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Journal articles on the topic 'Peter Pierce'

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Published: 4 June 2021

Last updated: 12 February 2022

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1

Marciano, M. Laura Gemelli. "Peter Kingsley: A Story Waiting to Pierce you. Mongolia, Tibet and the Destiny of the Western World." Gnomon 84, no. 1 (2012): 36–40. http://dx.doi.org/10.17104/0017-1417_2012_1_36.

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2

O’Regan, Valerie R. "Policy Representation in Western Democracies. By Warren E. Miller, Roy Pierce, Jacques Thomassen, Richard Herrera, Sören Holmberg, Peter Esaiasson, and Bernhard Wessels. Oxford: Oxford University Press, 2000. 180p. $65.00." American Political Science Review 95, no. 1 (March 2001): 243–44. http://dx.doi.org/10.1017/s0003055401672010.

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Those who study the concept of representation are undoubt- edly familiar with the 1963 study by Warren Miller and Donald Stokes ("Constituency Influence in Congress," Amer- ican Political Science Review 57 [March 1963]: 4556), which had a profound effect on scholars' understanding of the relationship or "congruence" between representatives and constituents. Others (see Sidney Verba and Norman H. Nie, Participation in America: Political Democracy and Social Equality, 1972; Heinz Eulau and Paul D. Karps, "The Puzzle of Representation: Specifying Components of Responsive- ness," in Heinz Eulau and John C. Wahlk, eds., The Politics of Representation, 1978) have made their own distinguished contributions by venturing to conceptualize and measure representation in an effort to further our understanding of the relationship between the representative and the repre- sented. In the same mode, this collection of articles contrib- utes to the study of the mass-elite relationship by providing a variety of approaches, methods, and measures to broaden the literature.

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3

O'Connor, Andrew. "The Peter Stone (Pierre de Pierre)." Pierre d'angle 1 (1995): 115–17. http://dx.doi.org/10.5840/pda199517.

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4

Elliott, John H. "Book review: Spirits and the Proclamation of Christ: 1 Peter 3:18-22 in Light of Sin and Punishment Traditions in Early Jewish and Christian Literature, written by Chad T. Pierce." Journal for the Study of Judaism 45, no. 3 (July 24, 2014): 426–28. http://dx.doi.org/10.1163/15700631-12340084.

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5

Igersheim, François. "Burg (Peter), Saar-Franzose, Peter/Pierre Lorson SJ." Revue d’Alsace, no. 138 (September 1, 2012): 384–87. http://dx.doi.org/10.4000/alsace.1692.

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6

Mézin, Anne. "The Preparations for Peter the Great’s Trip to France." Quaestio Rossica, no. 2 (2017): 315–28. http://dx.doi.org/10.15826/qr.2017.2.225.

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7

Stamler, Keith. "Re: Peter Rosen's Recent Piece." Journal of Emergency Medicine 38, no. 1 (January 2010): 62. http://dx.doi.org/10.1016/j.jemermed.2009.07.025.

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8

Wenzel, Siegfried. "A Sermon in Praise of Philosophy." Traditio 50 (1995): 249–59. http://dx.doi.org/10.1017/s0362152900013234.

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Worcester Cathedral MS F.10 forms a random collection of Latin, English, and macaronic sermons which were gathered and copied by a fairly large number of scribes in the middle of the fifteenth century. These sermons, most of them anonymous, are for a variety of occasions and audiences and have been entered in no particular liturgical order, even if, as the presence of several sets of quire numbers indicates, the individual quires were reordered several times in the medieval period. The collection contains a number of pieces that were evidently preached to a university audience, as is shown by their addressing “magistri” and by internal references to a university milieu. Their locale was presumably Oxford. Besides such general university sermons, the collection also includes two that are labeled “Introitus Sententiarum” and three other pieces that agree with these in form — the scholastic sermon structure — and content — praise of theology or holy Scripture and Peter Lombard. These five pieces are introitus, academic speeches or sermons which, according to university statutes, bachelors as well as masters (or doctors) of theology were required to deliver as they began their courses on the Bible or on Peter Lombard's Sentences. In addition, the manuscript contains an item that is very similar to the introitus sermons in that it follows the scholastic sermon structure and praises its subject. The latter, however, is not theology but philosophy, and the thema on which the piece is based is not a biblical text but a quotation from Aristotle. A sermon on a secular text itself is a rarity in medieval sermon literature, certainly from England; and appearing as it does in a sermon collection, the piece seems to be a rarissima avis stuck in the wrong flock.

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9

Kwaśniak, Bernadetta. "Meaning of the Desert in Spiritual Thought of St. Peter Damian." Roczniki Filozoficzne 63, no. 2 (2015): 27–36. http://dx.doi.org/10.18290/rf.2015.63.2-3.

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10

Bouchard, Mireille, and Milan J. Pavich. "Reply of Mireille Bouchard and Milan J. Pavich to the discussion of Pierre Bédard and Peter P. David." Zeitschrift für Geomorphologie 35, no. 3 (September 19, 1991): 373–77. http://dx.doi.org/10.1127/zfg/35/1991/373.

