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Relevant bibliographies by topics / Perniola

Academic literature on the topic 'Perniola'

Author: Grafiati

Published: 22 June 2024

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Journal articles
Dissertations / Theses
Books
Book chapters
Conference papers
Reports

Journal articles on the topic "Perniola":

1

Vogt, Erik. "Aesthetics Qua Excess: Mario Perniola and Jacques Rancière." AM Journal of Art and Media Studies, no. 20 (October 15, 2019): 1. http://dx.doi.org/10.25038/am.v0i20.320.

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According to Jacques Rancière, the contemporary anti-aesthetic consensus has denounced aesthetics “as the perverse discourse which bars this encounter and which subjects works, or our appreciation thereof, to a machine of thought conceived for other ends: the philosophical absolute, the religion of the poem or the dream of social emancipation” (Rancière, Aesthetics and Its Discontents, 2009: 2). However, what seems to be the most problematic trait of aesthetics is its excessive confusion of “pure thought, sensible affects and artistic practices.”But for both Rancière and Mario Perniola, the excess of aesthetics, that is, its confusion and obliteration of the borders between the arts, between high art and popular art, as well as between art and life – a commixture not to be mistaken for some postmodern transgression of modernist boundaries, for both Rancière and Perniola keep critical distance to the notions of modernism and postmodernism – constitutes the very knot “by which thoughts, practices and affects are instituted and assigned a territory or a ‘specific’ object” (Rancière, Aesthetics and Its Discontents, 2009: 4).This paper will demonstrate that aesthetics in Rancière and Perniola represents neither simply a general art theory nor a theory defining art by means of its effects on the senses, but rather a specific order of the identification and thinking of art. Moreover, it will argue that Rancière’s and Perniola’s respective elaborations of the relationship between aesthetics and art occur in the larger context of a primary aesthetics associated with the topographical analysis of the means in which the sensible, common world is constructed, parceled out and contested. It will also be shown that primary aesthetics, for both Rancière and Perniola, includes non-artistic realms and practices such as politics, culture, education, science, and economy in that all these realms and practices presuppose the sensible configuration of a specific world. Thus, primary aesthetics is ultimately to be grasped as distribution of the sensible (Rancière) or as sensology (Perniola) that determines not only that which is given in a common manner, but also – and more specifically – that which can be seen, felt, said or done and at the same time modes of seeing, feeling, saying or doing that are excluded from that which is given in a common manner. Article received: April 17, 2019; Article accepted: July 6, 2019; Published online: October 2019; Original scholarly paperHow to cite this article: Vogt, Erik. "Aesthetics Qua Excess: Mario Perniola and Jacques Rancière." AM Journal of Art and Media Studies 20 (2019): 1-10. doi: 10.25038/am.v0i20.320

2

Bianchi, Enea. "The Adventures of the Thing: Mario Perniola’s Sex Appeal of the Inorganic." AM Journal of Art and Media Studies, no. 22 (September 15, 2020): 23–34. http://dx.doi.org/10.25038/am.v0i22.380.

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This paper explores the concept of “inorganic sexuality” in the work of Italian writer and philosopher Mario Perniola. The main objective is to develop the controversial and original aspects of Perniola’s thought within his aesthetic theory of feeling. Perniola elaborates the so-called “thing that feels”, namely a feeling in which the neutral and impersonal dimensions of the things flow into organic life and vice versa. This perspective, as will be clarified, by dissolving the vitalist and spiritualist drives of the subject, enlarges the horizon of aesthetic feeling by welcoming what is commonly left outside of it: the inorganic and material world, in its surprising aspects, but also in its uncanny and disturbing ones. Therefore, the main goal of this paper is to show the significance and the value of neutral sexuality, which opens up a space of experiences beyond the traditional metaphysical oppositions such as masculine/feminine, organic/inorganic, alive/dead, real/virtual, gender/sex. Article received: April 28, 2020; Article accepted: June 23, 2020; Published online: September 15, 2020. Original scholarly paper

3

Di Felice, Massimo. "Entrevista com Mario Perniola." Revista de Italianística, no. 14 (December 30, 2006): 217. http://dx.doi.org/10.11606/issn.2238-8281.v0i14p217-220.

