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Journal articles on the topic 'Performance theory'

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Author: Grafiati
Published: 4 June 2021
Last updated: 29 January 2023

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1

Hauptfleisch, Temple. "Of Performers, Performances and Performance Theory." South African Theatre Journal 5, no. 2 (January 1991): 1–2. http://dx.doi.org/10.1080/10137548.1991.9688041.

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2

Dissayanake, Ellen, and Richard Schechner. "Performance Theory." Man 24, no. 4 (December 1989): 693. http://dx.doi.org/10.2307/2804307.

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3

Zondi, Mlondolozi B. "Black performance theory." Text and Performance Quarterly 37, no. 3-4 (May 8, 2017): 278–81. http://dx.doi.org/10.1080/10462937.2017.1316015.

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4

Vits, Jeroen, and Ludo Gelders. "Performance improvement theory." International Journal of Production Economics 77, no. 3 (June 2002): 285–98. http://dx.doi.org/10.1016/s0925-5273(00)00087-6.

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5

Kolluru, Mythili. "Cognitive Style, Learning Preference and Performance: Theory and Empirics." International Journal of Psychosocial Rehabilitation 24, no. 4 (February 28, 2020): 3678–88. http://dx.doi.org/10.37200/ijpr/v24i4/pr201481.

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6

Pradier, Jean-Marie. "De la performance theory aux performance studies." Journal des anthropologues, no. 148-149 (March 1, 2017): 287–300. http://dx.doi.org/10.4000/jda.6707.

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7

Moss, Stephanie, and James C. Bulman. "Shakespeare, Theory, and Performance." Sixteenth Century Journal 28, no. 3 (1997): 1006. http://dx.doi.org/10.2307/2543089.

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8

Schröter, Harm G. "Theory and empirical performance." Revue française d'histoire économique N°11-12, no. 1 (2019): 6. http://dx.doi.org/10.3917/rfhe.011.0006.

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9

Balme, Christopher, Janelle G. Reinelt, and Joseph R. Roach. "Critical Theory and Performance." Theatre Journal 45, no. 4 (December 1993): 557. http://dx.doi.org/10.2307/3209028.

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10

DeRose, David J., Janelle G. Reinelt, and Joseph R. Roach. "Critical Theory and Performance." TDR (1988-) 38, no. 2 (1994): 189. http://dx.doi.org/10.2307/1146343.

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11

Gallagher, Shaun. "Theory, practice and performance." Connection Science 29, no. 1 (December 27, 2016): 106–18. http://dx.doi.org/10.1080/09540091.2016.1272098.

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12

Philbrook, Craig Gingrich. "Queer Theory and Performance." Journal of Homosexuality 45, no. 2-4 (September 23, 2003): 353–56. http://dx.doi.org/10.1300/j082v45n02_20.

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13

Aydin, Oya Tamtekin. "The Impact of Theory X, Theory Y and Theory Z on Research Performance: An Empirical Study from A Turkish University." International Journal of Advances in Management and Economics 1, no. 5 (September 2, 2012): 24–30. http://dx.doi.org/10.31270/ijame/01/05/2012/05.

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14

Bicer, Baris, and Makoto Uchida. "Numerical Performance Investigations of Screw Propellers by Lifting Surface Theory." Marine Engineering 48, no. 2 (2013): 246–52. http://dx.doi.org/10.5988/jime.48.246.

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15

Foakes, R. A. "Performance Theory and Textual Theory: A Retort Courteous." Shakespeare 2, no. 1 (June 2006): 47–58. http://dx.doi.org/10.1080/17450910600662877.

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16

Trafimow, David, and Stephen Rice. "Potential performance theory (PPT): A general theory of task performance applied to morality." Psychological Review 115, no. 2 (April 2008): 447–62. http://dx.doi.org/10.1037/0033-295x.115.2.447.

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17

Rosenwald, Lawrence. "Theory, Text-Setting, and Performance." Journal of Musicology 11, no. 1 (January 1, 1993): 52–65. http://dx.doi.org/10.2307/764152.

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18

Barnett, Claudia. "Mrs. Dalloway and Performance Theory." English Language Notes 40, no. 2 (December 1, 2002): 57–68. http://dx.doi.org/10.1215/00138282-40.2.57.

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19

Phelan, Peggy. "Feminist Theory, Poststructuralism, and Performance." TDR (1988-) 32, no. 1 (1988): 107. http://dx.doi.org/10.2307/1145873.

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20

Weniger, Ernst Joachim. "Performance of superconvergent perturbation theory." Physical Review A 56, no. 6 (December 1, 1997): 5165–68. http://dx.doi.org/10.1103/physreva.56.5165.

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21

Muga, M. Luis. "Velocity Compaction - Theory and Performance." Instrumentation Science & Technology 16, no. 1 (January 1987): 31–50. http://dx.doi.org/10.1080/10739148708543627.