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11

Gara, Robert I., Ronald F. Billings, William M. Ciesla, and R. Scott Cameron. "Dr. Jean Pierre (Peter) Vité (1923-2016)." American Entomologist 62, no. 4 (2016): 256–58. http://dx.doi.org/10.1093/ae/tmw080.

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12

Ramshaw, Sara. "Improvising with Peter." International Journal of Law in Context 17, no. 1 (March 2021): 40–43. http://dx.doi.org/10.1017/s1744552321000197.

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AbstractWhen listening to a recently rediscovered home cassette recording of South African musician and activist Hugh Masekela, which was a gift from the late legal theorist Peter Fitzpatrick in 2004, unleashed are a series of recollections and reflections on the distinctiveness and significance of Fitzpatrick's scholarship, especially in relation to the emerging field of critical legal studies in improvisation. This short piece recalls Peter's boundless wisdom, kindness and generosity, and the lasting impact that his thought and texts have had on his students, colleagues and readers the world over.

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13

Shaw, Sarah. "Reviews: Roveda, V. and Yem, S. Buddhist Painting in Cambodia. River Books, 2009. ISBN-13: 9789749863527. Skilling, P. (ed.) Past Lives of the Buddha Wat Si Chum: Art, Architecture and Inscriptions. River Books, 2008. ISBN-13: 9789749863459." Buddhist Studies Review 28, no. 1 (July 8, 2011): 143–51. http://dx.doi.org/10.1558/bsrv.v28i1.143.

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Buddhist Painting in Cambodia by Vittorio Roveda and Sothon Yem. Bangkok: River Books, 2009. 328pp., 630 colour illustrations. Hb. £38.00/US$80.00, ISBN-13: 9789749863527. Past Lives of the Buddha Wat Si Chum: Art, Architecture and Inscriptions. Edited by Peter Skilling, with contributions from Pattaratorn Chirapravati, Pierre Pichard, Propad Assavavvirulhakarn, Santi Pakdeekham, Peter Skilling. Bangkok: River Books, 2008. 296pp., 390 colour images and 30 plans and maps. Hb. £29.75/US$75.00, ISBN-13: 9789749863459.

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14

Peacock, Steven. "The Portraiture of Edvard Munch (Peter Watkins, 1973)." Critical Studies in Television: The International Journal of Television Studies 9, no. 3 (September 1, 2014): 22–32. http://dx.doi.org/10.7227/cst.9.3.3.

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This article presents a discourse on the relationship between Edvard Munch's painting and Peter Watkins' film-making practice. It does so through a close critical analysis of Watkins' still under-celebrated 1973 tele-film Edvard Munch. The tele-film provides rich insights into the connections between the practice and aesthetic experience of painting, and that of filmed material. Feathering media and aesthetic categories, the piece also makes use of original interview content with Peter Watkins.

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15

McAlpine, Kenneth. "A Response to Peter Smucker." Journal of Sound and Music in Games 1, no. 1 (January 1, 2020): 124. http://dx.doi.org/10.1525/jsmg.2020.1.1.124.

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16

Luscombe, David. "Peter Comestor." Studies in Church History. Subsidia 4 (1985): 109–29. http://dx.doi.org/10.1017/s0143045900003598.

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During her own career Beryl Smalley greatly expanded our knowledge of Peter Comestor. When she first discussed his works, Peter’s links with Peter Lombard and his activity as a commentator upon the Gospels had only recently been established. She went on to show Peter’s connections with the school of St Victor and, before she died, she explored some aspects of Peter’s glosses on the Gospels. It may therefore be appropriate to try to fit together some of the pieces of the jigsaw that we now have, and to follow the lines along which, as we can now see, Peter’s career evolved.

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17

Willemse, Hein. "Peter Abrahams (1919-2017)." Tydskrif vir Letterkunde 54, no. 1 (March 24, 2017): 253–56. http://dx.doi.org/10.17159/tvl.v.54i1.32.

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I never had the opportunity of meeting Peter Abrahams. I only knew him through his writings. I recall the mustiness of the copies of Wild Conquest (1950) and Tell Freedom (1954) I found hidden away behind books on a shelf at a relative’s house. Although the dust jackets of both were tattered the pages of Tell Freedom bore traces of heavy use. Not only did the latter title intrigue me but so did the palimpsests of readers past. That day I read it with increasing fervency. In hindsight, it must have been one of the first times that I recognised some familiarity, perhaps even immediacy, in a piece of writing.

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18

Hertz-Ohmes, Peter. "The Orphanage." CounterText 7, no. 2 (August 2021): 234–50. http://dx.doi.org/10.3366/count.2021.0231.

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‘The Orphanage’, by Peter Hertz-Ohmes, is a creative piece extracted from a longer work of the same name currently in completion. Voice and the play of memory are key aspects of a text richly concerned with the politics of exile, disaffiliation and naming.

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19

BONINO O.P., Serge T. "La question de l'intellect agent dans le Clipeus Thomistarum (1481) de Pierre Schwarz." Revista Española de Filosofía Medieval 9 (October 1, 2002): 163. http://dx.doi.org/10.21071/refime.v9i.9345.

