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Academic literature on the topic 'Peter Criticism and interpretation'

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Published: 10 December 2022
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Journal articles on the topic "Peter Criticism and interpretation"

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Yang, Yiting. "Reading Western Visual Poetry from the Perspective of Reader-Response Criticism." Journal of Education and Educational Research 1, no. 2 (December 18, 2022): 123–26. http://dx.doi.org/10.54097/jeer.v1i2.3681.

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The Reader-Response Criticism theory holds that the major objective of literary criticism is to study readers' reading experience and attach importance to readers' subjective initiative in the reading process. When interpreting Western visual poetry, Peter Barry gives full play to his subjective initiative, divides visual poetry into three types, and expounds the connotation of visual poetry and the generating of poetic text meaning. This paper aims to comment on Peter Barry's interpretation and comments on visual poetry in "Concrete Canticles", and to reveal the connotation of poetic criticism combined with reader-response criticism theory.
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Moiseeva, Anna Yu, and Stepan Ye Ovchinnikov. "Explanation and Interpretation in Sociology: Against Peter Winch's Methodological Criticism." Vestnik Tomskogo gosudarstvennogo universiteta. Filosofiya, sotsiologiya, politologiya, no. 49 (June 1, 2019): 79–91. http://dx.doi.org/10.17223/1998863x/49/9.

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Wright, John Randolph. "The “Unfading Crown of Glory” as Conceptual Key." Novum Testamentum 65, no. 1 (January 2, 2023): 83–108. http://dx.doi.org/10.1163/15685365-bja10032.

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Abstract This article seeks to offer a new reading of 1 Peter, while building upon the work of Barth L. Campbell, Travis B. Williams, and David G. Horrell (and others of course). Campbell sought to elucidate the importance of honor for the audience of 1 Peter utilizing Rhetorical Criticism, while both Williams and Horrell have employed Postcolonial Criticism to provide a reading “from the margins.” Specifically, Williams offered an interpretation of “good works” which situated that semantic and conceptual domain within subaltern strategies of mimicry and symbolic inversion. However, heretofore largely unexplored in 1 Peter is that aspect of the honor equation which actualizes honor: the honorific. This study argues that “the unfading crown of glory” in 1 Pet 5:4 serves as a conceptual key to the subversive honorific language within, thereby actualizing (and subverting) the broader theme of honor through the recognition of “good works.”
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Sopianna, Pian, Muhammad Noer Faturrachman, and Mardani Mardani. "Peran Peter William Hofland dalam Mengelola Tanah Partikelir Pamanoekan en Tjiasem Landen Subang Tahun 1802-1874." Historia Madania: Jurnal Ilmu Sejarah 4, no. 1 (July 30, 2020): 61–72. http://dx.doi.org/10.15575/hm.v4i1.9186.

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This article deals with the role of a Peter William Hofland in developing the lands of Pamanoekan en Tjiasem in Subang Regency. William was considered to have successfully developed the lands, particularly in running the plantation business within the area of Subang. This study uses historical methods, namely heuristics, criticism, interpretation, historiography. Historically, William managed the land of Pamanoekan en Tjiasem since 1840 until his death in 1972. Within a period of 32 years, he had succeeded in developing the land of land in his territory namely Pamanoekan en Tjiasem Landen which is now known as Subang Regency.Keywords: Land Policy, Peter William, Plantation Business
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Нил, Лазаренко,. "Philological Notes on some Verses in the Catholic Epistles." Theological Herald, no. 2(45) (June 15, 2022): 74–84. http://dx.doi.org/10.31802/gb.2022.45.2.004.

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Данная статья представляет собой филологический комментарий к трём стихам Соборных посланий: к двум - из Послания Иакова и к одному - из Второго послания Петра. Эти стихи содержат определённые трудности, хотя и разного плана. В первом случае речь идёт об установлении первоначального текста и заложенного автором смысла, во втором - о возможностях грамматического истолкования причастия, а в третьем - о взаимосвязи между лексической семантикой и богословием. На этих трёх примерах представлены три направления филологического анализа новозаветного текста (текстологическое, грамматическое и лексико-семантическое), которые являются необходимой базой для дальнейшей богословской работы. The present article discusses three verses in the Catholic Epistles: two in the Epistle of James and one in the Second Epistle of Peter. Each of these verses contains some dif culty, but these dif culties are of different order. In James 5, 7 we have a textual problem, coupled with the uncertainty of the meaning intended by the author. In James 5, 16 two possible grammatical interpretations of a Greek participle are considered as well as their potential for different theological interpretations. In the last section dealing with 2 Peter 1, 4 we discuss the relation between the general lexical meaning and the word’s use within a speci c theological discourse. All of these areas of research - textual criticism, grammatical interpretation, and semantic analysis - play an important role in the process of theological re ection on the biblical text and its dogmatic interpretation.
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Pytko, Mateusz. "„I did myself as a dog”. Leo Lipski’s Piotruś in the Light (and darkness) of the Henri Bergson’s and Georges Bataille’s Theories of Laughter." Tekstualia 4, no. 59 (December 20, 2019): 95–116. http://dx.doi.org/10.5604/01.3001.0013.6438.

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The article discusses the signifi cance of laughter which in Leo Lipski’s Piotruś with reference to Henri Bergson’s and Georges Bataille’s theories of laughter, as well as to Peter Sloterdijk’s concept of kynism. Bataille’s criticism of Bergson’s theory of laughter indicates that the latter philosopher avoids a comprehensive interpretation of this phenomenon. It is Bataille’s perspective that enables a better understanding of Lipski’s paradoxical laughter in the face of paralysis, death and sacrum.
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Demin, I. V. "Ideology in the Era of “Cynical Reason” (Interpretation of Ideology in Slavoj Žižek’s Works)." Journal of Political Theory, Political Philosophy and Sociology of Politics Politeia 103, no. 4 (December 9, 2021): 6–23. http://dx.doi.org/10.30570/2078-5089-2021-103-4-6-23.

