Journal articles on the topic 'Performing arts festivals'
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Santoso, Iwan Budi. "CITY BRANDING STRATEGY THROUGH PERFORMING ARTS (URGENCY OF CULTURAL FESTIVALS IN SOLO CITY)." International Journal of Modern Trends in Social Sciences 3, no. 13 (September 15, 2020): 58–65. http://dx.doi.org/10.35631/ijmtss.313006.
Full textAmorim, Daniela. "The impact of performing arts festivals on tourism development: analysis of participants' motivation, quality, satisfaction and loyalty." Tourism & Management Studies 16, no. 4 (October 31, 2020): 45–57. http://dx.doi.org/10.18089/tms.2020.160404.
Full textQureshi, Bilal. "Elsewhere: The Last Circus." Film Quarterly 74, no. 1 (2020): 84–87. http://dx.doi.org/10.1525/fq.2020.74.1.84.
Full textVan Belle, David. "“Festivalizing” Performance: Community and Aesthetics through the Lens of Three Festival Experiences." Canadian Theatre Review 138 (March 2009): 7–12. http://dx.doi.org/10.3138/ctr.138.001.
Full textVan Winkle, Christine M., and Jill N. H. Bueddefeld. "Service-dominant logic and the festival experience." International Journal of Event and Festival Management 7, no. 3 (October 10, 2016): 237–54. http://dx.doi.org/10.1108/ijefm-12-2015-0046.
Full textSimas, Richard. "Vancouver’s PuSh 2008 and the Phenomenon of Festivals." Canadian Theatre Review 138 (March 2009): 43–47. http://dx.doi.org/10.3138/ctr.138.008.
Full textHunter, Mary Ann. "Youth Arts Festivals and the Politics of Participation." Canadian Theatre Review 106 (March 2001): 16–20. http://dx.doi.org/10.3138/ctr.106.003.
Full textRastrollo-Horrillo, María-Angeles, and Lourdes Navarrete. "Evaluation Model of the Roles of Festivals in the Internationalization of Performing Arts: Evidence from Flamenco Festivals." Sustainability 12, no. 24 (December 12, 2020): 10405. http://dx.doi.org/10.3390/su122410405.
Full textRachmawanti, Ranti. "Digital Kultur: Music and Cultural Festivals Platform of Performing Arts in Digital Era." Tonika: Jurnal Penelitian dan Pengkajian Seni 5, no. 2 (November 27, 2022): 166–77. http://dx.doi.org/10.37368/tonika.v5i2.448.
Full textWinkelhorn, Kathrine. "Københavns Internationale Teater – en banebryder for scenekunst." Peripeti 19 (October 11, 2022): 128–39. http://dx.doi.org/10.7146/peri.v19isaernummer2.134031.
Full text., Jaeni. "The Festival of Kromong Mountain as a Glorification of the Value of the Natural, Social, Economic, and Cultural Arts in Cirebon, West Java, Indonesia." International Journal of Innovative Science and Research Technology 5, no. 6 (December 17, 2019): 17–24. http://dx.doi.org/10.38124/ijisrt19dec182.
Full textCzarnecki, Mark. "To Serve the Art." Canadian Theatre Review 45 (December 1985): 6–11. http://dx.doi.org/10.3138/ctr.45.001.
Full textkaneko, Nana. "Reconstituting Communities: Localized Folk Performing Arts and Matsuri Festivals in Post-3.11 Japan." International Journal of Sustainable Future for Human Security 7, no. 3 (February 2021): 2–11. http://dx.doi.org/10.24910/jsustain/7.3/211.
Full textCarter-Long, Lawrence. "Sundance 2020: Inclusion, Diversity, and Disability beyond Diagnosis." Film Quarterly 73, no. 4 (2020): 75–81. http://dx.doi.org/10.1525/fq.2020.73.4.75.
Full textLane, Harry. "Editorial." Canadian Theatre Review 138 (March 2009): 4–6. http://dx.doi.org/10.3138/ctr.138.fm.
Full textRodin, Ian, and Richard Braithwaite. "Festival psychiatry." BJPsych Advances 24, no. 2 (March 2018): 123–31. http://dx.doi.org/10.1192/bja.2017.17.