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At the end of the Middle Ages, the friar Dominican Peter Schwarz (Petrus Nigri) wrote The shield of the Thomists (Clipeus thomistarum). It is a handly book of philosophy in which he presents the main thesis of thomist school, between them is the theory of active intellect.

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20

Goff, Armel Le, and Olga Okuneva. "Peter the Great's Acquisition of Anatomical Models in France: The Contract and Its Consequences." Quaestio Rossica, no. 2 (2017): 518–34. http://dx.doi.org/10.15826/qr.2017.2.231.

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21

Genetti, Stefano. "James Peter Tuberfield, Pierre Loti and the Theatricality of Desire." Studi Francesi, no. 160 (LIV | I) (April 1, 2010): 182–83. http://dx.doi.org/10.4000/studifrancesi.7344.

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22

Markey, T. L. ": Histoire et Linguistique . Pierre Achard, Max-Peter Gruenais, Dolores Jaulin." American Anthropologist 88, no. 2 (June 1986): 509. http://dx.doi.org/10.1525/aa.1986.88.2.02a00710.

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23

Kaczor, Christopher. "Double-Effect Reasoning from Jean Pierre Gury to Peter Knauer." Theological Studies 59, no. 2 (May 1998): 297–316. http://dx.doi.org/10.1177/004056399805900206.

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24

Wojda, Jacek. "AUX FONDEMENTS DE L’INSTITUTION ECCLÉSIALE: LA POSITION DE SAINT PIERRE PARMI LES APÔTRES (MT 16, 13–20) ET SON RETENTISSEMENT Á L’ÉPOQUE APOSTOLIQUE ET PATRISTIQUE." Civitas et Lex 9, no. 1 (March 31, 2016): 91–105. http://dx.doi.org/10.31648/cetl.2298.

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Big activity passed Popes, with the least Francis Bergoglio, is a question about receptiontheir lives and action, especially in times of modern medium broadcasting. Sometimes presentedcontent could be treated as sensation, and their receptiveness deprived of profound historical andtheological meaning. This article depends of beginnings of the Church, when it started to organizeitself, with well known historically-theological arguments. Peter confessed Jesus as the Christ andgot special place among Apostles. His role matures in young Church community, which is escapingfrom Jewish religion.Peter tramps the way from Jerusalem thru Antioch to Rome, confirming his appointing to thefirst among Apostles and to being Rock in the Church. Nascent Rome Church keeps this specialPeter’s succession. Clement, bishop of Rome, shows his prerogatives as a successor of Peter. Later,bishop of Cartagena, Cyprian, confirms special role both Peter and each bishop of Rome amongother bishops. He also was finding appropriate role for each of them. Church institution, basedon Peter and Apostles persists and shows truth of the beginnings and faithfulness to them innowadays papacy.Methodological elements Presented in the introduction let for the lecture of Gospel and patristictexts without positivistic prejudices presented in old literature of the subject.

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25

Smith, Neil Thomas. "Peter Thoegersen - Peter Thoegersen, Three Pieces in Polytempic Polymicrotonality. New World Records, NW80812." Tempo 73, no. 290 (September 12, 2019): 88–89. http://dx.doi.org/10.1017/s0040298219000676.

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26

Marciano, Marta Rodrigues Alves. "O DESAFIO DO LEGADO MESSIÂNICO JUDAICO AOS SISTEMAS FILOSÓFICOS QUE OBSTRUEM O FUTURO." Último Andar, no. 30 (October 7, 2017): 059. http://dx.doi.org/10.23925/1980-8305.2017.i30p059-071.

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O objetivo deste artigo é retomar a provocação feita por Pierre Bouretz acerca da existência de elementos no legado judaico messiânico capazes de desafiar os sistemas filosóficos que obstruem o futuro. Para isso, detém-se na conceituação de niilismo, nos estudos de Peter Pál Pelbart; nos aspectos utópicos da ideia messiânica judaica; no pensamento de Walter Benjamin e de Michael Löwy.

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27

Collis, Robert. "Freemasonry and the Occult at the Court of Peter the Great." Aries 6, no. 1 (2006): 1–26. http://dx.doi.org/10.1163/157005906775248761.

