Journal articles on the topic 'Performance art Themes'
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1
Dixon, Steve. "Cybernetic-Existentialism in Performance Art." Leonardo 52, no. 3 (June 2019): 247–54. http://dx.doi.org/10.1162/leon_a_01544.
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A theory of Cybernetic-Existentialism is proposed to offer a new critical perspective on technological performance art. Case studies of Wafaa Bilal, Stelarc and Steve Mann are used to demonstrate how core ideas and themes from both cybernetics and existentialism are increasingly converging in contemporary arts.
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Dixon, Steve. "Cybernetic-Existentialism and Being-towards-death in Contemporary Art and Performance." TDR/The Drama Review 61, no. 3 (September 2017): 36–55. http://dx.doi.org/10.1162/dram_a_00672.
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Ideas and themes central to both cybernetics and existentialist philosophy converge in the work of some of the world’s most celebrated contemporary artists. Utilizing little or no technology, these artists nonetheless employ “systems” approaches and protocybernetic models, while simultaneously exploring themes directly related to existentialism.
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Chun, Jumi. "An Analysis of Changes and Works of Gayageum Byeonchang in North Korea by Period: With Focus on Joseon Munhak Yesul Nyeongam." Korean Society of Culture and Convergence 44, no. 6 (June 30, 2022): 967–1000. http://dx.doi.org/10.33645/cnc.2022.6.44.6.967.
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The purpose of this study is to examine the characteristics of the performance activities of the Gayageum Byeongchang in North Korea from the late 1990s to the present. The information is based on the Joseon Munhak Yesul Nyeongam (The Chosun Literature Art Yearbook), a series of publications that record the whole of activities and achievements of the arts in North Korea. As a result of the study, it is possible to examine the commonalities and differences in performance activities by broadly dividing them into performance classes, events, and themes. As for the performing class, it can be divided into professional art groups and smaller local art groups. Although the professional groups are represented by the likes such as the North Korean People’s Army Orchestra, and the local groups by students and female organizations, the frequency of the activities was found to be equal to each other. The events performed by both professional and local art groups were divided into a mixture of Gayageum Byeongchang, Gayageum Dok Byeongchang, and Gayageum Byeongchang, with Gayageum Byeongchang activities being the largest among them. In particular, the rampant use of electronic music was drastically reduced during this period while the use of ethnic instruments was encouraged in professional art organizations. As a result, the activities of Gayageum Byeongchang, which had been actively using electronic instruments since the 1980s, decreased significantly. The songs that are performed are also different between professional art organizations and local art groups. In sharing common themes of ideological liberal arts teachings and mass propaganda, the performances of local art groups also vary in theme related to each social class within the art groups. Through this study, it can be seen that North Korea’s Gayageum Byeongchang has changed from professional-oriented performances to developing and expanding into smaller local art groups and activities, thereby gaining popularity and universality.
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H.K, Santhosh. "Poothan Kali Songs : an analysis of their types, themes and functions." Indian Journal of Multilingual Research and Development 2, no. 1 (March 30, 2021): 24–34. http://dx.doi.org/10.34256/ijmrd2114.
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'Panappoothan' is an art form performed by the Pana community at festivals at the Bhagvati temples in old Valluvanad district of Kerala.Unlike the Poothan performance of other castes, Panans also sing songs in their Poothan and Andi kali. They perform 'anchati pattukal', hymns and 'kummi pattukal' along with the performance. These songs have not yet been recorded in our folk song tradition or literary history. This essay analyzes these songs descriptively and determines the folk identity expressed in it.
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Griniuk, Marija. "ARTS-BASED ACTION RESEARCH ON ENHANCING CHILDREN’S CREATIVITY THROUGH AFFECT WITHIN PARTICIPATORY PERFORMANCE ART AND PERFORMANCE PEDAGOGY." Creativity Studies 14, no. 2 (December 13, 2021): 577–92. http://dx.doi.org/10.3846/cs.2021.13775.
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This article presents arts-based action research on enhancing children’s creativity through affect within participatory performance art and performance pedagogy. The study hypothesis was that children’s creativity can be enhanced by affect experienced at a performance site. The purpose of the study was to investigate the impact of children’s involvement in artistic performance on their creativity at a performance site. The impact of interactions at the site, the co-participating children,and the involved artists were monitored on a daily basis to collect qualitative data, which were analyzed using a general inductive approach. Objective themes relating to the variables were retrieved from the collected data and assigned codes, concepts, and keywords extracted from photographs,video recordings, and observation notes. The case under investigation was the “Nomadic Radical Academy 2020: The Good, the Bad, and the Art”, which built on a pilot event held in 2019. This research concluded that performance art can have a social and creative impact during an art event through children’s participation and can be used by performance artists and educators.
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Tarwanto, Roni Desi, Dwi Susanto Susanto, and Wakit Abdullah Abdullah. "A Discourse of Theater Performance in Improving Nationalism in Surakarta." International Journal of Multicultural and Multireligious Understanding 8, no. 7 (August 8, 2021): 718. http://dx.doi.org/10.18415/ijmmu.v8i7.2867.
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Indonesian nationalism is the manifestation of Indonesians’ love to their State and homeland based on Pancasila. Nationalism is now in new civilization vortex called globalization and encounters increasingly big challenge. The feeling of nationalism has been eroded now and faded gradually as time progresses. Therefore, many parties begin to revive nationalism spirit through some activities, one of which is through theatrical art. Theatrical art was expected to improve nationalism in Surakarta City. Surakarta City or so called Solo is an autonomous area with city status under Central Java Province. This article attempted to discuss “what the role of theatrical art is in improving nationalism”. For that through theater performances with themes that uphold the values of nationality have represented and increased nationalism in the city of Surakarta. Keywords: Discourse, Theatrical Performance, Nationalism, theater comunity in Surakarta City
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Sneed, Gillian. "The Disciplinary and the Domestic." Diacrítica 34, no. 2 (July 31, 2020): 107–31. http://dx.doi.org/10.21814/diacritica.534.
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This essay focuses on works of video art from the 1970s and early 1980s by Letícia Parente (1930–1991), a first-generation video art pioneer in Brazil, whose video performances associated household imagery, domestic spaces, and quotidian chores and objects with violence, repression, and incarceration during the period the Brazilian dicatorship (1964–1985). Parente worked in video performance, an approach to performance art in which she performed for the video camera, rather than for a live audience. I argue that in her video performances, Parente performs domestic and quotidian actions in ways that enact self-harm and confinement in order to marshal a response to gender oppression in women’s daily lives that paralleled the violence and imprisonment Brazilians experienced under the dictatorship. By enacting disciplinary “punishments” (or the threat of such punishments) on herself, cloaked as daily domestic tasks, her works demonstrate the ways that the same forces that structure public disciplinary society also configure the private spaces of the home. I propose that she positions domestic space as a zone of containment and imprisonment, and that her resistance occurs not in the space itself but through the absurdity and ironic bathos of their bodily performances, as well as her actual or implied self-harm and violence, themes I address by engaging Kathy O’Dell’s theorization of “masochistic performance art,” and Hal Foster’s concept of “mimetic adaptation.”
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Tejo Veloso, Carlos. "Discursos desde los Márgenes: Mujer y Arte de Acción en la Galicia Contemporánea." Barcelona Investigación Arte Creación 7, no. 3 (October 3, 2019): 263. http://dx.doi.org/10.17583/brac.2019.3121.
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This article presents an analysis of contemporary performance art carried out by women in Galicia; a complex issue if we consider that the nature of the discipline is a practically unexplored matter. Our reflection begins by defining the typology and particularities of Galician performance art. After that, we address the performance art context in Galicia and, finally, we examine the production of three artists that we consider essential: María Marticorena, Ana Gesto and María Roja. Our methodology emerges from a thorough search of available bibliographic resources, updated fieldwork through interviews, and tracking of photographic and videographic documentation. We have opted for a qualitative interview, focused on the artists analysed in the article which can be consulted as "Annex I", attached at the end of the text. This article unveils performance art that starts in the second half of the first decade of the new century, with the almost exclusive presence of women developing heterogeneous themes but influenced by the Galician cultural context. They haven’t had institutional support or been part of self-management movements, so frequent in other parts of Spain.