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22

Nankervis, A. R. "Performance management: Theory in practice?" Asia Pacific Journal of Human Resources 44, no. 1 (April 1, 2006): 83–101. http://dx.doi.org/10.1177/1038411106061509.

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23

Rosenwald, Lawrence. "Theory, Text-Setting, and Performance." Journal of Musicology 11, no. 1 (January 1993): 52–65. http://dx.doi.org/10.1525/jm.1993.11.1.03a00070.

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24

Davies, D. "Collingwood'S 'Performance' Theory Of Art." British Journal of Aesthetics 48, no. 2 (April 1, 2008): 162–74. http://dx.doi.org/10.1093/aesthj/ayn003.

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25

Vastag, Gyula. "The theory of performance frontiers." Journal of Operations Management 18, no. 3 (March 27, 2000): 353–60. http://dx.doi.org/10.1016/s0272-6963(99)00024-8.

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26

Wittenberg, H. "Aircraft performance, theory and practice." Aircraft Design 4, no. 1 (March 2001): 79–80. http://dx.doi.org/10.1016/s1369-8869(00)00026-4.

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27

Schechner, Richard, Timothy K. Beal, William E. Deal, Talia Rodgers, Claire L'Enfant, Judith Butler, Marvin Carlson, et al. "Concerning Theory for Performance Studies." TDR/The Drama Review 53, no. 1 (March 2009): 7–46. http://dx.doi.org/10.1162/dram.2009.53.1.7.

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In 2007, Routledge published Theory for Performance Studies as part of its Theory 4 series, listing Philip Auslander as author. When, in August, The Chronicle of Higher Education revealed that much of the book was lifted word-for-word from the template for the series, Theory for Religious Studies by Timothy K. Beal and William E. Deal, TDR editor Richard Schechner convened via email and phone conversations a “TDR Forum,” asking leaders in the field to respond to the book and the series. Schechner and other respondents address issues of plagiarism, corporate takeovers of academic publishing, and the dumbing down of performance studies, asking why a notable scholar such as Auslander would undertake such an egregious piece of “scholarship.” Deal and Beal answer some questions put to them by Schechner, and Routledge's Claire L'Enfant and Talia Rodgers offer their perspectives.
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28

Goldingay, Sarah. "Plagiarising theory: performance and religion?" Studies in Theatre and Performance 29, no. 1 (February 2009): 5–14. http://dx.doi.org/10.1386/stap.29.1.5_1.

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29

Scuderi, Antonio. "Dario Fo and Performance Theory." Italian Culture 12, no. 1 (January 1994): 239–46. http://dx.doi.org/10.1179/itc.1994.12.1.239.

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30

Bennett, Bruce M., Donald D. Hoffman, and Ramakrishna Kakarala. "Modeling Performance in Observer Theory." Journal of Mathematical Psychology 37, no. 2 (June 1993): 220–40. http://dx.doi.org/10.1006/jmps.1993.1014.

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31

Miller, Derek. "Performative Performances: A History and Theory of the “Copyright Performance”." Theatre Journal 64, no. 2 (2012): 161–77. http://dx.doi.org/10.1353/tj.2012.0054.

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32

Alexander, Bryant. "Querying Queer Theory Again (or Queer Theory as Drag Performance)." Journal of Homosexuality 45, no. 2-4 (September 23, 2003): 349–52. http://dx.doi.org/10.1300/j082v45n02_19.

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33

Birringer, Johannes. "Video Art / Performance: A Border Theory." Performing Arts Journal 13, no. 3 (September 1991): 54. http://dx.doi.org/10.2307/3245541.

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34

Zarch, Majid Ghaniee, Vicenç Puig, Javad Poshtan, and Mahdi Aliyari Shoorehdeli. "Process Performance Verification Using Viability Theory." Processes 9, no. 3 (March 8, 2021): 482. http://dx.doi.org/10.3390/pr9030482.

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The development of efficient methods for process performance verification has drawn a lot of attention in the research community. Viability theory is a mathematical tool to identify the trajectories of a dynamical system which remains in a constraint set. In this paper, viability theory is investigated for this purpose in the case of nonlinear processes that can be represented in Linear Parameter Varying (LPV) form. In particular, verification algorithms based on the use of invariance and viability kernels and capture basin are proposed. The difficulty with the application of this theory is the computation of these sets. A Lagrangian method has been used to approximate these sets. Because of simplicity and efficient computations, zonotopes are adopted for set representation. Two new sets called Safe Work Area (SWA) and Required Performance (RP) are defined and an algorithm is proposed to use these concepts for the verification purpose. Finally, two application examples based on well-known case studies, a two-tank system and PH neutralization plant, are provided to show the effectiveness of the proposed method.
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35

Wan, Hai Tao, and Qing Mei Kong. "Research on Performance-Based Design Theory." Advanced Materials Research 594-597 (November 2012): 1684–87. http://dx.doi.org/10.4028/www.scientific.net/amr.594-597.1684.