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AbstractThe reign of Peter the Great is regarded as one of the most significant and contentious epochs in Russian history. It has been customary to view the reforms of the period as either a progressive transformation of an antiquated society or the destructive suppression of traditional Russian culture. This dichotomy rests on an accepted perception of Peter the Great and his reign as rational and secular.This paper attempts to revise this dichotomy by focussing on the Masonic and occult influence prevalent at the Petrine Court. These two complimentary aspects of Petrine society and culture have been censured or overlooked by successive generations of historians, yet they exerted a considerable hold on some of the most powerful statesmen of the period, including the Tsar himself. The importance of studying Masonic and occult influence in Petrine Russia lies in the fact that it can help to overcome the starkly secular image of Peter the Great, without denying the progressive nature of his reforms.The first section of the article examines the powerful symbolic representations of the Tsar as a "Mason King" and architect of a new Russia. It reveals a concerted campaign to portray Peter the Great as a new King David, leading his people—new Israelites—to their promised land and a New Jerusalem, crystallised by the foundation of St. Petersburg. This is then followed by examining how Peter the Great's worldview—encompassing religious tolerance, a scientific curiosity open to esotericism and a passion for chivalrous societies—was wholly compatible with the ideals of Freemasonry as it developed at the beginning of the eighteenth-century.The second part of the paper focuses on the Masonic links and strong occult interests of Jacob Bruce (1669-1735), Feofan Prokopovich (1681-1736) and Robert Erskine (1677-1718)—three of the most prominent statesmen in Petrine Russia. Bruce came from a Scottish Jacobite family and played an active role in practically all fields of Russian state life, ranging from the military to the promotion of science and education. Prokopovich was the most eminent ecclesiastic figure in Petrine Russia and a loyal stalwart of Peter the Great's state reforms. Erskine, like Bruce, also descended from a powerful Jacobite family in Scotland. He enjoyed a close relationship with Peter the Great and was his Chief Physician and Head of the Russian Medical Chancellery, as well as being Director of the St. Petersburg Kunstkamera and Library.This triumvirate played an active role in transforming the Russian State, but do not represent the archetypal embodiments of purely rational and secular enlighteners. They all displayed a strong religiosity and a marked interest in esoteric matters and Bruce and Erskine, in particular, had strong ties to Jacobite Freemasonry. Peter the Great displayed similar interests and acted as their enthusiastic patron. Thus, it is hoped that this paper will reveal the significant extent to which Masonic ideals and a fascination with the occult were rife at the Petrine Court and helped to shape the transformations enacted during this pivotal period in Russian history. Le règne de Pierre le Grand est considéré comme étant l'une des époques la plus marquante et contestée de l'histoire russe. Les réformes de cette période ont souvent été envisagées en tant que transformation ascendante d'une société désuète ou comme l'abrogation pernicieuse de la culture russe traditionnelle. Cette dichotomie réside dans une idée convenue du rationnel et du séculier de Pierre le Grand et de son règne.Cette communication tente de réévaluer la dichotomie par l'étude de l'influence occulte et maçonnique qui prévalait à la cour de Pierre le Grand. Ces deux aspects complémentaires de la société et la culture pétrine ont été censurés ou mis à l'écart par des générations successives d'historiens, pourtant ceux-ci ont exercé une influence considérable sur certains des hommes d'état les plus puissants de l'époque, y compris le Tsar lui-même. L'examen de l'influence maçonnique et occulte de la Russie pétrine peut aider à surpasser l'image séculière forte de Pierre le Grand, sans remettre en cause la nature progressiste de ses réformes.La première partie de l'article envisage les représentations symboliques solides du Tsar en tant que "Roi Maçon" et architecte d'une nouvelle Russie. Celle-ci dévoile une campagne convergente pour décrire Pierre le Grand comme le nouveau Roi David, conduisant son peuple (les nouveaux Israélites) vers les terres promises et la Nouvelle Jérusalem, concrétisée par la fondation de St. Pétersbourg. Nous examinerons ensuite comment la vision du monde de Pierre le grand (sa tolérance religieuse, sa curiosité scientifique tournée vers l'ésotérisme et sa passion pour les sociétés chevaleresques) était entièrement compatible avec les idéaux de la Franc-Maçonnerie, telle qu'elle se développait au XVIIIIème siècle.Dans la deuxième partie de l'article, nous nous concentrerons sur les liens maçonniques et les forts intérêts occultes de Jacob Bruce (1669-1735), Feofan Prokopovich (1681-1736) et Robert Erskine (1677-1718)—trois des plus grands hommes d'état de la Russie pétrine. Bruce, issu d'une famille jacobite écossaise, jouait un rôle actif dans presque tous les ressorts de la vie d'état russe, de l'armée à la promotion des sciences et de l'éducation. Prokopovich était la figure ecclésiastique la plus éminente de la Russie pétrine et un fidèle partisan des réformes de l'Etat de Pierre le Grand. Erskine, comme Bruce, descendait d'une famille Jacobite puissante d'Ecosse; il appréciait être proche de Pierre le Grand. Il était son Médecin en Chef, Directeur de la Chancellerie Médicale Russe et Directeur de la Kunstkamera de St. Pétersbourg et de la bibliothèque.Ce triumvirat a joué un rôle actif dans la transformation de l'état Russe, toutefois, ils ne symbolisent pas des incarnations archétypes des lumières purement rationnelles et séculières. Ils affichaient tous un grand sentiment religieux et un intérêt marqué pour l'ésotérisme. Bruce et Erskine, en particulier, avaient de fortes attaches avec la Franc-Maçonnerie Jacobite. Pierre le Grand exhibait des intérêts similaires et était leur fervent bienfaiteur. Ainsi, nous espérons que notre article mettra en avant la prédominance nette des idéaux Maçonniques et d'une fascination pour l'occulte dans la Cour pétrine et permettra de façonner les transformations édictées durant cette période pivot de l'histoire russe.

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28

Korolev, Alexander V., and Michael M. Pozdnev. "Reliefs of the Summer Palace: An Early Onset of Russian Antiquity." Philologia Classica 15, no. 2 (2020): 292–321. http://dx.doi.org/10.21638/spbu20.2020.208.