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Rudianto, Rudianto, Bambang Widiyahseno, and Ida Widaningrum. "KESENIAN KEBO BULE (Media Penyiaran Agama Islam di Ponorogo)." Muaddib : Studi Kependidikan dan Keislaman 1, no. 2 (December 29, 2020): 122–38. http://dx.doi.org/10.24269/muaddib.v1i2.3350.
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This study aims to analyze the art of kebo bule as broadcasting Islam in Sukosari Village, Ponorogo Regency. Data collection techniques used were in-depth interviews, observation, collection and documentation. The research subjects were the heads of the Caucasian arts community, religious leaders and the community. The objects of this study are experiments, concepts, places and activities. steps and data analysis using the Spradley (2016) model are (1) domain analysis, which is to get a general picture of the attractions visited. Look for some observations with grandtour and minitrour; (2) Taxonomic analysis, which is choosing the appropriate domain to be described in more detail, to know the internal structure, and is done with focused observation. (3) Componential analysis finds specific features in each structure by contrasting the elements carried out by interviews and selected observations, and (4) analysis of cultural themes, namely finding relationships between domains that are used together to use themes or titles. The results showed, (1) the art of kebo bule in Ponorogo has historical roots in the emotional connection between Ponorogo and the Keraton Surakarta; (2) the art of kebo bule is a way to preserve local culture of Ponorogo which has historical value; (3) Islamic da'wah media through the art of kebo bule carried out through the performance of the designation, the content of the songs accompanying the arts, Islamic tausiyah, and (4) collaboration of art that combines Javanese art, Reog art, Middle Eastern art, Chinese art, and Balinese art.
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Wanderley, Olga da Costa Lima. "“Neither here nor there”: traces of the feminine in the photoperformances of Ana Mendieta." Comunicação e Sociedade 32 (December 29, 2017): 319–30. http://dx.doi.org/10.17231/comsoc.32(2017).2764.
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This article addresses the questions triggered by the work of the Cuban-American artist Ana Mendieta, who has a large part of her work composed exclusively of camera performances and what she termed earth-body-works. Through her strategies of representation based on the disappearance of the female body, Mendieta draws our attention to the legitimized violence and erasures through the establishment of fixed identities – ethnic and gender – within the hegemonic discourses of power. The notions of performance as an instrument for transmission of knowledge and cultural memory, of performativity as a constitutive factor of the categories of identity, as well as of archive, repertory and live event will be explored in the effort to problematize as the themes of exile and feminine, regular in the art of Mendieta, reach a deeply political dimension based on their artistic propositions that integrate photography with performance art.
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Armstrong, R., and Lauren Redhead. "/'(H)weth: Voice - breath - body - form/s." New Sound, no. 46 (2015): 155–67. http://dx.doi.org/10.5937/newso1546155a.
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/'(h)weTH is a collaborative work of visual and sound art produced by R. Armstrong (USA) and Lauren Redhead (UK). The work combines an installation, two video projections, four channel sound, and an optional solo performance part, in order to create an experience that is simultaneously aural and visual, in all of its elements. This article sets out to further explore the main themes of the work, by means of a dialogue between the voices of the two artists. In doing so, it also facilitates a discussion of how /'(h)weTH might contribute to an understanding of the materiality of sound art, and the boundaries between visual art, sound art, and music.
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Omosule, Segun. "Aesthetics in Biripo indigenous musical performance." Scene 7, no. 1 (December 1, 2019): 55–67. http://dx.doi.org/10.1386/scene_00006_1.
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Abstract Biripo music, even when restricted to a group of people in the Ikale/Ilaje/Apoi milieux, is an embodiment of the consciousness of the folk and combines the art of the people with entertainment as a major cultural thrust, religious indoctrination and ethical values in the environment. This article attempts an analysis of the musical performance of Zeblon Omoranmowo entitled: word hangs loose and bursts 'Oro Ma Se Dugbe Dugbe O Be O' (2018) through an examination of the subject matter, themes and analogies that could constitute a veritable source of conflict to the larger society and internal disquietude to individuals whose indiscretion could ignite inter-personal conflicts through aesthetics as a philosophical model of analysis; claiming that religious books and selfish personal pursuits are potential sources of danger to the larger society.
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Kudaibergenova, Diana T. "“My Silk Road to You”: Re-imagining routes, roads, and geography in contemporary art of “Central Asia”." Journal of Eurasian Studies 8, no. 1 (January 2017): 31–43. http://dx.doi.org/10.1016/j.euras.2016.11.007.
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This paper re-focuses the Silk Road discussions from the position of contemporary art in Central Asian region. Since the late 1980s contemporary art in Central Asia boomed and it eventually became an alternative public space for the discussion of cultural transformations, social and global processes and problems that local societies faced. Initially the questions raised by many artists concerned issues of lost identity and lost heritage during the period of Soviet domination in the region. Different artists started re-imagining the concept of the Self in their works and criticising the old rigid approaches to geography, history and mobility. Nomadic heritage became one of the central themes in contemporary art of Central Asia in the 1990s. Artists started experimenting with symbols of mobility, fluid borders and imagined geography of the “magic steppe” (see Kudaibergenova 2017, “Punk Shamanism”). Contemporary art in Central Asia continues to serve as a space for social critique and a space for search and re-conceptualisation of new fluid identities, geographies and region's place on the world map. In this paper I critically evaluate three themes connected to the symbolism of Silk Road heritage that many artists engage with – imagined geography, routes, roads and mobility. All three themes are present in the selected case studies of Gulnara Kasmalieva's and Muratbek Djumaliev's TransSiberian Amazons (2005) and A New Silk Road: Algorithm of Survival and Hope (2007) multi-channel video art, Victor and Elena Vorobievs’ (Non)Silk Road (2006) performance and photography, Almagul Menlibayeva's My Silk Road to You video-art and photography (2010–2011), Yerbossyn Meldibekov's series on imagining Central Asia and the Mountains of Revolution (2012–2015), and Syrlybek Bekbotaev's Kyrgyz Pass installation (2014–2015) as well as Defenders of Issyk Kul (2014). I trace how artists modernise, mutate and criticise main discourses about Silk Road and what impact this has on the re-imagination processes.
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Sacks, Edward S. "Theater, Performance, and Illusion in Ovid Metamorphoses 11." Illinois Classical Studies 47, no. 1 (April 1, 2022): 102–31. http://dx.doi.org/10.5406/23285265.47.1.05.
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Abstract Themes of theater, performance, and illusion course through Metamorphoses 11. The theme of “theater” and its disintegration is established in the opening Orpheus episode and culminates in Ceyx-Alcyone, where Morpheus's self-conscious acting in Alcyone's dream shatters the usual harmony between actor and role. The unveiling of theater is also connected with the unveiling of metamorphosis. This latter disruption, in the Peleus-Thetis episode, involves crucial disclosures about metamorphosis by one metamorphic deity Proteus to defeat the transformations of another (Thetis). These disintegrations are part of connected motifs, wherein art, artist, and metamorphosis are severed into component parts and exposed to view.
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Omosule, Segun. "Aesthetics in Biripo Musical Performance." AGOGO: Journal of Humanities 5 (February 14, 2021): 116. http://dx.doi.org/10.46881/ajh.v5i0.230.
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Music is a universal language. Biripo music, even when restricted to a group of people in the Ikale/Ilaje/Apoi milieux, is an embodiment of the consciousness of the folks that combines the art of the people with entertainment as a major cultural thrust, achieving religious indoctrination, and entrenching ethical values in the environment. This paper attempts an analysis of the musical performance of Zeblon Omoranmowo entitled: word hangs loose and bursts (Oro Ma Se Dugbe Dugbe o Be o) through an examination of the subject matter, themes and analogies that may constitute veritable sources of conflicts to the larger society and internal disquietude to individuals. The paper explores the stage performance through an examination of the persona, competence, interaction, talent and reception. While relying on aesthetics as a tool of explication, the study unveils the response of the audience finding expression in dancing, clapping and offer of monetary gift to band members and concludes that the musical performance fulfils the yearning of the folks for entertainment.
