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Books on the topic 'Peter Pierce'

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Author: Grafiati

Published: 4 June 2021

Last updated: 12 February 2022

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1

Burg, Peter. Saar-Franzose: Peter/Pierre Lorson SJ. [Trier]: Paulinus, 2011.

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2

Alechinsky, Pierre. Peter et Pierre: 40 ans de lithographies avec Peter Bramsen. Paris: Buchet/Chastel, 2006.

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3

Peter Schamoni: Filmstücke = Film pieces. Stuttgart: Arnoldsche Art Publishers, 2003.

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4

Kaminsky, Stuart M. Mildred pierced: A Toby Peters mystery. New York: Carroll & Graf Publishers, 2003.

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5

Berlin, Boris. Peter, Judy and Squeaky: Second piano book. Oakville, Ont: F. Harris Music, 1990.

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6

Griffis, Winford Eldon. Pierre (Peter) and Marie (Mary) Poirier Paquette and their descendants. Dallas, Tex. (5521 Meletio Lane, Dallas 75230): W.E. Griffis, 1990.

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7

Potter, Beatrix. "The Tale of Peter Rabbit" in French: L'histoire de Pierre Lapin. New York: Dover Publications, 1987.

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8

Little, Jean. Pierre Lapin. [Paris]: Gallimard Jeunesse, 2006.

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9

Bogdanovich, Peter. Pieces of time: Peter Bogdanovich on the movies, 1961-1985. New York: Arbor House, 1985.

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10

I never knew the man: The Coptic Act of Peter (Papyrus Berolinensis 8502.4) : its independence from the Apocryphal Acts of Peter, genre and legendary origins. Québec: Presses de l'Université Laval, 2000.

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11

Brauteset, Steinar. I kamp om Narvik 1940: Heinz, Peter, Cyril, Alain, Pierre, Ksawery, Nick, Rolf. [Oslo]: J.W. Cappelen, 1987.

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12

What a piece of work I am: A confabulation. New York: Picador USA, 1995.

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13

Kraft, Eric. What a piece of work I am: A confabulation. New York: Crown Publishers, 1994.

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14

Hamlet in pieces: Shakespeare reworked : Peter Brook, Robert Lepage, Robert Wilson. New York: Continuum, 2001.

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15

Geoffroy. Entretien de Simon-Pierre avec Jésus. Paris: Les Éditions du Cerf, 1986.

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16

Bernard, of Clairvaux, Saint, 1090 or 91-1153. and Rochais Henri, eds. Entretien de Simon-Pierre avec Jésus. Paris: Editions du Cerf, 1990.

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17

Anselm, Riedl Peter, and Sundheimer Florian, eds. Herbert Peters: Plastiken und Skulpturen 1996 bis 2006 : Werkverzeichnis. Nürnberg: Verlag für Moderne Kunst Nürnberg, 2007.

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18

Peter, Parsons, ed. Culture in pieces: Essays on ancient texts in honour of Peter Parsons. Oxford: Oxford University Press, 2011.

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19

Sedgley, Peter. Peter Sedgley: Acts of light : paintings, kinetic pieces, works on paper and prints. London: Austin Desmond Fine Art, 2000.

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20

Kalkhof, Peter. Peter Kalkhof: 25 years of paintings, floor-pieces, works an [sic.] paper 1963-1988. London: Camden Arts Centre, 1988.

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21

Petŭr Uvaliev ili Pier Ruv. Edin zhivot: Petar Ouvaliev aka Pierre Rouve. A life. Sofii︠a︡: Siela, 2008.

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22

Peter, David A. The Andrew Peter family: Descendants of Andre & Marie Elizabeth (Gravet) Pierre from Jaoigne, Belgium to Leopold, Indiana, USA and beyond. Fort Wayne, Ind. (4614 Golfview Dr., Fort Wayne 46818): D.A. Peter, 1990.

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23

The Acts of Peter and the Twelve Apostles (NHC 6.1): Allegory, ascent, and ministry in the wake of the Decian persecution. Atlanta, Ga: Society of Biblical Literature, 2000.

