Relevant bibliographies by topics / Performance recording

Academic literature on the topic 'Performance recording'

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Published: 4 June 2021
Last updated: 11 February 2022

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Journal articles on the topic "Performance recording"

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Groth Andersson, Signe, and Verner Denvall. "Data Recording in Performance Management." American Journal of Evaluation 38, no. 2 (December 16, 2016): 190–204. http://dx.doi.org/10.1177/1098214016681510.

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In recent years, performance management (PM) has become a buzzword in public sector organizations. Well-functioning PM systems rely on valid performance data, but critics point out that conflicting rationale or logic among professional staff in recording information can undermine the quality of the data. Based on a case study of social service staff members, the authors explore three recording logics. The findings reveal a complexity of recording behavior and show how frontline staff shift between recording logics according to the situation. The actual data recordings depend not only on the overall logic but also on factors such as attitudes, assumptions, and motives. The authors suggest that shifting recording logics weaken the validity of performance data. These shifts undermine the idea of PM as a trustworthy strategy to bridge the gap between professional and managerial staff, as well as the possibility of a well-informed management.
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Yamakawa, Kiyoshi, Kaori Taguchi, and Kazuhiro Ouchi. "Recording Performance of Narrow-Trackwidth Perpendicular Recording Head." Journal of the Magnetics Society of Japan 23, S_2_PMRS_99 (1999): S2_29–33. http://dx.doi.org/10.3379/jmsjmag.23.s2_29.

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Ikekame, H., T. Yamashita, H. Ide, H. Takano, N. Nishiyama, T. Tsuyoshi, Y. Shiroishi, and H. Aoi. "Degradation of recording performance in high-speed recording." IEEE Transactions on Magnetics 35, no. 5 (1999): 2259–61. http://dx.doi.org/10.1109/20.800792.

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Negus, Keith. "Bob Dylan's phonographic imagination." Popular Music 29, no. 2 (May 2010): 213–27. http://dx.doi.org/10.1017/s0261143010000048.

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AbstractIn this article I emphasise the deliberate and reflexive way that Bob Dylan has approached studio recording, sketching the features of a phonographic aesthetic, to highlight a neglected aspect of Dylan's creative practice and to counter the view of Dylan as primarily a ‘performing artist’, one who approaches the studio in a casual manner as a place to cut relatively spontaneous drafts of songs that are later developed on stage. Drawing on Evan Eisenberg's discussion of the ‘art of phonography’ and the way recording radically separates a performance from its contexts of ‘origin’ (allowing recordings to be taken into a private space and subjected to intense, repeated listening), I argue that studio practice, a recording aesthetic and the art of phonography are integral to Dylan's songwriting. The process and practice of songwriting is realised through the act of recording and informed by listening to songs and performances from recordings, regardless of how much time is actually spent in the studio. Exploring how Dylan's phonographic imagination has been shaped by folk, blues and pop sonorities, along with film music, I argue that recording should be integrated into discussions of Dylan's art, alongside the attention devoted to lyrics, performance and biography.
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Tanaka, Yoichiro. "Recording performance and system integration of perpendicular magnetic recording." Journal of Magnetism and Magnetic Materials 287 (February 2005): 468–74. http://dx.doi.org/10.1016/j.jmmm.2004.10.077.

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Alex, M., and D. Wachenschwanz. "Thermal effects and recording performance at high recording densities." IEEE Transactions on Magnetics 35, no. 5 (1999): 2796–801. http://dx.doi.org/10.1109/20.800988.

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Iwanaga, Toshiaki, Satoshi Sugaya, Hiroshi Inada, and Tadashi Nomura. "Magnetooptic recording readout performance improvement." Applied Optics 27, no. 4 (February 15, 1988): 717. http://dx.doi.org/10.1364/ao.27.000717.

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Uwazumi, H., T. Shimatsu, Y. Sakai, A. Otsuki, I. Watanabe, H. Muraoka, and Y. Nakamura. "Recording performance of CoCrPt-(Ta, B)/TiCr perpendicular recording media." IEEE Transactions on Magnetics 37, no. 4 (July 2001): 1595–98. http://dx.doi.org/10.1109/20.950911.

