Journal articles: 'Peter Wagner'

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AINSWORTH, SUSAN J. "PETER WAGNER DIES." Chemical & Engineering News 87, no. 37 (September 14, 2009): 39–40. http://dx.doi.org/10.1021/cen-v087n037.p039.

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Kremser, Christian. "Peter Wagner: Fortschritt." Zeitschrift für philosophische Literatur 9, no. 1 (March 24, 2021): 57–66. http://dx.doi.org/10.21827/zfphl.9.1.37119.

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Irawan, Toni. "Telaah Kritis Terhadap Pandangan Roh-Roh Teritorial Menurut C. Peter Wagner." CARAKA: Jurnal Teologi Biblika dan Praktika 1, no. 2 (September 28, 2020): 135–51. http://dx.doi.org/10.46348/car.v1i2.24.

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AbstractThis paper intends to criticize he views on territorial spirits developed by C. Peter Wagner. In his hypothesis he argued "the key for spreading the gospel is spiritual warfare, however, there is one sub-category of spiritual warfare that has great potential to accelerate world evangelization, namely the destruction of the power of territorial spirits Wagner's view of territorial spirits, although controversial in various fields, but it’s actually accepted and practiced in certain churches in Indonesia. To examine this view, the author uses methodological library research which is classified as a type of qualitative research. This research found that Wagner was actually developing his ideas on the principle of "rejection-acceptance" which is loaded with pragmatism. Wagner's self-interest plays a very important role so that his view is his personal interpretation of the facts he presents. Wagner does not really allow facts to speak first, however, interprets facts first, so the results will definitely match his presumption. Finally, Wagner overly relates all matters to spiritual warfare, so that it causes him to tend to understand everything from the point of war. Wagner's view emphasizing only one side and ignoring the other sides finally made his theory lame.Keywords: Critical studies; views of territorial spirits; spiritual warfare; the principle of refusal acceptance; accelerated evangelism.AbstrakTulisan ini bermaksud menelaah secara kritis pandangan tentang roh-roh teritorial yang dikembangkan oleh C. Peter Wagner. Dalam hipotesanya ia mengemukakan “kunci untuk keberhasilan pengabaran injil adalah peperangan rohani, tetapi ada satu sub-kategori dari peperangan rohani yang memiliki potensi besar untuk mempercepat penginjilan dunia, yaitu penghancuran kuasa roh-roh teritorial. Pandangan ini mengundang kontroversial tersendiri: di kubu tradisonal menganggap pandangan ini tidak Alkitabiah, tetapi di kalangan tertentu gereja-gereja pentakosta Kharismatik memahaminya sebagai pengajaran yang objektif. Pandangan Wagner tentang roh-roh teritorial meskipun kontroversial, namun faktanya justru diterima dan dipraktikan di gereja-gereja tertentu di Indonesia. Untuk menelaah pandangan ini, penulis menggunakan metode penelitian kepustakaan yang secara metodologis tergolong dalam jenis penelitian kualitatif. Dari penelitian ini didapati hasil telaah yang mengemukakan bahwa Wagner sebenarnya sedang mengembangkan gagasannya di atas prinsip ”penolakan-penerimaan yang sarat dengan pragmatisme. Self interest Wagner sangat berperan sehingga pandangannya adalah penafsiran pribadinya terhadap fakta yang dipaparkannya. Wagner tidak benar-benar mengijinkan fakta berbicara terlebih dahulu, namun, menafsirkan fakta terlebih dahulu, sehingga hasilnya pasti akan cocok dengan praduganya. Terakhir, Wagner berlebihan mengkaitkan semua persoalan dengan peperangan rohani, sehingga mengakibatkan ia cenderung memahami semua hal dari sudut peperangan. Pandangan Wagner yang menekankan hanya pada satu sisi dan mengabaikan sisi lain akhirnya membuat teorinya timpangKata Kunci: Telaah kritis; Pandangan roh-roh Teritorial; peperangan Rohani; prinsip penolakan penerimaan; Percepatan pengabaran injil

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Wagner, Peter D. "Rebuttal from Peter D. Wagner." Journal of Physiology 593, no. 17 (September 1, 2015): 3763. http://dx.doi.org/10.1113/jp270742.

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Kleinertz, Rainer. "Richard Wagners Begriff der "dichterisch-musikalischen Periode"." Die Musikforschung 67, no. 1 (September 22, 2021): 26–47. http://dx.doi.org/10.52412/mf.2014.h1.65.