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The article is devoted to the critical analysis of the concept of ideology developed by Slavoj Žižek, the modern Slovenian philosopher. The author reveals the possibilities and limitations of Žižek’s approach to understanding the phenomenon of ideology and considers the initial presumptions and methodological assumptions that this approach is based upon. The article shows that despite the indisputable originality, Žižek’s theory is not devoid of contradictions, and the interpretation of ideology as an illusion and mystification, which is justified within the framework of Marxist political philosophy, loses its foundations in the context of the post-structuralist methodology. According to I.Demin’s conclusion, Žižek’s philosophical and political thinking falls prey to the scheme that Peter Sloterdijk defined as “mutual tracking of ideologies”. Criticism of ideology here implies criticism of one ideo logy from the standpoint of another, or criticism of “bad” ideology from the standpoint of “good” ideology. The “criticizing” ideology is not clearly articulated, but implicitly assumed. The fact that the “critic” of ideology prefers not to reveal his own bias constitutes an integral part of the strategy of ideological criticism, as opposed to scientific criticism. Ideology as the principle that structures social reality obtains an allencompassing character in Žižek’s interpretation, since it underlies all human actions and human thinking. However, if there is no way to separate ideology from scientific knowledge, to distinguish between ideology, philosophy and religion, it turns out that ideology is everything and nothing at the same time. With this interpretation, “ideology” becomes an unoperationalizable concept for Social and Political Sciences, and therefore useless. At the same time, a number of the provisions formulated by Žižek (on ideological “fastening”, on the role of the enemy figure in the ideological discourse, etc.) may be in high demand in the course of developing an adequate methodological strate gy for studying the phenomenon of ideology, which distances itself from both “naïve” objectivist doctrines and the extremes of the political anti-essentialism and anti-universalism.
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Haubenreich, Jacob. "The Trail, the Archive, the Museum, and the Book: Confronting Materiality in Literary Studies." New German Critique 47, no. 3 (November 1, 2020): 141–78. http://dx.doi.org/10.1215/0094033x-8607647.

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Abstract This article examines the persistence of the notion of the immaterial text in literary studies, now decades into the so-called material turn. Digitization of manuscripts increasingly confronts us with the facts of textual materiality and material authorship, yet many scholars remain ill-equipped to engage these traces in order to expand the possibilities of textual interpretation. The journeys of Peter Handke’s notebooks serve as a case study on how to interrogate various definitions of text and methodological approaches that reinforce an understanding of texts as immaterial. This article thus elucidates the conceptual and methodological impediments to more comprehensively integrating materiality into interpretation; an uneasiness, for example, about approaching authorship—the process and agency of textual production—lingers despite resurrections since the Author’s “death” and more recent transdisciplinary retheorizations of agency. The article finally looks to reflections on materiality in another field, art history, to clarify the reasons that integrating materiality into interpretative criticism remains so difficult, so that the field might begin to move beyond these obstacles.
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Havercroft, Jonathan. "Skinner, Wittgenstein and Historical Method." Paragraph 34, no. 3 (November 2011): 371–87. http://dx.doi.org/10.3366/para.2011.0031.

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In a recent criticism of Quentin Skinner's historical method Peter Steinberger has drawn upon linguistic analytic philosophy to argue that intellectual history should focus on the reconstruction of logical propositions rather than the contextualization of author's statements. This essay will argue that Steinberger reproduces many of the same types of methodological problems that prompted Skinner's initial critique of intellectual history in the 1960s. I will draw upon the linguistic philosophy of Ludwig Wittgenstein to demonstrate that Steinberger's conception of intellectual history as the reconstruction of the logical content of statements fundamentally misunderstands what political philosophy is – and by extension the methods of historical interpretation.
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Morales Maciel, Washington. "Undecidable Literary Interpretations and Aesthetic Literary Value." Croatian journal of philosophy 22, no. 65 (September 15, 2022): 249–66. http://dx.doi.org/10.52685/cjp.22.65.7.

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Literature has been philosophically understood as a practice in the last thirty years, which involves “modes of utterance” and stances, not intrinsic textual properties. Thus, the place for semantics in philosophical inquiry has clearly diminished. Literary aesthetic appreciation has shifted its focus from aesthetic realism, based on the study of textual features, to ways of reading. Peter Lamarque’s concept of narrative opacity is a clear example of this shift. According to the philosophy of literature, literature, like any other art form, does not compel us to engage realistically with it. Against this trend, this paper argues for the distinction between two kinds of opacity, defending textual opacity as a necessary condition for literary opacity. In this sense, examples in literary criticism properly illustrate not a peripheral role of meaning in literary appreciation, but arbitrariness in interpretation, which involves semantic concerns. So the assumed interest in the specific ways in which literature embeds meaning in fictional narrative works.
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Dissertations / Theses on the topic "Peter Criticism and interpretation"

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Jenkins, Brad. "The tickled underbelly : Peter Greenaway and the aesthetics of ambivalence." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp03/MQ64161.pdf.

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Jemtrud, Michael. "Work as process : Peter Greenaway's twisting of technology." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/mq64116.pdf.

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Meyer, Rüdiger. "Peter Paul Rubens and colour theory : an assessment of the evidence." Thesis, McGill University, 1995. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=28850.