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Albrecht, Thomas R., Hitesh Arora, Vipin Ayanoor-Vitikkate, Jean-Marc Beaujour, Daniel Bedau, David Berman, Alexei L. Bogdanov, et al. "Bit-Patterned Magnetic Recording: Theory, Media Fabrication, and Recording Performance." IEEE Transactions on Magnetics 51, no. 5 (May 2015): 1–42. http://dx.doi.org/10.1109/tmag.2015.2397880.

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Gronow, Pekka. "Recording the History of Recording: A Retrospective of the Field." International Journal for History, Culture and Modernity 7, no. 1 (November 2, 2019): 443–57. http://dx.doi.org/10.18352/hcm.565.

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The recording industry is now over 120 years old. During the first half of its existence, however, few archives documented or collected its products. Many early recordings have been lost, and discography, the documentation of historical recordings, has mainly been in the hands of private collectors. An emphasis on genre-based discographies such as jazz or opera has often left other areas of record production in the shade. Recent years have seen a growth of national sound collections with online catalogues and at least partial online access to content. While academic historians have been slow to approach the field, there has been outstanding new research on the history of the recording industry, particularly in the USA and UK. This has encouraged the development of new academic research on musical performance, based on historical sound recordings. The article discusses some recent works in this field.
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Dissertations / Theses on the topic "Performance recording"

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Bulut, Hasan. "High performance recording and manipulation of distributed streams." [Bloomington, Ind.] : Indiana University, 2007. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3274268.

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Thesis (Ph.D.)--Indiana University, Dept. of Computer Science, 2007.
Source: Dissertation Abstracts International, Volume: 68-07, Section: B, page: 4582. Adviser: Geoffrey C. Fox. Title from dissertation home page (viewed Apr. 22, 2008).
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Miller, Eric R. "The Influence of Recording Technology on Music Performance and Production." Ohio University Honors Tutorial College / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=ouhonors1367581047.

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Ait, Saidi Adel. "Implementing electronic identification for performance recording in sheep and goat farms." Doctoral thesis, Universitat Autònoma de Barcelona, 2014. http://hdl.handle.net/10803/283364.