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Gemessen am Gesamtumfang des Schrifttums über Wagner nehmen Studien zu grundsätzlichen Fragen der Analyse von "Form" / "Formen" seiner Musik einen zahlenmäßig untergeordneten Rang ein. Dies könnte nicht zuletzt auch ein Problem der Begrifflichkeit sein, mit der sich das Spezifische der Musik Wagners überhaupt beschreiben ließe. Neben dem Begriff "Motiv" beziehungsweise "Leitmotiv" ist derjenige der "dichterisch-musikalischen Periode" der einzige von Wagner geprägte Begriff. Seiner Bedeutung für die Analyse von Wagners Werken wird im Folgenden nachgegangen. - Ausgehend von Wagners Verwendung von Begriffen wie "Versmelodie" und "Tonart" wird zunächst herausgearbeitet, dass in seinen Opern "musikalische Modulation" stets in Verbindung mit dem Versinhalt auf Empfindungen zurückleitet. Aus entsprechend sprachlich motivierten Modulationen aus einer Grundtonart heraus eröffnen sich neue Möglichkeiten des musikalischen Ausdrucks. Im nächsten Schritt werden Auffassungen von Wagners Periodenbegriff in der Forschungsliteratur erörtert (Alfred Lorenz, Carl Dahlhaus, Peter Petersen, Thomas S. Grey, Werner Breig). Diese werden anhand von Wagners Opern (insbesondere "Der Ring des Nibelungen") sowie den musiktheoretischen Äußerungen des Komponisten (vor allem in "Oper und Drama") auf ihre Tragfähigkeit überprüft. Dabei wird festgehalten, dass das Problem der Motivation von Modulationen durch das Drama für Wagner ein zentrales harmonisches Effektmittel war. Bereits in "Oper und Drama" betonte er, dass der Musiker bei Versen gleicher Empfindung keinen Grund habe, die Tonart zu verlassen. Diesen Grund liefert erst der Wechsel der Empfindungen, die er in seinen Ausführungen zur "dichterisch-musikalischen Periode" formuliert. Der von Wagner geprägte Begriff taugt nicht nur zu Beschreibung einzelner, tonal mehr oder weniger geschlossener Gebilde, sondern vermag auch das Bewusstsein für ein Grundprinzip Wagners im "Ring" zu schärfen: die aus dem "Drama" motivierte Modulation. bms online (Beatrix Obal)

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Elizondo, Virgil, and Ignacio Castuera. "Responses to the Article by C. Peter Wagner." International Bulletin of Missionary Research 10, no. 2 (April 1986): 65–66. http://dx.doi.org/10.1177/239693938601000204.

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McKenzie, Jordan. "Book review: Peter Wagner, Modernity: Understanding the Present." Thesis Eleven 117, no. 1 (August 2013): 146–50. http://dx.doi.org/10.1177/0725513613494052.

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Gotlib, Joyce. "DEMOCRACIA EM PERSPECTIVA: UM CONTRAPONTO ATUAL ENTRE AS TRAJETÓRIAS DE MODERNIDADE BRASILEIRA, SUL-AFRICANA E EUROPEIADEMOCRACY IN PERSPECTIVE: A CURRENT COUNTERPOINT BETWEEN BRAZILIAN, SOUTH AFRICAN AND EUROPEAN MODERNITY TRAJECTORIES." Revista Pós Ciências Sociais 18, no. 1 (January 16, 2021): 215. http://dx.doi.org/10.18764/2236-9473.v18n1p215-222.

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Simonson, Tatum S. "Giants in Chest Medicine: Emeritus Professor Peter D. Wagner, MD." Chest 155, no. 1 (January 2019): 9–11. http://dx.doi.org/10.1016/j.chest.2018.09.029.

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Chapman, Robin, Norbert Ortner, and Peter Wagner. "A Series of Bessel Functions (Norbert Ortner and Peter Wagner)." SIAM Review 38, no. 2 (June 1996): 328–32. http://dx.doi.org/10.1137/1038057.

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11

Johnson, Pauline. "The dialectic of critique and progress." European Journal of Social Theory 21, no. 3 (June 14, 2017): 357–75. http://dx.doi.org/10.1177/1368431017713889.

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As long as critique trails in the wake of progress, a more radical game-changing interest in its reconstruction remains blocked. This article will contrast the reforming approach adopted by Peter Wagner with Theodor Adorno’s attempt to reconstruct the normative foundations of historical progress. The intention here is to use the radicalism of Adorno’s critical recovery of this ideal in order to clarify and strengthen the social democratic utopianism that underlies Wagner’s reconstruction of progress. The final section of the article extends the significance of this modelling of the dialectics between critique and progress, using it to guide a brief evaluation of some attempts to reclaim critique from its histories of complicity in repressive, Eurocentric versions of historical progress.

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Jordan, Katya. "“It’s All One Big Fantasy”: The Critique of Modernity in Dostoevsky’s Novel The Idiot." Dostoevsky and world culture. Philological journal, no. 2 (2021): 65–88. http://dx.doi.org/10.22455/2541-7894-2021-2-65-88.

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The opposition between Europe and Russia runs through Dostoevsky’s novel The Idiot, culminating in Mme Epanchina’s declaration that both Europe and the Russians who travel to Europe are “one big fantasy” [Dostoevsky, 2002, p. 615]. In the novel, Dostoevsky uses the exile trope as a literary tool for expressing his Russian idea. Although the spiritual underpinnings of Dostoevsky’s nationalism have been well studied, the secular side of this concept bears further exploration. Peter Wagner argues that nationalism constitutes a response to the nostalgia that is developed in exile following one’s breaking away from tradition. Nineteenth-century nationalism specifically “was an attempt to recreate a sense of origins in the face of the disembedding effects of early modernity and capitalism” [Wagner, 2001, p. 103]. By applying Wagner’s theoretical framework to Dostoevsky’s narrative, the author demonstrates that in its secular essence, Dostoevsky’s nationalism is not a merely localized manifestation of a uniquely Russian sentiment, but a symptom of a larger phenomenon that was taking place in late nineteenth-century Europe. Because Mme Epanchina gets to say the final word in Dostoevsky’s novel, her role and the subtleties of her message will be the primary focus of the present analysis.

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Schwarzer, Mitchell. "Sketches, Projects, and Executed Buildings by Otto Wagner Peter Haiko Otto Wagner Modern Architecture Otto Wagner Harry Mallgrave Three Architects of the Master Class of Otto Wagner Iain Boyd Whyte." Journal of the Society of Architectural Historians 51, no. 3 (September 1992): 338–40. http://dx.doi.org/10.2307/990703.