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The Summer Palace, a ship-like realisation of Peter the Great’s high aspirations in fields both mundane and aesthetic, wears an admirably preserved and well-maintained girdle of twenty-eight bas-reliefs and one haute-relief crowning the entrance. Themed mostly around Ovid’s Metamorphoses, they are both propagandistic allegories and reflections on the private life of the incumbent. The accumulation of traditional motives is handled with a freedom betraying a lack of thoroughness in representation as well as a desire for all things classical. The reliefs thus appear to be neither an unfinished piece by the great Andreas Schlüter nor an accurate reproduction of well-known artefacts crafted by his continuers (Braunstein, Mattarnowi, or even Le Blond, et al.) and marred beyond recognition by clumsy handiwork on the home turf, but an early attempt of domestic art to think Classics while going under its own steam in their execution. The living force behind these pieces was, evidently, Peter the Great himself: the inventiveness of composition uninhibited by poor execution, the introduction of recurrent seafaring (sea is an omnipresent background in reliefs even when the plot borrowed from Ovid is definitely terrestrial) and amatory motifs along with a close unity of literary and allegoric, intimately personal and statesmanlike, point in his direction. The engravings by Giovanni Andrea Maglioli on which (as Renate Kroll has shown) five relieves are modelled also correlate with Ovid representing the amorous Neptune transformed in various sea beasts. However, the majority of plots and artistic decisions prove to be sourced in a set of 226 engravings by Charles Le Brun originally accompanying a free verse translation of the Metamorphoses by Isaac de Berserade. The later copy of this work spotted by Peter either in Holland during the Great Embassy (1697–1698) or among the books of his European friends at home and finally reproduced in Petersburg in 1722 delivered the first and, admirably, never quite so full plastic representation of Ovid’s Metamorphoses in Russia.

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29

Ochsenhofer, Martin. "'SUPERCARGO', the Art of Peter Moosgaard." Journal of Extreme Anthropology 1, no. 2 (September 7, 2017): 88–91. http://dx.doi.org/10.5617/jea.4885.

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A student essay for the Special Student Issue of the Journal of Extreme Anthropology accompanying the art exhibition 'Artist's Waste, Wasted Artists', which opened in Vienna on the 19th of September 2017 and was curated by the students of social anthropology at the University of Vienna. This essay considers the ways in which our need for differentiation on one hand and identification on the other shapes our relation to commodites and fuels their magical, fetishistic properties. Using the case of Peter Moosgaard's art project SUPERCARGO, it is argued that this art piece can unsettle the way we conceive of commodities, and reveal what may have previously been unconscious.

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30

Sanches, João Alberto Lima. "A CONFERÊNCIA COMO ESTRATÉGIA DRAMATÚRGICA DE DESVIO." Cena, no. 32 (December 11, 2020): 300–311. http://dx.doi.org/10.22456/2236-3254.103212.

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Este artigo discute estratégias dramatúrgicas que estruturam peças-conferência, ou conferências-espetáculo. O trabalho comenta exemplos dessas formas recorrentes na cena contemporânea e, como perspectiva teórica, baseia-se nas noções de crise do drama e desvio, formuladas respectivamente por Peter Szondi e por Jean-Pierre Sarrazac. O estudo também dialoga com o trabalho de outros artistas e teóricos como Fernando Kinas, Patrice Pavis e Cleise Mendes. Palavras-chavesPeça-conferência. Dramaturgia contemporânea. Desvio.

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31

Salakpi, Alexander. "The spirit of empowerment: A study of Acts 3:1-10." Legon Journal of the Humanities 32, no. 1 (August 27, 2021): 82–102. http://dx.doi.org/10.4314/ljh.v32i1.4.

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The words of Peter and the stretch of his right hand empowered the cripple to become like “the others.” Within a society are people who need a little push to be themselves. There are also people in the society who can empower others but either they are not conscious of it or just do not want to help. A piece of advice, a smile, a touch, an amount of money, education, and food, in a selfless effort or in a sacrifice, are some of the numerous ways of empowering people to do what they think is impossible. Exegetical analysis of Acts 3:1-10 demonstrated how Peter and John healed the cripple, restored his human dignity, and empowered him from begging. This paper contributes to the discussion on cultural attitudes towards empowerment.

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32

Hannay, Zelda. "Postmodern wreckage in Kate McIntosh’s Worktable and Peter McMaster’s Gold Piece." Performance Research 24, no. 5 (July 4, 2019): 105–13. http://dx.doi.org/10.1080/13528165.2019.1671726.

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33

Bravo, Eduardo Varela. "Pragmática forense. Aproximación al estudio del delirio mesiánico en Bliss de Peter Carey." Babel – AFIAL : Aspectos de Filoloxía Inglesa e Alemá, no. 3-4-5 (March 5, 1996): 73–97. http://dx.doi.org/10.35869/afial.v0i3-4-5.3402.