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Peter Paul Rubens' creative genius, as expressed with consummate mastery in his paintings, is but one of the many elements that have compounded to establish his fame. He is also renowned as a man of immense erudition. Indeed, his reputation is such that it is taken for granted that his great learning informed all aspects of his art in a fundamental way.
In accordance with this kind of thinking, current scholarship on Rubens accepts, as a matter of course, that the artist, whilst creating his painted works, followed the dictates of a colour theory, as we would know it today. In fact, on the basis of circumstantial evidence, it has been accepted that Rubens invented a colour theory that may be seen as innovative for his time.
This thesis assesses the evidence which has led researchers to formulate such a conclusion. As a consequence, it investigates the circumstances of Rubens association with Francois de Aguilon during the final stages of the latter's publication of his book on optics, the Opticorum libri sex. ... As well, the artist's correspondence with his friend, Nicolas Fabri de Peiresc, which contains allusions to an autograph manuscript purported to contain Rubens' thoughts on colour, is re-examined. Indeed, this very correspondence reveals that Rubens did not consider himself particularly knowledgeable about the theoretical aspects colour.
On the basis of a thorough review of these existing documents; an investigation into relevant biographical circumstances; and an examination of the artist's technique, it is here proposed that Rubens did not consciously apply theoretical principles to his craft, but rather, that any of the discernable elements of what is considered to be modern colour theory are in the paintings only because the demands of the painter's craft serendipitously parallel art historians' theoretical hindsight.
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Dunzweiler, Krista J. "Saving America's gays and lesbians from hell : a fantasy theme criticism of the anti-gay rhetoric of the far-right." Scholarly Commons, 2000. https://scholarlycommons.pacific.edu/uop_etds/536.

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This thesis investigates the worldview of six rhetors of the far-right using the rhetorical method of fantasy theme analysis. The specific rhetors examined in this study are Peter J. Peters, Dan Gayman, Edward Fields, Fred Phelps, Jeny Falwell, and James Dobson. In order to understand the discourse of the six rhetors, five research questions were developed to guide the study: (1) What are the images portrayed of homosexuals and gay rights advocates in the fantasy themes of the rhetors examined in this study? (2) What are the images portrayed of Christians in the fantasy themes of the rhetors examined in this study? (3) How do the fantasy themes differ in extremity among the rhetors of the far-tight with regard to homosexuality and supporters of gay lights? (4) How do the fantasy themes of the rhetors work together to create a rhetolical vision for the far-light regarding homosexuality? (5) How do the collective fantasy themes of the far-right rhetors potentially influence actions against and aggression towards homosexuals? In order to answer these questions, a fantasy theme analysis was conducted on various artifacts of the six rhetors chosen for examination in this thesis. The analysis indicated that the fantasy themes of the rhetors work together to create a rhetorical vision in which a drama is played out. In this drama, homosexuals and supporters of gay rights are depicted as villains and fundamentalist Christians are characterized as heroes. Through the depictions of these characters and their actions the ultimate ideal of America as a country is provided. This ultimate ideal focuses on a setting where homosexuals do not exist and gay rights is not an issue. Through these fantasy themes the rhetors encourage America's patriots and fundamentalist Christians to remove homosexuals from society. In addition, the collective rhetorical vision of the six rhetors provides motives for aggressive actions against homosexuals, including acts of violence.
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Larsen, Brian. "An interaction of theology and literature by means of archetypal criticism, with reference to the characters Jesus, Pilate, Thomas, the Jews, and Peter in the Gospel of John." Thesis, University of St Andrews, 2001. http://hdl.handle.net/10023/13419.

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This thesis explores the interaction of literature and theology by means of archetypal criticism with specific reference to certain characters in the Gospel of John. Northrop Frye's system of archetypal literary criticism consisting of the four mythoi or archetypes of romance, tragedy, irony and satire, and comedy forms the governing framework and means of exchange between literature and theology. This synchronic interaction is centered on Jesus, an innocent man acting on behalf of others, as romance; Pilate, unable or unwilling to act justly in an unwanted and unavoidable particular circumstance, as tragedy; Thomas and the Jews, variations on the theme of seeing and not seeing as irony; and Peter, who denies Christ and later recovers, as comedy. These characters' function as points of exchange, each reaching their defining literary and theological climax during the crucifixion events. Within the FG's narrative these characters also serve as imaginative points of contact and identification for the reader at which the reader's own faith response may be placed within the literary and theological milieu of the Fourth Gospel. Conceptually, Jesus and romance, Pilate and tragedy, Thomas, the Jews, and irony, and Peter and comedy may be characterized by representation, reduction, negation, and integration, respectively. The variable between these four mythoi and between these characters is the relationship between a belief or an ideal and experience or reality assumed by the work as a whole and/or assumed and displayed by each character.
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Vess, Deborah L. (Deborah Lynn). "Humanism in the Middle Ages: Peter Abailard and the Breakdown of Medieval Theology." Thesis, University of North Texas, 1991. https://digital.library.unt.edu/ark:/67531/metadc279101/.

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Abailard expanded Anselm's sola ratione methodology, and in so doing he anticipated Renaissance humanism. His theory of abstraction justified the use of dialectic in theology, and was the basis for his entire theological system. He distinguished faith from mere belief by the application of dialectic, and created a theology which focused on the individual. The Renaissance humanists emphasized individual moral edification, which was evident in their interest in rhetoric. Abailard anticipated these rhetorical concerns, focusing on the individual's moral life rather than on metaphysical arguments. His logical treatises developed a theory of language as a mediator between reality and the conceptual order, and this argument was further developed in Sic et non. Sic et non was more than a collection of contradictions; it was a comprehensive theory of language as an inexact picture of reality, which forced the individual to reach his own understanding of scripture. Abailard's development of the power of reason anticipated developments in the Renaissance.
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Phillips, Malcolm. "Experiment and representation : the domestic surreal in contemporary British and American poetry." Thesis, University of St Andrews, 2004. http://hdl.handle.net/10023/14707.