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Escobar, Samuel. "Refugees: A New Testament Perspective." Transformation: An International Journal of Holistic Mission Studies 35, no. 2 (April 2018): 102–8. http://dx.doi.org/10.1177/0265378818782269.

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This study builds an argument for ‘embrace’ as an adequate Christian response to the refugee crisis. Against the ‘church as homogenous unit’ missiological theory of Donald McGavran and Peter Wagner, the author argues that the list of greetings in Romans 16 proves that at least some of the house churches in Rome were mixed – migrants of different backgrounds living together. Thus Paul’s exhortation to welcome one another.

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., Soerono. "Telaah Kritis terhadap Konsep Doa Peperangan Rohani Tingkat "Strategis" menurut Peter Wagner." Veritas : Jurnal Teologi dan Pelayanan 7, no. 1 (April 1, 2006): 101–14. http://dx.doi.org/10.36421/veritas.v7i1.159.

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Prinsip “risiko besar, untung besar” tidak hanya berlaku dalam dunia bisnis, namun juga dalam hal doa, demikian keyakinan C. Peter Wagner. Di sini ia sedang berbicara tentang jenis doa peperangan rohani pada tingkat “strategis” (DPRTS). Menurutnya, doa jenis ini seharusnya menjadi prioritas utama dari umat Tuhan karena doa ini memiliki efektivitas yang tinggi dalam kaitan dengan kegiatan penginjilan. Mengapa bisa demikian? Karena doa ini difokuskan untuk menggempur kekuatan yang berada di balik setiap pemberontakan terhadap Allah dan penolakan terhadap pemberitaan Injil. Di Indonesia, praktik ini mencuat ke permukaan melalui gerakan-gerakan doa yang diadakan baik dalam skup kota, daerah, maupun nasional. Umumnya gerakan-gerakan doa itu dimulai dengan pemetaan rohani untuk wilayah-wilayah yang menjadi fokus doa. Tujuan dari tahap ini adalah untuk mengidentifikasi kekuatan kegelapan yang berkuasa atas daerah tersebut. Setelah selesai dengan fase ini, barulah upaya-upaya doa diarahkan untuk mememerangi kuasa-kuasa tersebut sampai pintu pemberitaan Injil terbuka. Artikel ini akan menyoroti DPRTS dari sudut pandang doa itu sendiri. Dengan kata lain, makalah ini tidak dimaksud untuk menguji secara eksegetikal ayat-ayat pendukung yang dipergunakan oleh Wagner untuk membangun argumentasi tentang roh-roh teritorial dan DPRTS. Makalah ini juga tidak akan memaparkan uraian yang ekstensif tentang ayat-ayat Alkitab yang berbicara tentang peperangan rohani. Ayat-ayat Alkitab akan dibahas secara selektif dalam rangka menempatkan konsep DPRTS dalam kerangka pemahaman doa alkitabiah dan tradisional. Untuk itu, kita akan pertama-tama melihat deskripsi singkat mengenai apa itu DPRTS, lalu dilanjutkan dengan menempatkan DPRTS di dalam peta besar pemahaman dan praktik doa, kemudian tinjauan praktik DPRTS, dan diakhiri dengan sebuah proposal doa peperangan rohani yang lebih alkitabiah.

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Bialecki, Jon. "Apostolic Networks in the Third Wave of the Spirit." PNEUMA 38, no. 1-2 (2016): 23–32. http://dx.doi.org/10.1163/15700747-03801001.

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This essay discusses the relationship between the Vineyard and the various other apostolic networks. By comparing the Vineyard with C. Peter Wagner and the New Apostolic Revival, I contend that the chief difference between these two movements lies in a Vineyard interest in pedagogy over a New Apostolic Revival interest in governance, and in the Vineyard’s use of the figure of John Wimber as an exemplar for practice rather than as a figure of authority.

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Jeremic-Molnar, Dragana. "Constructing reality through music: The example of Richard Wagner’s festival theatre in Bayreuth." Sociologija 49, no. 3 (2007): 205–21. http://dx.doi.org/10.2298/soc0703205j.

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In this article the author endeavors to present music as socially powerful and effective art, which has enormous potential to participate in the complex process of constructing reality, especially the reality of "symbolic universe" (in Peter Berger?s and Thomas Luckmann?s meaning of this term). In an attempt to define the role music could play in the process of reality construction, special attention is paid to music?s ability to create temporal and spacial coordinates of a "symbolic universe", as well as to the importance and consequences of belonging to the so-called "community of listeners". In the second part of the article the conclusions are tested by being applied to the audience of Richard Wagner?s Festival Theatre in Bayreuth. The main reason for examining the socially-constructive power of music is found in the fact that Wagner established his theatre with the express purpose of constructing (by optical and acoustical means) an essentially deviant reality of a novel "symbolic universe", reality strong enough to outgrow the reality of everyday life and replace it at the position of paramount - or, in Wagner?s words, "genuine" - reality.

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Stoyle, M. "Shorter notice. The Devon Gentleman. A Life of Sir Peter Carew. John Wagner." English Historical Review 114, no. 458 (September 1999): 969. http://dx.doi.org/10.1093/enghis/114.458.969.

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Stoyle, M. "Shorter notice. The Devon Gentleman. A Life of Sir Peter Carew. John Wagner." English Historical Review 114, no. 458 (September 1, 1999): 969. http://dx.doi.org/10.1093/ehr/114.458.969.