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Madeira, Claudia. "Body and Mind, and Vice-Versa, or the Continuing Performative Sexual Revolution in Portuguese Arts." Arts 11, no. 3 (May 27, 2022): 60. http://dx.doi.org/10.3390/arts11030060.
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In Everyday Life in the Modern World, first published in 1968, Henri Lefebvre presents the sexual revolution as the first instance of the cultural revolution. This aspect has remained one of the central themes of contemporary activism, often reflecting the relationship between social and artistic performance, between art and life or even presenting life as art. Hinged on this relationship, we will discuss some Portuguese art works produced between the 1960s and the present: from dictatorship into democracy. These works build a continuing thematic thread related to what has been termed the “intensification of bodies” but also, as we intend to explore in this article, to a necessary “intensification of minds”, concerning eroticism, sexuality and love.
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Motion, Flow. "Astro Black Morphologies: Music and Science Lovers." Leonardo 39, no. 1 (February 2006): 23–28. http://dx.doi.org/10.1162/002409406775452258.
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Acompressed series of possible histories of science in modern music, the text outlines the themes of poetic and historic correspondences between music, cosmology and the body that informed the making of Astro Black Morphologies/Astro Dub Morphologies, a multimedia installation and live sound-art performance by Flow Motion in which data from possible black hole Cygnus X1 is transformed into an immersive electronic sound-and-image environment.
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Xiao, Xinyu, Lingfeng Wang, Shiming Xiang, and Chunhong Pan. "What and Where the Themes Dominate in Image." Proceedings of the AAAI Conference on Artificial Intelligence 33 (July 17, 2019): 9021–29. http://dx.doi.org/10.1609/aaai.v33i01.33019021.
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The image captioning is to describe an image with natural language as human, which has benefited from the advances in deep neural network and achieved substantial progress in performance. However, the perspective of human description to scene has not been fully considered in this task recently. Actually, the human description to scene is tightly related to the endogenous knowledge and the exogenous salient objects simultaneously, which implies that the content in the description is confined to the known salient objects. Inspired by this observation, this paper proposes a novel framework, which explicitly applies the known salient objects in image captioning. Under this framework, the known salient objects are served as the themes to guide the description generation. According to the property of the known salient object, a theme is composed of two components: its endogenous concept (what) and the exogenous spatial attention feature (where). Specifically, the prediction of each word is dominated by the concept and spatial attention feature of the corresponding theme in the process of caption prediction. Moreover, we introduce a novel learning method of Distinctive Learning (DL) to get more specificity of generated captions like human descriptions. It formulates two constraints in the theme learning process to encourage distinctiveness between different images. Particularly, reinforcement learning is introduced into the framework to address the exposure bias problem between the training and the testing modes. Extensive experiments on the COCO and Flickr30K datasets achieve superior results when compared with the state-of-the-art methods.
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Samali, Bijan, Saeed Nemati, Pezhman Sharafi, Farzaneh Tahmoorian, and Farshad Sanati. "Structural Performance of Polyurethane Foam-Filled Building Composite Panels: A State-Of-The-Art." Journal of Composites Science 3, no. 2 (April 10, 2019): 40. http://dx.doi.org/10.3390/jcs3020040.
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Composite panels with polyurethane (PU) foam-core and facing materials, such as gypsum, engineered wood or some composite materials, are being used as structural members in building construction. This paper reviews and summarises major research developments, and provides an updated review of references on the structural performance of foam-filled building composite panels from 1998 to 2017. The review revealed that previous studies on the structural performance of foam-filled building composite panels could be categorised into five themes; namely, energy absorption and dynamic behaviour; bending and shear behaviour, edgewise and flatwise compressive/tensile behaviour; delamination/deboning issues; and finally some miscellaneous issues. These categories comprise approximately 30%, 40%, 11%, 11% and 8% of related studies over the last two decades, respectively. Also, over the past five years, the number of relevant studies has increased by ~400% relative to the previous similar periods, indicating the attention and focus of researchers to the importance of the structural performance of foam-filled composite panels.
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Reinhuber, Elke. "The Urban Beautician: a practice of transferring ephemeral interventions in the public space via media into a work of art." Lumina 11, no. 2 (August 30, 2017): 60–81. http://dx.doi.org/10.34019/1981-4070.2017.v11.21442.
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In this artistic research, I argue that a range of artistic practices is capable of addressing relevant issues in our material, specifically our urban, environment. In particular, conceptual interventions or non-theatrical performances, which are in most cases mundane everyday activities that require transformation through media to be understood as art. Yet, as human memory is susceptible, media is also required to provide proof of the action for archives or exhibitions, or simply as a memento of the artwork itself. Lens-based media, such as photography and video-recording, are in most cases the ideal form of documentation and distribution, while the actual performance is transferred to another genre of artistic practice and dissociated from the immediate experience of the moment.This paper introduces the enduring work of the author’s alter ego, The Urban Beautician, and defines her actions and documentation of this work within the framework of the conceptual and performance art scene. An assiduous assessment of her artistic ancestry is given and a catalogue of her endeavours, categorised by diverse subjects, arranged to isolate the themes and to connect the topics.
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Suharta, I. Wayan. "Ogoh-Ogoh Attraction Of Nyepi Ritual In Bali." Vidyottama Sanatana: International Journal of Hindu Science and Religious Studies 3, no. 1 (June 1, 2019): 57. http://dx.doi.org/10.25078/ijhsrs.v3i1.785.
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<p>Ogoh-ogoh as an artwork and at the same time is a cultural phenomenon in the social life of the Balinese community besides being filled with symbolic values, also giving freedom of expression. Not only does it elevate mythological tales, but it also raises actual everyday themes that are used as autocritical expressions of social phenomena.</p><p>Ogoh-ogoh in performance art is a spectacle of a combination of works of art, art, and mechanical technology. It is a creative effort of young artists to innovate. Ogoh-ogoh is seen as a central figure, even appointed as the theme of the artwork. The dancers play certain characters according to the characterization in the story, the results are displayed in the form of dance fragment.</p><p>Animatronic adopted and combined with performance art is a form of the latest developments in performing arts in Bali. It becomes a challenge, because the technology continues to grow. Aesthetic sensitivity is needed, namely the synergy between dance, music, fine art, and mechanical technology, involving skilled and qualified personnel in their respective fields.</p>
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Frfulanović, Dragana, Aleksandra Jevtović, and Milena Savić. "Modern art and stage costume: The case of Dragilev's Ballets Russes." Tekstilna industrija 70, no. 2 (2022): 40–50. http://dx.doi.org/10.5937/tekstind2202040f.
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Sergei Dragilev recognized the vitality of modern art that brought freshness to the culture, so all innovative artists of the time were invited to join his campaign and goal. And he reflected on the fact that ballet breaks the shackles of the traditional concept in the performance of dance, music, costume design, and scenography and imposes an element of challenge by introducing current contemporary tendencies in art and culture. All the famous names of the art of that time brought the latest achievements of modern art into the world of dance: Pablo Picasso, Natalia Goncharova, Henri Matisse, and Giorgio de Chirico. And with them, the design of scenography and costume design took the form of cubism, fauvism, futurism, surrealism, and other avant-garde movements, while refreshing the themes, which overall influenced ballet to become part of popular culture.
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Luczak, Tony, Reuben Burch, Edwin Lewis, Harish Chander, and John Ball. "State-of-the-art review of athletic wearable technology: What 113 strength and conditioning coaches and athletic trainers from the USA said about technology in sports." International Journal of Sports Science & Coaching 15, no. 1 (November 4, 2019): 26–40. http://dx.doi.org/10.1177/1747954119885244.