Full textAyuni, Astari, and Agusti Efi. "MANAJEMEN FESTIVAL SENI PERTUNJUKAN PEKAN NAN TUMPAH DI PROVINSI SUMATERA BARAT." Gorga : Jurnal Seni Rupa 9, no. 1 (May 19, 2020): 100. http://dx.doi.org/10.24114/gr.v9i1.18100.
Full textYEGANEH, FARAH. "Iranian Theatre Festivalized." Theatre Research International 30, no. 3 (October 2005): 274–83. http://dx.doi.org/10.1017/s0307883305001525.
Full textEdmond, Murray. "A Saturated Time: Three Festivals in Poland, 2007." New Theatre Quarterly 24, no. 4 (November 2008): 307–21. http://dx.doi.org/10.1017/s0266464x08000468.
Full textZaiontz, Keren. "Human Rights (and Their Appearances) in Performing Arts Festivals." Canadian Theatre Review 161 (January 2015): 48–54. http://dx.doi.org/10.3138/ctr.161.010.
Full textMorrow, Martin. "Calgary’s Wild Ride: How the High Performance Rodeo Inspired and Transformed a Theatre Community." Canadian Theatre Review 124 (September 2005): 35–38. http://dx.doi.org/10.3138/ctr.124.004.
Full textRich, B. Ruby. "Geoblocking Fall 2020." Film Quarterly 74, no. 3 (2021): 76–82. http://dx.doi.org/10.1525/fq.2021.74.3.76.
Full textJin, Jae-Hong, and Jin-Kyung Lee. "Research on the Development Direction of Local Performing Arts Festivals - Analysis of GAF Festival -." Journal of acting studies 33 (February 28, 2024): 189–202. http://dx.doi.org/10.26764/jaa.2024.33.10.
Full textJohnston, Kirsty. "Building Communities: Disability Arts Festivals in Canada." Canadian Theatre Review 122 (March 2005): 50–54. http://dx.doi.org/10.3138/ctr.122.012.
Full textPaterson, Erika. "Exploring the Fringe / 1: The Self-Determined Audience." Canadian Theatre Review 67 (June 1991): 49–53. http://dx.doi.org/10.3138/ctr.67.009.
Full textIngle, Hrishikesh. "Film festivals and the mediations of locality." Studies in South Asian Film & Media 10, no. 1 (October 1, 2019): 59–71. http://dx.doi.org/10.1386/safm_00005_1.
Full textAlvarez, Natalie. "Roots, Routes, RUTAS." Theatre Research in Canada 40, no. 1-2 (March 20, 2020): 27–41. http://dx.doi.org/10.7202/1068256ar.
Full textLeonard, Paul. "Around the Festivals / 1: Redefining “the Americas”." Canadian Theatre Review 61 (December 1989): 19–23. http://dx.doi.org/10.3138/ctr.61.004.
Full textKnowles, Ric. "The Edinburgh Festival and Fringe: Lessons for Canada?" Canadian Theatre Review 102 (March 2000): 88–96. http://dx.doi.org/10.3138/ctr.102.016.
Full textKusumorasri, Irawati, Nanik Sri Prihatini, and Bambang Sunarto. "Governance of flagship events in Surakarta City case studies of Solo International Performing Arts (SIPA), Solo Batik Carnival (SBC), and Solo Keroncong Festival (SKF)." Gelar : Jurnal Seni Budaya 21, no. 1 (June 25, 2023): 47–56. http://dx.doi.org/10.33153/glr.v21i1.4348.
Full textFournier, Katharine. "Where Puppets Collide: Tradition and Innovation in ManiganSes, Festival international des arts de la marionnette." Canadian Theatre Review 138 (March 2009): 39–44. http://dx.doi.org/10.3138/ctr.138.007.
Full textRich, B. Ruby. "Telluride and After." Film Quarterly 75, no. 2 (2021): 102–8. http://dx.doi.org/10.1525/fq.2021.75.2.102.