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Rohr, David M., Jiří Frýda, and Robert B. Blodgett. "Alaskodiscus, a new name for the Ordovician bellerophontoidean gastropod Alaskadiscus Rohr, Frýda and Blodgett, 2003." Journal of Paleontology 87, no. 1 (January 2013): 176. http://dx.doi.org/10.1666/12-082.1.

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The Late Ordovician tropidodiscid gastropod Alaskadiscus, known only in two areas in Alaska, was named by Rohr, Frýda, and Blodgett (2003). Peter Wagner and Stephen K. Donovan have pointed out to us that the name was previously used for a Cambrian trilobite, Alaskadiscus Zhang, 1980. We propose the new name Alaskodiscus with the same type species, A. donensis Rohr, Frýda and Blodgett, 2003. We feel the similarity in names is not likely to cause undue confusion since the taxa are widely separated by phyla and age.

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Papp, Ágnes. "Tonar und differentia: Geschichte, Funktion, Deutungen." Studia Musicologica 56, no. 2-3 (June 2015): 133–45. http://dx.doi.org/10.1556/6.2015.56.2.2.

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The paper explains the medieval notions of tonary and differentia in theory and practice. Both notions played a prominent role in defining the book type tonary as well as the function of melodic cadences called differentiae. The tonary is important for the examination of early plainchant repertory and for the interpretation of medieval mode theory (Octoéchos). The differentia has already been discussed by Peter Wagner as the most exciting element of antiphonal psalmody. Recent comparative studies of theoretical as well as practical sources of tonaries are highly promising.

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Astor, Dorian. "Rossini, músico do futuro. Nietzsche e Peter Gast na descoberta da grande saúde rossiniana." Cadernos Nietzsche 38, no. 1 (April 2017): 148–83. http://dx.doi.org/10.1590/2316-82422017v3801da.

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Resumo O presente artigo tem o objetivo de refletir acerca das relações entre Nietzsche e o compositor italiano de ópera Gioachino Antonio Rossini. No intuito de traçar o desenvolvimento da influência do músico sobre o filósofo, o artigo realiza um apanhado e examina os textos de Nietzsche em que Rossini é citado. Ao longo do trabalho, tenta-se evidenciar que essa influência foi gradativa, mas de essencial importância nas vivências do filósofo. Como temática secundária, o artigo também traz algumas reflexões sobre a relação entre Wagner e Rossini.

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Rettmann, Maike. "Unschuld und verlorene Unschuld in Hesses Peter Camenzind." Literatur für Leser 38, no. 1 (January 1, 2015): 5–16. http://dx.doi.org/10.3726/90071_5.

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In diesem dreistufigen Modell der menschlichen (Seelen-)Entwicklung, die Hermann Hesse in seinem Aufsatz Ein Stückchen Theologie von 1932 entwirft,2 erscheint die Kindheit als Raum der Unschuld. Unschuld ist in Hesses Perspektive ein ,,ontologische[s] Apriori“3, das zur biblischen Paradiesvorstellung in Bezug gesetzt wird und für das Kind mit dem Attribut ,Verantwortungslosigkeit‘ einen angeborenen Seinszustand in Anspruch nimmt, in dem es von jeglicher Verpflichtung, für die Folgen seiner Handlungen einzustehen, freigesprochen wird. Anders als der mit der christlichen Paradiesgeschichte verbundene Sündenfall stellt sich Schuld hier in der Entwicklung des Menschen nicht durch Verfehlungen des Einzelnen und Verführungskünste Dritter ein: Sie ist ein unweigerlich eintretender Entwicklungszustand. Schuld beginnt bei Hesse mit der Sozialisation – mit der Einführung in Denkweisen und Wissensbestände kultureller, moralischer und religiöser Institutionen –, deren Preis existentielle Verzweiflung ist. Wer diese Verzweiflung überwinden kann – und nicht, wie etwa Hans Giebenrath aus Unterm Rad (1906) oder Friedrich Klein aus der Novelle Klein und Wagner (1919), einen verfrühten Tod im Wasser findet –, dem eröffnet sich eine ,,neue Art von Unschuld“4: zwar gelangt er ,,nicht wieder hinter Moral und Kultur zurück ins Kinderparadies“, dafür aber ,,über sie hinaus in das Lebenkönnen kraft eines Glaubens.“5

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Sassatelli, Roberta. "Peter Wagner: A History and Theory of the Social Sciences London: Sage, 2001. 200 pp." Acta Sociologica 45, no. 2 (June 2002): 169–70. http://dx.doi.org/10.1177/000169930204500210.

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ERWIN, DOUGLAS H. "PRESENTATION OF THE CHARLES SCHUCHERT AWARD OF THE PALEONTOLOGICAL SOCIETY TO PETER J. WAGNER III." Journal of Paleontology 79, no. 4 (July 2005): 828. http://dx.doi.org/10.1666/0022-3360(2005)079[0828:potcsa]2.0.co;2.

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., Soerono. "Doa Peperangan Rohani Tingkat Strategis dan Biblical Warfare Worldview : Kawan atau Lawan? ." Veritas : Jurnal Teologi dan Pelayanan 9, no. 1 (April 1, 2008): 17–36. http://dx.doi.org/10.36421/veritas.v9i1.194.