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In order to counter what I regard as premature and reductive formulations of a 'native' British postmodernism, I identify a specific tendency in contemporary writing which I name the domestic surreal, and which I trace through the poetry of John Ashbery, Frank O'Hara, Roy Fisher, Christopher Middleton, John Ash, Peter Didsbury and Ian McMillan. Through close reading and a comparative approach, I uncover key preoccupations with idiosyncratic perception, shared experience, urban space and poetic play. I also describe a network of allegiances and influence among these writers which reveals the domestic surreal to be one of the contemporary manifestations of an imaginative tradition which stretches back through the Surrealist and Cubist movements to Baudelaire and Rimbaud. For the poets of the domestic surreal, engagement with an aesthetic tradition is inextricably linked with their response to contemporary conditions. Drawing on dialectical and poststructuralist perspectives, I propose that the domestic surreal attempts to resist the constraints of social and aesthetic consensus in Britain and America in the period following the Second World War.
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Visser, Jacobie M. Helena. "Playing the system, not the man: a rhetorical investigation of masculinities in its social context in 1 Peter." Thesis, Stellenbosch : Stellenbosch University, 2015. http://hdl.handle.net/10019.1/96822.

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Thesis (MTh)--Stellenbosch University, 2015.
ENGLISH ABSTRACT: Men and masculinities have become so apparent and normative within the course of history and the social structuring of society, that they almost have become the invisible gender. Ubiquitous in positions of power everywhere, the paradox regarding men is becoming more evident by the day. This investigation aims to explore the notion of masculinity, as expressed in the text 1 Peter by means of its well-proportioned rhetorical structure and argument. The argument of the thesis will focus on 1 Peter 2: 11-4: 11 since this larger portion of the letter forms a textual unit. The investigation, Playing the system, not the man, consists of six chapters. Chapter 1 provides a brief synopsis of the basic aim, research problems and questions as well as hypothesis of this thesis, in conjunction with the clarification of methodology and basic core concepts used in the investigation. In Chapter 2 the text of 1 Peter 2:11-4:11 is exegetically analysed by means of a close reading of the text with a focus on core concepts which functions within the text but which are also deemed crucial for the ensuing discussion of masculinity in 1 Peter within the context of the 1st century social world. Chapter 3 continues the discussion by elucidating the 1st century social context, that constitutes the life setting of 1 Peter, in terms of the central ideological concepts of the Roman Empire, and the honour and shame culture, and in particular how these played out in terms of social structures such as the family or household. In Chapter 4 the emphasis shifts back to the text of 1 Peter, keeping with the aim of the investigation to both retain the focus on this letter but also to evaluate the text rhetorically, that is, to consider how the text construes and constructs masculinity. The discussion in the chapter focusses on the text’s construal of the community that is addressed as the οἶκος of God, and with attention to family language and brotherhood. Chapter 5 addresses masculinity according to a prominent theorist’s taxonomy of social masculine patterns. This interpretive model is then applied to 1 Peter, and used as lens with which to delineate varying constitutive forms of masculinity in the text. The concluding Chapter 6 ties the above discussion together and briefly elaborates on the possible value and impact of masculine patterns suggested in the text, and their possible influence and impact on Christianity today. Using an adequate and accountable hermeneutic, the text of 1 Peter can be enlisted in efforts to allow all men, the “man on the street” in all his various guises, to play within the system. Rather than blaming the system on the man, men are challenged to live in freedom not apart from the system as it is impossible, but free nevertheless and notwithstanding the system. In other words, the interpretation of 1 Peter in this thesis invite all men to assume the identity of “foreigners and exiles” regarding the system of male patriarchy!
AFRIKAANSE OPSOMMING: Mans en manlikheid het binne die verloop van die geskiedenis en die sosiale strukture van die samelewing so normatief en onsigbaar geword, dat hulle byna die onsigbare gender word. Alomteenwoordig in posisies van mag orals, is die paradoks rakende mans deurgaans vandag nog meer duidelik te word. Hierdie ondersoek het ten doel om die idee van manlikheid te verken, soos uitgedruk in die 1 Petrus-teks met die netjiese retoriese struktuur en argument. Die argument van die tesis sal fokus op 1 Petrus 2: 11-4: 11 want die groter gedeelte van die brief vorm 'n tekseenheid. Die ondersoek Playing the System not the man bestaan uit ses hoofstukke. Die 1ste hoofstuk voorsien ’n kort opsomming wat die basiese doelstelling, navorsingsprobleme en vrae sowel as die hipotese van die tesis. Dít word dan in verband met die metodologie en basiese kern konsepte wat in die ondersoek gebruik word, opgevolg. In hoofstuk 2 word die Griekse teks van 1 Petrus 2:11-4:11 eksegeties geanaliseer deur ’n retoriese noukeurige-leesmetode op die teks toe te pas. Dié retoriese noukeurige-lees metode word gevolglik gebruik om die kern konsepte rakende manlikheid binne die 1ste-eeuse sosiale konteks na vore te bring. Die kern konsepte word in hoofstuk 3 verder binne die algemene sosio-historiese konteks van die 1ste-eeuse Mediterreense wêreld, bespreek. Aangesien die Mediterreense wêreld kompleks is, word die bespreking van die temas aangaande manlikheid binne die twee sentrale ideologiese sfere naamlik die Romeinse Ryk en die eer- en skande kultuur, beperk. Die fokus van hoofstuk 3 is om die sentrale manlikheidstemas byvoorbeeld die familie en huishouding in gesprek met die sosiale strukture van die 1ste-eeuse konteks, te bring. In Hoofstuk 4 word die klem weer op 1 Petrus geplaas deur te bespreek hoe die teks retories manlikheid vorm en saamstel. Die ondersoek fokus hoofsaaklik op hoe die teks die gemeenskap as οἶκος van God, aanspreek en hoe die retoriese konstruksie van manlikheid deur familie-en broederskapstaal daargestel word. In hoofstuk 5 word manlikheid vanuit ’n prominente teoretikus se klassifikasie van sosiale manlikheidspatrone aangespreek. Die interpretasiemodel word as lens op 1 Petrus toegepas deur aan te dui hoe die teks afwyk en bydra tot die ideale hegemoniese manlikhede van die 1ste eeu. In hoofstuk 6 word die bogenoemde gesprek opgesom en word daar kortliks op die moontlike waarde en effek van die manlikheidspatrone, soos dit vanuit die teks in hoofstuk 4-5 geïdentifiseer is, uitgebrei. Daar word gevolglik ook na die moontlike invloed en effek van dié manlikheidspatrone op hedendaagse Christenskap verwys. Die ondersoek maak van ’n toepaslike en verantwoordbare hermeneutiek gebruik. Die 1 Petrus-teks kan gevolglik van hulp wees om aan alle mans, die spreekwoordelike “man-op-die-straat” in al die verskillende vorms waarin hy voorkom, die geleentheid te bied om binne die sisteem te speel. Eerder as om die sisteem te blameer, word mans eerder uitgedaag om in die vryheid te leef, alhoewel nie apart van die sisteem is nie, maar eerder om vry te leef ten spyte van die sisteem. Met ander woorde, die interpretasie van 1 Petrus in hierdie tesis wil aan mans die ruimte te gee om hulself te identifiseer as “vreemdelinge en bywoners”, met betrekking tot manlike patriargie.
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Du, Plessis Tanya Lenore. "In search of the culture of links : the use of myth and ritual in the work of Peter Brook." Thesis, Rhodes University, 1998. http://hdl.handle.net/10962/d1002368.