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Wearables are a multi-billion-dollar business with more growth expected. Wearable technology is fully entrenched at multiple levels of athletic competition, especially at the National Collegiate Athletic Association (NCAA) and professional levels where these solutions are used to gain competitive advantages by assessing health and performance of elite athletes. However, through the National Science Foundation (NSF) Innovation Corps (I-Corps) training experience, a different story emerged based on pilot interviews from coaches and trainers regarding the lack of trust in wearables, and how the technology falls short of measuring what practitioners need. An NSF I-Corps project was funded to interview over 100 strength and conditioning coaches (S&CCs) and athletic trainers (ATs) regarding the current state of wearables at the NCAA and professional levels. Through 113 unstructured interviews, a conceptual map of relationships amongst themes and sub-themes regarding wearable technology emerged through the grouping of responses into meaning units (MUs). Interview findings revealed that discussions by S&CCs and ATs regarding wearables could be grouped into themes tied to (a) the organizational environment, (b) the athlete, and (c) the analyst or data scientist. Through this project, key findings and lessons learned were aggregated into sub-themes including: the sports ecosystem and organizational structure, brand development, recruiting, compliance and gamification of athletes, baselining movement and injury mitigation, internal and external loads, “return tos,” and quantifying performance. These findings can be used by practitioners to understand general technology practices and where to close the gap between what is available versus what is needed.
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Hidayatullah, Panakajaya. "Islam, National, and Local History in Tabbhuwan Walisanga Performance Art." Journal of Urban Society's Arts 7, no. 2 (December 13, 2020): 94–108. http://dx.doi.org/10.24821/jousa.v7i2.3827.
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Tabbhuwân is a Madurese tradition of performing arts. In the present context, modern culture influences many young people. It has become a restlessness for the clerics who then think of strategies on how to incorporate Islamic values in the younger generation today. In 2015 in Situbondo, Wali Sanga boarding school established a tabbhuwân wali sanga art group. Tabbhuwân is considered a way of preaching according to the conditions and culture of the community of Madura Situbondo. The players consist of the santri of the younger generation of Islamic boarding schools. Tabbhuwân wali sanga features Islamic drama performances that elevate the play of Islamic history and Indonesia. The play included Islamic history (stories of the companions of the Prophet Muhammad), local history, the history of the entry of Islam on Java (walisanga), and the history of Indonesian independence, one of which was titled ‘Jihad Resolution.’ Besides, tabbhuwân also includes elements of Madurese culture, including language, traditional music, expression, decoration, and discourse. Tabbhuwân plays a role in the spread of Islam, preserving Madurese culture and instilling nationalism in society through historical themes. The lower-middle-class community assumes that tabbhuwân is a means to understand the historical, social, and cultural realities occurring today. Tabbhuwân also influences fostering a sense of nationalism through heroic historical values, especially to the younger generation. In this case, tabhuwân imagines Indonesia in the discourse of religious nationalism. Islam, Nasional, dan Sejarah Lokal dalam Seni Pertunjukan Tabbhuwan Walisanga. TabbhuwânadalahsenipertunjukantradisimasyarakatMadura.Dalamkontekskekinian, budaya modern banyak mempengaruhi kaum muda. Hal ini menjadi keresahan para ulama yang kemudian memikirkan strategi bagaimana memasukkan nilai-nilai Islam pada generasi muda saat ini. Pada tahun 2015 di Situbondo, Pondok Pesantren Wali Sanga mendirikan kelompok seni tabbhuwân wali sanga. Tabbhuwân dianggap sebagai cara dakwah yang sesuai dengan kondisi dan budaya masyarakat Madura Situbondo. Para pemainnya terdiri dari para santri generasi muda pondok pesantren. Tabbhuwân wali sanga menampilkan pertunjukan drama Islam yang mengangkat lakon sejarah Islam dan Indonesia. Lakon tersebut meliputi sejarah Islam (cerita para sahabat Nabi Muhammad), sejarah lokal, sejarah masuknya Islam di Jawa (walisanga), dan sejarah kemerdekaan Indonesia, salah satunya bertajuk ‘Resolusi Jihad’. Selain itu, tabbhuwân juga memasukkan unsur budaya Madura yang meliputi bahasa, musik tradisional, ekspresi, ragam hias dan wacana. Tabbhuwân berperan dalam penyebaran agama Islam, pelestarian budaya Madura dan menanamkan nasionalisme dalam masyarakat melalui tema sejarah. Masyarakat kelas menengah ke bawah menganggap tabbhuwân sebagai cara memahami realitas sejarah, sosial dan budaya yang terjadi saat ini. Tabbhuwân juga memiliki pengaruh dalam menumbuhkan rasa nasionalisme melalui nilai-nilai sejarah yang heroik, khususnya kepada generasi muda. Dalam hal ini, tabhuwân membayangkan Indonesia dalam wacana nasionalisme agama.
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Prickett, Stacey. "Hip-Hop Dance Theatre in London: Legitimising an Art Form." Dance Research 31, no. 2 (November 2013): 174–90. http://dx.doi.org/10.3366/drs.2013.0075.
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Programming schedules in the West End and other prominent London venues are increasingly featuring hip-hop dance productions, marking innovative forays into the mainstream performance field by a former subcultural style. Choreography by Rennie Harris in the USA and Jonzi D, Kate Prince, Sandy ‘H20’ Kendrick and composer Michael ‘Mikey J’ Asante in London offers material through which to consider developments in the theatricalisation of hip hop culture. Discussion also centres on mass media dissemination through television talent shows, films and cultural festivals such as the Olympic Games ceremonies. Analysis of reviews by professional critics reveals how some stereotypes are disrupted as the cultural capital of hip-hop dance rises. Key themes, including the use of narrative, characterisation and the disruption of dominant gender expectations, are drawn from a Society for Dance Research Study Day on ZooNation Dance Company in 2011. *
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Fielder, Elizabeth Rodriguez. "On Strike and On Stage: Migration, Mobilization, and the Cultural Work of El Teatro Campesino." American Studies in Scandinavia 46, no. 1 (February 1, 2014): 103–21. http://dx.doi.org/10.22439/asca.v46i1.5153.
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This essay looks at the role of labor activism through the cultural work of El Teatro Campesino, the theater company that emerged from the farmworkers’ strike led by Cesear Chavez in Delano, California, during the mid-1960s. Through makeshift performances along the picket line, the farmworkers and their creative visionary, Luis Valdez, innovated Chicano/a performance and created an activist aesthetic that has continued to influence Chicano/a performance and art. Their productions, which started as small improvisational actos, drew from a wealth of transnational influences as well as from a larger proletariat and activist theater tradition. However, El Teatro Campesino adapted these techniques to their local resources. The result created a unique forum that enabled promotional education about unions and workers’ rights to exist side-by-side with themes of self-reflection and criticism concerning the risks of identity politics. The essay explores the methods by which El Teatro Campesino questioned and critiqued ethnic identity and argues for a more complex approach to their earlier picket-line entertainment. It proceeds to consider the importance of cultural production for labor mobilization, and argues for a more integrated analysis of the relationship between activism and art.
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Diaby Savané, Mélissa. "The fantasy of ugliness in Alexander McQueen collections (1992-2009)." Revista 2i: Estudos de Identidade e Intermedialidade 3, no. 3 (June 20, 2021): 95–108. http://dx.doi.org/10.21814/2i.3157.
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Alexander McQueen (1969-2010) changed the fashion industry and history forever with his innovations and runaway shows that verged on performance art. His talent for tailoring matched the strong narrative and originality of his garments. Some of them were destined for commercial consumption and catered to the masses, but most of them were works of art grown from a vivid yet macabre imagination. He refused the common grounds of fashion to focus on themes usually ignored, such as fetishism, violence, death and mental disturbance. Therefore, he aimed to transcend the usual and reach for the sublime as he created a fantasy world out of his own tormented mind. His Romantic and Gothic inspired work mirrored the anxieties of our times, and raised fashion to an art form on its own, thus prompting a reflection on the affiliation between fashion, visual arts and literature.