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In this article we have tried to explore the structure of a literary dialogue by using pragmatic means. The dialogue is from Bliss by the Australian writer Peter Carey. We have already analized dialogues by this novelist in different pieces of research. The guiding pragmatic principle has been Relevance Theory in the particular reading we make of that theory. To frame our interpretation we have combined linguistic concepts with ideas from the fields of Psychoanalysis and Psychiatry due to the nature of the dialogue analyzed. The results are, we think, another step both in exploring the possibilities of pragmatics in literature and the richness of Peter Carey's work.

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34

Bonnet, Charles. "The archaeological site of the cathedral of Saint Peter (Saint‐Pierre), Geneva." World Archaeology 18, no. 3 (February 1987): 330–40. http://dx.doi.org/10.1080/00438243.1987.9980010.

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35

CALLANDER, M. M. "Review. Pierre Jean Jouve: OEuvres et critique 1976-1988. Hoy, Peter C." French Studies 44, no. 4 (October 1, 1990): 480. http://dx.doi.org/10.1093/fs/44.4.480.

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Almeida, Railson Gomes. "O Teatro Rapsódico em miúdos." ouvirOUver 15, no. 1 (June 18, 2019): 232–43. http://dx.doi.org/10.14393/ouv24-v15n1a2019-16.

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O estudo visa oferecer ao leitor uma leitura acerca do conceito de Teatro Rapsódico, tendo como objetivo expor as principais ideias e noções do ponto de vista teórico que formam esse entendimento de rapsódia teatral. O conceito foi estabelecido pelo pesquisador teatral francês Jean-Pierre Sarrazac em 1981 dentro de sua tese intitulada O futuro do drama. Foi partindo desta obra que foi iniciado o estudo, procurando sintetizar os pontos chaves de cada tópico a qual o autor se debruça. Outro material de suporte utilizado por o Léxico do drama moderno e contemporâneo, escrito pelo grupo de estudos do qual Sarrazac frequenta e organizado por ele próprio. Em seguida, procuramos contextualizar o conceito, procurando entender sua origem e suas relações com outros estudiosos da temática do drama moderno como Peter Szondi e Jean-Pierre Ryngaert.

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Banchereau, Jacques, Fern Cohn, Kayo Inaba, Bill Muller, Ira Mellman, Carl Nathan, Michel Nussenzweig, et al. "Remembering Ralph Steinman." Journal of Experimental Medicine 208, no. 12 (November 21, 2011): 2343–47. http://dx.doi.org/10.1084/jem.20112295.

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As detailed in the Appreciation piece written by Carol Moberg, Ralph’s discovery and investigation of DCs constituted an enormous contribution to immunology. However, Ralph’s influence extended far beyond the strictly scientific. Below, some of Ralph’s closest colleagues and friends reflect on the long-lasting effects of his unwavering mentorship, enthusiasm, generosity, and friendship. Also in this issue is a Perspective, originally commissioned by Ralph and written by Robin Weiss and Peter Vogt. Ralph passed away before he could read this engaging piece, which celebrates the centennial of the publication in the JEM of the Nobel Prize-winning work of Peyton Rous. In addition to their Nobel Prizes, Ralph and Peyton Rous shared the distinctions of being long-time leaders of Rockefeller laboratories and editors of this journal.

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Costa Silva, André Felipe. "El juego y la escritura: ¿promueve la dramaturgia contemporánea una nueva teatralidad?" Investigación Teatral. Revista de artes escénicas y performatividad 9, no. 14 (October 29, 2018): 48–67. http://dx.doi.org/10.25009/it.v9i14.2566.

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El presente artículo tiene como objetivo pensar los lugares que los dramaturgos y el texto ocupan en la práctica escénica contemporánea, haciendo un recorrido en los procesos históricos de la dramaturgia en los siglos xx y xxi. Parte de un diálogo con Peter Szondi para pensar el teatro moderno y contemporáneo en articulación con ideas de autores como Jean-Pierre Sarrazac, Hans-Thies Lehmann, Josette Féral, Denis Guénoun y la práctica de teatristas latinoamericanos, especialmente de Brasil y Argentina.Recibido: 23 de abril de 2018Aceptado: 03 de julio de 2018

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Díaz del Campo Martín-Mantero, Ramón Vicente. "Miguel Fisac and St. Peter Martyr Theological Center." Res Mobilis 10, no. 13-1 (April 15, 2021): 333–54. http://dx.doi.org/10.17811/rm.10.13-1.2021.333-354.

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The fifties were important in Spain for the creation of a modern architecture. The architects, who began working in previous years, created his artistic languages inspired in modern styles. Miguel Fisac was one of the most popular Spanish architects in the second half of the twentieth century. In 1954 he received a request from the Dominican Order to design a theological centre for the youngest members. In view of the particular circumstances surrounding this case, the architect had many preparatory documents (sketches, memories, plans ...) and currently housed in the Miguel Fisac’s documentary archives and Foundation. Everything was done following Fisac’s drawings. In February 1958, Fisac carried out some furniture projects for the building while directing its construction. He wrote some documents where he explicitly detailed the place of each piece of furniture in each space.

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Conway, Paul. "Warwick Arts Centre: Julian Anderson's Symphony." Tempo 58, no. 228 (April 2004): 61. http://dx.doi.org/10.1017/s0040298204230157.