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4

Milla, Saraí. "Resistencia y emancipación del “nuevo espectador” en el régimen estético del sentir impersonal." Estudios de Filosofía 20 (December 5, 2022): 119–32. http://dx.doi.org/10.18800/estudiosdefilosofia.202201.006.

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El presente trabajo busca establecer conexiones entre los diagnósticos del arte en la sociedad por parte de Benjamin, Rancière y Perniola para entender la crisis estética contemporánea caracterizada por ser un régimen del sentir impersonal. Para ello, se busca esclarecer el concepto de aura de Benjamin y establecer una conexión con el arte y la política que será amplificada con Rancière. El artículo abordará las causas de la falta de autonomía de la estética contemporánea, mencionadas por Perniola, para ver de qué manera es posible la emancipación del espectador al jugar con lo vacío, lo indecible o con la sombra del arte.

5

Neves, José Pinheiro, and Luís Tavares. "Leitura do livro de Mario Perniola, O Sex Appeal do Inorgânico (Coimbra, Ariadne Editora: 2004)." Comunicação e Sociedade 12 (December 19, 2007): 230–33. http://dx.doi.org/10.17231/comsoc.12(2007).1110.

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Mario Perniola, professor de estética na Universidade de Roma, inspira-se numa frase de Walter Benjamin acerca do sex appeal do inorgânico (p. 6), para retomar, de uma forma inovadora, alguns dos seus livros anteriores...

6

Patella, Giuseppe. "Una filosofia dell’intermedio. Ricordo di Mario Perniola." Rivista di estetica, no. 70 (April 1, 2019): 171–76. http://dx.doi.org/10.4000/estetica.5257.

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7

Lozano, Jorge. "Mario Perniola (1941-2018). Un historiador del presente." deSignis, no. 29 (July 1, 2018): 241–42. http://dx.doi.org/10.35659/designis.i29p241-242.

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8

Ortega Ruiz, Óscar. "Perniola, Mario: La estética contemporánea y El arte expandido." Boletín de Arte, no. 37 (November 4, 2017): 298–301. http://dx.doi.org/10.24310/bolarte.2016.v0i37.3437.

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Recientemente, han llegado a las librerías dos nuevas publicaciones de una de las grandes personalidades del pensamiento filosófico italiano, el profesor Mario Perniola, catedrático de Estética de la Universidad Tor Vergata de Roma. Este veterano intelectual de origen piamontés, nacido en 1941, ha ddedicado la mayor parte de su carrera a la reflexión acerca de los problemas y retos surgidos en el seno de la disciplina estética de los últimos decenios, tales como la evolución de las vanguardias, el situacionismo –movimiento en el que estuvo directamente involucrado–, los estudios culturales, el postmodernismo, el posthumanismo, etc.

9

BARRIENTOS RASTROJO, José. "El secuestro del sujeto contemporáneo. De Karl Mannheim (ideología) y Mario Perniola (sensología) al riesgo del extravío antropológico en el siglo XXI." Bajo Palabra, no. 9 (December 30, 2014): 243–57. http://dx.doi.org/10.15366/bp2014.9.023.

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Este trabajo explica la categoría ideología a partir de la obra Ideología y utopía de K. Mannheim, la extrapola al ámbito de los sentimientos desde la propuesta sensológica de M. Perniola (Del sentir, 2002) y, finalmente, desciende a los peligros de la ideología y la sensología cuando ambos fenómenos conducen a un rapto del ser humano. Evitados los riesgos del secuestro, se proponen líneas que abran la posibilidad de un sujeto contemporáneo que aprehenda las nociones citadas (ideas y sentimientos) de forma autónoma.

10

Milne, Oliver. "Review of Enea Bianchi’s The Philosophy of Mario Perniola (2022)." AM Journal of Art and Media Studies, no. 31 (September 15, 2023): 127–29. http://dx.doi.org/10.25038/am.v0i29.576.