Full textAcciari, Monia. "The permanency of film festivals: Archiving the changing India." Studies in South Asian Film & Media 10, no. 1 (October 1, 2019): 41–57. http://dx.doi.org/10.1386/safm_00004_1.
Full textHluscu, Andreea, and Tita Kyrtsakas. "“I’m So Happy I’m Here Tonight”." Canadian Theatre Review 187 (July 1, 2021): 61–65. http://dx.doi.org/10.3138/ctr.187.020.
Full textSadavoy, Daniel. "Canada’s Raciest Festival." Canadian Theatre Review 138 (March 2009): 53–56. http://dx.doi.org/10.3138/ctr.138.010.
Full textAilles, Jennifer. "Adapting the Bard: A Virtual Guide." Canadian Theatre Review 111 (June 2002): 28–32. http://dx.doi.org/10.3138/ctr.111.005.
Full textLoiperdinger, Martin. "Film Festival Yearbook 5: Archival Film Festivals." Early Popular Visual Culture 14, no. 1 (January 2, 2016): 119–20. http://dx.doi.org/10.1080/17460654.2015.1134149.
Full textRodriguez, Chantal. "Is One Octopus Enough?" Theater 49, no. 1 (February 1, 2019): 6–21. http://dx.doi.org/10.1215/01610775-7253739.
Full textLevin, Laura. "Views and Reviews." Canadian Theatre Review 138 (March 2009): 88–89. http://dx.doi.org/10.3138/ctr.138.013.
Full textKnowles, Ric. "IMPACT, Interculturalism, and the International Theatre Festival Model." Theatre Research in Canada 43, no. 2 (October 1, 2022): 206–38. http://dx.doi.org/10.3138/tric.43.2.a03.
Full textSawadogo, Boukary. "FESPACO and critical discourse on African cinema." Journal of African Cinemas 14, no. 1 (November 1, 2022): 35–47. http://dx.doi.org/10.1386/jac_00060_1.
Full textGoffin, Jeffrey. "Around the Festivals / 4: I Saw the Future at the Children’s Festival." Canadian Theatre Review 61 (December 1989): 31–32. http://dx.doi.org/10.3138/ctr.61.007.
Full textBudde, Antje, and Sebastian Samur. "Making Knowledge/Playing Culture." Theatre Research in Canada 40, no. 1-2 (March 20, 2020): 83–101. http://dx.doi.org/10.7202/1068259ar.
Full textHauptfleisch, Temple. "Eventifying Identity: Festivals in South Africa and the Search for Cultural Identity." New Theatre Quarterly 22, no. 2 (April 19, 2006): 181–98. http://dx.doi.org/10.1017/s0266464x0600039x.
Full textKnowles, Ric. "Introduction: Festivals." Theatre Research in Canada 40, no. 1_2 (November 2019): 1–4. http://dx.doi.org/10.3138/tric.40.1_2.1.
Full textNori, Gauri. "The rise of experimental film festivals in India." Studies in South Asian Film & Media 10, no. 1 (October 1, 2019): 7–22. http://dx.doi.org/10.1386/safm_00002_1.
Full textCottreau, Deborah. "The Montreal Fringe: Success on a Mountain of Suds." Canadian Theatre Review 82 (March 1995): 86–89. http://dx.doi.org/10.3138/ctr.82.017.
Full textBoni, Franco, and Peter Dickinson. "Rhubarb-o-rama! Plays and Playwrights From the Rhubarb! Festival." Canadian Theatre Review 97 (December 1998): 91–92. http://dx.doi.org/10.3138/ctr.97.017.
Full textIshii, Tatsuro. "The Festival of the Kasuga Wakamiya Shrine." Theatre Research International 12, no. 2 (1987): 134–47. http://dx.doi.org/10.1017/s030788330001347x.
Full textKim, Sun Young, and Hee-young Song. "A Study on the Strategy of Brand Building in the Tongyeong Theater Arts Festival: Focused on the Strategy of Brand Construction." Korean Society of Culture and Convergence 44, no. 11 (November 30, 2022): 405–17. http://dx.doi.org/10.33645/cnc.2022.11.44.11.405.
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