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The demise of the Symphony is frequently announced, yet easily refuted by the quality of contemporary works bearing that title. Many recent examples have been written by British composers – Anthony Powers's Second, James MacMillan's Third, David Matthews's Fifth and Peter Maxwell Davies's Seventh, for example. To this distinguished list must be added Julian Anderson's Symphony. His four previous orchestral works contain sufficient structural ingenuity and intellectual rigour to make the cogency of his new piece no great surprise, yet it also offers some of Anderson's most lyrical as well as intricate writing.

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McGregor, Richard E. "The Maxwell Davies Sketch Material in the British Library." Tempo, no. 196 (April 1996): 9–20. http://dx.doi.org/10.1017/s0040298200004939.

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The British Library recently acquired the sketch material for a good number of works by Peter Maxwell Davies, ranging from some of the earliest pieces up to, at the time of writing, music of the early 1990s. The purpose of this article is to present an overview of the available material and to demonstrate some of the valuable insights it affords into the composer's working methods.

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Nascimento, Raphael. "UMA ABORDAGEM PRAXIOLÓGICA SOBRE A PRODUÇÃO E REINVENÇÃO DO SENTIDO." Interfaces Científicas - Humanas e Sociais 8, no. 3 (April 15, 2020): 51–65. http://dx.doi.org/10.17564/2316-3801.2020v8n3p51-65.

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Neste artigo insisto na possibilidade de interpretação do sentido por meio da investigação das práticas sociais. De início, explicito a produção do sentido através da síntese entre as ideias de Pierre Bourdieu acerca das práticas, destacando seu conceito de habitus, e as análises de Peter Berger e Thomas Luckmann sobre a construção social da realidade. Na segunda parte, sob inspiração do psiquiatra Ronald Laing, uso casos hipotéticos, para mostrar como o sentido é descontruído pelas experiências de insegurança ontológica. Ao final, aciono o conceito de profanação, de Giorgio Agamben, para pensar a reinvenção do sentido e seus desdobramentos.

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Mazuś, Mikołaj. "Трансформация культурных ценностей в России. Зарисовка проблематики." Annales Universitatis Paedagogicae Cracoviensis | Studia Historicolitteraria 16 (December 7, 2017): 35–49. http://dx.doi.org/10.24917/20811853.16.3.

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The transformation of cultural values in Russia. An outline of the issue of culture in the broadest sense of the world is the entirety of various manifestations of human life. Therefore it is one of the most commonly used concepts in humanistic works. One can refer to culture by raising a number of topics – arts, literature and human mind. When there is a need for a precise definition of culture, certain problems occur. Polish scholar Bronisław Malinowski points out that culture can be understood as human activity in general, including ideas, religious and spiritual issues, art, literature, and politics. Such an approach to culture can lead to the neglection of the historical process. The subject of the present study are selected religious pieces from the period of tsar Peter I.Key words: Russia; Peter I; history vs. literature; Eastern Orthodox Church;

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Goeglein, Tamara A. "“Wherein hath Ramus been so offensious?”: Poetic Examples in the English Ramist Logic Manuals (1574-1672)." Rhetorica 14, no. 1 (1996): 73–101. http://dx.doi.org/10.1525/rh.1996.14.1.73.

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Abstract: The logic manuals of Peter Ramus (Pierre de la Ramée, 1515-72) enjoyed a wridespread pedagogical sueeess in the sixteenth and seventeenth centuries, especially in Protestant England. Historians of dialectical studies have judged these manuals, and Ramist dialectic more generally, as purveying a vitiated form of Aristotelian logic because the manuals cite examples frem poetry to illustrate logical principles and axioms. The semantics of Ramist method, however, blurs the neat line between literal and figurative language. A semiotie analysis of Ramist dialectic suggests that the oppesitien between logical discourse and poetic discourse is net stable and that Ramist logie is fundamentally representative or “poetic.”

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Hanich, Julian. "On Pros and Cons and Bills and Gates: The Heist Film as Pleasure." Film-Philosophy 24, no. 3 (October 2020): 304–20. http://dx.doi.org/10.3366/film.2020.0147.

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This article tries to shed light on the multiple, but underrated pleasures of the heist film – a genre that has attracted numerous major directors from Jean-Pierre Melville and Stanley Kubrick to Michael Mann and Steven Soderbergh, but has received limited scholarly attention. I approach the genre from a, broadly, philosophical perspective and draw on thinkers such as Peter Sloterdijk, Georg Simmel, Paul Souriau and Bruno Latour to argue that their emphasis on (1) skillful action and kinaesthetic empathy, (2) smooth transgression of boundaries and (3) well-functioning social collaboration and we-connection, the genre's best exemplars satisfy, in fictional and quasi-utopian form, a number of real-life desires.

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Lee, Melissa M., and Gregor Walter-Drop. "Taking the State (Back) Out? A Reply to Peters and Pierre." Governance 28, no. 3 (March 9, 2015): 397–99. http://dx.doi.org/10.1111/gove.12142.

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Sousa, Luis Fernando De Carvalho. "O empoderamento da mulher a partir da experiência pentecostal." REFLEXUS - Revista Semestral de Teologia e Ciências das Religiões 12, no. 19 (June 26, 2018): 123. http://dx.doi.org/10.20890/reflexus.v12i19.707.