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Zhumagazin, Zhanbolat. "Evolution of opera at early stages of development as a musical theater." Pedagogy and Psychology 42, no. 1 (March 30, 2020): 230–36. http://dx.doi.org/10.51889/2020-1.2077-6861.29.
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The opera originated in Italy. Researchers, right up to the exact date, say the time, when the first piece of music, called the opera today, was written. Nevertheless, the opera form has its own history, despite the fact that it was still a new art form at that time. The roots of this musical style go back to the musical everyday life of ancient Italian village entertainments, so-called «May» games, accompanied by songs and dramatic performances. Around the middle of the 13th century, in Umbria on the squares, people began to hold lauds, religious chants on the plots of gospel themes, which became in the next two centuries the basis for sacred performances (sacre rappresentazioni), a genre close to the mystery. In it, the music was also closely associated with the dramatic action. Thus, the opera, having arisen at the end of the 16th century as a kind of theatrical performance, accompanied by music, has its roots deep into the centuries of the Italian folk art. So, in the vocal class, it is necessary to acquaint students with the works of great composers, genres of musical art, theatrical productions and acting. At the same time, vocals, plastic, dance, acting – all this should be present in the future specialist at the highest professional level.
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Che, Siqi, Wenzhong Zhu, and Xuepei Li. "Anticipating Corporate Financial Performance from CEO Letters Utilizing Sentiment Analysis." Mathematical Problems in Engineering 2020 (May 13, 2020): 1–17. http://dx.doi.org/10.1155/2020/5609272.
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With the emergence and tremendous growth of text mining, a computer-assisted approach for capturing sentiment viewpoints from textual data is gradually becoming a promising field, particularly when researchers are increasingly facing the problem of filtering bunches of useless information without capturing the essence in the big data era. This study aims at observing and classifying the sentiment orientation in CEO letters, digging the main corporate social responsibility (CSR) themes, and examining the effectiveness of CEO letters’ sentiment on forecasting financial performance. A specific sentiment dictionary has been proposed to identify and classify the sentiment orientation in CEO letters by utilizing the appraisal theory. Additionally, the qualitative data analysis software NVivo is applied to explore the CSR topics. Furthermore, a modified Altman’s Z-score model and machine-learning approach are employed to predict financial performance. The results of preliminary evaluations validate that approximately 62.14% of the texts represent positive polarity even when companies are not in a promising economic situation. The CSR themes mainly focus on business ethical responsibility, particularly ethical activities. Among various machine-learning approaches, the logistic regression approach is appropriate for predicting financial performance with the state-of-the-art accuracy of 70.46 %. The encouraging results indicate that the sentiment information inCEO letters is a vital factor for anticipating financial performance. This work not only offers a new analytic framework for associating linguistic theory with computer science and economic models but will also improve stakeholders’ decision-making.
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U. U, Mukhibova, Mukhiddinova D, Saidova N, Komilova Sh, Shermatova G, and Egamberdieva M. "Features of The Development of Drama in the Easterncountries." International Journal of Social Science Research and Review 5, no. 3 (March 1, 2022): 31–41. http://dx.doi.org/10.47814/ijssrr.v5i3.223.
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This article examines the importance of drama in the literature of Eastern peoples, in particular in Hindi, Arabic, Chinese and Japanese literatures, and the periods and features of development of drama in the world literature. It describes the emergence and nature of this genre, as well as the works of playwrights, shows the influence of drama in the progress of literature and performance art. The kinds of folk and contemporary theater, themes and problems arisen on the stage have been discussed in the article.
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R., Ben Ruben, S. Vinodh, and Asokan P. "State of art perspectives of lean and sustainable manufacturing." International Journal of Lean Six Sigma 10, no. 1 (March 4, 2019): 234–56. http://dx.doi.org/10.1108/ijlss-11-2016-0070.
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Purpose The contemporary manufacturing organizations recognize the importance of lean manufacturing as a tool to eliminate wastes, streamline processes and improve value addition. On the other hand, such organizations also focus on the development of ecofriendly products and processes. In this context, lean manufacturing concepts provide a pathway for attaining sustainable benefits. This paper aims to present the state of art review on lean and sustainable manufacturing. Design/methodology/approach A total of 80 research papers on lean and sustainable manufacturing from various perspectives have been reviewed and their contributions are being presented. The perspectives include origin, definition, decision-making, performance measurement, product development and application for both lean and sustainable manufacturing. Findings Findings from the literature prove that both lean and sustainable manufacturing systems aim at improving the organizational performance and provide both operational and sustainable benefits. Also based on the studies, it has been found that integrated lean sustainable manufacturing system can be defined as a system that creates value for the customers by eliminating wastes consistently and adopting processes that are ecofriendly, economically viable and safe for the employees to produce green products that enhance the social performance. Research limitations/implications The present review considers the papers on lean and sustainable manufacturing based on certain perspectives. Peer-reviewed journal articles, and books are only being considered and reviewed. Articles and information from dissertation thesis, unpublished working papers and conference proceedings were excluded. In future, the study can be enhanced by considering more such perspectives that reflect the ideology and applicability of the selected themes. The practical perspectives of lean and sustainable manufacturing and their integration are also being presented. Originality/value This paper presents a review of lean and sustainable manufacturing and provides insights from different perspectives. The scope for their integration is also discussed. The contributions are original.
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Thomas, Sanju. "The Moor for the Malayali Masses: A Study of "Othello" in "Kathaprasangam"." Multicultural Shakespeare: Translation, Appropriation and Performance 13, no. 28 (April 22, 2016): 105–16. http://dx.doi.org/10.1515/mstap-2016-0008.
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Shakespeare, undoubtedly, has been one of the most important Western influences on Malayalam literature. His works have inspired themes of classical art forms like kathakali and popular art forms like kathaprasangam. A secular story telling art form of Kerala, kathaprasangam is a derivative of the classical art form, harikatha. It was widely used to create an interest in modern Malayalam literature and was often used as a vehicle of social, political propaganda. The story is told by a single narrator who masquerades as the characters, and also dons the mantle of an interpreter and a commentator. Thus, there is immense scope for the artist to rewrite, subvert and manipulate the story. The paper explores V. Sambasivan’s adaptation of Othello in kathaprasangam to bring out the transformation the text undergoes to suit the cultural context, the target audience and the time-frame of the performance. The text undergoes alteration at different levels—from English language to Malayalam, from verse to prose, from high culture to popular art. The paper aims at understanding how a story set in a different time and distant place converses with the essential local milieu through selective suppression, adaptation and appropriation.
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Galli, Marco. "Hellenistic Court Imagery in the Early Buddhist Art of Gandhara." Ancient Civilizations from Scythia to Siberia 17, no. 2 (2011): 279–329. http://dx.doi.org/10.1163/157005711x595158.
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Abstract The focus of the paper is on the relationship between Gandharan artistic culture and the presence of a Hellenistic court milieu during the 1st cent. before and after CE in the territories of Ancient Uḍḍīyāna. What emerges from new literary and archaeological evidences are significant interactions between artistic production and the evergetism made by the princes of Apraca and Oḍi: many evidences demonstrate the substantial involvement as donors of these local dynasties in the construction of the sacred landscape. What influence did these local dynasties have in the structuring of religious communication? How was this local power and his Hellenistic background reflected in the images and complex decorative Buddhist monuments? In order to understand the dynamics between power and religious communication in the sacred space of Early Gandharan society not only some well-known iconographic themes are now interpreted as self-representations of an aristocratic habitus, but also the presence of a ‘beholder in the image’ is detected as powerful visual strategy to stage the religious experience as a suggestive ritual performance.
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Rahimi, Roya, Mehmet Ali Köseoglu, Ayse Begum Ersoy, and Fevzi Okumus. "Customer relationship management research in tourism and hospitality: a state-of-the-art." Tourism Review 72, no. 2 (June 19, 2017): 209–20. http://dx.doi.org/10.1108/tr-01-2017-0011.