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This thesis examines the use of elements of myth and ritual in the work of Peter Brook, focusing primarily on The Mahabharata ( 1986 ). The argument proposes that Brook uses myth and ritual as an integral part of his search for the culture of links .. This thesis examines the precise functioning of myth and ritual in Brook's theatre, and places his work in relation to the concepts of interculturalism and postmodernism. In so doing, The Mahabharata is seen as a valid and important step in Brook's search for the culture of links. Chapter One formulates broad-based concepts of myth and ritual, and examines their function in society and culture, as well as their role in theatre. Chapter Two offers a brief discussion of the use of elements of myth and ritual in Brook's productions, beginning with King Lear (1962), and ending with 0rghast (1971). The discussion illustrates the multiple functions which myth and ritual serve in Brook's work. Chapter Three examines the trend of interculturalism, placing Brook's work within this franlework. Attention is given to the moral and political issues implicit in interculturalism. The chapter highlights the need for intercultural theatre to be evaluated in terms of artistic criteria, rather than on anthropological or political grounds. Finally, there is a discussion of the work of other intercultural theatre practitioners. Chapter Four examines Brook's Mahabharata. A detailed discussion of the authenticity and visual presentation of Brook's interpretation shows how Brook mediates between the Indian epic and a Western audience An examination of the critical response offers insights into the dangers of insensitive cross-cultural contact.. Chapter Five offers a critical summary of the argument. Brook's search for the culture of links has led him to use elements of myths and rituals of non-Western cultures. In so doing, Brook seeks to bring their living quality to his work, and to forge links between the peoples and cultures of the world.
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Roets, Kristel. "'n Vergelykende studie van twee jeugromans : Winterijs (2001) deur Peter van Gestel en Roepman (2004) deur Jan van Tonder." Thesis, Stellenbosch : Stellenbosch University, 2008. http://hdl.handle.net/10019.1/2528.

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Thesis (MA (Afrikaans and Dutch))--Stellenbosch University, 2008.
This thesis is a comparative literature study of a Dutch and an Afrikaans novel that can be read by the youth and adults alike and display similarities with regard to genre, content, structure and theme. The novels are Winterijs (2001) by Peter van Gestel and Roepman (2004) by Jan van Tonder. Chapter 1 serves as an introduction. In chapter 2 concepts such as “crossover literature”, “cross publication”, “dual audience authors” and “dual audience literature” are discussed. Chapter 3 presents an overview of the theory that provides a conceptual framework for this study. The method of investigation that is followed by Helma Van Lierop-Debrauwer and Neel Bastiaansen-Harks (2005) in their study of the similarities and differences between an adolescent novel for the youth and an adolescent novel for adults is used, as well as the theory of Victor Turner (1969) on the concept of liminality. As it provides a useful method for approaching and analyzing the two texts, the above mentioned theories are applied to Winterijs and Roepman in Chapters 4 and 5, with specific reference to the representation of a male child narrator with liminal characteristics. In chapter 6 the similarities and differences between the two novels are pointed out and summarized. Conclusions are drawn and possibilities for further research are presented in chapter 7.
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Books on the topic "Peter Criticism and interpretation"

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Peter Kiesewetter. Tutzing: Schneider, 2009.

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Michael, Schwarz. Peter Tuma. Hannover: Th. Schäfer, 1993.

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Dowie, William. Peter Matthiessen. Boston: Twayne, 1991.

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Kinley, Catherine. Peter Kinley. Farnham: Lund Humphries, 2010.