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O presente artigo tem por intuito abordar o empoderamento da mulher a partir da experiência pentecostal. Os referenciais teóricos para tal empreitada são tomados dos clássicos das ciências de religião como, por exemplo, Cliford Geertz A interpretação das culturas (1989); O poder simbólico (2002) de Pierre Bourdieu; O dossel sagrado de Peter Berger (1985) dentre outros e textos que refletem a partir da realidade da mulher no pentecostalismo como é o caso de Carismáticos e pentecostais (1996) Maria das Dores Campos Machado e Experiências religiosas de mulheres pentecostais chilenas (2010) de Elizabeth del Carmen Salazar Sanzana em articulação com outros textos. Inicialmente o artigo procura levantar bases na tradição bíblica sobre a figura da mulher para em seguida pontuar a história do movimento pentecostal e papel na mulher nele. Por fim trata da experiência pentecostal no mundo da mulher e como isso interfere em sua realidade.This article aims to address the empowerment of women from the Pentecostal experience. The theoretical references for this work are taken from the classics of the religious sciences, such as Cliford Geertz The Interpretation of Cultures (1989); The symbolic power (2002) of Pierre Bourdieu; The sacred canopy of Peter Berger (1985) among others and texts that reflect from the reality of the woman in Pentecostalism as is the case of Charismatic and Pentecostal (1996) Maria das Dores Campos Machado and Religious Experiences of Chilean Pentecostal Women (2010) of Elizabeth del Carmen Salazar Sanzana in articulation with other texts. Initially the article tries to establish bases in the biblical tradition on the figure of the woman to next to punctuate the history of the Pentecostal movement and paper in the woman in him. Finally it deals with the Pentecostal experience in the world of women and how it interferes with their reality.

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CHARIPOVA, LIUDMILA. "PETER MOHYLA'S TRANSLATION OF THE IMITATION OF CHRIST." Historical Journal 46, no. 2 (June 2003): 237–61. http://dx.doi.org/10.1017/s0018246x03003108.

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The article is dedicated to one of the least known early works of Peter Mohyla, Orthodox Metropolitan of Kiev (1633–46). Known as a great church and educational reformer and ‘Westernizer’, he made a major contribution to the cultural development in Ruthenia, then a part of the Polish-Lithuanian Commonwealth, and Muscovy in the seventeenth and eighteenth centuries. The work has survived in a single manuscript copy which could have been made from a printed edition that was suppressed or destroyed soon after its publication. The author has established, for the first time, that the work in question is not an original piece, but a rendition of the fifteenth-century Catholic devotional treatise The Imitation of Christ by Thomas à Kempis into contemporary literary Ukrainian. First-hand evidence is presented to support this claim. Mohyla brought many significant changes to the original text using it as a vehicle to convey his own views formed under the influence of the Catholic Reformation, Jesuit education, and Latin books. Conclusions are drawn about the way he applied Western sources to rid the Orthodox Church from obscurity and self-imposed isolation from the European Christian civilization.

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Ley, Graham. "The Rhetoric of Theory: the Role of Metaphor in Brook's ‘The Empty Space’." New Theatre Quarterly 9, no. 35 (August 1993): 246–54. http://dx.doi.org/10.1017/s0266464x00007971.

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In his discussion-piece for NTQ 28 (1991), Graham Ley raised questions about the self-determination of the avant-garde, drawing on analogies from dance and design to explore the problem of the post-modern in the theatre. He also outlined a critique of what he called an ‘alternative establishment in theatrical endeavour’: here, he extends that critique into an analysis of the techniques of persuasion to be found in one of the most influential texts in post-war theatrical theory, Peter Brook's The Empty Space, arguing for an enhanced attention to be given to the language and textuality of theory. Graham Ley is a writer and researcher who has taught in the Universities of London and Auckland. As Australian Studies Fellow in Theatre at the University of New South Wales in 1984, he compiled jointly with Peter Fitzpatrick of Monash University the survey of new developments in Australian theatre published in NTQ5 (1986). Among his numerous publications on ancient performance, A Short Introduction to the Ancient Greek Theater appeared from the University of Chicago Press in 1991. He is currently working on a book on theatrical theory.

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Perloff, Marjorie, and Craig Dworkin. "The Sound of Poetry / The Poetry of Sound: The 2006 MLA Presidential Forum." PMLA/Publications of the Modern Language Association of America 123, no. 3 (May 2008): 749–61. http://dx.doi.org/10.1632/pmla.2008.123.3.749.

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An onomatopoeic expression automatically entails the specification of what is being described. A pattering sound cannot come from a piece of wood. But when I was listening to [Peter Ablinger's Berlin sound] recordings, I sometimes couldn't tell whether a sound was coming from thunder or a sheet of metal. I wanted to represent the sound, not the person who was producing it, nor its metaphorical significance. It took me quite some time to come up with a solution: My solution was not to find a solution, but rather to enter into the crevice between sound and language and make countless little notes.—Yoko Tawada, “The Art of Being Synchronous”

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