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Dalam salah satu ceramahnya tentang “The Second Apostolic Age,” Peter Wagner menegaskan bahwa kekristenan sedang berada dalam proses perubahan besar yang dikerjakan oleh Roh Kudus. “Kantong anggur lama” sedang diganti dengan yang “baru.” Perubahan itu menyangkut banyak hal. Salah satunya berhubungan dengan suatu “theological innovation” yang dilakukan oleh para sarjana seperti: Clark Pinnock, Gregory Boyd, John Sanders, dan sebagainya, dengan proposal “open theology” mereka. Menurutnya, Open Theology atau Open Theism ini yang sesuai dengan karakteristik kantong anggur baru. Pertanyaan yang menggoda untuk diajukan adalah apakah Wagner telah menimbang semua landasan teori yang dibangun Boyd sehingga ia dapat memastikan bahwa Open Theology dapat menjadi kerangka teologis yang tepat bagi gerakan Apostolik Baru atau Kedua? Secara khusus, apakah biblical warfare worldview (selanjutnya disingkat BWW) yang dikembangkan Boyd itu mendukung praktik yang umum dilakukan oleh para pelopor gerakan Apostolik Kedua atau Baru, yaitu, Doa Peperangan Rohani Tingkat Strategis (selanjutnya disingkat DPRTS)? Pertanyaan yang kedua ini yang akan digumuli dalam makalah ini sehingga tujuan dari makalah ini adalah untuk menemukan sejauh mana, secara konseptual, BWW a la Boyd mendukung praktik DPRTS. Makalah ini akan diakhiri dengan sebuah refleksi dan evaluasi dari sudut pandang injili yang alkitabiah dan sehat.

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Maslovskiy, Mikhail. "Russia against Europe: A clash of interpretations of modernity?" European Journal of Social Theory 22, no. 4 (May 8, 2018): 533–47. http://dx.doi.org/10.1177/1368431018768623.

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This article argues that combining elements of the sociological theories of Johann Arnason and Peter Wagner can contribute to an understanding of the causes of the ‘new Cold War’ on the European continent. Comparisons of today’s confrontation between Russia and the West with the original Cold War are largely misleading since the Soviet model of modernity represented a radical alternative to its liberal western version. Unlike the original Cold War, the current ideological confrontation is not connected with a clash of different forms of modernity. Today’s Russia lacks a clear civilizational identity and does not follow an alternative project of modernity. The recent ‘conservative turn’ in Russian politics largely draws on a specific interpretation of European modernity.

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Boelhouwer, Peter. "Philip Arestis, Peter Mooslechner and Karin Wagner: Housing market challenges in Europe and the United States." Journal of Housing and the Built Environment 27, no. 4 (April 3, 2012): 545–47. http://dx.doi.org/10.1007/s10901-012-9284-7.

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Maslovskiy, M. V. "Max Weber’s Analysis of Plebiscitary Leadership and the Debate on Multiple Modernities." Sociology of Power 32, no. 4 (December 2020): 107–22. http://dx.doi.org/10.22394/2074-0492-2020-4-107-122.

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The article considers Max Weber’s model of plebiscitary leadership and historical examples of plebiscitary democracy. It is argued that there is no clear distinction between plebiscitary democracy and dictatorship inWeber’s writings. As Stefan Breuer demonstrates, such a distinction allows us to broaden the application of Weberian concepts. Plebiscitary elements can be seen in the political life of non-Western states, which have been discussed from the multiple modernities perspective. However, while that perspective develops the Weberian sociological tradition, its representatives mostly do not use the concept of plebiscitary leadership. Thus, Shmuel Eisenstadt draws primarily on Weber’s sociology of religion in his analysis of different types of modernity. Specifically, Eisenstadt considers the impact of civilizational legacies on political processes in India and Latin America. Peter Wagner discusses the relevance of Weber’s rationalization thesis and theory of capitalism rather than the concepts of Weberian political sociology. In his study of democratization in Brazil and South Africa, Wagner emphasizes the progressive character of political changes but does not consider the possibility of a reversal of these processes. The article argues that the contemporary reconstruction of Weber’s model of plebiscitary leadership can complement the analyses of democratization in non-Western societies from the multiple modernities perspective.

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Bialecki, Jon. "The Third Wave and the Third World." PNEUMA 37, no. 2 (2015): 177–200. http://dx.doi.org/10.1163/15700747-03702001.

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While a great deal of social science literature has examined the explosion of pentecostal and charismatic Christianity in the Global South as well as conservative and anti-modern forms of resurgent Christianity in the United States, little work has been done to investigate the causal effects of the former on the latter. Drawing from existing literature, interviews, and archives, this article contributes to filling that gap by arguing that in the mid-twentieth century, evangelical missionary concerns about competition from global Pentecostalism led to an intellectual crisis at the Fuller School of World Missions; this crisis in turn influenced important Third Wave figures such as John Wimber and C. Peter Wagner and is linked to key moments and developments in their thought and pedagogy.

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Wang, Yongsheng. "Housing Market Challenges in Europe and the United States, by Philip Arestis, Peter Mooslechner and Karin Wagner." Eastern Economic Journal 39, no. 2 (March 2013): 280–82. http://dx.doi.org/10.1057/eej.2013.6.

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Binfield, Clyde. "Principal When Pastor: P. T. Forsyth, 1876–1901." Studies in Church History 26 (1989): 397–414. http://dx.doi.org/10.1017/s0424208400011074.

