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1

Performing music in the age of recording. New Haven: Yale University Press, 2004.

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2

Jenny, Bartlett, ed. Recording music on location: Capturing the live performance. Amsterdam: Elsevier Focal Press, 2007.

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3

United States. Congress. Senate. Committee on the Judiciary. Digital Performance Right in Sound Recordings Act of 1995: Report (to accompany S. 227). [Washington, D.C.?: U.S. G.P.O., 1995.

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4

United States. Congress. Senate. Committee on the Judiciary. Digital Performance Right in Sound Recordings Act of 1995: Report (to accompany S. 227). [Washington, D.C.?: U.S. G.P.O., 1995.

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5

International Committee for Animal Recording. Biennial Session. Performance recording of animals: State of the art, 1990. Wageningen: Pudoc, 1991.

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6

Guellouz, M., A. Dimitriadou, and C. Mosconi, eds. Performance recording of animals: State of the art, 2004. The Netherlands: Wageningen Academic Publishers, 2005. http://dx.doi.org/10.3920/978-90-8686-536-9.

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7

Figueroa, J. Ludwig. Monitoring and analysis of data obtained from moisture temperature recording stations. Cleveland, Ohio: Case Western Reserve University, Dept. of Civil Engineering, 2001.

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8

Applicable, Not. Teaching Music Through Performance in Band Resource Recordings [sound recording]: Volume 2, grade 4 and selections from grade 5. Chicago: GIA Publications, 2003.

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9

United States. Federal Election Commission. Performance and test standards for punchcard, marksense, and direcetd recording electronic voting systems. [Washington, D.C.]: Federal Election Commission, 1990.

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10

Vincent, Gordon. Recording achievement: Staff development activities for use in primary and secondary schools. Edited by Hitchin Penny. Lancaster: Framework, 1994.

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11

Vincent, Gordon. Recording achievement: Staff development activities for use in primary and secondary schools. Lancaster: Framework, 1990.

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12

Williams, T. L. Thermal imaging cameras: Characteristics and performance. Boca Raton: Taylor & Francis, 2009.

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13

John, Gillespie. Piano performance video recordings on VHS: A selected catalog. Lanham, Md: Scarecrow Press, 2003.

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14

The ultimate live sound operator's handbook. 2nd ed. Milwaukee, WI: Hal Leonard Books, 2011.

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15

1949-, Holland Dietmar, Rzehulka Bernhard 1951-, Gould Glenn, and Celibidache Sergiu 1912-, eds. Gehörgänge: Zur Ästhetik der musikalischen Aufführung und ihrer technischen Reproduktion. München: P. Kirchheim, 1986.

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16

Institute, American National Standards. American national standard for telecommunications--digital transport of video teleconferencing/video telephony signals--performance terms, definitions, and examples. New York, N.Y: American National Standards Institute, 1996.

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17

Ardoin, John. The Callas legacy: The complete guide to her recordings. New York: Scribner, 1991.

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18

Y, Chabert, and European Association for Animal Production., eds. Performance recording of animals: State of the art, 1992 : proceedings of the 28th biennial session of the International Committee for Animal Recording (ICAR), Neustift im Subaital, 7-12 June 1992. Wageningen: Pudoc Scientific Publishers, 1993.

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19

Ardoin, John. The Callas legacy: The complete guide to her recordings on compact discs. 4th ed. Portland, Or: Amadeus Press, 1995.

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20

Ardoin, John. The Callas legacy: The complete guide to her recordings on compact discs. 4th ed. London: Duckworth, 1995.

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21

The sound on sound book of live sound for the performing musician. London: Sanctuary Publishing, 1998.

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22

Adorno, Theodor W. Zu einer Theorie der musikalischen Reproduktion: Aufzeichnungen, ein Entwurf und zwei Schemata. Frankfurt am Main: Suhrkamp, 2001.

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23

Loving big brother: Performance, privacy, and surveillance space. London: Routledge, 2004.

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24

International Committee for Animal Recording. Biennial Session. Performance recording of animals: State of the art, 1998 : proceedings of the 31st biennial session of ICAR, Rotorua, New Zealand, January 18-23, 1998. Wageningen, Netherlands: Wageningen Pers, 1998.

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25

Performance recording of animals: State of the art, 1996 : proceedings of the 30th biennial session of ICAR, Veldhoven, The Netherlands, June 23-28, 1996. Wageningen, Netherlands: Wageningen Pers, 1996.

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26

Absolute music, mechanical reproduction. Berkeley: University of California Press, 2010.

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27

Ashby, Arved Mark. Absolute music, mechanical reproduction. Berkeley: University of California Press, 2010.

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28

Ashby, Arved Mark. Absolute music, mechanical reproduction. Berkeley: University of California Press, 2010.

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29

Art of the piano: The performers, literature, and recordings. New York, NY: Summit Books, 1989.

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30

Art of the piano: Its performers, literature, and recordings. 2nd ed. San Diego: Harcourt Brace & Co., 1995.

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31

Dubal, David. The art of the piano: Its performers, literature, and recordings. New York: Summit Books, 1989.

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32

Gailon, P., and Y. Chabert, eds. Performance recording of animals. Wageningen Academic Publishers, 1991. http://dx.doi.org/10.3920/978-90-8686-500-0.

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33

Lawson, Colin. Woodwind Performance in Early Recording. Cambridge Univ Pr (Sd), 2005.

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34

Deaton, Dennis. Sustaining Peak Performance (Live Seminar Recording). Quma Learning Systems, Inc., 2005.

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35

Philip, Robert. Performing Music in the Age of Recording. Yale University Press, 2004.

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36

Philip, Robert. Performing Music in the Age of Recording. Yale University Press, 2004.

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37

Philip, Robert. Performing Music in the Age of Recording. Yale University Press, 2015.

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38

Recording Music on Location: Capturing the Live Performance. Taylor & Francis Group, 2014.

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39

Cramer, Ray, Eugene Corporon, and Larry Blocher. Teaching Music Through Performance in Band : Resource Recording. G I A Pubns, 2000.

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40

Teaching Music Through Performance in Band Resource Recordings [sound recording]: Volume 1, grade 5. Chicago: GIA Publications, 2010.

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41

Teaching Music Through Performance in Band Resource Recordings [sound recording]: Volume 8, grade 4. Chicago: GIA Publications, 2012.

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42

Teaching Music Through Performance in Band Resource Recordings [sound recording]: Volume 1, grade 4. Chicago: GIA Publications, 2001.

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43

Teaching Music Through Performance in Band Resource Recordings [sound recording]: Volume 1, grade 6. Chicago: GIA Publications, 2010.

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44

Teaching Music Through Performance in Band Resource Recordings [sound recording]: Volume 3, grade 4. Chicago: GIA Publications, 2002.

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45

Sunday School Member Report for Recording 8 Performance Points. B&H Publishing Group, 1998.

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46

Performance Recording of Animals State of the Art 1998. Purdue University Press, 1998.

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47

Teaching Music Through Performance in Band Resource Recordings [sound recording]: Volume 6, grades 2-3. Chicago: GIA Publications, 2008.

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48

Teaching Music Through Performance in Band Resource Recordings [sound recording]: Volume 5, grades 2-3. Chicago: GIA Publications, 2005.

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49

Teaching Music Through Performance in Band Resource Recordings [sound recording]: Volume 4, grades 2-3. Chicago: GIA Publications, 2003.

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50

Teaching Music Through Performance in Band Resource Recordings [sound recording]: Volume 10, grades 2 and 3. Chicago: GIA Publications, 2015.

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