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Los costes de implementación de la identificación electrónica (e-ID) para cumplir la legislación europea preocupan el sector ovino y caprino. Con el motivo de cuantificar los beneficios secundarios del uso de la e-ID para el ganadero, se realizaron 4 experimentos para evaluar los resultados productivos, costes y beneficios de implementar un sistema manual (M; crotales visuales y anotación en papel) o semi-automatico (SA; bolos electrónicos y descarga automática de datos) para el registro de producciones in caprino y ovino. En Exp.1, se utilizaron 24 cabras Murciano-Granadina para comparar el uso de M y SA en el control lechero realizado con 1 ordeño/d (×1) y en una sala 2×12. No se observaron diferencias en el tiempo de control lechero, pero SA fue 75% más rápido en la descarga de datos que el M. El uso de SA ahorró 8 s/cabra en el tiempo total. No se observaron diferencias entre M y SA en los errores de datos (0.6%), pero M produjo un 1.1% más de errores de descarga de datos. La reducción del coste de trabajo con SA varió según el tamaño del rebaño (24-480 cabras) y se evaluó por el 40% del coste de implementación de e-ID. En el Exp.2, se utilizó un rebaño de 48 ovejas lecheras para comparar los sistemas M y SA (HHR, e-ID con bolos; PDA, agenda electrónica e ID visual) en condiciones de ×1 (n = 24) o ×2 (2 ordeños/d; n = 24) y una sala de 2×12. No se observó interacción entre día × sistema indicando una experiencia previa del operador. La descarga de datos fue más rápida en ambos sistemas SA que en M. Como resultado, el control lechero incluyendo la descarga de datos, fue más rápido en SA que en M, siendo el ahorro de 7 y 15 s/oveja para ×1 y ×2, respectivamente. Los errores en M fueron 3.6%, no detectándose en SA. En el Exp.3 se compararon los sistemas M y SA para el control de paridera, utilizando 2 rebaños de 73 ovejas de leche y 80 de carne, durante 2 periodos distintos. A pesar de que la prolificidad fue similar, el tiempo de control de paridera fue mayor en ovejas de leche que en carne, debido a la menor experiencia del operador y la suciedad de crotales. El tiempo total de control de paridera fue mayor en M que SA en las ovejas de leche y de carne, resultando con un ahorro de 36 y 48 s/oveja, respectivamente. Los errores de descarga de datos sólo ocurrieron en M (4.9%). Finalmente, en Exp.4, se implementaron los sistemas M y automático (AU) para el registro de peso vivo (PV) utilizando una báscula electrónica en un rebaño de 120 ovejas de leche y 120 de carne. El tiempo medio de pesado, descarga de datos y el tiempo total, fueron mayores en M que AU, resultando con un ahorro de medio de 22 s/oveja. Los errores de descarga de datos sólo ocurrieron en M (8.8%). Los resultados de las Exp. 2, 3 y 4 se integraron en un estudio coste-beneficio para 4 tipos de granjas de ovino tipo de carne (700 ovejas; sistema extensivo o intensivo) y de leche (400 ovejas; control lechero ×1 o ×2). Los beneficios de usar SA o AU variaron según la raza, el número de controles/año, el coste de lectores y el tamaño del rebaño. Como conclusión, el uso de e-ID para el control de producciones ahorró el 50% de tiempo y mejoró la fiabilidad de los datos. En el caso de e-ID opcional, los costes del control de producciones cubrieron del 15 al 70% la inversión inicial. En el caso de e-ID obligatoria o cuando se usó la PDA, los ahorros pagaron la totalidad de los costes. El coste de los lectores fue responsable del 40 al 90% del total en los 2 escenarios.
European legislation made mandatory the use of electronic identification (e-ID) for sheep and goats which cost is questioned in practice. This thesis aimed to quantify the costs and derived benefits of using e-ID at farm level. Thus, 4 experiments were carried out to assess the performance and the cost-benefit of manual (M; visual ear tags and paper forms) or semi-automated (SA; e-ID boluses and automated data downloading) systems implemented for performance recording. In Exp.1, 24 dairy goats were used to compare M and SA (standard boluses) for milk recording under once daily milking (×1). No difference in milk recording time was observed but SA was 75% faster in uploading data into a computer than M. Use of SA instead of M saved 8 s/goat in total time of milk recording. Although, no difference in data error was detected between M and SA at milk recording, 1.1% of errors occurred only at M data uploading. Reduction in labor time cost varied by herd size and accounted 40% of e-ID implementation costs. Results highlighted the need of operator training in SA system. In Exp.2, a flock of 48 dairy ewes was used to compare M and SA (HHR, handheld reader and small-boluses; PDA, personal digital assistant and v-ID) milk recording systems under ×1, (n = 24) or twice- (×2, n = 24) daily milkings. No interaction between system×test-day was observed, agreeing with the operator expertise. Data transfer was markedly faster for both SA systems than in M. Consequently, total milk recording was faster for both ×1 and ×2 in SA systems than for M, saving 7 and 15 s/ewe, respectively. Data errors averaged 3.6% in M, whereas no errors were found in SA. Results demonstrated the time-affectivity of HHR and PDA systems for milk recording in dairy ewes. In Exp.3, Data recording at lambing by M and HHR systems were compared using 2 flocks of 73 dairy and 80 meat ewes. Time for lambing recording was greater in dairy than in meat ewes, due to the lower operator experience and ear tag dirtiness. Overall time for lambing recording was greater in M than HHR for both dairy and meat flocks, saving 36 and 48 s/ewe, respectively. Data uploading errors only occurred in M (4.9%). Finally, in Exp.4, BW recording of 120 dairy and 120 meat ewes using an electronic scale was performed by M and AU (automatic using e-ID and stationary reader) systems. In both flocks, mean BW recording and data uploading times, as well as overall BW recording time, were greater in M than in AU, saving on average 22 s/ewe. Uploading errors only occurred in M (8.8%). In conclusion, e-ID for SA and AU performance recording saved time and increased the reliability of the collected data. Results of Exp.2, 3 and 4 were integrated into a whole cost-benefit study for typical meat (700 ewes; extensive or intensive) and dairy (400 ewes; ×1 or ×2 milk recording daily) farms. Benefits of using SA or AU mainly depended on sheep breed, test-days per yr, reader prices and flock size. Use of e-ID increased the cost of performance recording in the optional scenario, partially paying the investment made (15 to 70%). For mandatory e-ID or by using PDA, savings paid 100% of the extra-costs in all farm types, indicating their cost-effectiveness for sheep performance recording. In both scenarios, reader price was the most important extra-cost (40 to 90%) of e-ID implementation.
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Yang, Peter D. (Peter Dong Myung) 1978. "Improving the performance of TCP in the presence of packet recording." Thesis, Massachusetts Institute of Technology, 2001. http://hdl.handle.net/1721.1/86752.

