved over and remembered through artistic representation? The essay examines this question by positioning itself amongst the scarred landscapes of post-September 11 New York and suicide bombings in Israel (2000-2006). Furthermore, it investigates whether humanity can be restored in the aftermath of an event in which certain individuals have sought to eradicate it. The fragmentation of the affected body in these scenarios is understood as further complicating processes of grief and remembrance. Artists who reject political polemic and engage with the dimensions of human loss are seen to have discovered means of referring to the absence caused by the act of terrorism. Three such recurring representations present themselves: ash and remnants, presence/absence and memory building. Phantom Bodies are perceived as simultaneously functioning as a reminder of the event itself, insisting upon the response of bearing witness, and as a symbol of the overwhelming power of humanity. Challenges arise when individuals or sections of the affected society deem these artworks to be inappropriate or explicit. Works considered include: Neil LaBute's play The Mercy Seat, Sigalit Landau's art installation The Country, Jonathan Safran Foer's Extremely Loud & Incredibly Close, Spike Lee's 25th Hour, Daniel Libeskind's architectural plans for the World Trade Center site, Eric Fischl's sculpture 'Tumbling Woman', Honor Molloy's autodelete://beginning dump of physical memory and A.B.Yehoshua's A Woman in Jerusalem. The accompanying play, Tales of Ash: A diptych for the theatre, is set in Melbourne, New York and Tel Aviv and deals with life in the face of and after terror. It veers between naturalism, poetic monologue and the epic. Tales of Ash contains two plays. The first centres on Mia, a young sculptor living in New York, who loses both her lover and her creativity on September 11. Upon returning to her home in Melbourne, she finds familial bonds still entwined with guilt and family trauma. The second play revolves around Ilana and Benny, two people living in Tel Aviv, who find themselves suddenly thrust together after a devastating bombing. As they attempt to resume rhythms of life, in the face of all the inherent ferocity of a modern existence in Israel, the struggle between The Ash Woman and The Ash Takers escalates.
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Russell, Sian. "Phantom dispositions & devalued bodies : a Bourdieusian analysis of the experiences and perceptions of stroke survivors living in the community." Thesis, University of Dundee, 2014. https://discovery.dundee.ac.uk/en/studentTheses/760e040e-c350-4982-b53d-f2ec91155571.

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Loewy, Monika. "Body integrity identity disorder and the phantom limb : reflections on the bodily text." Thesis, Goldsmiths College (University of London), 2017. http://research.gold.ac.uk/19805/.

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Body Integrity Identity Disorder (BIID) describes a condition in which a person desires to self-amputate in order to feel whole, and the phantom limb syndrome (PLS) occurs when an individual feels (typically painful) sensations in a non-existent limb. These conditions have been predominantly researched through biomedical models that struggle to find comprehensive reasons or cures, while a psychological model is lacking. Thus, these conditions insist that we debate them from a more nuanced view, which I approach through literature, cultural works, and psychoanalysis. In order to do this, we must attend to what is central to both phenomena: a feeling of rupture that contrasts a desire for wholeness. This theme will be elaborated through a discussion of the mirror-box, which is a therapeutic device that alleviates phantom limb pain by superimposing a mirror image of the existent limb onto the absent one, to create an illusion of bodily unity. I use this example to illuminate how texts and psychoanalysis involve reflections of self that can lead to a symbolic reconstitution. What this dialogue illuminates is how theoretical and psychical notions are intertwined with physical experience. I begin by surveying BIID and PLS, which is followed by two case studies that convey personal experiences of living with the syndromes. Chapter Two examines how BIID and PLS bring out an affinity between psychoanalysis and literature. The third chapter uses examples to fortify these links by tracing the theme of the double. The question of recuperation is raised in Chapter Four through the work of D.W. Winnicott, and Chapter Five investigates a novel by Georges Perec, which ties together those themes in discussion. Reading BIID and PLS through these works ultimately raises questions concerning what we can discover about how we are constituted through signs, and how this affects our sense of self.
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Eklund, Mira. "Landningsbana för tidsresande." Thesis, Kungl. Konsthögskolan, 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:kkh:diva-180.

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Tseng, Yu-Chin, and 曾御欽. "In all that happened -Bodily reverberation phantom." Thesis, 2005. http://ndltd.ncl.edu.tw/handle/tf2mzm.

