Books on the topic 'Peter Maxwell Davies'

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1

Kenneth, Gloag, and Jones Nicholas, eds. Peter Maxwell Davies studies. Cambridge: Cambridge University Press, 2009.

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2

1953-, McGregor Richard, ed. Perspectives on Peter Maxwell Davies. Aldershot, [England]: Ashgate, 2000.

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3

Craggs, Stewart R. Peter Maxwell Davies: A source book. Aldershot: Ashgate, 2002.

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4

Peter Maxwell Davies: A bio-bibliography. Westport, Conn: Greenwood Press, 1995.

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5

Max: The life and music of Peter Maxwell Davies. London: V. Gollancz, 1994.

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6

Roberts, David. Techniques of composition in the music of Peter Maxwell Davies. Birmingham: University of Birmingham, 1985.

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7

Paul, Griffiths. Peter Maxwell Davies: A guide to the works for 1-17 instrumentalists : including vocal, choral and dramatic works. London: Judy Arnold, 1987.

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8

Peter Maxwell Davies. Taylor & Francis Group, 2021.

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9

Peter Maxwell Davies studies. Cambridge: Cambridge University Press, 2009.

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10

Gloag, Kenneth, and Nicholas Jones. Peter Maxwell Davies Studies. Cambridge University Press, 2011.

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11

Jones, Nicholas, and Peter Maxwell Davies. Peter Maxwell Davies, Selected Writings. University of Cambridge ESOL Examinations, 2017.

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12

Music of Peter Maxwell Davies. Boydell & Brewer, Incorporated, 2020.

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13

Griffiths, Paul. Peter Maxwell Davies (Contemporary Composers). Robson Books Ltd, 1985.

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14

Jones, Nicholas, and Peter Maxwell Davies. Peter Maxwell Davies, Selected Writings. University of Cambridge ESOL Examinations, 2020.

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15

Jones, Nicholas, and Richard McGregor. Music of Peter Maxwell Davies. Boydell & Brewer, Incorporated, 2020.

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16

McGregor, Richard. Perspectives on Peter Maxwell Davies. Taylor & Francis Group, 2016.

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17

Davies, Peter Maxwell. Peter Maxwell Davies, Selected Writings. Edited by Nicholas Jones. Cambridge University Press, 2017. http://dx.doi.org/10.1017/9781316662519.

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18

Peter Maxwell Davies, Selected Writings. Cambridge University Press, 2017.

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19

McGregor, Richard. Perspectives on Peter Maxwell Davies. Taylor & Francis Group, 2017.

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20

McGregor, Richard. Perspectives on Peter Maxwell Davies. Taylor & Francis Group, 2017.

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21

Davies, Peter Maxwell, and Nicholas Jones. Peter Maxwell Davies, Selected Writings. Cambridge University Press, 2017.

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22

Craggs, Stewart R. Peter Maxwell Davies: A Source Book. Taylor & Francis Group, 2017.

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23

Peter Maxwell Davies: A Source Book. Scolar Pr, 2003.

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24

Revival: Peter Maxwell Davies: A Source Book (2002). Routledge, 2017. http://dx.doi.org/10.4324/9781315195766.

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25

Seabrook, Mike. Max: The Life and Music of Peter Maxwell Davies. Victor Gollancz, 1995.

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26

Max: The Life and Music of Peter Maxwell Davies. Victor Gollancz, 1995.

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27

Colin, Bayliss, ed. The Music of Sir Peter Maxwell Davies: An annotated catalogue. Beverley [England]: Highgate Publications, 1991.

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28

1948-, Bayliss Colin, ed. The Music of Sir Peter Maxwell Davies: An annotated catalogue. Highgate, 1991.

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29

Bayliss, Colin. The Music of Sir Peter Maxwell Davies: An Annotated Catalogue. Hyperion Books, 1991.

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30

Seabrook, Mike. Northward Ho!: Being an Account of the Author's Journey to the Home of Peter Maxwell Davies on the Island of Hoy. Paupers' Press, 1998.

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31

Whittall, Arnold. Composer–performer collaborations in the long twentieth century. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780199355914.003.0002.

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This account of a musical period centred around a modernist aesthetic provides a historical context for the contemporary case studies which follow in subsequent chapters. It surveys documented interactions of composers and performers in strongly contrasted contexts, from brief encounters to sustained involvement. In the latter case, such associations during the conception as well as the completion of works can have a decisive impact on the musical result. Benjamin Britten’s longstanding relationship with the singer Peter Pears is a well-known instance, and even when the music is less directly connected to the personal characteristics of particular performers, the consequences can be significant. The discussions between Sir Peter Maxwell Davies and the Maggini String Quartet during the composition of the ten Naxos Quartets (2002–07) vividly demonstrate the social dynamics that can be involved as uncompromisingly modernist music is prepared for presentation to an audience.
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