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Peter Weir. Milano: Il castoro, 2011.

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Garlake, Margaret. Peter Lanyon. London: Tate Gallery Pub., 1998.

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Lascault, Gilbert. Peter Stämpfli. Neuchâtel: Ides et calendes, 2003.

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Mark, Bates, and Sellars Peter, eds. Peter Sellars. Paris: CNRS, 2003.

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1937-, Stämpfli Peter, ed. Peter Stämpfli. Paris: Cercle d'art, 2011.

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Peter Rühmkorf. Hannover: Wehrhahn Verlag, 2014.

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Book chapters on the topic "Peter Criticism and interpretation"

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Bogel, Fredric V. "New Formalist Interpretation." In New Formalist Criticism, 102–52. London: Palgrave Macmillan UK, 2013. http://dx.doi.org/10.1057/9781137362599_4.

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Shevtsova, Maria. "Interaction-Interpretation." In Peter Brook and the Mahabharata, 206–27. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003320418-19.

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Cohen, Ralph. "Literary Criticism and Artistic Interpretation." In Reason and Imagination, 279–306. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003222996-14.

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Bonelli, Paolo, Giorgio Guidotti, Enrico Paolini, and Giulio Spinucci. "Pacemaker Stimulation Criticism at ECG." In New Concepts in ECG Interpretation, 175–85. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-91677-4_16.

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Wang, Fengzhen. "Marxist Literary Criticism in China." In Marxism and the Interpretation of Culture, 715–22. London: Macmillan Education UK, 1988. http://dx.doi.org/10.1007/978-1-349-19059-1_49.

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Capellmann, Herbert. "Later Criticism of the Copenhagen Interpretation." In SpringerBriefs in History of Science and Technology, 77–81. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-61884-5_10.

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Amesbury, Richard. "Norms, Interpretation, and Decision-Making: Derrida on Justice." In Morality and Social Criticism, 46–64. London: Palgrave Macmillan UK, 2005. http://dx.doi.org/10.1057/9780230507951_3.

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Mallinson, Jane. "Objects of Attention: The Literary Criticism." In T.S. Eliot’s Interpretation of F.H. Bradley, 23–34. Dordrecht: Springer Netherlands, 2002. http://dx.doi.org/10.1007/978-94-017-0411-3_3.

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Jung, Eva-Maria, and François Pellet. "Theoretical Entities of Literary Criticism and Science: What Mrs. Gamp and Electrons Do Not Have in Common." In Peter van Inwagen, 107–21. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-70052-6_6.

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Gutiérrez Pozo, Antonio. "Subjectivity and Transcendence: Husserl’s Criticism of Naturalistic Thought." In Man’s Self-Interpretation-in-Existence, 379–85. Dordrecht: Springer Netherlands, 1990. http://dx.doi.org/10.1007/978-94-009-1864-1_30.

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Conference papers on the topic "Peter Criticism and interpretation"

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Tsai, Hsing-Fen, and Chung-Ping Yang. "A Survey of Taiwan's Education from Peter McLaren's Criticism of Global Capitalism." In 2010 International Conference on e-Education, e-Business, e-Management, and e-Learning, (IC4E). IEEE, 2010. http://dx.doi.org/10.1109/ic4e.2010.123.

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Al-dabbagh, Asma. "The Nature of Interpretation in Architectural criticism." In INTERNATIONAL CONFERENCE ON ARCHITECTURAL AND CIVIL ENGINEERING 2020. Cihan University-Erbil, 2021. http://dx.doi.org/10.24086/aces2020/paper.256.

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The expressive systems in architecture consists of two components: the system of forms and the system of meanings, these systems are linked together by unwritten rules, which are a matrix of correlations / implications that determine any meanings associated with any forms. The designer remains unsure of the possible interpretations of his design, because of the variation in the nature of meaning, discovered by the recipient, and this stems from the variation of reliance on the theory of interpretation in this regard. Many studies of architectural semiology indicate some of these theories; Classical theory believes in the natural meaning, which influenced by form's geometry, Pragmatic theory believes in the common meaning, which stems from the use of form within different contexts and according to social custom. The research attempts to explore the aspects of interpretation adopted by two critics, in order to determine the theory adopted by them, so the designer will be aware to the nature and type of meaning comprehended by viewers. The results showed the adoption of common and inclusive meanings, also showed the variation in the role of architectural Expressions in confirming or multiplying the meaning, influenced by contexts and signal types. The conclusion emphasized the importance of historical references, stylistic trend, and spatial contexts in form interpretation.
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"Interpretation of "Wuthering Heights" from the Perspective of Eco-criticism." In 2018 4th International Conference on Economics, Management and Humanities Science. Francis Academic Press, 2018. http://dx.doi.org/10.25236/ecomhs.2018.126.

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Moracci, Giovanna. "The travel to Europe of P.A.Tolstoj, writer and «our nobleman»." In Tenth Rome Cyril-Methodian Readings. Indrik, 2020. http://dx.doi.org/10.31168/91674-576-4.18.

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Kenyhercz, Róbert. "Interpretation of data and sources in etymological research." In International Conference on Onomastics “Name and Naming”. Editura Mega, 2022. http://dx.doi.org/10.30816/iconn5/2019/39.

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The aim of the paper is to emphasize the importance of source criticism in etymological research. It is widely known that the main sources for the early history of toponyms in the Carpathian Basin are the charters created in the medieval Hungarian Kingdom, because these official documents contained a large number of vernacular proper names embedded in the Latin text. However, it is important to mention that the medieval charters were produced by the chancery and places of authentication along specific principles and needs. I argue that this circumstance must always be considered during the interpretation of the data. I will show some examples illustrating that – in certain cases – we have to take into account the nature of the sources in the reconstruction of the genesis of place names. My goal is to offer a brief outline of this issue through my own investigations.
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Verner, Inna. "The legacy of Maximus the Greek in the biblical revision of Euthymius Chudovsky (1680s)." In Tenth Rome Cyril-Methodian Readings. Indrik, 2020. http://dx.doi.org/10.31168/91674-576-4.04.