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Dissertations / Theses on the topic "Perniola":

1

D'Aversa, Anna Sara. "Phénoménologie de la résistance esthétique dans la musique du XXᵉ siècle : nouvelles avant-gardes et dérives de la notion de résistance dans les musiques actuelles." Electronic Thesis or Diss., Paris 8, 2018. http://www.theses.fr/2018PA080144.

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La thèse a pour but de définir le concept de résistance esthétique et d’en décrire les repercussions dans la production musicale expérimentale du Xxe siècle. Le potentiel politique de résistance inhérent à la nature des avant-garde est susceptible d’etre considéré comme une qualité esthétique permettant à l’art d’organiser une résistance effective. L’étude de philosophes qui se sont occupé du concept de résistance fournit une ligne structurelle théorique à la deuxième partie de la thèse, qui est consacrée à l’étude de la pensée compositionnelle et de la pratique technique de la performance d’artistes comme John Cage, Luigi Nono, Cornelius Cardew, et des mouvements du Free Jazz, de l’Improvisation libre, du Rap, Punk, Posse. La dernière partie est consacrée à des phénomènes musicaux rélativement récents qui représentent les nouvelles tendances de production esthétique (Einsturzende Neubauten, Pauline Oliveros, Pussy Riot, etc.). La thèse se termine après un voyage extra musical qui pousse l’expérience esthétique hors des logiques de la normalité ontologique musicale. La complexité de la réalité esthétique actuelle est representée par des dimensions culturelles dans lesquelles la musique subit un remaniement dans l’intelligence collective de ce nouveau milieu techno-social, en poursuivant la lutte pour la liberté
The thesis targets the concept of aesthetics resistence and the description of its impact on the production of the experimental music in the 20th century. The political potential of resistence concerning the avant-garde nature can be considered as an aesthetic quality that allows the art to organize an effective resistence. The study of philosophies that have considered the concept of aesthetics resistence, has given a structural theorical line to the second part of the thesis, that focuses the study of the compositional thought and the technical practice of the performance of artists like Jon Cage, Luigi Nono, Cornelius Cardew, and of Free Jazz and Free Improvisation movements, Rap, Punk, Posse. The last part of the thesis is dedicated to more recent musical phénomenons that represents the new tendencies of aesthetics production (Einsturzende Neubauten, Pauline Oliveros, Pussy Riot, etc.). The thesis ends after an extramusical trip that pushes the aesthetics experience out of logics of musical ontological normality. The complexity of contemporary aestethics reality is represented by cultural dimensions where music goes through a reorganisation in the collective intelligence of this new technosocial milieu, still pursuing the struggle for freedom

2

Schmiderer, Alexander [Verfasser], Gregor [Akademischer Betreuer] Borg, and Ernst [Akademischer Betreuer] Pernicka. "Geochemische Charakterisierung von Goldvorkommen in Europa / Alexander Schmiderer. Betreuer: Gregor Borg ; Ernst Pernicka." Halle, Saale : Universitäts- und Landesbibliothek Sachsen-Anhalt, 2009. http://d-nb.info/1024859169/34.

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Reindel, Markus, and Johny A. Isla. "The Initial Period in Pernil Alto, Palpa, South Coast of Perú." Pontificia Universidad Católica del Perú, 2012. http://repositorio.pucp.edu.pe/index/handle/123456789/113332.