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PurposeThis study aimed to provide a critical review of the evolution of customer relationship management (CRM) research in the hospitality and tourism (H&T) field. Design/methodology/approachThe study conducted a thorough systematical literature review by collecting papers from 14 leading tourism and hospitality journals. The examination of the literature is first based on the evolution of CRM notion and its definitions. Next, CRM studies in the literature that are related to H&T were assessed based on their timelines and themes. Third, the studies were classified based on CRM components and its impacts on firms’ performances. FindingsThe literature review provided an in-depth understanding on the progress of CRM based on the selected topics and suggests a redesigned research agenda for scholars, graduate students and practitioners. ImplicationsThis study provides new and meaningful avenues for further research in CRM in H&T area. Originality valueCRM has a key role in business performance and increased customer satisfaction and retention, specifically in the context of the service industry. To date, scholars have produced an abundant number of CRM-related studies in tourism and hospitality journals. In this study, the progress of CRM research conducted in the tourism and hospitality sector is critically reviewed.
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Jung, Donghwi, and Joong Hoon Kim. "Emerging Issues and Methodologies for Resilient and Robust Water Distribution Systems." Water 12, no. 3 (March 11, 2020): 769. http://dx.doi.org/10.3390/w12030769.
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This editorial summarizes the 11 papers published in the Special Issue entitled “Resilient and Robust Water Distribution Systems: State-of-the-Art and Research Challenges” which were classified into five themes related to water distribution systems (WDSs): (1) state-of-the-art review on WDS resilience and robustness (ROB), (2) WDS performance quantification and recovery under earthquakes, (3) criticality analysis and visualization, (4) novel design methodologies, and (5) hydraulic parameter monitoring for WDS rapidity improvement. Following the provision of the number of views and citations of each paper in a brief manner, a paper in category (1) that reviewed recent studies on WDS robustness is summarized. Category (2) covers three papers on improving the WDS capacity to fulfil customers’ demands in the case of an earthquake, a representative catastrophic failure event, while category (3) includes papers on visualization methods to represent the system’s criticality. The studies included in themes (4) and (5) proposed novel design methods and monitoring approaches for improving WDS resilience, respectively. Contributions from each study are described in the context of WDS resilience. We hope that this Special Issue can (1) serve as a reference point from which readers review progress, recent trends, and emerging issues, and (2) shed light on the appropriate future directions of WDS resilience studies.
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PEDLEY-HINDSON, CATHERINE. "Jane Avril and the Entertainment Lithograph: The Female Celebrity and fin-de-siècle Questions of Corporeality and Performance." Theatre Research International 30, no. 2 (July 2005): 107–23. http://dx.doi.org/10.1017/s0307883305001124.
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Celebrity status at the fin de siècle depended largely on the creation and sustenation of a high profile, easily recogniZable image and the entertainment lithograph offered the most powerful and culturally pervasive means to achieve this. Thanks to the poster collectors of the period, and the acceptance of this ephemeral form into the world of ‘high art’, many examples of advertising imagery exist, offering a visual record of the themes and the performers that dominated the popular stage. This article focuses on poster works created by Jules Chéret (1836–1933) and Henri de Toulouse-Lautrec's (1864–1901) images of the dancer and actress Jane Avril, to explore whether the entertainment lithograph can be employed to aid an understanding and contextualization of fin-de-siècle popular performance.
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Kennell, Amanda. "Yayoi Kusama, the Modern Alice." Journal of Adaptation in Film & Performance 12, no. 3 (December 1, 2019): 195–210. http://dx.doi.org/10.1386/jafp_00006_1.
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Abstract Yayoi Kusama's polka dot art and Infinity Mirror rooms have made her one of the most successful artists alive today. Her more than seven-decade-long career has provided ample fodder for scholars to examine her artistic preoccupations. This article considers the scholarly consensus on the role of performance in Kusama's oeuvre and then examines two works, a 1968 happening and a 2013 illustrated book, in which Kusama (1929‐present) adapts Lewis Carroll's Alice in Wonderland novels. By adapting Alice, Kusama is able to sharpen themes and symbols that she has deployed since the early days of her career.
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Heidenreich, Achim. "‘Shaping Electronic Sounds like Clay’: The historical situation and aesthetic position of electroacoustic music at the ZKM | Institute for Music and Acoustics." Organised Sound 14, no. 3 (December 2009): 248–56. http://dx.doi.org/10.1017/s1355771809990069.
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Twenty years after the founding of the Karlsuhe ZKM | Center for Art and Media and its Institute for Music and Acoustics, we reexamine the institute’s position with regard to both aesthetic approaches and the 20 years of a reunified Germany. When the broadcasting corporations in West Germany decided to discontinue support for all of their electronic music studios except the Southwest German Radio’s Experimental Studio in Freiburg, the Institute for Music and Acoustics took on a special role that also had an impact on the course of music history in former East Germany. Together with the studio at the Berlin Academy of the Arts, the Institute became a studio for electroacoustic art that served the whole of Germany, though financed by local funding from the City of Karlsruhe and regional funding from the state of Baden-Württemberg. One of the artistic themes pursued at the ZKM’s Institute for Music and Acoustics is the combination of instruments and voice with electronics, for both theatrical settings and purely concert performances. The aspect of real-time composition gives rise to a lasting alteration of the performance situation and the character of the work produced.
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Na, Liu, Tang Di, Lu Ying, Tang Xiao-Jun, and Wang Hai-Wen. "Topic-sensitive multi-document summarization algorithm." Computer Science and Information Systems 12, no. 4 (2015): 1375–89. http://dx.doi.org/10.2298/csis140815060n.
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Latent Dirichlet Allocation (LDA) has been used to generate text corpora topics recently. However, not all the estimated topics are of equal importance or correspond to genuine themes of the domain. Some of the topics can be a collection of irrelevant words or represent insignificant themes. This paper proposed a topic-sensitive algorithm for multi-document summarization. This algorithm uses LDA model and weight linear combination strategy to identify significance topic which is used in sentence weight calculation. Each topic is measured by three different LDA criteria. Significance topic is evaluated by using weight linear combination to combine the multi-criteria. In addition to topic features, the proposed approach also considered some statistics features, such as term frequency, sentence position, sentence length, etc. It not only highlights the advantages of statistics features, but also cooperates with topic model. The experiments showed that the proposed algorithm achieves better performance than the other state-of-the-art algorithms on DUC2002 corpus.
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Hardiarini, Caecilia, and Aldhila Mifta Firdhani. "Kesenian Kuda Lumping: Tinjauan Studi Multiperspektif." Indonesian Journal of Performing Arts Education 2, no. 1 (January 31, 2022): 15–19. http://dx.doi.org/10.24821/ijopaed.v2i1.6710.
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AbstrakSalah satu kesenian masyarakat yang menunjukkan keunikan tradisi Nusantara adalah kesenian Kuda Lumping. Pemaknaan kesenian Kuda Lumping dapat ditinjau dari berbagai sudut pandang penelitian sebelumnya. Tulisan ini bertujuan untuk menerangkan kembali hasil-hasil studi yang terkandung pada pertunjukan kesenian Kuda Lumping. Informsai yang disajikan berupa hasil analisis konten secara deskriptif. Kuda Lumping memiliki kandungan makna yang luas apabila dilihat dari aspek pementasan, aspek kesenian tari, visualisasi kostum dan properti, serta nilai-nilai edukatif yang termuat di dalamnya. Dari segi tema dan cerita, seni pertunjukan Kuda Lumping menyuguhkan variasi cerita dari masing-masing daerah seiring berjalannya waktu. Dari segi kesenian tari, Kuda Lumping biasa ditarikan dalam formasi tari kelompok dalam suatu rangkaian pertunjukan. Terkait aspek visual, kostum dan properti memiliki warna yang tidak pakem, tergantung dari kelompok seni yang membawakan. Selain itu dari perspektif edukatif, seni pertunjukan Kuda Lumping juga memuat nilai-nilai luhur yang harus dipahami dan dilestarikan. Dengan adanya publikasi dan penelitian tentang kajian seni tradisi multiperspektif lebih lanjut, diharapkan membawa seni pertunjukan lokal di Negeri ini tetap senantiasa menemani laju pertumbuhan literasi kebudayaan. AbstractOne of the community arts that shows the uniqueness of the Nusantara tradition is the Kuda Lumping art. The meaning of Kuda Lumping art can be viewed from various perspectives of previous research. This paper aims to re-explain the studies' results in the Kuda Lumping performing arts. The information presented is the result of descriptive content analysis. Kuda Lumping has a broad meaning when viewed from the aspect of staging, aspects of dance art, visualization of costumes and props, and the educational values contained in it. In terms of themes and stories, the performance art of Kuda Lumping presents a variety of stories from each region over time. Kuda Lumping is usually danced in a group formation in a series of performances in terms of dance art. Regarding the visual aspect, costumes and props have different colours, depending on the performing arts group. In addition, from an educational perspective, the performance art of Kuda Lumping also contains noble values that must be understood and preserved. With the publication and research on the study of traditional arts from multiple perspectives, it is hoped that local performing arts in this country will always accompany the growth rate of cultural literacy.