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The paper explores the use by Euthymius Chudovsky of Maximus the Greek’s achievements in the linguistic revision of biblical texts. Correction and translation of the New Testament by Euthymius in the 1680s demonstrates not only the appeal to the texts translated by Maximus as language patterns, but also the development of his philological criticism of the text of Holy Scripture and its interpretation.
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Fateeva, I. "“AN EVERLASTING DAY” (IN RELATION TO THE PAINTING “HUNTERS IN THE SNOW” BY PIETER BRUEGEL)." In Aesthetics and Hermeneutics. LCC MAKS Press, 2022. http://dx.doi.org/10.29003/m2554.978-5-317-06726-7/93-96.

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The article gives an aesthetic interpretation of the art criticism judgment - “An everlasting day” in relation to the painting “Hunters in the Snow” by the Dutch artist, representative of the Northern Renaissance (16th century) Pieter Bruegel (Muzhitsky). In the context of the ideas of phenomenological aesthetics, the type of painting is determined, a conclusion is made about the applicability of the considered judgment to paintings of a certain type, examples of such works from Russian art are given.
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Olekh, G. "IN DEFENSE OF THE SOCIO-NATURAL APPROACH: SEVERAL COMMENTS ON E.S. KULPIN-GUBAIDULLIN'S ARTICLES ON PETER'S MODERNIZATION." In Man and Nature: Priorities of Modern Research in the Area of Interaction of Nature and Society. LCC MAKS Press, 2021. http://dx.doi.org/10.29003/m2581.s-n_history_2021_44/27-33.

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The purpose of this study is to analyze the content of the late (2012-2014) works of E. S. Kulpin-Gubaidullin to establish the main reasons for the refusal of the Soviet and Russian philosopher from the application of the methodology of socio-natural history (hereinafter SNH) to the historical past of Russia. The analysis itself is carried out in the paradigmatic line of the SNH and concerns the features of the presentation and interpretation by E. S. Kulpin-Gubaidullin of the prerequisites, the course, and consequences of Peter I's reforms. Special attention is paid to the influence of the natural factor on the formation and transformation of the basic values of Russian civilization
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Xu, Manyan. "A New Interpretation of Chinese Versions of Stray Birds Based on Reiss's Translation Criticism A Case Study of the Translations by Feng Tang and Zheng Zhenduo." In Proceedings of the 2nd International Conference on Contemporary Education, Social Sciences and Ecological Studies (CESSES 2019). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/cesses-19.2019.128.

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Azulay Tapiero, Marilda. "Arquitectura, dispositivo de experiencia memorial. *** Architecture: a drive of memorial experience ." In 8º Congreso Internacional de Arquitectura Blanca - CIAB 8. Valencia: Universitat Politècnica València, 2018. http://dx.doi.org/10.4995/ciab8.2018.7604.

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La arquitectura puede introducirnos en la experiencia de la memoria; memoria como reflexión, y arquitectura como dispositivo para la experiencia memorial a la vez que contenedor de la información. Cada objeto es definido en un proceso en el que considerar diversos actores, sus voluntades, opciones y experiencias. Es el caso de las obras que aborda este trabajo, en las que evidenciar e interrogarnos sobre el gesto arquitectónico, la memoria evocada y su interpretación social. Obras que han alcanzado notoriedad por diferentes motivos: como la Sala del Recuerdo, de Arieh Elhanani, Arieh Sharon y Benjamin Idelson (1961) en Yad Vashem, Jerusalén; por su significado científico e histórico, como el Museo de Historia del Holocausto, también en Yad Vashem, de Moshé Safdie (2005); por su relevancia cultural o arquitectónica, como el Museo Judío (Ampliación del Museo de Berlín con el Departamento del Museo Judío) de Daniel Libeskind en Berlín (1999); e incluso por la controversia que han suscitado, como el Monumento en Memoria de los Judíos Asesinados de Europa, también en Berlín, conocido como el Monumento del Holocausto, de Peter Eisenman (2004).***Architecture can introduce us to the experience of memory; memory as reflection, and architecture as a drive for the experience of remembering as well as a container of information. Each object is de ned in a process in which different actors, their wills, options and experiences, are taken into account. This is the case of the artworks addressed by the present communication, in which we reveal and ask ourselves about the architectural gesture, the evoked memory and its social interpretation. Artworks that have achieved prominence for different reasons, such as the Hall of Remembrance, of Arieh Elhanani, Arieh Sharon and Benjamin Idelson (1961) in Yad Vashem, Jerusalem; for its scientific and historical significance, such as the Holocaust History Museum, also in Yad Vashem, by Moshe Safdie (2005); for its cultural or architectural relevance, such as the Jewish Museum (Extension of the Berlin Museum with the Department of the Jewish Museum) by Daniel Libeskind in Berlin (1999); and even because of the controversy they have raised, such as the Memorial to the Murdered Jews of Europe, also in Berlin, known as the Holocaust Memorial, by Peter Eisenman (2004).
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Reports on the topic "Peter Criticism and interpretation"

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Stall, Nathan M., Kevin A. Brown, Antonina Maltsev, Aaron Jones, Andrew P. Costa, Vanessa Allen, Adalsteinn D. Brown, et al. COVID-19 and Ontario’s Long-Term Care Homes. Ontario COVID-19 Science Advisory Table, January 2021. http://dx.doi.org/10.47326/ocsat.2021.02.07.1.0.