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Apart from the materials and archaeological contexts excavated at Hacha in the Acarí Valley, until now evidence for the Initial Period along the southern coast of Perú were limited to some isolated findings that lacked well-defined contexts, e.g. from sites like Erizo in the Ica Valley, Mastodonte in the pampa of Villacurí (Ica) and Disco Verde on the Paracas Peninsula. There were no reported findings from the Río Grande of Nasca region. Only very recently, with the development of the Nasca-Palpa Archaeological Project, were sites and evidence for the Initial Period in the Palpa Valleys encountered. These provide new insights into and new perspectives on the process of cultural development for this part of the south coast. In this paper we present and discuss the numerous finds and findings of the Initial Period that have been recovered in the excavations at Pernil Alto, which include architectural structures, ceramics and other associated materials. The analysis of these findings indicates that already in this moment in time the conditions for the stable and permanent development of the populations settling in the Río Grande drainage were given. Twenty radiocarbon dates confirm the chronological position of the contexts excavated in Pernil Alto.
Con excepción de los materiales y contextos arqueológicos excavados en el sitio de Hacha, en el valle de Acarí, las evidencias disponibles sobre el Periodo Inicial en toda la costa sur del Perú se limitan a algunos hallazgos aislados y sin contextos definidos procedentes de yacimientos como Erizo, en el valle de Ica, Mastodonte, en la pampa de Villacurí (Ica), y Disco Verde, en la península de Paracas. Los datos y materiales de la cuenca de Río Grande están ausentes hasta el momento. Solo de manera reciente, con el desarrollo del Proyecto Arqueológico Nasca-Palpa, se han registrado nuevos sitios y evidencias sobre el Periodo Inicial en los valles de Palpa, los que proporcionan una nueva perspectiva sobre el proceso de desarrollo cultural que tuvo esta parte de la costa sur. De este modo, en el presente artículo se exponen y discuten los numerosos vestigios del Periodo Inicial recuperados en las excavaciones en el sitio de Pernil Alto, los que comprenden estructuras arquitectónicas, cerámica y otros materiales asociados. El análisis de estos elementos señala que, ya en ese tiempo, se habían dado las condiciones para el desarrollo estable y permanente de las poblaciones asentadas en la cuenca de Río Grande. Veinte fechados radiocarbónicos confirman, ampliamente, la posición cronológica de los contextos excavados en este complejo.

4

Giangareli, Barbara de Lima. "Caracterização físico-química de músculos do lombo e do pernil de suínos." Universidade Estadual de Londrina. Centro de Ciências Agrárias. Programa de Pós-Graduação em Ciência Animal, 2015. http://www.bibliotecadigital.uel.br/document/?code=vtls000204828.