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What marks a minister? Such a one, for example, as this, formed within Scottish Congregationalism but formative for and proved by English Congregationalism. Born 1848, died 1921. Born under Russell, died under Lloyd George. Or, from Palmerston to Asquith with Gladstone as the longest fact of political life. Born Aberdeen, died Hampstead. Born a postman’s son, died a college principal, lives a theologian. Formed educationally by Aberdeen, London and Göttingen and indirectly by Manchester and Cambridge. Culturally Pre-Raphaelite, a man for Rossetti and Holman Hunt and also G. F. Watts, for Ruskin and Giotto, for Wagner as for Hegel. Peter Taylor Forsyth, set apart by ordination in 1876; twenty-eight years, therefore, in preparation for ministry, twenty-five years in congregational ministry, twenty years in training Congregational ministers.

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McKinnon, James W. "The fourth-century origin of the gradual." Early Music History 7 (October 1987): 91–106. http://dx.doi.org/10.1017/s0261127900000553.

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The conventional view on the origin of the gradual was stated succinctly by Peter Wagner: ‘The Responsorial solo in the mass is of apostolic origin…in imitation of the Jewish liturgy a solo from the psalmist was inserted between the readings.’ The precise form this view has taken more recently in the works of both musical and liturgical historians can be summarised as follows. The early Mass or Eucharist consisted of two major parts. The essential part, the Eucharist proper, had its origins in the Last Supper, a Jewish ceremonial meal, possibly the Passover Seder. This was preceded by a ‘service of the Word’, made up of four elements: scripture reading, discourse on the reading, congregational prayer and psalms sung in response to the readings. This pre-eucharistic service was plainly and simply an adoption en bloc of the ancient synagogue service.

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Metaxas, Spiro. "Book Review: Gerard Rosich and Peter Wagner (eds), The Trouble with Democracy: Political Modernity in the 21st Century." Political Studies Review 15, no. 4 (September 14, 2017): 609–10. http://dx.doi.org/10.1177/1478929917720420.

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el-Ojeili, Chamsy. "Review: Nathalie Karagiannis and Peter Wagner (eds), Varieties of World-Making: Beyond Globalization (Liverpool: Liverpool University Press, 2007)." Thesis Eleven 94, no. 1 (August 2008): 132–35. http://dx.doi.org/10.1177/0725513608093282.

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Spurk, Jan. "Bénédicte Zimmermann, Claude Didry, Peter Wagner (dir.), Le travail et la nation. Histoire croisée de la France et de l’Allemagne." Sociologie du travail 43, no. 4 (October 1, 2001): 575–76. http://dx.doi.org/10.4000/sdt.36208.

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Wiseman, Alexander W. "Transnational Intellectual Networks: Forms of Academic Knowledge and the Search for Cultural Identities Christophe Charle, Jürgen Schriewer, & Peter Wagner." European Education 41, no. 2 (July 2009): 93–101. http://dx.doi.org/10.2753/eue1056-4934410205.

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Martins, Alexandre Sobreira. "O diálogo da tradição e da renovação sobre a montagem de Tristão e Isolda de Richard Wagner por Peter Konwitschny." Linha D'Água, no. 19 (December 4, 2006): 33. http://dx.doi.org/10.11606/issn.2236-4242.v0i19p33-40.

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O’Collins, Gerald. "Ecclesiology at the Beginning of the Third Millennium, edited by Kevin Wagner, M. Isabell Naumann, and Peter John McGregor (2020)." Ecclesiology 16, no. 3 (October 12, 2020): 432–34. http://dx.doi.org/10.1163/17455316-01603010.

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Maul, Michael. "Zur zeitgenössischen Verbreitung von Bachs Vokalwerken in Mitteldeutschland." Bach-Jahrbuch 91 (March 9, 2018): 95–107. http://dx.doi.org/10.13141/bjb.v20051762.

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Der Autor stellt sich der tradierten Auffassung entgegen, Bachs Vokalschaffen sei seinerzeit lediglich ausnahmsweise außerhalb seiner eigenen Wirkungsstätten erklungen und er lediglich als Tastenvirtuose von weitergehendem Ruf gewesen. Er skizziert die Genese dieses Bach-Bildes und zeichnet parallel die Entwicklung einer gegenläufigen Sicht nach, die sich auf verschiedene nach und nach zu Tage getretene Dokumente stützt. Um solche systematisiert und stichhaltig auswerten zu können, werden zunächst die Grundlagen der Auswahl und Auswertung solcher Quellen festgestellt. Vier Beispielbetrachtungen zu mitteldeutschen Kirchenmusikerkollegen Bachs (G. G. Wagner, J. T. Krebs d. Ä., J. A. Matthaei, G. F. Einicke) und deren belegbarer Bach-Rezeption ergänzen diese Grundüberlegungen. Erwähnte Artikel: Hans Löffler: Die Schüler Joh. Seb. Bachs. BJ 1952, S. 5-28 Peter Wollny: Neue Bach-Funde. BJ 1997, S. 7-50 Michael Maul, Peter Wollny: Quellenkundliches zu Bach-Aufführungen in Köthen, Ronneburg und Leipzig zwischen 1720 und 1760. BJ 2003, S. 97-142 Weiterführende Artikel: Rainer Kaiser: Palschaus Bach-Spiel in London. Zur Bach-Pflege in England um 1750. BJ 1993, S. 225-230 Ulrich Leisinger: "Es erhub sich ein Streit" (BWV 19). Carl Philipp Emanuel Bachs Aufführungen im Kontext der Hamburger Michaelismusiken. BJ 1999, S. 105-126 Andrew Talle: Nürnberg, Darmstadt, Köthen - Neuerkenntnisse zur Bach-Überlieferung in der ersten Hälfte des 18. Jahrhunderts. BJ 2005, S. 143-172 Uwe Wolf: Zur Leipziger Aufführungstradition der Motetten Bachs im 18. Jahrhundert. BJ 2005, S. 301-310 Anselm Hartinger: Materialien und Überlegungen zu den Bach-Aufführungen August Eberhard Müllers. BJ 2006, S. 171-204