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Eom, Han Joo. "Computer-aided recording and mathematical analysis of team performance in volleyball." Thesis, University of British Columbia, 1989. http://hdl.handle.net/2429/28139.

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The purpose of this study was to develop and test a method to analyze and evaluate team performance in volleyball in terms of individual skill performance as well as sequential skill performances. Seventy-two sample games from the F.I.V.B Cup international men's volleyball competition were video taped, computer recorded, and statistically analyzed. Games were grouped into two categories according to the team standing and game status: Top 4-Bottom 4 teams and Winning-Losing games. MANOVAs and discriminant function analysis were used to investigate the playing characteristics of individual skill performance and to select the best predictor(s) of team success among the skill components. Log-linear procedures were used to examine the dependencies (first- and second-order transition patterns) among the sequential playing actions. Results showed that: 1) the significant differences between the groups were due to better performances on those skills which took place in the Counterattack Process (i.e., Block, Dig, Set, and Spike), demonstrated by the Top 4 teams and in Winning games. Among these the Block and Spike were the most (relatively) important skills determining team success; 2) Success in spiking performance was more dependent upon the given outcomes of the set (1st-order) than those of the reception (2nd-order); and 3) the patterns of 1st- and 2nd-order transitions were stable and consistent regardless of the Team, Game and Process Status. Both the methodology and subsequent results provide a viable aid for effective coaching in volleyball. In addition, this tool may also be applicable to other sporting contexts.
Education, Faculty of
Curriculum and Pedagogy (EDCP), Department of
Graduate
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Jackson, Timothy John. "Multiple track performance of a digital magnetic tape system : experimental study and simulation using parallel processing techniques." Thesis, University of Plymouth, 1991. http://hdl.handle.net/10026.1/2787.

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The primary aim of the magnetic recording industry is to increase storage capacities and transfer rates whilst maintaining or reducing costs. In multiple-track tape systems, as recorded track dimensions decrease, higher precision tape transport mechanisms and dedicated coding circuitry are required. This leads to increased manufacturing costs and a loss of flexibility. This thesis reports on the performance of a low precision low-cost multiple-track tape transport system. Software based techniques to study system performance, and to compensate for the mechanical deficiencies of this system were developed using occam and the transputer. The inherent parallelism of the multiple-track format was exploited by integrating a transputer into the recording channel to perform the signal processing tasks. An innovative model of the recording channel, written exclusively in occam, was developed. The effect of parameters, such as data rate, track dimensions and head misregistration on system performance was determined from the detailed error profile produced. This model may be run on a network of transputers, allowing its speed of execution to be scaled to suit the investigation. These features, combined with its modular flexibility makes it a powerful tool that may be applied to other multiple-track systems, such as digital HDTV. A greater understanding of the effects of mechanical deficiencies on the performance of multiple-track systems was gained from this study. This led to the development of a software based compensation scheme to reduce the effects of Lateral Head Displacement and allow low-cost tape transport mechanisms to be used with narrow, closely spaced tracks, facilitating higher packing densities. The experimental and simulated investigation of system performance, the development of the model and compensation scheme using parallel processing techniques has led to the publication of a paper and two further publications are expected.
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Smith, Grant M., and Dave Gaskill. "The Need for Standardized Performance Characteristics for Digital Strip Chart Recorders." International Foundation for Telemetering, 1988. http://hdl.handle.net/10150/615243.