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A suinocultura é uma das atividades agropecuárias mais importantes do mundo. O Brasil possui um alto potencial produtivo, porém o consumo interno ainda é afetado por fatores como preconceito e desinformação, sendo necessário um estímulo ao consumo da carne suína in natura. Foram avaliados os músculos bíceps femoralis, longissimus thoracis, semimembranosus e semitendinosus de 19 suínos provenientes da cruza PIC X Danbred com média de 110 kg em pH, cor, marmoreio, perda de água por pressão, descongelamento e cocção, maciez, composição química, diâmetro de fibra, colágeno e a composição de ácidos graxos. A perda de líquido no descongelamento foi maior para o semimembranosus e longissimus thoracis em relação ao semitendinosus, não diferindo do biceps femoralis. A perda de líquido na cocção foi maior para o semimembranosus. O músculo longissimus thoracis apresentou maior luminosudade em relação ao semimembranosus e o biceps femoralis, não diferindo do semitendinosus. O chroma foi maior para o semitendinosus e biceps femoralis comparado ao longissimus thoracis e o semimembranosus. A tonalidade foi maior no longissimus thoracis em relação ao semitendinosus e o biceps femoralis, não diferndo do semimembranosus. O longissimus thoracis apresentou maior teor de matéria seca e proteína em relação aos demais músculos. O extrato etéreo do semitendinosus foi maior que os demais músculos, o longissimus thoracis apresentou valor maior que o biceps femoralis e este por sua vez foi maior que o semimembranosus. A força de cisalhamento foi maior no biceps femoralis e no semitendinosus em relação ao longissimus thoracis e semimembranosus. O semimembranosus apresentou valor maior de índice de fragmentação miofibrilar que o biceps femoralis e este foi maior que o longissimus thoracis e semitendinosus. O diâmetro de fibra do longissimus thoracis foi maior que do semimembranosus e semitendinosus, embora não diferencie do biceps femoralis. O biceps femoralis apresentou mais colágeno que os demais músculos. Concluiu-se que os músculos longissimus thoracis e semimembranosus se destacaram quanto à maciez e composição química e o músculo semitendinosus se destacou perante os demais, por apresentar uma boa proporçao de ácidos graxos insaturados e destes grande parte são do tipo ômega 3, precursores de uma boa saúde cardiovascular, ou seja, o consumo de carne suína in natura é propício, estando de acordo com níveis nutricionais indicados para uma alimentação saudável, devendo então ter seu consumo mais incentivado.
The swine production is one of the most important agricultural activities in the world. The Brazil has a high productive potential, however the internal market consumption is affected by factors like prejudice and miss information. It is necessary an stimulation to increase the swine fresh meat consumption increase, therefore this study evaluate the biceps femoralis, longissimus thoracis, semimembranosus e semitendinosus muscles from 19 animals PIC x Danbred hibrids in pH, color, marbling, water losses, tenderness, chemical composition, fiber diameter, collagen and fatty acid composition. The liquid loss on defrosting was higher for semimembranosus and longissimus thoracis in relation to semitendinosus, having no differences from biceps femoralis. The liquid losses on cooking was higher for the semimembranosus. The longissimus thoracis show higher luminosity than semimembranosus and biceps femoralis, but not different from semitendinosus. The chroma evaluation was higher for semitendinosus and biceps than longissimus and semimembranosus. The hue measured was higher on longissimus thoracis in relation to semitendinosus and biceps femoralis, but was not different that the semimembranosus. The longissimus thoracis presented higher dry matter and crude protein in relation the other muscles. The ether extract from semitendinosus was higher than the other muscles, the longissimus thoracis had higher value than the biceps femoralis and this was higher than semimembranosus. The shear force was higher for the biceps femoralis and semitendinosus in relation to the longissimus thoracis and semimembranosus. The semimembranosus show higher value for the miofibrilar fragmentation index than the biceps femoralis and this was higher than longissimus thoracis and semitendinosus. The fiber diameter for the longissimus thoracis was higher than the semimembranosus and semitendinosus, but not different from biceps femoralis. The biceps femoralis presented more collagen content than the other muscles. The conclusion was the longissimus thoracis muscle and semimembranosus stood out for softness and chemical composition and the semitendinosus muscle stood before the other, it presents a good proportion of unsaturated fatty acids and these are largely the type omega 3, precursors of a good cardiovascular health, ie the consumption of fresh pork is conducive, which is consistent with nutritional levels recommended for healthy eating and should then have its most encouraged consumption.

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Kunze, René [Verfasser], and Ernst [Akademischer Betreuer] Pernicka. "Interdisziplinäre Studien zu den Kleinfunden der Siedlungen Udabno I-III (Ostgeorgien) / René Kunze ; Betreuer: Ernst Pernicka." Tübingen : Universitätsbibliothek Tübingen, 2013. http://d-nb.info/1162844574/34.

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Bertsch, Anne Marie [Verfasser], and Ernst [Akademischer Betreuer] Pernicka. "Untersuchungen zur Trennung von Jurahornsteinen verschiedener Fundorte - archäologisch und chemisch / Anne Marie Bertsch ; Betreuer: Ernst Pernicka." Tübingen : Universitätsbibliothek Tübingen, 2014. http://d-nb.info/1162970502/34.

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Perhoč, Zlatko Verfasser], and Ernst [Akademischer Betreuer] [Pernicka. "Rohmaterial für die Produktion von Steinartefakten im Spätjungpaläolithikum, Mesolithikum und Neolithikum Dalmatiens (Kroatien) / Zlatko Perhoč ; Betreuer: Ernst Pernicka." Heidelberg : Universitätsbibliothek Heidelberg, 2020. http://nbn-resolving.de/urn:nbn:de:bsz:16-heidok-281378.

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Perhoc, Zlatko [Verfasser], and Ernst [Akademischer Betreuer] Pernicka. "Rohmaterial für die Produktion von Steinartefakten im Spätjungpaläolithikum, Mesolithikum und Neolithikum Dalmatiens (Kroatien) / Zlatko Perhoc ; Betreuer: Ernst Pernicka." Heidelberg : Universitätsbibliothek Heidelberg, 2021. http://d-nb.info/1236345452/34.

