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Books on the topic 'Performance practice'

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Author: Grafiati

Published: 4 June 2021

Last updated: 20 February 2023

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1

Neumann, Frederick. New essays on performance practice. Ann Arbor: UMI Research Press, 1989.

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2

New essays on performance practice. Rochester, NY, USA: University of Rochester Press, 1992.

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3

Linda, Wehrli, ed. Piano practice and performance. Valley Village, CA: Wehrli Publicartions, 2007.

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4

Richard, Aven, ed. Acting: Preparation, practice, performance. New York: HarperCollins College Publishers, 1994.

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5

Schaefer, Kerrie. Communities, Performance and Practice. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-95757-5.

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6

Colin, Noyale, and Stefanie Sachsenmaier, eds. Collaboration in Performance Practice. London: Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/9781137462466.

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7

Aston, Elaine, and Geraldine Harris. Performance Practice and Process. London: Macmillan Education UK, 2008. http://dx.doi.org/10.1007/978-1-137-02034-5.

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8

Kundu, Ajoy Kumar. Theory and practice of aircraft performance. West Sussex, United Kingdom: John Wiley & Sons Ltd, 2016.

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9

Gordon, Stewart. Mastering the art of performance: A primer for musicians. New York: Oxford University Press, 2010.

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10

Mayer, Brown Howard, and Sadie Stanley, eds. Performance practice: Music before 1600. Basingstoke, Hampshire: Macmillan Press, Music Division, 1989.

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11

College), International Congress on Performing Practice in Monteverdi's Music (1993 Goldsmith's. Proceedings of the International congress on performing practice in Monteverdi's music: The historic-philological background : Goldsmith's College, University of London, 13-14 December 1993. Cremona: Fondazione Claudio Monteverdi, 1995.

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12

Brown, Clive. Classical and Romantic performing practice 1750-1900. Oxford: Oxford University Press, 1999.

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13

Swatton, P. J. Aircraft performance theory and practice for pilots. 2nd ed. West Sussex, England: Wiley, 2008.

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14

Renaissance music. Farnham, Surrey, England: Ashgate, 2011.

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15

The performance of 16th-century music: Learning from the theorists. New York: Oxford University Press, 2010.

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16

A performer's guide to seventeenth-century music. Bloomington: Indiana University Press, 2012.

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17

Performing French classical music: Sources and applications. Hillsdale, N.Y: Pendragon Press, 2001.

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18

T, Kite-Powell Jeffery, ed. A performer's guide to Renaissance music. 2nd ed. Bloomington, IN: Indiana University Press, 2007.

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19

Eshelby, Martin E. Aircraft performance: Theory and practice. Reston, VA: American Institute of Aeronautics and Astronautics, 2000.

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20

Kaplan, Burton. The musician's practice log. New York, NY: Perception Development Techniques, 1985.

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21

John, Rink, ed. The Practice of performance: Studies in musical interpretation. Cambridge [England]: Cambridge University Press, 1995.

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22

Wilson, Carol. Best Practice in Performance Coaching. London: Kogan Page Publishers, 2007.

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23

Dufort, Antony. Ballet steps: Practice to performance. 2nd ed. New York: C.N. Potter, 1990.

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24

Ballet steps: Practice to performance. New York: C.N. Potter, 1985.

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25

Ballet steps: Practice to performance. London: Kingswood, 1990.

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26

Neumann, Frederick. New Essays on Performance Practice. Rochester, NY: University of Rochester Press, 1992.

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27

Mapping cultures: Place, practice, performance. New York: Palgrave Macmillan, 2012.

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28

Theodossin, E. F. Performance indicators: Theory and practice. Bristol: Further Education Staff College, 1987.

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29

Performance practice. New York: W. W. Norton, 1990.

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30

Mayer, Brown Howard, and Sadie Stanley, eds. Performance practice. New York: W.W. Norton, 1990.

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31

1930-, Brown Howard Mayer, and Sadie Stanley 1930-, eds. Performance practice. Basingstoke: Macmillan, 1989.

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32

Mayer, Brown Howard, and Sadie Stanley, eds. Performance practice. New York: Macmillan, 1990.

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33

Wilson, Michael. Performance and Practice. Routledge, 2018. http://dx.doi.org/10.4324/9780429447105.

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34

Wilson, Michael. Performance and Practice. Taylor & Francis Group, 2020.

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35

Mayer, Brown Howard, and Sadie Stanley, eds. Performance practice: Music after 1600. New York, NY: Norton, 1990.

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36

Scott, Joanne. Intermedial Praxis and Practice as Research: 'Doing-Thinking' in Practice. Palgrave Macmillan, 2018.

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37

Scott, Joanne. Intermedial Praxis and Practice As Research: 'Doing-Thinking' in Practice. Palgrave Macmillan, 2016.

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38

Scott, Joanne. Intermedial Praxis and Practice as Research: 'Doing-Thinking' in Practice. Palgrave Macmillan Limited, 2016.

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39

Artur, Szklener, and Narodowy Instytut Fryderyka Chopina, eds. Chopin in performance: History, theory, practice. Warszawa: Narodowy Instytut Fryderyka Chopina, 2005.

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40

Chopin in performance: History, theory, practice. Warszawa: Narodowy Instytut Fryderyka Chopina, 2005.

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41

Gauldin, Robert. Harmonic Practice. R.S. Means Company, 1997.

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42

Ethical performance best practice. Canterbury: Dunstans Publishing, 2002.

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43

Wilson, Miranda. Cello Practice, Cello Performance. Rowman & Littlefield Publishers, Incorporated, 2015.

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44

Ethics, Institute of Business, ed. Ethical performance best practice. Canterbury: Dunstans Publishing, 2001.

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45

Wilson, Miranda. Cello Practice, Cello Performance. Rowman & Littlefield Publishers, Incorporated, 2015.

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46

Wilson, Miranda. Cello Practice, Cello Performance. Rowman & Littlefield Publishers, Incorporated, 2015.

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47

Peak Performance in Practice. Simon & Schuster (Trade Division), 1998.

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48

Rink, John, ed. The Practice of Performance. Cambridge University Press, 1995. http://dx.doi.org/10.1017/cbo9780511552366.

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49

Wilson, Jim, Peter Rober, and John Shotter. The Performance of Practice. Routledge, 2018. http://dx.doi.org/10.4324/9780429482694.

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50

Aven, Richard C., and Bella Itkin. Acting: Preparation, Practice, Performance. Harpercollins College Div, 1994.

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