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International Telemetering Conference Proceedings / October 17-20, 1988 / Riviera Hotel, Las Vegas, Nevada
Digital-based linear-array chart recorders are replacing conventional stylus recorders in telemetry data stations everywhere. They offer advantages in virtually all respects, and are becoming indispensable. But because of the completely different writing method and technology employed, it is difficult to make completely analogous performance comparisons between analog and digital chart recorders. This has led to some confusion when replacing aging stylus recorders is contemplated. Objectives: Establish a set of universal, standardized performance characteristics for digital chart recorders. Introduce appropriate terminology, allowing valid, repeatable comparison of old and new systems.
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Michaud, Alyssa R. ""Copies without Originals": Manipulation, Mediation, and Mediatization in Performance and Recording Practices." Thèse, Université d'Ottawa / University of Ottawa, 2012. http://hdl.handle.net/10393/23605.

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This thesis examines case studies and historical accounts taken from different periods of the history of recording technology, and addresses questions concerning the impact of mediatization, manipulation, and mediation on listeners' and performers' approaches to music. The project considers the development of the idea of "copies without originals," and of the ideological frameworks that have been used to describe and classify recorded sound. The first case study covers the early days of the phonograph and its development in Victorian society, then contrasts the values and motivations of those early years with modern-day rock performance and its own value systems. Moving into the mid-twentieth century, a chapter of this thesis is devoted to the work of Glenn Gould, and the possibilities for tape manipulation that the Canadian pianist explored during the period of his career that was focused on the recording studio. Lastly, this project examines the innovative, user-driven methods of music-making that are gaining momentum today, including Bjork's "Biophilia" app album, and the emergence of a new genre of popular music in Asia that uses vocal synthesizers in place of live performers. By exploring these case studies alongside the works of scholars in musicology, media studies, sound theory, film and television, and popular music studies, this thesis demonstrates how cultural need, individual innovation, and social involvement interact to direct the development and application of emerging media technologies.
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Wigent, Mark A., and Andrea M. Mazzario. "Spectrum Savings from High Performance Network Recording and Playback Onboard the Test Article." International Foundation for Telemetering, 2012. http://hdl.handle.net/10150/581609.

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ITC/USA 2012 Conference Proceedings / The Forty-Eighth Annual International Telemetering Conference and Technical Exhibition / October 22-25, 2012 / Town and Country Resort & Convention Center, San Diego, California
The Test Resource Management Center's (TRMC) Spectrum Efficient Technologies (SET) S&T program is sponsoring development of the Enhanced Query Data Recorder (EQDR), a network flight recorder that is intended to meet the future needs of the networked telemetry environment. EQDR is designed to support the "fetch" of recorded test data during a test without interrupting the ongoing recording of data from the test article vehicle network. The key benefits of the network data recorder as implemented in EQDR are increased flexibility and efficiency of test in an environment with increasing demands on spectrum available for telemetered data. EQDR enables retrieval of individual recorded parameters on an as-needed basis. Having the flexibility to send data only when it is required rather than throughout the duration of the test significantly increases the efficiency with which limited spectrum resources are used. EQDR enables parametric-level data retrieval, based not only on time interval and data source, but also on the content of the recorded data messages. EQDR enables selective, efficient retrieval of individual parameters using indexes derived from the actual values of recorded data. This paper describes the design of EQDR and the benefits of selective data storage and retrieval in the application of networked telemetry. In addition it describes the performance of the EQDR in terms of data recording and data retrieval rates when implemented on single board computers designed for use in the aeronautical test environment with size, weight, and power constraints.
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McKinney, Chad. "Collaboration and embodiment in networked music interfaces for live performance." Thesis, University of Sussex, 2016. http://sro.sussex.ac.uk/id/eprint/65244/.

