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Books on the topic 'Performance art Australia'

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Author: Grafiati

Published: 10 December 2022

Last updated: 29 January 2023

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1

Body and self: Performance art in Australia 1969-92. South Melbourne, Australia: Oxford University Press, 1993.

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2

Marsh, Anne. Body and self: Performance art in Australia, 1969-92. South Melbourne: Oxford University Press, 1993.

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3

Transfigured stages: Major practitioners and theatre aesthetics in Australia. Amsterdam: Rodopi, 2011.

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4

Graham, Dan. Dan Graham. Perth, W.A: Art Gallery of Western Australia, 1985.

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5

Graham, Dan. Dan Graham: Public/private. Philadelphia: The Gallery, 1993.

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6

Graham, Dan. Dan Graham: Œuvres, 1965-2000. Paris: Paris-musées, 2001.

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7

Graham, Dan. Dan Graham: 20 février-19 avril 1987, ARC (Animation, recherche, confrontation), Musée d'art moderne de la ville de aris. Paris: Musée d'art moderne de la ville de Paris, 1987.

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8

Graham, Dan. Dan Graham. Barcelona: Ediciones Polígrafa, 1998.

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9

Graham, Dan. Dan Graham: Public/private. Philadelphia, Pa: Goldie Paley Gallery, Levy Gallery for the Arts in Philadelphia, Moore College of Art and Design, 1993.

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10

Bennett, Simpson, Iles Chrissie, Anastas Rhea, Gordon Kim 1953-, Graham Rodney 1949-, Museum of Contemporary Art (Los Angeles, Calif.), and Whitney Museum of American Art., eds. Dan Graham: Beyond. Los Angeles: Museum of Contemporary Art, 2009.

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11

Graham, Dan. Dan Graham: Contemporary Art Gallery, September 24-November 15, 2003. [Vancouver]: The Gallery, 2003.

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12

Graham, Dan. Dan Graham. Perth, W.A: Art Gallery of Western Australia, 1985.

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13

The infinity machine: Mike Parr's performance art. Melbourne: Schwartz Media, 2009.

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14

1956-, Gilbert Helen. Performance and cosmopolitics: Cross-cultural transactions in Australasia. Houndmills: Palgrave Macmillan, 2008.

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15

Pinne, Peter. Australian performers, Australian performances: A discography from film, TV, theatre, radio, and concert, 1897-1985. Melbourne, Vic., Australia: Performing Arts Museum, Victorian Arts Centre, 1987.

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16

Telling stories: Aboriginal Australian and Torres Strait Islander performance. North Melbourne, Vic: Australian Scholarly, 2012.

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17

Embodying transformation: Transcultural performance. Clayton, Vic: Monash University Publishing, 2015.

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18

Feminist poetics: Poiesis, performance, histories. London: Routledge, 1997.

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19

Performance, ethics and spectatorship in a global age. New York: Palgrave Macmillan, 2009.

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20

Lurrtjulu-la Palyanma: Let's keep doing it together. Kalgoorlie, W.A: Wilurarra Creative, 2010.

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21

Ranzi, Gianluca, ed. Time-dependent behaviour and design of composite steel-concrete structures. Zurich, Switzerland: International Association for Bridge and Structural Engineering (IABSE), 2021. http://dx.doi.org/10.2749/sed018.

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<p>Steel-concrete composite structures are widely used throughout the world for buildings and bridges. A distinguishing feature of this form of construction is the combination of concrete and steel components to achieve enhanced structural performance. <p>The time-dependent response of concrete and its infl uence on the service behaviour and design of composite structures are the main focus of this SED. For the fi rst time, a publication combines a state-of-the-art review of the research with the available design specifi cations of Europe, Australia and New Zealand, and USA. This publication intends to enhance the awareness of the service response of composite structures and of the latest research and standards’ developments. It is aimed at designers and researchers alike. <p>The review of research available in open literature is provided and arranged according to structural typologies, i. e. slabs, beams, and columns. It serves as background information for current service design rules and provides insight into the most recent research advancements. The review of available design guidelines presents the similarities and differences of the recommended service design procedures infl uenced by concrete time effects. Selected case studies of building and bridge projects show possible design approaches and the rationale required when dealing with the time-dependent response and design of composite structures. The authors of this publication are design engineers and academics involved in the service design and research on the time-dependent response of composite structures.

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22

Performance And Cosmopolitics Crosscultural Transactions In Australasia. Palgrave MacMillan, 2009.