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Perhoč, Zlatko [Verfasser], and Ernst [Akademischer Betreuer] Pernicka. "Rohmaterial für die Produktion von Steinartefakten im Spätjungpaläolithikum, Mesolithikum und Neolithikum Dalmatiens (Kroatien) / Zlatko Perhoč ; Betreuer: Ernst Pernicka." Heidelberg : Universitätsbibliothek Heidelberg, 2020. http://d-nb.info/1207001317/34.

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Kraus, Steffen [Verfasser], and Ernst [Akademischer Betreuer] Pernicka. "Archäometallurgische Studien zur bronzezeitlichen Kupferverhüttungstechnologie am Kupferschmelzplatz S1 in der Eisenerzer Ramsau (Steiermark, Österreich) / Steffen Kraus ; Betreuer: Ernst Pernicka." Tübingen : Universitätsbibliothek Tübingen, 2014. http://d-nb.info/1164017357/34.

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Books on the topic "Perniola":

1

Vattimo, Gianni. Filosofia al presente: Conversazioni di Gianni Vattimo con Francesco Barone, Remo Bodei, Italo Mancini, Vittorio Mathieu, Mario Perniola, Pier Aldo Rovatti, Emanuele Severino, Carlo Sini. Milano: Garzanti, 1990.

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Renberg, Mathilde, and Lars Kæulf Møller. Belonging: Pernille Egeskov. Edited by Egeskov Pernille 1970-. Gudhjem]: Bornholms Kunstmuseum, 2019.

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Čučak, Branko. Mrsna pernica Branka od Čučka. Pale: Srna, 1997.

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Damsgaard, Nina, and Anne Højer Petersen. Hvaltegn & dyrespor: Feltgrafik af Pernille Kløvedal Helweg. Edited by Vejle kunstmuseum, Fuglsang kunstmuseum, KUNSTEN Museum of Modern Art Aalborg (Aalborg, Denmark), Stavanger kunstmuseum, and Norðurlandahúsið í. Føroyum. Vejle]: Vejle Kunstmuseum, 2011.

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Echauz, Pau. La ciutat somiada: Set diàlegs sobre la Lleida del futur (Paco Ermengol, Conxita Mir, Josep M. Montañola, Jacinto Pernia, Alfons Porta, Ramon M. Puig i Antoni Siurana). Lleida: Pagès, 1995.

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Bianchi, Enea. Philosophy of Mario Perniola: From Aesthetics to Dandyism. Bloomsbury Publishing Plc, 2022.

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Groupe, Livres. Naissance à Asti: Mario Perniola, Vittorio Alfieri, Guglielmo Ventura, Paolo Conte, Mikhail Semenovich Tswett, Rinaldo Capello. Books LLC, 2010.

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Pernilla Zetterman Behave. Hatje Cantz Publishers, 2010.

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Whitaker, M. Pernilla in the Perilous Forest. Oberon Pr, 1989.

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Persons, Timothy, Pernilla Zetterman, Oscar Guermouche, Sandra Praun, and Sweden) Staff Grundemark Nilsson Gallery (Stockholm. Pernilla Zetterman: Turn down Center Line. Kerber Verlag, 2018.

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Book chapters on the topic "Perniola":

1

Hughes, Robert. "Perniola on visuality as a mode of sense." In The Aesthetic Subject in Contemporary Continental Philosophy and Literature, 94–113. New York: Routledge, 2024. http://dx.doi.org/10.4324/9781003471493-5.

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Ryynänen, Max. "Disgust, the Inorganic, and the Enigmatic: The Dank Media Philosophy of Mario Perniola." In Bodily Engagements with Film, Images, and Technology, 79–90. New York: Routledge, 2022. http://dx.doi.org/10.4324/9781003248514-5.

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Bährle-Rapp, Marina. "Pernio." In Springer Lexikon Kosmetik und Körperpflege, 419. Berlin, Heidelberg: Springer Berlin Heidelberg, 2007. http://dx.doi.org/10.1007/978-3-540-71095-0_7826.