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Key Message Ontario long-term care (LTC) home residents have experienced disproportionately high morbidity and mortality, both from COVID-19 and from the conditions associated with the COVID-19 pandemic. There are several measures that could be effective in preventing COVID-19 outbreaks, hospitalizations, and deaths in Ontario’s LTC homes, if implemented. First, temporary staffing could be minimized by improving staff working conditions. Second, homes could be further decrowded by a continued disallowance of three- and four-resident rooms and additional temporary housing for the most crowded homes. Third, the risk of SARS-CoV-2 infection in staff could be minimized by approaches that reduce the risk of transmission in communities with a high burden of COVID-19. Summary Background The Province of Ontario has 626 licensed LTC homes and 77,257 long-stay beds; 58% of homes are privately owned, 24% are non-profit/charitable, 16% are municipal. LTC homes were strongly affected during Ontario’s first and second waves of the COVID-19 pandemic. Questions What do we know about the first and second waves of COVID-19 in Ontario LTC homes? Which risk factors are associated with COVID-19 outbreaks in Ontario LTC homes and the extent and death rates associated with outbreaks? What has been the impact of the COVID-19 pandemic on the general health and wellbeing of LTC residents? How has the existing Ontario evidence on COVID-19 in LTC settings been used to support public health interventions and policy changes in these settings? What are the further measures that could be effective in preventing COVID-19 outbreaks, hospitalizations, and deaths in Ontario’s LTC homes? Findings As of January 14, 2021, a total of 3,211 Ontario LTC home residents have died of COVID-19, totaling 60.7% of all 5,289 COVID-19 deaths in Ontario to date. There have now been more cumulative LTC home outbreaks during the second wave as compared with the first wave. The infection and death rates among LTC residents have been lower during the second wave, as compared with the first wave, and a greater number of LTC outbreaks have involved only staff infections. The growth rate of SARS-CoV-2 infections among LTC residents was slower during the first two months of the second wave in September and October 2020, as compared with the first wave. However, the growth rate after the two-month mark is comparatively faster during the second wave. The majority of second wave infections and deaths in LTC homes have occurred between December 1, 2020, and January 14, 2021 (most recent date of data extraction prior to publication). This highlights the recent intensification of the COVID-19 pandemic in LTC homes that has mirrored the recent increase in community transmission of SARS-CoV-2 across Ontario. Evidence from Ontario demonstrates that the risk factors for SARS-CoV-2 outbreaks and subsequent deaths in LTC are distinct from the risk factors for outbreaks and deaths in the community (Figure 1). The most important risk factors for whether a LTC home will experience an outbreak is the daily incidence of SARS-CoV-2 infections in the communities surrounding the home and the occurrence of staff infections. The most important risk factors for the magnitude of an outbreak and the number of resulting resident deaths are older design, chain ownership, and crowding. Figure 1. Anatomy of Outbreaks and Spread of COVID-19 in LTC Homes and Among Residents Figure from Peter Hamilton, personal communication. Many Ontario LTC home residents have experienced severe and potentially irreversible physical, cognitive, psychological, and functional declines as a result of precautionary public health interventions imposed on homes, such as limiting access to general visitors and essential caregivers, resident absences, and group activities. There has also been an increase in the prescribing of psychoactive drugs to Ontario LTC residents. The accumulating evidence on COVID-19 in Ontario’s LTC homes has been leveraged in several ways to support public health interventions and policy during the pandemic. Ontario evidence showed that SARS-CoV-2 infections among LTC staff was associated with subsequent COVID-19 deaths among LTC residents, which motivated a public order to restrict LTC staff from working in more than one LTC home in the first wave. Emerging Ontario evidence on risk factors for LTC home outbreaks and deaths has been incorporated into provincial pandemic surveillance tools. Public health directives now attempt to limit crowding in LTC homes by restricting occupancy to two residents per room. The LTC visitor policy was also revised to designate a maximum of two essential caregivers who can visit residents without time limits, including when a home is experiencing an outbreak. Several further measures could be effective in preventing COVID-19 outbreaks, hospitalizations, and deaths in Ontario’s LTC homes. First, temporary staffing could be minimized by improving staff working conditions. Second, the risk of SARS-CoV-2 infection in staff could be minimized by measures that reduce the risk of transmission in communities with a high burden of COVID-19. Third, LTC homes could be further decrowded by a continued disallowance of three- and four-resident rooms and additional temporary housing for the most crowded homes. Other important issues include improved prevention and detection of SARS-CoV-2 infection in LTC staff, enhanced infection prevention and control (IPAC) capacity within the LTC homes, a more balanced and nuanced approach to public health measures and IPAC strategies in LTC homes, strategies to promote vaccine acceptance amongst residents and staff, and further improving data collection on LTC homes, residents, staff, visitors and essential caregivers for the duration of the COVID-19 pandemic. Interpretation Comparisons of the first and second waves of the COVID-19 pandemic in the LTC setting reveal improvement in some but not all epidemiological indicators. Despite this, the second wave is now intensifying within LTC homes and without action we will likely experience a substantial additional loss of life before the widespread administration and time-dependent maximal effectiveness of COVID-19 vaccines. The predictors of outbreaks, the spread of infection, and deaths in Ontario’s LTC homes are well documented and have remained unchanged between the first and the second wave. Some of the evidence on COVID-19 in Ontario’s LTC homes has been effectively leveraged to support public health interventions and policies. Several further measures, if implemented, have the potential to prevent additional LTC home COVID-19 outbreaks and deaths.
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