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23

Lo, J., and H. Gilbert. Performance and Cosmopolitics: Cross-Cultural Transactions in Australasia. Palgrave Macmillan, 2007.

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24

Hamilton, Margaret. Transfigured Stages: Major Practitioners and Theatre Aesthetics in Australia. Rodopi, 2011.

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25

William Yang: Stories of Love and Death. NewSouth Publishing, 2016.

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26

McAuley, Gay. Unstable Ground: Performance and the Politics of Place. P.I.E. - Peter Lang SA Éditions Scientifiques Internationales, 2008.

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27

Unstable Ground: Performance and the Politics of Place (Dramaturgies). Peter Lang Publishing, 2007.

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28

Unstable Ground: Performance and the Politics of Place (Dramaturgies). Peter Lang Publishing, 2006.

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29

Curkpatrick, Samuel. Voices on the wind. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199352227.003.0007.

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The musical project Crossing Roper Bar (CRB) is based on a collaboration between Wägilak songmen from Australia’s Northern Territory and the Australian Art Orchestra (AAO). Individuals drawn into this collaboration bring their distinct voices and histories to performance, while opening themselves to those of others. A new, malleable approach to orchestral performance in Australia is the result of this collaboration, which places improvisation at the centre of conversational musical interaction. This chapter introduces orthodox narrative elements of Wägilak manikay (song) that are creatively renewed and sustained in CRB. It highlights how the collaboration demonstrates the compelling play of musical performance that can generate nuanced, respectful and ongoing interactions between individuals, and between individuals and traditions. Amidst the vibrant, cultural diversity of contemporary Australian society, CRB suggests new possibilities for productive and relevant orchestral music-making.

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30

Body Show/S: Australian viewings of live performance. (Australian Playwrights 8) (Australian Playwrights). Rodopi Bv Editions, 2000.

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31

What Is Performance Art?: Australian Perspectives. Power Publications, 2018.

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32

Graham, Dan. Dan Graham: Interviews. Cantz, 1997.

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33

Zevi, Adachiara, Dan Graham, Alexander Alberro, Brian Hatton, Christine van Assche, Gloria Moure, and Friedrich Wolfram Heubach. Dan Graham. Poligrafa, 2001.

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34

Dan Graham : Exposition, Paris, Musée d'art moderne de la Ville de Paris, 21 juin-15 oct.2001. Paris musées, 2001.

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35

Tait, Peta. Body Show/S: Australian viewings of live performance. (Australian Playwrights 8). Rodopi Bv Editions, 2000.

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36

1960-, Allen Richard, and Pearlman Karen, eds. Performing the unnameable: An anthology of Australian performance texts. Sydney: Currency Press in association with RealTime, 1999.

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37

Body show/s: Australian viewings of live performance. Amsterdam: Rodopi, 2000.

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38

Mal, Morgan, and La Mama Theatre, eds. La Mama poetica. Carlton, Vic: Melbourne University Press, 1989.

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39

Storer, Russell. Bleed Bled Said: Adam Geczy and Mike Parr. Power Publications, 2011.

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40

Mapping Cultural Identity In Contemporary Australian Performance (Dramaturgies: Texts, Cultures and Performances). College of Europe Pubns, 2001.

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41

Mapping Cultural Identity in Contemporary Australian Performance (Dramaturgies: Texts, Cultures and Performances). Peter Lang Publishing, 2001.

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42

PARALLEL REALITIES: THE DEVELOPMENT OF PERFORMANCE ART IN AUSTRALA. 2nd ed. Melbourne, Australia: Thames & Hudson Australia, 2017.

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43

Performance and Cosmopolitics: Cross-cultural Transactions in Australasia (Studies in International Performance). Palgrave Macmillan, 2007.

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44

Dancing in Shadows: Histories of Nyungar Performance. UWA Publishing, 2018.

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45

David Noonan Scenes. Jrp Ringier, 2010.

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46

Gilbert, Helen Professor, and Jacqueline Lo. Performance and Cosmopolitics: Cross-Cultural Transactions in Australasia. Palgrave Macmillan, 2009.

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47

Threadgold, Terry. Feminist Poetics: Performance, Histories. Taylor & Francis Group, 2002.

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48

Threadgold, Terry. Feminist Poetics: Performance, Histories. Taylor & Francis Group, 2002.

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49

Threadgold, Terry. Feminist Poetics: Performance, Histories. Taylor & Francis Group, 2002.

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50

Casey, Maryrose. Embodying Transformation: Transcultural Performance. Monash University Publishing, 2015.

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