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Research regarding liveness and embodiment in electronic music has tended to explore the relationship of bodies and instruments, audience perception, interfaces, and shifting definitions, less theoretical and empirical study has considered network situations, perhaps given their relative cultural novelty. Network music has seen many advances since the time of the Telharmonium, including the invention of the personal computer and the widespread proliferation of internet connectivity. These advances have fostered a unique approach to live electronic music that facilitates collaboration in a field where solo performance is perhaps more common. This thesis explores the design of network music interfaces, and how those interfaces mediate collaborations. Three new network music system interfaces, each using different a different paradigm for interface design are presented in this study. One an instrument for creating modular feedback lattices. Another is a three dimensional virtual pattern sequencer. And the last is a web based collaborative live coding language. Accompanying each system is an evaluation using quantitative and qualitative analysis to frame these instruments in a larger context regarding network music. The results highlight important themes concerning the design of networked interfaces, and the attitudes of musicians regarding networked collaborations.
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Books on the topic "Performance recording"

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Performing music in the age of recording. New Haven: Yale University Press, 2004.

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Jenny, Bartlett, ed. Recording music on location: Capturing the live performance. Amsterdam: Elsevier Focal Press, 2007.

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United States. Congress. Senate. Committee on the Judiciary. Digital Performance Right in Sound Recordings Act of 1995: Report (to accompany S. 227). [Washington, D.C.?: U.S. G.P.O., 1995.

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United States. Congress. Senate. Committee on the Judiciary. Digital Performance Right in Sound Recordings Act of 1995: Report (to accompany S. 227). [Washington, D.C.?: U.S. G.P.O., 1995.

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International Committee for Animal Recording. Biennial Session. Performance recording of animals: State of the art, 1990. Wageningen: Pudoc, 1991.

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Guellouz, M., A. Dimitriadou, and C. Mosconi, eds. Performance recording of animals: State of the art, 2004. The Netherlands: Wageningen Academic Publishers, 2005. http://dx.doi.org/10.3920/978-90-8686-536-9.

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Figueroa, J. Ludwig. Monitoring and analysis of data obtained from moisture temperature recording stations. Cleveland, Ohio: Case Western Reserve University, Dept. of Civil Engineering, 2001.

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Applicable, Not. Teaching Music Through Performance in Band Resource Recordings [sound recording]: Volume 2, grade 4 and selections from grade 5. Chicago: GIA Publications, 2003.

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United States. Federal Election Commission. Performance and test standards for punchcard, marksense, and direcetd recording electronic voting systems. [Washington, D.C.]: Federal Election Commission, 1990.

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Vincent, Gordon. Recording achievement: Staff development activities for use in primary and secondary schools. Edited by Hitchin Penny. Lancaster: Framework, 1994.

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Book chapters on the topic "Performance recording"

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Gallagher, Michael. "Audio Recording as Performance." In Non-Representational Theory and the Creative Arts, 277–92. Singapore: Springer Singapore, 2019. http://dx.doi.org/10.1007/978-981-13-5749-7_18.

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Eargle, John. "Characteristics of Performance Spaces." In Handbook of Recording Engineering, 59–65. Boston, MA: Springer US, 1992. http://dx.doi.org/10.1007/978-1-4757-1129-5_3.

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Eargle, John M. "Characteristics of Performance and Recording Spaces." In Handbook of Recording Engineering, 57–65. Boston, MA: Springer US, 1996. http://dx.doi.org/10.1007/978-1-4684-9919-3_3.

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Eargle, John. "Environmental Effects and Departures from Ideal Microphone Performance." In Handbook of Recording Engineering, 85–93. Boston, MA: Springer US, 1992. http://dx.doi.org/10.1007/978-1-4757-1129-5_6.

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Eargle, John M. "Environmental Effects and Departures from Ideal Microphone Performance." In Handbook of Recording Engineering, 88–96. Boston, MA: Springer US, 1996. http://dx.doi.org/10.1007/978-1-4684-9919-3_6.

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Thompson, Paul. "The Creative System of Studio Performance." In Creativity in the Recording Studio, 149–74. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-030-01650-0_7.