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Mintz, Bruce L. "Pernio (Chilblains)." In Atlas of Clinical Vascular Medicine, 138–39. Oxford, UK: Blackwell Publishing Ltd., 2013. http://dx.doi.org/10.1002/9781118618189.ch69.

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Theisler, Charles. "Chilblains/Pernio." In Adjuvant Medical Care, 66. New York: CRC Press, 2022. http://dx.doi.org/10.1201/b22898-80.

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Björklund, Jenny. "Struggling to Become a Mother: Literary Representations of Involuntary Childlessness." In Narratives of Motherhood and Mothering in Fiction and Life Writing, 55–75. Cham: Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-17211-3_4.

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AbstractThis chapter focuses on literary representations of childlessness, more particularly, Swedish novels from the twenty-first century, with female protagonists and where the struggle to have children takes center stage: Pernilla Glaser’s 40 minus (2010; 40 Below), Martina Haag’s Glada hälsningar från Missångerträsk: En vintersaga (2011; Happy Greetings from Missångerträsk: A Winter’s Tale), and Tove Folkesson’s Hennes ord: Värk I–III (2019; Her Words: Ache I–III). I analyze the literary representations of involuntary childlessness and the women at the center of the narratives, focusing in particular on how non-motherhood is positioned in relation to femininity and (hetero)normativity. I also situate these representations in their national context and analyze how they relate to Swedish-branded values like gender equality and progressive family politics. On the one hand, the representations of non-motherhood illustrate the centrality of motherhood to normative femininity, and all three novels reinforce heteronormative temporalities. On the other hand, the novels to some extent also resist these norms. Moreover, none of these novels ends with children or even a pregnancy, and thus the narratives break with the conventional infertility plot line and frame the struggle to become a mother as a story that can be told in its own right.

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Rørth, Pernille. "Q and A With Pernille Rørth, Author of Raw Data." In Raw Data, 183–95. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-23974-3_2.

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Cardoza, Carmen Rosa, Johny Isla, Markus Reindel, Enrique Angulo, Hermann Gorbahn, and Lucía Watson Jiménez. "Use of Animals During the Mid-Archaic and the Initial Period in Pernil Alto: A Site in the Palpa Valleys, Southern Coast of Peru." In Zooarchaeology in the Neotropics, 103–22. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-57328-1_7.

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"Beauty is Like a Blade: Towards a Strategic Theory of Aesthetics." In The Philosophy of Mario Perniola. Bloomsbury Academic, 2022. http://dx.doi.org/10.5040/9781350281509.ch-007.

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"What Is It Like to Be a Thing?" In The Philosophy of Mario Perniola. Bloomsbury Academic, 2022. http://dx.doi.org/10.5040/9781350281509.ch-005.

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Conference papers on the topic "Perniola":

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Löfman, Monica S., and Leena K. Korkiala-Tanttu. "Serviceability Limit State Reliability Analysis of Perniö Railway Embankment." In Geo-Risk 2017. Reston, VA: American Society of Civil Engineers, 2017. http://dx.doi.org/10.1061/9780784480700.016.

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DANTAS, F. R., L. S. SOARES, J. C. C. PETRUS, M. S. MADRUGA, and A. R. MONTEIRO. "1 PERNIL DE CORDEIRO MATURADO SOB REFRIGERAÇÃO E ACONDICIONADO EM DIFERENTES SISTEMAS DE EMBALAGEM COM ATMOSFERA MODIFICADA." In XX Congresso Brasileiro de Engenharia Química. São Paulo: Editora Edgard Blücher, 2015. http://dx.doi.org/10.5151/chemeng-cobeq2014-0584-24833-180410.

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Reports on the topic "Perniola":

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Costa, Luciano, and Vera Lucia Imperatriz-Fonseca. Avaliação do fluxo de néctar, pólen e crias em colônias da abelha Melipona seminigra pernigra , na serra norte de Carajás. ITV, 2019. http://dx.doi.org/10.29223/prod.tec.itv.ds.2019.03.costa.

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