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Haney, Carly-Ann, and Kathleen C. Sitter. "Fat Studies and Arts-Based Approaches: Positioning the Need for “Movement”." International Journal of Qualitative Methods 20 (January 2021): 160940692110661. http://dx.doi.org/10.1177/16094069211066169.
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Fat studies is a field of study that provides critiques and disrupts western biomedical assumptions about fatness. Various methodologies are taken up within the field of fat studies; however, arts-based methods offer unique and distinct methodological insights to the field. Addressing these important intersections, this methodological paper illuminates three broad arts-based research methods used in fat studies and how these methods highlight important themes of disruption, space, and temporalities. In particular, the importance of temporalities and time captured paper through arts-based methods covered are noteworthy. In the space of fat temporality, we end with a critical invitation for fat studies and arts-based scholars to innovate work using the method of performance art, specifically how performance can facilitate unique insights to create new knowledge at the intersection of fat studies and arts-based research.
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Yulivan, Ivan, Nur Dina, Iwan Sukoco, Margo Purnomo, and Dian Fordian. "ORIENTASI ENTREPRENEURIAL SOSIAL ANALISIS STATE OF THE ART BERDASARKAN SYNTHETIC SCOPING REVIEW." AdBispreneur 6, no. 2 (November 23, 2021): 189. http://dx.doi.org/10.24198/adbispreneur.v6i2.34807.
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The purpose of the research using the synthetic scoping review method is to reveal state-of-the-art of entrepreneurial orientation study in social entrepreneurship context. This research was carried out in a mixed method approach with three stages, namely systematic review and scoping review as a qualitative approach and bibliometric mapping with co-occurrence analysis as a quantitative approach. The results of a systematic review show that a social entrepreneurial orientation has been initiated since 2002.. The European Union and quantitative research dominate. The results of the scoping review reveal seven dimensions of entrepreneurial orientation that are typical with social entrepreneurship context. Furthermore, the results of the co-occurrence analysis raise five major themes, namely 1) the effect of social entrepreneurial orientation on entrepreneurial financial performance, 2) economic performance and social performance, 3) Social entrepreneurial orientation in sociopreneurship practice, 4) the antecedent and consequent of the strategic domain of social entrepreneurial orientation and 5) Social entrepreneurial orientation in knowledge spillover theory of entrepreneurship. Based on results, this article contributes to new research opportunities on social entrepreneurial orientation study. Tujuan penelitian dengan metode synthetic scoping review disini adalah mengungkap kondisi terkini (state-of-the-art) kajian orientasi entrepreneurial dalam konteks entrepreneurship sosial. Penelitian dilakukan dengan pendekatan mixed method dalam tiga tahap, yaitu systematic review dan scoping review sebagai pendekatan kualitatif dan bibliometric mapping dengan analisis co-occurrence sebagai pendekatan kuantitatif. Hasil systematic review menunjukkan bahwa orientasi entrepreneurial sosial telah digagas sejak 2002. Uni Eropa dan penelitian kuantitatif mendominasi. Hasil scoping review memunculkan tujuh dimensi orientasi entrepreneurial yang khas dalam konteks entrepreneurship sosial. Selanjutnya, hasil analisis co-occurrence memunculkan lima tema besar, yaitu 1) pengaruh orientasi entrepreneurial sosial terhadap kinerja keuangan entrepreneurial, 2) kinerja ekonomi dan kinerja sosial, 3) orientasi entrepreneurial sosial dalam praktik sociopreneurship, 4) anteseden dan konsekuen domain strategis orientasi entrepreneurial sosial, dan 5) orientasi entrepreneurial social dalam knowledge spillover theory of entrepreneurship. Berdasarkan hasil tersebut, artikel ini berkontribusi membuka peluang penelitian baru dalam kajian orientasi entrepreneurial sosial.
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Thomas, Duncan A., Maria Nedeva, Mayra M. Tirado, and Merle Jacob. "Changing research on research evaluation: A critical literature review to revisit the agenda." Research Evaluation 29, no. 3 (June 29, 2020): 275–88. http://dx.doi.org/10.1093/reseval/rvaa008.
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Abstract The current range and volume of research evaluation-related literature is extensive and incorporates scholarly and policy/practice-related perspectives. This reflects academic and practical interest over many decades and trails the changing funding and reputational modalities for universities, namely increased selectivity applied to institutional research funding streams and the perceived importance of university rankings and other reputational devices. To make sense of this highly diverse body of literature, we undertake a critical review of over 350 works constituting, in our view, the ‘state-of-the-art’ on institutional performance-based research evaluation arrangements (PREAs). We focus on PREAs because they are becoming the predominant means world-wide to allocate research funds and accrue reputation for universities. We highlight the themes addressed in the literature and offer critical commentary on the balance of scholarly and policy/practice-related orientations. We then reflect on five limitations to the state-of-the-art and propose a new agenda, and a change of perspective, to progress this area of research in future studies.
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МОВА, Людмила. "Using dance movement therapy tools for future choreographers training." EUROPEAN HUMANITIES STUDIES: State and Society 1, no. II (March 30, 2019): 60–71. http://dx.doi.org/10.38014/ehs-ss.2019.1-ii.05.
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In the article, we considered the basic conditions for creative abilities development of future choreographers, analyzed the significance of choreographic art in personal creative development, and identified methods to increase creative activity in student-choreographers. Authors have proved that contemporary dance contributes to the discovery and emergence of the uniqueness of each person, the formation of bright creative personality, because of imagination, diversity, and unpredictability play an important role here, as each next dance performance, search for new elements of vocabulary, creation of new compositional solutions require improvisation, creativity, and skills of presence in the moment of performance. It is noted, that it is very important to include elements of dance movement therapy in the process of preparing future choreographers. Authors have offered the themes that allow to activate processes of personal development, find a balance between feelings of freedom and responsibility, and reveal creative possibilities of choreographic students.
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Turpin, Myfany, and Jennifer Green. "Rapikwenty: ‘A loner in the ashes’ and other songs for sleeping." Studia Metrica et Poetica 5, no. 1 (August 5, 2018): 52–79. http://dx.doi.org/10.12697/smp.2018.5.1.03.
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Rapikwenty is a traditional Australian Indigenous set of stories-and-songs from the Utopia region of Central Australia performed by Anmatyerr speaking adults to lull children to sleep. The main protagonist is a boy who is left to play alone in the ashes. Like many lullabies, Rapikwenty is characterised by scary themes, soft dynamics, a limited pitch range and repetition. The story-and-song form is not common in the Australian literature on lullabies, yet such combinations of prose and verse are found in other forms of verbal art of the region (Green 2014). This verbal art style is also well-attested in other oral traditions of the world (Harris & Reichl, 1997). Rapikwenty resembles other Anmatyerr genres in its song structure; yet differs in its performance style. Echoing Trainor et al. (1999: 532), we find it is the “soothing, smooth, and airy” delivery, rather than any formal properties of the genre, that achieves the lulling effect. In addition, Rapikwenty uses the recitative style known as arnwerirrem ‘humming’. The voice thus moves seamlessly between spoken story and sung verse, creating a smooth delivery throughout. We suggest that the combination of prose and verse reflects an Anmatyerr concept of song as prototypically punctuating events in a story rather than a medium for story-telling itself. This article suggests a more nuanced approach to the relationship between genre and performance styles.