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Hill, Leslie. "(be)longing: A Case Study of Recording and Representation." In Identity, Performance and Technology, 145–59. London: Palgrave Macmillan UK, 2012. http://dx.doi.org/10.1057/9781137284440_10.

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Wolf, Jack Keil. "Modulation and Coding for the Magnetic Recording Channel." In Performance Limits in Communication Theory and Practice, 353–67. Dordrecht: Springer Netherlands, 1988. http://dx.doi.org/10.1007/978-94-009-2794-0_21.

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Rayo, Araceli Guadalupe Santana, Luis Héctor Hernández Gómez, Alejandro Tonatiu Velázquez Sánchez, Juan Alfonso Beltrán Fernández, Juan Alejandro Flores Campos, Guillermo Urriolagoitia Calderón, Víctor Manuel Santana Rayo, and Arturo Enrique Flores Peñaloza. "Design and Manufacturing of a Dry Electrode for EMG Signals Recording with Microneedles." In Improved Performance of Materials, 259–67. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-59590-0_22.

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Park, Sihwa. "ARLooper: A Mobile AR Application for Collaborative Sound Recording and Performance." In Lecture Notes in Computer Science, 554–62. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-70210-6_35.

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Conference papers on the topic "Performance recording"

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Ikekame, H., T. Yamashita, Hiroshi Ide, and H. Takano. "Degradation of recording performance in high-speed recording." In IEEE International Magnetics Conference. IEEE, 1999. http://dx.doi.org/10.1109/intmag.1999.837408.

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Mengel, Finn, and Tue Moerck. "Prediction of PIV recording performance." In Laser Anemometry: Advances and Applications--Fifth International Conference, edited by J. M. Bessem, R. Booij, H. W. H. E. Godefroy, P. J. de Groot, K. K. Prasad, F. F. M. de Mul, and E. J. Nijhof. SPIE, 1993. http://dx.doi.org/10.1117/12.150521.

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Xiaoping Bian, M. Doerner, Jinshan Li, Kai Tang, Shanlin Duan, and M. Mirzamaani. "High performance laminated longitudinal recording media." In IEEE International Magnetics Conference. IEEE, 1999. http://dx.doi.org/10.1109/intmag.1999.837265.

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Arthurs, A. "Development of a very high performance data recorder." In International Conference on Storage and Recording Systems. IEE, 1994. http://dx.doi.org/10.1049/cp:19941141.

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Jianping Chen, H. J. Richter, and Li-Ping Wang. "Texture noise and its impact on recording performance at high recording density." In IEEE International Magnetics Conference. IEEE, 1999. http://dx.doi.org/10.1109/intmag.1999.837536.

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Chan, K. W., and W. H. Liao. "Shock Performance of a Disk-Drive Assembly Using Active-Passive Piezoelectric Actuators." In 2006 Asia-Pacific Magnetic Recording Conference. IEEE, 2006. http://dx.doi.org/10.1109/apmrc.2006.365931.

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Chumakov, Alexandr G., and Vitalij N. Kurashov. "Karhunen-Loeve basis synthesis for great-capacity signal performance in optical processors." In Holography, Correlation Optics, and Recording Materials, edited by Oleg V. Angelsky. SPIE, 1993. http://dx.doi.org/10.1117/12.165404.

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Lin, S., C. Bi, Q. Jiang, and H. N. Phyu. "Analysis of Three Synchronous Drive Modes for the Starting Performance of Spindle Motor." In 2006 Asia-Pacific Magnetic Recording Conference. IEEE, 2006. http://dx.doi.org/10.1109/apmrc.2006.365890.

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Park, No-Cheol, Yonghyun Lee, Hyung Jun Lee, Kyoung-Su Park, Hyun Seok Yang, and Young-Pil Park. "Design and Analysis of Disk Space to Improve the Unloading Performance in HDD." In 2006 Asia-Pacific Magnetic Recording Conference. IEEE, 2006. http://dx.doi.org/10.1109/apmrc.2006.365892.

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Sheth, N. K., and K. R. Rajagopal. "Performance of Doubly salient Permanent Magnet Motors for Parallel and Tapered Rotor Poles." In 2006 Asia-Pacific Magnetic Recording Conference. IEEE, 2006. http://dx.doi.org/10.1109/apmrc.2006.365921.