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Bull, Hans Peter. "Hermann Hill/Mario Martini/Edgar Wagner (Hrsg.), Transparenz, Partizipation, Kollaboration. Klaus Lenk/Ulrich Meyerholt/Peter Wengelowski, Wissen managen in Staat und Verwaltung." Deutsches Verwaltungsblatt 130, no. 19 (October 1, 2015): 1247–49. http://dx.doi.org/10.1515/dvbl-2015-1914.

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Bachorski, Hans-Jürgen. "PETER W APNEWSKI: Zuschreibungen. Gesammelte Schriften. Hrsg. von Fritz Wagner und Wolfgang Maaz. - Hildesheim, Zürich: Weidmann 1994. (= Spolia Berolinensia. Bd. 4.) 560 S." Daphnis 29, no. 3-4 (March 30, 2000): 718–21. http://dx.doi.org/10.1163/18796583-90000727.

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Jarzombek, Mark. "Joseph August Lux: Werkbund Promoter, Historian of a Lost Modernity." Journal of the Society of Architectural Historians 63, no. 2 (June 1, 2004): 202–19. http://dx.doi.org/10.2307/4127953.

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Joseph August Lux (1871-1947), who wrote numerous books and articles on Peter Behrens, Bruno Paul, Otto Wagner, and others, saw himself as the first "spokesman for the German movement." Yet, for various reasons, his work has fallen into oblivion. Lux needs to be reassigned his proper niche in the development of modern architectural theory, if only to show that the thrust of modernism was by no means as direct and unimpeded as is often supposed. Lux's historiographic argument emerges piecemeal from a vast array of writings. In this article, I clarify his concept of modernism, pointing in particular to his interest in historical fiction and amateur photography. Lux was among the first modern theorists to champion the notion of genius loci as a way to unify traditional and modern sensibilities. But it was this insistence on a teleological-and, for Lux, a "Catholic inspired"-dimension to architecture that led to a rift with Friedrich Naumann, one of the founders of the Werkbund. An investigation into Lux's work not only sheds light on the early theorizing of modernity within the Werkbund circle, but also begins to add a historical dimension to various strands of conservative-modernist thinking, including what is now called phenomenology.

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JONES, COLIN. "Philip Arestis, Peter Mooslechner and Karin Wagner (2010), Housing Market Challenges in Europe and the United States. Basingstoke: Palgrave Macmillan. £65, pp. 269, hbk." Journal of Social Policy 40, no. 2 (January 19, 2011): 419–20. http://dx.doi.org/10.1017/s0047279410001029.

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John, Johannes. "[Rez.] Karl Wagner, Max Kaiser, Werner Michler (Hrsgg.), Peter Rosegger–Gustav Heckenast. Briefwechsel 1869–1878. Unter Mitarbeit von Oliver Bruck und Christiane Zintzen (= Literaturgeschichte in Studien und Quellen; Bd. 6, hrsg. von Klaus Amann, Hubert Lengauer und Karl Wagner)." Sprachkunst. Beiträge zur Literaturwissenschaft 36, no. 1 (2007): 181–84. http://dx.doi.org/10.1553/spk36_1s181.

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Stylianidis, E. "CIPA - Heritage Documentation: 50 Years: Looking Backwards." ISPRS - International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XLII-2/W14 (September 11, 2019): 1–130. http://dx.doi.org/10.5194/isprs-archives-xlii-2-w14-1-2019.

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Abstract. The ICOMOS-ISPRS Scientific Committee, CIPA-Heritage Documentation is proud to present this publication in the occasion of its 50th birthday.Our intention with this publication is to look backwards at the achievements of CIPA while at the same time to look ahead the future of cultural heritage documentation.The publication begins with the introductory messages from the Presidents of CIPA, ISPRS and ICOMOS respectively. The first contribution concerns the future of cultural heritage documentation, with respect to the editor’s perspective. Andreas Georgopoulos, current CIPA President (2015–2019) discusses the CIPA slides on architectural photogrammetry and the application of contemporary technologies from its early years. Peter Waldhäusl, past and honorary President of CIPA, writes on the foundation and fundamentals of CIPA in memory of Maurice Carbonnell (1923–2015) and Hans Foramitti (1923–1982), the so-called “fathers of CIPA”. Ross Dallas, an honorary committee member of CIPA, is looking backwards to the late 80s to share some personal thoughts. Bill Blake also is looking towards the history of CIPA and the English Heritage Metric Survey Publication Programme 2000–2009. The publication concludes with the contribution of Fulvio Rinaudo, concerning two CIPA initiatives, the "O. Wagner Pavillon Test" and the "RecorDIM Initiative".

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Maierhofer, Waltraud. "Die Titelkupfer der Leipziger und Dresdner Künstler Peter Carl Geissler und Gustav Heinrich Naeke sowie Johannes Thomas und Friedrich Wagner zu Goethes Ausgabe letzter Hand." Publications of the English Goethe Society 88, no. 2 (May 4, 2019): 75–107. http://dx.doi.org/10.1080/09593683.2019.1639912.