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24

1928-, Murray Peter, ed. Great Scott!: A collection of the best newspaper columns by Jack Scott ; foreword by Pierre Berton ; edited with introductions by Peter Murray ; drawings by Raeside. Victoria, B.C: Sono Nis Press, 1985.

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25

Herman, Miller Inc. The Herman Miller collection, 1952: Furniture designed by George Nelson and Charles Eames, with occasional pieces by Isamu Noguchi, Peter Hvidt, and O.M. Nielsen. New York: Acanthus Press, 1995.

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26

Magaña, Edmundo. Los buscadores del jefe gruñidor: Conversaciones con antropólogos americanistas : Manuel Gutiérrez, Rubén Bareiro, Kaj Arhem, Jean Pierre Chaumeil, Philippe Descola, Alejandro Ortiz, Anatilde Idoyaga, Peter Mason, Claude Lévi-Strauss. [Santiago]: Bravo y Allende Editores, 1996.

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27

The cross that spoke: The originsof the Passion narrative. San Francisco: Harper & Row, 1988.

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28

Crossan, John Dominic. The cross that spoke: The origins of the Passion narrative. San Francisco: Harper & Row, 1988.

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29

Schoenborn, Ulrich. Diverbium salutis: Studien zur Interdependenz von literatischer Struktur und theologischer Intention des gnostischen Dialogs, ausgeführt an der koptischen "Apokalypse des Petrus" aus Nag Hammadi (NHC VII,3). Göttingen: Vandenhoeck & Ruprecht, 1995.

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30

Die Rezeption des Matthäusevangeliums im 1. Petrusbrief: Studien zum traditionsgeschichtlichen und theologischen Einfluss des 1. Evangeliums auf den 1. Petrusbrief. Tübingen: J.C.B. Mohr, 1995.

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31

Who killed Jesus?: Exposing the roots of anti-semitism in the Gospel story of the death of Jesus. [San Francisco]: HarperSanFrancisco, 1995.

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32

Crossan, John Dominic. Who Killed Jesus? New York: HarperCollins, 2009.

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33

Grazia, Mara Maria, ed. Evangile de Pierre. Paris: Cerf, 2006.

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34

Peter, Schamoni, and Hoffman Hilmar, eds. Peter Schamoni: Filmstück = Peter Schamoni: film pieces. München: Arnoldsche, 2003.

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35

Hoffman, Hilmar. Peter Schamoni: Filmstuecke / Film Pieces. Arnoldsche Verlagsanstalt Gmbh, 2003.

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36

Tonguette, Peter. Picturing Peter Bogdanovich. University Press of Kentucky, 2020. http://dx.doi.org/10.5810/kentucky/9780813147314.001.0001.

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Drawn from interviews conducted from 2003 to 2019, Picturing Peter Bogdanovich is a unique double portrait of a filmmaker and a fan. As the director of such New Hollywood classics as The Last Picture Show, What’s Up, Doc?, and Paper Moon, Peter Bogdanovich is considered one of the first superstar directors of the 1970s, whose celebrity equaled that of many movie stars of the era. Growing up as an admirer of Bogdanovich’s films, film critic and journalist Peter Tonguette first had the chance to interview Bogdanovich for an online magazine piece in 2003—kicking off what became a decade-and-a-half series of conversations about his life and his films. The first part of the book features Tonguette’s exhaustive, film-by-film survey of Bogdanovich’s career and personal account of getting to know Bogdanovich; the second features a Q&A drawn from sixteen years’ worth of interviews, encompassing all of his film and TV projects, his background, his triumphs, his tragedies. The result is a film book like few others in its depth and detail.

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37

Thurlow, Jeremy. Intervention. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780199355914.003.0020.

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Jeremy Thurlow reflects on the conundrum of writing a piece (Ouija) for the violinist Peter Sheppard Skærved incorporating a significant amount of improvisation. How does a composer live up to his responsibility as a composer while leaving significant parts of the music unspecified?