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Reports on the topic "Performance recording"

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Derzon, M., and T. Barber. Performance comparison of streak camera recording systems. Office of Scientific and Technical Information (OSTI), July 1995. http://dx.doi.org/10.2172/95259.

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Hanson, J. A. ,. LLNL. Performance of an island seismic station for recording T-phases. Office of Scientific and Technical Information (OSTI), May 1998. http://dx.doi.org/10.2172/289887.

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Wigent, Mark A., and Andrea M. Mazzario. Spectrum Savings from High Performance Recording and Playback Onboard the Test Article. Fort Belvoir, VA: Defense Technical Information Center, February 2013. http://dx.doi.org/10.21236/ada582495.

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Matzen, Laura E., Michael Joseph Haass, Michael Christopher Stefan Trumbo, Austin Ray Silva, Susan Marie Stevens-Adams, Jennifer Taylor White, Anna Ho, and David Eugene Peercy. Using recordings of brain activity to predict and improve human performance. Office of Scientific and Technical Information (OSTI), September 2012. http://dx.doi.org/10.2172/1055638.

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Mayas, Magda. Creating with timbre. Norges Musikkhøgskole, August 2018. http://dx.doi.org/10.22501/nmh-ar.686088.

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Unfolding processes of timbre and memory in improvisational piano performance This exposition is an introduction to my research and practice as a pianist, in which I unfold processes of timbre and memory in improvised music from a performer’s perspective. Timbre is often understood as a purely sonic perceptual phenomenon. However, this is not in accordance with a site-specific improvisational practice with changing spatial circumstances impacting the listening experience, nor does it take into account the agency of the instrument and objects used or the performer’s movements and gestures. In my practice, I have found a concept as part of the creating process in improvised music which has compelling potential: Timbre orchestration. My research takes the many and complex aspects of a performance environment into account and offers an extended understanding of timbre, which embraces spatial, material and bodily aspects of sound in improvised music performance. The investigative projects described in this exposition offer a methodology to explore timbral improvisational processes integrated into my practice, which is further extended through collaborations with sound engineers, an instrument builder and a choreographer: -experiments in amplification and recording, resulting in Memory piece, a series of works for amplified piano and multichannel playback - Piano mapping, a performance approach, with a custom-built device for live spatialization as means to expand and deepen spatio-timbral relationships; - Accretion, a project with choreographer Toby Kassell for three grand pianos and a pianist, where gestural approaches are used to activate and compose timbre in space. Together, the projects explore memory as a structural, reflective and performative tool and the creation of performing and listening modes as integrated parts of timbre orchestration. Orchestration and choreography of timbre turn into an open and hybrid compositional approach, which can be applied to various contexts, engaging with dynamic relationships and re-configuring them.
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Duch, Michael. Performing Hanne Darboven's Opus 17a and long duration minimalist music. Norges Musikkhøgskole, August 2018. http://dx.doi.org/10.22501/nmh-ar.481276.

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Hanne Darboven’s (1941-2009) Opus 17a is a composition for solo double bass that is rarely performed due to the physical and mental challenges involved in its performance. It is one of four opuses from the composers monumental 1008 page Wünschkonzert (1984), and was composed during her period of making “mathematical music” based on mathematical systems where numbers were assigned to certain notes and translated to musical scores. It can be described as large-scale minimalism and it is highly repetitive, but even though the same notes and intervals keep repeating, the patterns slightly change throughout the piece. This is an attempt to unfold the many challenges of both interpreting, preparing and performing this 70 minute long solo piece for double bass consisting of a continuous stream of eight notes. It is largely based on my own experiences of preparing, rehearsing and performing Opus 17a, but also on interviews I have conducted with fellow bass players Robert Black and Tom Peters, who have both made recordings of this piece as well as having performed it live. One is met with few instrumental technical challenges such as fingering, string crossing and bowing when performing Opus 17a, but because of its long duration what one normally would take for granted could possibly prove to be challenging.
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