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Stolz, Thomas. "Birgit Benes; Uta Fromherz & Fredy Gröbli (eds.), Heinrich Wagner. Beiträge zur typologischen Sprachgeographie/ Essays to a geographic typology of languages, Bern: Peter Lang, 2002." Language Typology and Universals 58, no. 4_2005 (April 2005): 396–98. http://dx.doi.org/10.1524/stuf.2005.58.4.396.

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Pakpahan, Gernaida K. R., Frans Pantan, and Epafras Djohan Handojo. "Menuju Gereja Apostolik Transformatif." EPIGRAPHE: Jurnal Teologi dan Pelayanan Kristiani 5, no. 1 (June 2, 2021): 136. http://dx.doi.org/10.33991/epigraphe.v5i1.125.

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Peter Wagner, as an expert on church growth, stated that the Apostolic church is a church that is experiencing rapid growth. This claim is made because many Apostolic churches have been built around the world. The church continued the spirit of the apostles at the time of the early church's birth. However, it is important to conduct an in-depth study regarding the realization in the field; whether a thriving Apostolic church is carrying out God's mission or the personal ambition of a charismatic church leader. This study analyzes how the church which is said to be an Apostolic church runs its organization so that it experiences significant growth. The research method used is descriptive qualitative. The researcher tries to explore the phenomena and data obtained through respondents about the transformative apostolic church that was developed in the ministry of the Indonesian Bethel Church of Gatot Subroto. In conclusion, GBI Gatot Subroto is a transformative apostolic church, because of several things, such as a visionary church, senior pastors or mentor pastors as apostolic leaders, divine authority and the work of the Holy Spirit have an impact, the church as a center for leadership training and discipleship across generations implements apostolic ministry followed by other gifts/services, prioritizing mission, and focusing on the Kingdom of God.AbstrakPeter Wagner, sebagai salah satu ahli pertumbuhan gereja, menyatakan bahwa gereja Apostolik adalah gereja yang mengalami pertumbuhan secara pesat. Klaim ini disampaikan karena banyak-nya terbangun gereja-gereja beraliran Apostolik di seluruh dunia. Gereja tersebut melanjutkan semangat para rasul pada masa lahirnya gereja mula-mula. Namun, penting untuk dilakukan kajian mendalam terkait realisasi di lapangan; apakah gereja Apostolik yang berkembang menja-lankan misi Allah atau ambisi pribadi dari pemimpin gereja yang berkharismatik. Penelitian ini menganalisis bagaimana gereja yang dikatakan sebagai gereja Apostolik menjalankan organisa-sinya, sehingga mengalami pertumbuhan yang signifikan. Metode penelitian yang digunakan adalah kualitatif deskriptif. Peneliti berusaha mengeksplorasi fenomena dan data-data yang diperoleh melalui responden tentang gereja apostolik transformatif yang dikembangkan dalam pelayanan Gereja Bethel Indonesia Gatot Subroto. Kesimpu-lannya, GBI Gatot Subroto adalah gereja apostolik transformatif, karena beberapa hal, seperti: gereja yang visioner, gembala senior atau gembala pembina sebagai pemimpin kerasulan, otoritas Ilahi dan pekerjaan Roh Kudus berdampak, gereja sebagai pusat pelatihan kepemimpinan dan pemuridan lintas generasi, menerap-kan jawatan rasuli diikuti karunia-karunia/jawatan lainnya, memprioritaskan misi, dan berfokus pada Kerajaan Allah.

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Shimazu, Takeshi, Tetsuo Yukioka, Hisashi Ikeuchi, Arthur D. Mason, Peter D. Wagner, and Basil A. Pruitt. "Ventilation-perfusion alterations after smoke inhalation injury in an ovine model." Journal of Applied Physiology 81, no. 5 (November 1, 1996): 2250–59. http://dx.doi.org/10.1152/jappl.1996.81.5.2250.

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Shimazu, Takeshi, Tetsuo Yukioka, Hisashi Ikeuchi, Arthur D. Mason, Jr., Peter D. Wagner, and Basil A. Pruitt, Jr.Ventilation-perfusion alterations after smoke inhalation injury in an ovine model. J. Appl. Physiol.81(5): 2250–2259, 1996.—To study the pathophysiological mechanism of progressive hypoxemia after smoke inhalation injury, alterations in ventilation-perfusion ratio (V˙a/Q˙) were studied in an ovine model by using the multiple inert gas elimination technique. Because ethane was detected in expired gas of some sheep, we replaced ethane with krypton, which was a unique application of the multiple inert gas elimination technique when one of the experimental gases is present in the inspirate. Severity-related changes were studied 24 h after injury in control and mild, moderate, and severe inhalation injury groups. Time-related changes were studied in controls and sheep with moderate injury at 6, 12, 24, and 72 h. Arterial [Formula: see text] decreased progressively with severity of injury as well as with time. In smoke-exposed animals, blood flow was recruited to lowV˙a/Q˙compartment (0 <V˙a/Q˙ < 0.1; 17.6 ± 10.6% of cardiac output, 24 h, moderate injury) from normalV˙a/Q˙compartment (0.1 <V˙a/Q˙< 10). However, increases in true shunt (V˙a/Q˙= 0; 5.6 ± 2.5%, 24 h, moderate injury) and dead space were not consistent findings. TheV˙a/Q˙patterns suggest the primary change in smoke inhalation injury to be a disturbance of ventilation.

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Journal articles on the topic 'Peter Wagner'

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