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38

Santore, Charles, and Beatrix Potter. Classic Tale of Peter Rabbit 500-Piece Jigsaw Puzzle and Book: A 500-Piece Family Jigsaw Puzzle Featuring the Classic Tale of Peter Rabbit! Cider Mill Press Book Publishers, LLC, 2021.

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39

Chamisso, Adelbert von. Peter Schlemihl précédé de "L'Ombre et la vitesse" de Pierre Péju. José Corti, 1994.

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40

Potter, Beatrix. Pierre Lapin. Editions Flammarion, 1998.

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41

Potter, Beatrix. Pierre Lapin. Gallimard Jeunesse, 2002.

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42

Potter, Beatrix. Pierre Lapin. Editions Flammarion, 1998.

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43

Potter, Beatrix. Pierre Lapin. Gallimard-Jeunesse, 2001.

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44

(Editor), Jan N. Bremmer, and I. Czachesz (Editor), eds. Apocalypse of Peter (Studies on Early Christian Apocrypha, 7). David Brown Book Company, 2003.

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45

Potter, Beatrix. L'Histoire de Pierre Lapin: Livre D'Histoires En Coulteurs / Peter Rabbit in Fre. Tandem Library, 1995.

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46

Potter, Beatrix. The "Tale of Peter Rabbit" in French Coloring Book: L'Histoire De Pierre Lapin. Dover Pubns, 1991.

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47

Farnham, Nicholas H., and Adam Yarmolinsky, eds. Rethinking Liberal Education. Oxford University Press, 1996. http://dx.doi.org/10.1093/oso/9780195097726.001.0001.

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Liberal education has always had its share of theorists, believers, and detractors, both inside and outside the academy. The best of these have been responsible for the development of the concept, and of its changing tradition. Drawn from a symposium jointly sponsored by the Educational Leadership program and the American Council of Learned Societies, this work looks at the requirements of liberal education for the next century and the strategies for getting there. With contributions from Leon Botstein, Ernest Boyer, Howard Gardner, Stanley Katz, Bruce Kimball, Peter Lyman, Susan Resneck Pierce, Adam Yarmolinsky and Frank Wong, Rethinking Liberal Education proposes better ways of connecting the curriculum and organization of liberal arts colleges with today's challenging economic and social realities. The authors push for greater flexibility in the organizational structure of academic departments, and argue that faculty should play a greater role in the hard discussions that shape their institutions. Through the implementation of interdisciplinary and collaborative approaches to learning, along with better integration of the curriculum with the professional and vocational aspects of the institution, this work proposes to restore vitality to the curriculum. The concept of rethinking liberal education does not mean the same thing to every educator. To one, it may mean a strategic shift in requirements, to another the reformulation of the underlying philosophy to meet changing times. Any significant reform in education needs careful thought and discussion. Rethinking Liberal Education makes a substantial contribution to such debates. It will be of interest to scholars and students, administrators, and anyone concerned with the issues of modern education.

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48

Hamlet in Pieces: Shakespeare Reworked : Peter Brook, Robert Lepage, Robert Wilson. Continuum International Publishing Group, 2003.

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49

N, Bremmer Jan, ed. The Apocryphal Acts of Peter: Magic, miracles, and gnosticism. Leuven: Peeters, 1998.

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50

Wade, Stephen. Pete Steele. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252036880.003.0008.

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This chapter describes the recordings of banjoist Pete Steele, who began as a coal miner and then became a carpenter in a southern Ohio paper plant. On March 29, 1938, at his company-owned home on Rhea Avenue a few blocks from the Champion paper mills, Pete Steele first recorded “Coal Creek March” along with twenty-six other songs and tunes. Pete's facility with multiple tunings, combined with his various right-hand picking styles, demonstrates a technical range unsurpassed on the Folk Archive's numerous other disc-era banjo recordings. Surrounded by his wife Lillie and their children, Pete applied these skills either solo or to accompany Lillie, who additionally sang four numbers by herself. Their son Craig joined them on three pieces, playing guitar and sometimes adding his voice to theirs.

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