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Books on the topic 'Performing arts and philosophy'

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Author: Grafiati

Published: 22 June 2023

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1

Davies, David. Philosophy of the Performing Arts. Oxford, UK: Wiley-Blackwell, 2011. http://dx.doi.org/10.1002/9781444343458.

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2

Philosophy of the performing arts. Chichester, West Sussex: Wiley-Blackwell, 2011.

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3

Davies, David. Philosophy of the performing arts. Chichester, West Sussex: Wiley-Blackwell, 2011.

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4

Theory of performing arts. Amsterdam: Benjamins, 1987.

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5

For an audience: A philosophy of the performing arts. Philadelphia: Temple University Press, 1993.

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6

Philology and performing arts: A challenge. Louvain-La-Neuve: Presses Universitaires de Louvain, 2014.

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7

Elena, Sagaseta Julia, ed. Teatro y artes. Buenos Aires: Instituto de Artes del Espectáculo, Facultad de Filosofía y Letras, Universidad de Buenos Aires, 1998.

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8

Helbo, André. Signes du spectacle: Des arts vivants aux médias. Bruxelles: P.I.E.-Peter Lang, 2006.

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9

Observing theatre: Spirituality and subjectivity in the performing arts. Amsterdam: Rodopi, 2013.

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10

The Routledge companion to performance philosophy. London: Routledge, 2020.

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11

Doganis, Basile. Pensées du corps: La philosophie à l'epreuve des arts gestuels japonais (danse, theatre, arts martiaux). Paris: Les Belles Lettres, 2012.

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12

Fischer-Lichte, Erika. The transformative power of performance: A new aesthetics. New York: Routledge, 2008.

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13

Ilse, Schweinsberg-Reichart, ed. Performanz. Frankfurt am Main: Scriptor, 1985.

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14

Reduce, recycle, reuse: Performing arts to recover the urban space. Siracusa, Italia: LetteraVentidue, 2012.

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15

Karahasan, Dževad. Formen des Lebens. Wien: Edition Selene, 1999.

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16

Laura, Cull, ed. Deleuze and performance. Edinburgh: Edinburgh University Press, 2009.

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17

Rivera, Juan Antonio. Carta abierta de Woody Allen a Platón. Pozuelo de Alarcón, Madrid: Espasa, 2005.

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18

Oddey, Alison. Re-framing the theatrical: Interdisciplinary landscapes for performance. Basingstoke [England]: Palgrave Macmillan, 2007.

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19

The politics of new media theatre: Life. London: Routledge, 2007.

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20

Šubik, Christof. Philosophieren als Theater: Zur Philosophie Bertold Brechts. Wien: Passagen, 2000.

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21

Gruber, Charlotte. InterActions: Performing actual and virtual spaces as stages of inter-est. Marburg: Tectum Verlag, 2013.

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22

1974-, Schiller Aaron Allen, ed. Stephen Colbert and philosophy: I am philosophy (and so can you!). Chicago: Open Court, 2009.

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23

A, Freeland Cynthia, and Wartenberg Thomas E, eds. Philosophy and film. New York: Routledge, 1995.

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24

Pencenat, Corine. Le cirque du monde: Une allégorie de la modernité. Belval]: Circé, 2012.

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25

Katarzyna, Kuropatwa, and Rode Dagmara, eds. (Nie)Obecne granice: Szkice o obliczach transgresji. Kraków: Rabid, 2003.

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26

Być i nie być: Kategoria obecności w teatrze i performansie ostatniego półwiecza. Warszawa: Wydawn. Sic!, 2009.

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27

"Katari" no Nihon shisō: Satori to warai no rikigaku. Tōkyō: Kabushiki Kaisha Kadokawa, 2018.

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28

Plata, Tomasz. Być i nie być: Kategoria obecności w teatrze i performansie ostatniego półwiecza. Warszawa: Wydawn. Sic!, 2009.

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29

Gianfranco, Di Chiara, Manca Eleonora, Tessari Roberto, and Lenzi Massimo 1958-, eds. Tat twam asi: Saggi di fenomenologia della rappresentazione e dello spettacolo. Lucca: M. Pacini Fazzi, 2005.

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30

1935-, Campbell Patrick, ed. Analysing performance: A critical reader. Manchester [England]: Manchester University Press, 1996.

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31

Davies, David. Philosophy of the Performing Arts. Wiley & Sons, Incorporated, John, 2011.

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32

Davies, David, and Gregory St John. Philosophy of the Performing Arts. Audible Studios on Brilliance Audio, 2017.

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33

Davies, David. Philosophy of the Performing Arts. Wiley & Sons, Incorporated, John, 2011.

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34

Davies, David. Philosophy of the Performing Arts. Wiley & Sons, Limited, John, 2011.

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35

Being-With in Contemporary Performing Arts. Neofelis Verlag UG (haftungsbeschrankt), 2018.

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36

Entertainment in the Performing Arts. Taylor & Francis Group, 2022.

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37

(Vale), Alice Marshall. Entertainment in the Performing Arts. Taylor & Francis Group, 2022.

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38

Thom, Paul. For an Audience: A Philosophy of the Performing Arts (Arts and Their Philosophies). Temple University Press, 1992.

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39

Performing Utopia. University of Chicago Press, 2016.

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40

Bryon, Experience. Performing Interdisciplinarity: Working Across Disciplinary Boundaries Through an Active Aesthetic. Taylor & Francis Group, 2017.

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41

Bryon, Experience. Performing Interdisciplinarity: Working Across Disciplinary Boundaries Through an Active Aesthetic. Taylor & Francis Group, 2017.

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42

Bryon, Experience. Performing Interdisciplinarity: Working Across Disciplinary Boundaries Through an Active Aesthetic. Taylor & Francis Group, 2017.

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43

Performing Interdisciplinarity: Working Across Disciplinary Boundaries Through an Active Aesthetic. Taylor & Francis Group, 2017.

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44

Bryon, Experience. Performing Interdisciplinarity: Working Across Disciplinary Boundaries Through an Active Aesthetic. Taylor & Francis Group, 2017.

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45

Hoover, Todd, Steve Stough, Joseph O'Donoghue, Drew Fletcher, and Townsend John. Spiritual Exploration of the Literary and Performing Arts : Volume I: Philosophy. Independently Published, 2019.

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46

Schechner, Richard. New Third World of Performance. Taylor & Francis Group, 2014.

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47

New Third World of Performance. Taylor & Francis Group, 2014.

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48

Practising the Real on the Contemporary Stage. Intellect, Limited, 2014.

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49

The Transformative Power of Performance: Re-Enchanting the World. Routledge, 2008.

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50

Harbison, Isobel. Performing Image. The MIT Press, 2019.

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