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碩士
國立臺北藝術大學
科技藝術研究所碩士班
94
While seeing it as a matter of course through the process of producing, I realize that I rarely face up to anything irrelevant to my own life, even refuse it. Habitually deposing myself in a cocooned life as a fault, someone like me, but not an exact me, appears beside me, looks on myself, as a part which self is not just experiencing but viewing, passively, or perhaps not, but in a good condition, immediately hearing and seeing on the spot, or bending down and listening and looking actively. This self-listening brings the noise of a dialogue between me and the body, or multitudinous others inside my brain producing scenes and composition, so creations come into being. This time follows the vein to date and the position in every time and everywhere, interweaves experimental movies from 2002 to 2004 and video works from 2003 to 2006 in between, plus discussion about the personal exhibition “ Oxy- Tseng Yu Chin” in IT park in Oct, 2003, through the works in which, expressing how I deal with images myself, present and composite the scenes in my brain, and the viewpoint of presenting images or practice. The 1st chapter is about the meaning of self-others, and allegorizing the inside of the brain as an extended forest. These self-others are the chimeras in the forest, including the referables: the roles which adopts from parents’ life experience, friends who fantasized invisible friends in the childhood or casually drawn figures; or the anonyms: memorial chimeras permeate one another into new states, or hybridize, or agamic multiply. The 2nd chapter describes the varied self-others wonder inside the brain like the chimeras, and come across one another in the extended forest, the inside of the brain, and the scenery comes into existence. Posit the scenes and noise behind into outside, the sudden picture in the moment, how I present it after its imaging in my brain, how I choose in the works, images and images and body, and the parts in between, and why I present the images like this, all because of the pictures from the chimeras. The 3rd chapter is mainly about my personal exhibition in IT park “Oxy- Tseng Yu Chin”, how I present the space, that the works split up with me after being produced, the most perfect scene is unreplaceable, and what I have changed in my works, myself and outward. The 4th chapter is a complete summary about the loss of chasing the split second of an image, the “hope” of the producing and thoughts from the works
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Nisa, Richard. "Demons, phantoms, monsters law, bodies, and detention in the war on terror." 2007. http://hdl.rutgers.edu/1782.2/rucore10001600001.ETD.16754.

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Books on the topic "Phantom Bodies"

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Phantom Limbs: On Musical Bodies. Fordham University Press, 2015.

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Phantom Limbs: On Musical Bodies. Fordham University Press, 2015.

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Phantom Bodies: The Human Aura in Art. Vanderbilt University Press, 2015.

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Hanaway-Oakley, Cleo. Tactile Vision and Enworlded Being. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198768913.003.0005.

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Stephen’s musings on the pre-cinematic ‘stereoscope’ are discussed in relation to Bloom’s contemplation of parallax and his mention of the ‘Mutoscope’. The three-dimensionality, tangibility, and tactility of stereoscopic perception is analysed alongside Bloom’s and Gerty’s encounter in ‘Nausicaa’ and the Merleau-Pontian concepts of ‘flesh’ and ‘intercorporeity’. The bodily effects of projected cinema—achieved through virtual film worlds, virtual film bodies, and the intercorporeity of film and spectator—are discussed through reference to panorama, phantom ride, and crash films. The dizzying effects of some of these films are compared to the vertiginous nature of the ‘Wandering Rocks’ episode of Ulysses; these cinematic and literary vestibular disturbances are elucidated through gestalt theory and the phenomenological concepts of ‘intention’, ‘attention’, and the ‘phenomenal field’. Finally, the relationship between the self and the other is considered, through a discussion of cinematic mirroring in Ulysses and in Mitchell and Kenyon’s fin de siècle Living Dublin films.
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Dolan, Penny. The Phantom of Billy Bantam and the Ghoul of Bodger O'Toole. BBC Audiobooks America, 2001.

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de Vignemont, Frédérique. The Body Map Theory. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198735885.003.0006.

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How do bodily experiences get a rich spatial content on the basis of the limited information carried by bodily senses? This chapter argues that one needs a map of the body, which represents its enduring properties (i.e. configuration and dimensions). This representation can be decoupled from the biological body leading the subject to experience sensations not only in phantom limbs but also in tools that bear little visual resemblance with the body. Does it entail that there is almost no limit to the malleability of the body map? Or that bodily sensations can be felt even beyond the apparent boundaries of the body, in peripersonal space, and possibly even farther? This chapter examines a series of cases that may cast doubt on the role of the body map for the localization of bodily sensations.
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de Vignemont, Frédérique. Introduction. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198735885.003.0001.

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The embodied approach claims to return the mind to the body. This book returns the body to the mind. Let us leave aside what the body can do for cognition and focus on what it feels like to have a body. We constantly receive a flow of information about it, and yet the phenomenology of bodily awareness is relatively limited. It seems at first sight reducible to the “feeling of the same old body always there” or to a mere “feeling of warmth and intimacy” (James, 1890, p. 242). But when our body becomes less familiar we can grasp the many ways our body can appear to us. In particular, the experience of phantom limbs in amputees best brings bodily awareness into the limelight. The chapter describes a series of puzzling results, which raise fundamental questions about how we experience our body.
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Ataria, Yochai, Shogo Tanaka, and Shaun Gallagher, eds. Body Schema and Body Image. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780198851721.001.0001.