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Three level seismic fortification theory is seismic design theory of the bearing capacity,which can not really realize that no damage under minor earthquake, repairable under moderate earthquake and no collapsing under strong earthquake. In order to overcome this deficiency, American earthquake engineering and structural engineering experts have profound conclusion after the previous earthquakes, improved bearing capacity design method, put forward the theory of performance-based design.Firstly,the origin of performance-based design theory is introduced in the paper.Secondly,the main content of performance-based design theory is illustrated,which include Earthquake Hazard Levels,performance levels of building structure,target building performance levels and performance- based design methods.Finally,the paper pointes out that performance-based design theory has attracted extensive attention of Chinese researchers and engineering designer,a series of research work has been carried on,and some achievement has been made.
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36

Swindell, Warren C. "Musical Performance: Learning, Theory, and Pedagogy." Music Educators Journal 71, no. 7 (March 1985): 70–75. http://dx.doi.org/10.2307/3396454.

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37

Feral, Josette, and Ron Bermingham. "Alienation Theory in Multi-Media Performance." Theatre Journal 39, no. 4 (December 1987): 461. http://dx.doi.org/10.2307/3208248.

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38

Rejc, Adriana. "Toward Contingency theory of performance measurement." Journal of East European Management Studies 9, no. 3 (2004): 243–64. http://dx.doi.org/10.5771/0949-6181-2004-3-243.

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39

Striff, Erin. "Feminist Futures? Theatre, Performance, Theory (review)." Modern Drama 50, no. 1 (2007): 103–5. http://dx.doi.org/10.1353/mdr.2007.0026.

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40

HUGHES-FREELAND, FELICIA. "Consciousness in performance. A Javanese theory*." Social Anthropology 5, no. 1 (January 24, 2007): 55–68. http://dx.doi.org/10.1111/j.1469-8676.1997.tb00340.x.

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41

Harrison, Jeffrey S., and Andrew C. Wicks. "Stakeholder Theory, Value, and Firm Performance." Business Ethics Quarterly 23, no. 1 (January 2013): 97–124. http://dx.doi.org/10.5840/beq20132314.

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ABSTRACT:This paper argues that the notion of value has been overly simplified and narrowed to focus on economic returns. Stakeholder theory provides an appropriate lens for considering a more complex perspective of the value that stakeholders seek as well as new ways to measure it. We develop a four-factor perspective for defining value that includes, but extends beyond, the economic value stakeholders seek. To highlight its distinctiveness, we compare this perspective to three other popular performance perspectives. Recommendations are made regarding performance measurement for both academic researchers and practitioners. The stakeholder perspective on value offered in this paper draws attention to those factors that are most closely associated with building more value for stakeholders, and in so doing, allows academics to better measure it and enhances managerial ability to create it.
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42

Cohen, Matthew Isaac. "Suluk Wujil and Javanese Performance Theory." Performing Islam 1, no. 1 (May 30, 2012): 13–34. http://dx.doi.org/10.1386/pi.1.1.13_1.

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43

Orlitzky, Marc. "Corporate Social Performance and Generalizability Theory." Proceedings of the International Association for Business and Society 12 (2001): 463–70. http://dx.doi.org/10.5840/iabsproc20011245.

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44

Foster, P. R. "Antenna installed performance using diffraction theory." Electronics & Communication Engineering Journal 6, no. 5 (October 1, 1994): 247–55. http://dx.doi.org/10.1049/ecej:19940507.

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45

Kane, Jeffrey S., and Kimberly A. Freeman. "A Theory of Equitable Performance Standards." Journal of Management 23, no. 1 (February 1997): 37–58. http://dx.doi.org/10.1177/014920639702300103.

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46

Campbell, David A., and Kristina T. Lambright. "Program Performance and Multiple Constituency Theory." Nonprofit and Voluntary Sector Quarterly 45, no. 1 (December 23, 2014): 150–71. http://dx.doi.org/10.1177/0899764014564578.

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47

Steyn, Johan, and Piet Stoker. "Does Measurement Theory Impact Project Performance?" Procedia - Social and Behavioral Sciences 119 (March 2014): 635–44. http://dx.doi.org/10.1016/j.sbspro.2014.03.071.

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48

Burt, D. J. "CCD performance limitations: theory and practice." Nuclear Instruments and Methods in Physics Research Section A: Accelerators, Spectrometers, Detectors and Associated Equipment 305, no. 3 (August 1991): 564–73. http://dx.doi.org/10.1016/0168-9002(91)90158-m.

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49

Watt, Paul. "Editorial—Street Music: Ethnography, Performance, Theory." Journal of Musicological Research 35, no. 2 (April 2, 2016): 69–71. http://dx.doi.org/10.1080/01411896.2016.1165563.

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50

Hohn, N., D. Veitch, K. Papagiannaki, and C. Diot. "Bridging router performance and queuing theory." ACM SIGMETRICS Performance Evaluation Review 32, no. 1 (June 2004): 355–66. http://dx.doi.org/10.1145/1012888.1005728.

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