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Revenko, Natalia. "Ukrainian piano concert in the repertoire of the future teacher of music art." Scientific Visnyk V.O. Sukhomlynskyi Mykolaiv National University. Pedagogical Sciences 66, no. 3 (2019): 191–95. http://dx.doi.org/10.33310/2518-7813-2019-66-3-191-195.
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The article highlights the methods of working on a Ukrainian piano concert with students-pianists in the lessons on "Instrumental Performance (Piano)" in higher education institutions. The stages of the formation and development of the Ukrainian piano concert are presented: the end of the 20s-30s of the XX century – the origin and formation, the 40-60s – the development period, the 80-90s – the heyday of the concert genre. The best examples of this genre in the works of domestic composers of the past and the present are analyzed, namely, piano concerts by L. Revutsky, M. Skorik, V. Ptushkin. It has been proved that the positive qualities of the piano concerto No. 2 of L. Revutsky consist in the organic development of Ukrainian classical traditions, in the deep embodiment of elevated, cheerful moods, lyrical-excited pathetics, and strong-willed images. The piano concerto No. 1 by M. Skorik is characterized by an artistic-figurative emotionality combined with brilliant virtuosity and is designed for vivid external effects. Marked by neoclassical style, M. Skorik’s concert is built on the free competition of a virtuoso pianist with an orchestra and refers to the type of concerts with relatively equal parts of solo and orchestra. When performing the interpretation of the first part of the piano concert of V. Ptushkin, the main attention is paid to the nature of the performance of the main themes, namely the contrast and dialogue between them. It was found out that acquaintance of students-pianists in the instrumental performance classes with the genre of the Ukrainian piano concerto expands the knowledge of future music art teachers in developing this genre in our country. Processing the best examples of piano concerts by composers of the past and the present develops a sense of ensemble playing among students, influences timbre hearing, introduces composers' innovations in the fields of style, musical language, means of shaping, as well as a wide emotional palette of musical images. The concerts focused on the functions of a soloist and orchestra, the artistic content of works, shaping, composer innovations in the field of musical language.
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Kaplan, Daniel B., and Gary Glazner. "GROUP-BASED PARTICIPATORY ARTS INTERVENTIONS: PRODUCING ART AND VALIDATION OF PERSONHOOD." Innovation in Aging 3, Supplement_1 (November 2019): S198. http://dx.doi.org/10.1093/geroni/igz038.716.
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Abstract Participatory arts-based interventions for people living with dementia involve the collaborative creation and performance of poetry, story, song, dance, and visual arts. These programs are designed to support self-expression and productive collaboration among people living with dementia while stimulating positive social interactions and feelings of empowerment and validation. This paper explores the use and potential benefits of validation in the implementation of person-centered participatory arts interventions in the context of dementia care. The authors offer a theoretical framework for understanding validation as a common intervention method and participant experience during these interventions, organized into five themes: collaboration, connection, creation, communication, and confirmation. Basic validation techniques are easily learned and can be incorporated into a broad diversity of dementia care strategies and interventions including activity programs designed to stimulate cognitive, physical, and communicative abilities. Participatory arts programs offer tools for connecting to personhood in a population for whom such connections are under constant threat of erosion. As activity programs based in creative arts help to support self-expression among participants and serve as a vehicle for generating feelings of self-efficacy, such activities are well suited to fostering the person-centered goals of dementia care programming. Clinicians and other transdisciplinary care providers are encouraged to understand, use, and teach these and other validation-focused arts interventions with persons living with dementia. These validation experiences are suggested to offer direct clinical benefits for participants as well as indirect benefits when modeled in the presence of formal care providers and family members.
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Yanuartuti, Setyo, and Joko Winarko. "Revitalization of Jatidhuwur Jombang Mask Dance as An Effort To Reintroduce Local Cultural Values." Harmonia: Journal of Arts Research and Education 19, no. 2 (December 13, 2019): 111–16. http://dx.doi.org/10.15294/harmonia.v19i2.20437.
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Millennial era is an era where this generation is generally characterized by increasing the use and familiarity of communication, media and digital technology. This era will bring even further gaps in the attitude of this generation from the values of Indonesian life. The value of this nation’s life has long been stored under the arts and culture. In the midst of the downfall of the traditional art life, like the Jatid masked dance, we need the strategy for the young generation to value the local culture for filtering the exposure of foreign culture. This becomes the ground of current Jombang society which directing their art revitalization to the present cultural forms. That becomes the reason behind this study to be conducted. The purpose of this study is to realize the Jatidhuwur mask dance as a medium to introduce Jombang local cultural values to the current generation. The method used for revitalization is dance reconstruction. Reconstruction was carried out with the stages of excavation, setting the structure, developing elements of motion and accompaniment, and packaging, and introducing it to young people in Jombang. Data analysis uses an interactive model in the stages of data collection, data reduction, data presentation and conclusions. The results show that in the Jatidhuwur Mask dance performance there are local cultural values such as religious values, discipline values, life values, and the value of struggle. These local cultural values are revitalized and visualized through art elements such as themes (stories), plot, performance structure, and accompaniment in the touch of new cultivation. The dance is presented in the form of a single dance and a short dance drama (fragmentary), with a touch of technology.
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School, Veronika, and Amélie Zosso. "“You Cannot Perform Music Without Taking Care of Your Body”: A Qualitative Study on Musicians’ Representation of Body and Health." Medical Problems of Performing Artists 27, no. 3 (September 1, 2012): 129–36. http://dx.doi.org/10.21091/mppa.2012.3024.
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OBJECTIVE: To identify professional musicians’ representation of health and illness and to identify its perceived impact on musical performance. METHODS: A total of 11 professional musicians participated in this phenomenological study. Five of the musicians were healthy, and the others suffered debilitating physical health problems caused by playing their instruments. Semi-structured interviews were conducted, transcribed verbatim and analysed. Thematic analysis, including a six-step coding process, was performed (ATLAS-ti 6). RESULTS: Three major themes emerged from the data: music as art, the health of musicians, and learning through experience. The first theme, music as art, was discussed by both groups; they talked about such things as passion, joy, sense of identity, sensitivity, and a musician’s hard life. Discussions of the second theme, the health of musicians, revealed a complex link between health and performance, including the dramatic impact of potential or actual health problems on musical careers. Not surprisingly, musicians with health problems were more concerned with dysfunctional body parts (mostly the hand), whereas healthy musicians focused on maintaining the health of the entire person. The third theme, learning through experience, focused on the dynamic nature of health and included the life-long learning approach, not only in terms of using the body in musical performance but also in daily life. CONCLUSIONS: The centre of a musician’s life is making music in which the body plays an important part. Participants in this study evidenced a complex link between health and musical performance, and maintaining health was perceived by these musicians as a dynamic balance. Our results suggest that learning through experience might help musicians adapt to changes related to their bodies.
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Candelario, Rosemary. "Performing and Choreographing Gender in Eiko & Koma's Cambodian Stories." Congress on Research in Dance Conference Proceedings 40, S1 (2008): 43–48. http://dx.doi.org/10.1017/s2049125500000492.
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Eiko & Koma's 2006 piece Cambodian Stories: An Offering of Painting and Dance offers an opportunity to analyze the ways gender, the nation, and the global are choreographed and represented on an American stage. Gender is thoroughly implicated in each of the main themes raised by the piece: history (both personal and geo-political), Asian identity, and the relationship between visual art and the performing body. In what ways does this intercultural, intergenerational, and multidisciplinary work complicate our understanding of gender and the nation in the age of globalization? How can a performance such as Cambodian Stories be viewed as a site of (non-Western) feminist knowledge production? Might the movements of Eiko & Koma alongside nine young Cambodian painters be evidence of an agency not visible through the gaze of Western feminist theory?