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Body schema refers to the system of sensory-motor functions that enables control of the position of body parts in space, without conscious awareness of those parts. Body image refers to a conscious representation of the way the body appears—a set of conscious perceptions, affective attitudes, and beliefs pertaining to one’s own bodily image. In 2005, Shaun Gallagher published an influential book entitled ‘How the Body Shapes the Mind’. This book not only defined both body schema (BS) and body image (BI), but also explored the complicated relationship between the two. The book also established the idea that there is a double dissociation, whereby body schema and body image refer to two different, but closely related, systems. Given that many kinds of pathological cases can be described in terms of body schema and body image (phantom limbs, asomatognosia, apraxia, schizophrenia, anorexia, depersonalization, and body dysmorphic disorder, among others), we might expect to find a growing consensus about these concepts and the relevant neural activities connected to these systems. Instead, an examination of the scientific literature reveals continued ambiguity and disagreement. This volume brings together leading experts from the fields of philosophy, neuroscience, psychology, and psychiatry in a lively and productive dialogue. It explores fundamental questions about the relationship between body schema and body image, and addresses ongoing debates about the role of the brain and the role of social and cultural factors in our understanding of embodiment.
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Book chapters on the topic "Phantom Bodies"

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Satz, Aura. "“The Conviction of its Existence”: Silas Weir Mitchell, Phantom Limbs and Phantom Bodies in Neurology and Spiritualism." In Neurology and Modernity, 113–29. London: Palgrave Macmillan UK, 2010. http://dx.doi.org/10.1057/9780230278004_6.

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Gajewska, Grażyna. "Nature as a Phantasm of Culture." In Eroticism of More- and Other-than-Human Bodies, 51–101. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-54042-5_3.

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"Bodies Electric." In Phantom Limbs, 139–48. Fordham University Press, 2015. http://dx.doi.org/10.2307/j.ctt175x2mc.25.

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"Interpreting Bodies." In Phantom Limbs, 5–12. Fordham University Press, 2015. http://dx.doi.org/10.2307/j.ctt175x2mc.4.

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Szendy, Peter, and Will Bishop. "Interpreting Bodies." In Phantom Limbs, 5–12. Fordham University Press, 2015. http://dx.doi.org/10.5422/fordham/9780823267057.003.0002.

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Szendy, Peter, and Will Bishop. "Bodies Electric." In Phantom Limbs, 139–48. Fordham University Press, 2015. http://dx.doi.org/10.5422/fordham/9780823267057.003.0023.

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"Chapter 1 Interpreting Bodies." In Phantom Limbs, 5–12. Fordham University Press, 2020. http://dx.doi.org/10.1515/9780823267088-002.

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"Chapter 22 Bodies Electric." In Phantom Limbs, 139–48. Fordham University Press, 2020. http://dx.doi.org/10.1515/9780823267088-023.

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"Idiotisms, or The Dialect of Bodies." In Phantom Limbs, 33–38. Fordham University Press, 2015. http://dx.doi.org/10.2307/j.ctt175x2mc.8.

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Szendy, Peter, and Will Bishop. "Idiotisms, or The Dialect of Bodies." In Phantom Limbs, 33–38. Fordham University Press, 2015. http://dx.doi.org/10.5422/fordham/9780823267057.003.0006.

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Conference papers on the topic "Phantom Bodies"

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Hughes, Josie, Perla Maiolino, Thrishantha Nanayakkara, and Fumiya Iida. "Sensorized Phantom For Characterizing Large Area Deformation of Soft Bodies for Medical Applications." In 2020 3rd IEEE International Conference on Soft Robotics (RoboSoft). IEEE, 2020. http://dx.doi.org/10.1109/robosoft48309.2020.9115971.

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Gustafson, Carl, and Fredrik Tufvesson. "Characterization of 60 GHz shadowing by human bodies and simple phantoms." In 2012 6th European Conference on Antennas and Propagation (EuCAP). IEEE, 2012. http://dx.doi.org/10.1109/eucap.2012.6206265.

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Visaria, Rachana, and Devashish Shrivastava. "MRI Induced Heating in a Stent: Translating Measured Ex-Vivo Heating Results to In Vivo Heating." In ASME 2013 Conference on Frontiers in Medical Devices: Applications of Computer Modeling and Simulation. American Society of Mechanical Engineers, 2013. http://dx.doi.org/10.1115/fmd2013-16142.

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A numerical study is performed to translate the MRI induced ex-vivo heating in a stent measured in tissue mimicking gel phantoms to heating in vivo. The in vivo heating was simulated by solving the convective energy equation in a tissue perfused with a single blood vessel embedded with a stent. Appropriate power density function was determined by matching the ex-vivo heating results in the tissue with no blood flow. The effect of the blood flow on the in vivo heating was investigated by varying the flow. Results show that ≥3% of normal, mean physiologic flow in the blood vessel reduces the maximum temperature change to < 3 °C from ∼10 °C measured ex vivo for an MRI scan of ≤ 15 minutes. Local temperature change of up to 3 °C in the trunk is considered safe by the regulatory bodies. Also, the maximum temperature change was found to be ∼1 cm away from the stent ends — and not at the stent ends.
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